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Style: Impressionist
Period: 19th Century
Prairies de Bazincourt by Camille Pissarro - Landscape etching
Located in London, GB
Prairies de Bazincourt by Camille Pissarro (1830-1903)
Etching and aquatint
8.1 x 12 cm (3 ¹/₄ x 4 ³/₄ inches)
Stamped with initials lower left, C.P. and numbered 3/18 lower right
T...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
"Une Mère et Enfant (Jean Renoir)"
Located in Hinsdale, IL
RENOIR, PIERRE AUGUSTE
(1841 -1919)
"Une Mère et Enfant (Jean Renoir)"
(Mother and Child)
Delteil 10, Stella 10
Drypoint in color, 1896
Proof aside from the numbered edition of 100...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Le Chapeu Epinglé - Etching by Pierre Auguste Renoir - 1894
Located in Roma, IT
Le chapeu épinglé is a modern artwork realized by Pierre Auguste Renoir.
Etching on laid paper.
Signed on the plate lower left.
Pencil inscriptions bearing the artist's personal d...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
19th Century Engraving by American Impressionist Herman Hyneman
Located in Larchmont, NY
Herman Hyneman (American, 1849-1907)
Untitled, c. 1880
Engraving
Sight: 13 x 8 1/2 in.
Framed: 26 1/2 x 20 1/2 x 3/4 in.
Signed bottom
The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island."
Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master.
In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay.
In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...
Category
American Impressionist 19th Century Prints and Multiples
Materials
Engraving
Presidential Portrait of John Tyler by William Henry Brown
Located in Larchmont, NY
William Henry Brown (American, 1803-1883)
Silhouette Portrait of John Tyler, 1844
Lithograph
Sight: 14 1/2 x 10 3/8 in. (image)
Framed: 20 1/8 x 14...
Category
American Impressionist 19th Century Prints and Multiples
Materials
Lithograph
The Draped Figure, Seated
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbe...
Category
American Impressionist 19th Century Prints and Multiples
Materials
Lithograph
Querelle d'amoureux. (Quarreling). 1
By James Tissot
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...
Category
Impressionist 19th Century Prints and Multiples
Materials
Drypoint, Etching
Quai de Paris, à Rouen by Camille Pissarro - Cityscape etching
Located in London, GB
Quai de Paris, à Rouen by Camille Pissarro (1830-1903)
Etching
18 x 17.5 cm (7 ¹/₈ x 6 ⁷/₈ inches)
Stamped with initials C.P. lower left and numbered 3/13 lower right
This etching w...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Effet de pluie by Camille Pissarro - Landscape etching
Located in London, GB
Effet de pluie by Camille Pissarro (1830-1903)
Etching, aquatint and drypoint
15.9 x 21.3 cm (6 ¹/₄ x 8 ³/₈ inches)
Stamped with initials C.P. lower left and numbered 7/14 lower righ...
Category
Impressionist 19th Century Prints and Multiples
Materials
Drypoint, Etching, Aquatint
Un Debarquement en Angleterre (A Disembarking in England)
Located in Fairlawn, OH
Un Debarquement en Angleterre
(A Disembarking in England)
etching, drypoint, aquatint, roulette and spirit ground, 1879
Signed with the artist’s red owl stamp, Lugt 977 (see photo)
...
Category
Impressionist 19th Century Prints and Multiples
Materials
Drypoint
La rentrée du Berger by Camille Pissarro - Etching
Located in London, GB
La rentrée du Berger by Camille Pissarro (1830-1903)
Etching
7.6 x 10.9 cm (3 x 4 ¹/₄ inches)
Stamped with initials C.P. lower left, and numbered 13/18 lower right
This work was crea...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Old Battersea Bridge View, Chelsea, 1879 - Etching on Paper
Located in Soquel, CA
Old Battersea Bridge View, Chelsea, 1879 - Etching on Paper
Black and white 1897 etching titled "Old Battersea Bridge View" by Charles John Watson (British, 1846-1947). View at Chelsea from the bank of the Thames, with boats moored in foreground at left, Old Battersea Bridge in background, and Chelsea Old Church beyond.
Signed and dated "Charles J Watson...
Category
Impressionist 19th Century Prints and Multiples
Materials
Paper, Ink, Etching
Bûcheronnes - Groupe de paysannes by Camille Pissarro - Lithograph
Located in London, GB
Bûcheronnes - Groupe de paysannes by Camille Pissarro (1830-19030
Lithograph on Chinese paper
13.5 x 24.2 cm
Stamped with initials C.P. lower left and numbered 6/18 lower right
Creat...
Category
Impressionist 19th Century Prints and Multiples
Materials
Lithograph
Unknown
Located in Clinton Township, MI
Renoir portrait that is a quality limited edition print, unnumbered, and is plate signed. It is in good condition and nicely framed
Category
Impressionist 19th Century Prints and Multiples
Materials
Lithograph
Paysanne au puits by Camille Pissarro - Etching
Located in London, GB
Paysanne au puits by Camille Pissarro (1830-1903)
Etching
23 x 19.3 cm (9 x 7 ⁵/₈ inches)
Stamped lower left, C.P. and numbered 8/50
Created in 1891 and printed at a later date as a...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Horse by Félix Pissarro - Etching
Located in London, GB
Horse by Félix Pissarro (1874-1897)
Etching
8 x 10 cm (3 ¹/₈ x 4 inches)
London, Stern Pissarro Gallery, Camille Pissarro & his Descendants - A Tradition of Printmaking, October 200...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Two Horses Under a Tree by Félix Pissarro - Etching and aquatint
Located in London, GB
Two Horses Under a Tree by Félix Pissarro (1874-1897)
Etching and aquatint
11 x 17 cm (4 ³/₈ x 6 ³/₄ inches)
Exhibition: London, Stern Pissarro Gallery, Camille Pissarro & his Desce...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching, Aquatint
MARC CHAGALL "Le joueur de flûte"
By Marc Chagall
Located in Los Angeles, CA
MARC CHAGALL 1887 - 1985
"Le joueur de flûte"
1958
Colour lithograph
25.5x44 cm, illustration; 38.3x57.3 cm, sheet size
Signed lower right by the artist in ink "Marc Chagall" and dedicated "Pour Ursula et Gerd Hatje / "merci" / Marc Chagall / 1958". Inscribed lower left by the artist "Epreuve d'artiste".
This is an artist’s proof, aside from the edition of 90.
Catalogue Raisonné : Mourlot 197
Gerd Hatje (14 April 1915 – 24 July 2007) was a German publisher. The publishing house that he founded in 1945, named the Humanitas Verlag, renamed in 1947 as Verlag Gerd Hatje, is internationally known for contemporary art, photography and architecture. It merged in to Hatje Cantz in 1999. In the 1950s and 1960s, Hatje changed the focus to art, photography, and architecture.[1] He had contact with and was a friend of contemporary artists such as Hans Arp, Willi Baumeister, Joseph Beuys, Max Bill, Georges Braque, Marcel Breuer, Marc Chagall, Christo, Le Corbusier, Max Ernst, Alberto Giacometti, Walter Gropius, Joan Miró, Pablo Picasso, Ludwig Mies van der Rohe, and James Stirling...
Category
Impressionist 19th Century Prints and Multiples
Materials
Lithograph, Paper
Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro
Located in London, GB
Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro (1830-1903)
Etching
17.1 x 25.3 cm (6 ³/₄ x 10 inches)
Stamped lower right, C.P. and numbered 8/18
Executed i...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
“Le Chapeau Epingle”
Located in Southampton, NY
Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good...
Category
Impressionist 19th Century Prints and Multiples
Materials
Archival Paper, Etching
Antique Lithograph Shakespeare's "The Taming Of The Shrew" Character Petruchio
Located in Soquel, CA
"The Smoker" After Shakespeare's "The Taming Of The Shrew" Petruchio - Antique Lithograph
Lithograph titled "The Smoker," after the character "Petruchio" in William Shakespeare's pl...
Category
Impressionist 19th Century Prints and Multiples
Materials
Ink, Paper
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Impressionist 19th Century Prints and Multiples
Materials
Drypoint, Laid Paper, Etching
"Une Mère et Enfant (Jean Renoir)"
Located in Hinsdale, IL
RENOIR, PIERRE AUGUSTE
(1841 -1919)
"Une Mère et Enfant (Jean Renoir)"
(Mother and Child)
Delteil 10, Stella 10
Drypoint in color, 1896
Proof aside from the numbered edition of 100 impressions
Published in “L’Album des peintres-graveurs; Ambroise Vollard
Signature on the stone “Renoir”
10” x 7 3/4”
Very fine impression on laid paper
Renoir’s interest in the mother and child theme was awakened with the birth of his first son Pierre in 1885. In 1894 their second son, Jean, was born. This was the inspiration for this particular etching created when Jean was just two years old. Renoir was interested in Rubens and Delacroix’s rich use of color and loose rounded form which he observed in the Louvre in Paris. His appreciation is evident in this printThe simple positioning of the figures is structurally balanced, and shows Renoir looking back to Raphael’s Virgin and Child paintings...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Lola De Valence
Located in Fairlawn, OH
Lola De Valence
Etching, 1862
Signed in the plate lower left: “Ed Manet”
Printed on chine collee paper, without watermark
From the first edition, published by Cadart and Luquet, Paris, before the removal of the inscription “ Ed. Manet sculpt”
From the 1863 edition, before the 1874 Portfolio, 1890 Portolio. 1894 Dumont edition and the Strolin edition of 100 in 1905
Pencil inscription with title below the plate in the lower margin
Conditiono: Excellent
Image size: 10 7/8 x 6 7/8 inches
Plate size: 18 3/4 x 13 inches
Reference: Harris-Manet 33 iii/III
Guerin-Manet 23 vi/VIII
The painting that this etching is inspired by is in the collection of the Musee d'Orsay, Paris.
"Lola de Valence is a painting by the painter Édouard Manet in 1862 . The canvas represents a dancer dressed intraditional Spanish clothes...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
L'Enfant au Biscuit (Jean Renoir) - Lithograph by Pierre Auguste Renoir - 1899
Located in Roma, IT
Edition of 100 prints, not signed.
One of the most celebrated graphic works of Renoir, showing his son, the future Director Jean Renoir.
Belogs to the suite “L’Album d’estampes orig...
Category
Impressionist 19th Century Prints and Multiples
Materials
Lithograph
The Gate, Chelsea
Located in New York, NY
Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches.
A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work.
According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...
Category
Impressionist 19th Century Prints and Multiples
Materials
Drypoint, Etching
Jean Francois Millet, "La Boullie (The Porridge)", Drypoint Etching, 1861
Located in Long Island City, NY
Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...
Category
Impressionist 19th Century Prints and Multiples
Materials
Drypoint, Etching, Intaglio
The Reaper : Life and Death - Original etching - Ed. Durand Ruel, 1873
Located in Paris, FR
Pierre PUVIS DE CHAVANNES (after)
The Reaper : Life and Death, 1873
Original Etching
Engraved by Boilvin under the supervision of PUVIS DE CHAVANNES
Printed signature in the plate
On laid paper 20,5 x 30 cm (c. 8 x 12 in)
INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Afternoon Tea Party
By (after) Mary Cassatt
Located in Fairlawn, OH
Afternoon Tea Party
Drypoint and aquatint printed in colors, printed 1991
Initialed in the center of the plate
Condition: Excellent
Archival framing with silk matting, finished corner gold...
Category
Impressionist 19th Century Prints and Multiples
Materials
Aquatint
The Draped Figure, Seated
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbered: "No. 20" in pencil
Printed by Thomas Way, London
A beautiful impression with tonal variations in the stump work (shading)
As published in: L'Estampe Originale, Paris, 1893, Album IV
Edition: 107 impressions, this No. 20
There were an additonal 24 impressions printed by Way for Whistler and 20 impressions printed for the Fine Art Society, London
Lacking the huge support sheet and embossed series stamp by Charpentier
With the letterpress lower left: "T. Way. Imp London"
The stone erased in 1904
The majority of the lifetime impressions are in public collections
Condition: Excellent condition
Hinges from original issuance of L'Estampe Originale verso at top as described in Spink
Three hinges residue along right edge of the sheet from a later matting of the print
Image size: 8 1/4 x 6 3/8 inches
Sheet size: 11 3/8 x 9 1/16 inches
Reference: Spink/Tadeschi 72, published edition
Levy 74
Way 46
A superb Neoclassical lithograph...
Category
American Impressionist 19th Century Prints and Multiples
Materials
Lithograph
La Bonne faisant son Marché
Located in New York, NY
A superb, richly-inked impression of this scarce drypoint printed in dark brownish black on cream laid paper. Second state (of 4), with the drypoint work on the windows upper right. ...
Category
Impressionist 19th Century Prints and Multiples
Materials
Laid Paper, Drypoint
L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes)
Located in Fairlawn, OH
L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes)
Etching, 1881
Unsigned (as usual for this state)
From: L'enfant prodigue, (The Prodigal Son, five plates)
Ed...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
J. Becquet, Sculptor
Located in Fairlawn, OH
J. Becquet, Sculptor
Etching & drypoint, 1859
Unsigned as issued
From: The Thames Set
Printed on this Japanese tissue
Rich impression
Condition: Excellent
Plate/Image size: 9 7/8 x 7...
Category
Impressionist 19th Century Prints and Multiples
Materials
Drypoint, Etching
"The Bridge over the Seine Near Argenteuil" Oil Reproduction after Claude Monet
Located in Pasadena, CA
This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons.
The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface.
At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples.
An original painting of the series can be seen at Musée d'Orsay in Paris, France...
Category
Impressionist 19th Century Prints and Multiples
Materials
Ink, Oil
Le Gamin (The Kid)
Located in Fairlawn, OH
Le Gamin (The Kid)
Etching on laid paper, 1862
Signed in the plate upper left (see photo)
As published in Theodore Duret, L'Histoire d'Edouard Manet et de Son Ouvre, 1902 (The first ...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Une Femme Assise by Lucien Pissarro - Etching
Located in London, GB
Une Femme Assise by Lucien Pissarro (1863-1944)
Etching
23 x 13 cm (9 x 5 ¹/₈ inches)
Stamped lower right, L.P. and numbered lower left, 10/20
Provenance: John Bensusan Butt
Private...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Actresses in Their Dressing Rooms
By Edgar Degas
Located in Fairlawn, OH
Actresses in Their Dressing Rooms
etching & aquatint, 1879-1880
Unsigned as usual for all canceled plate impressions
Reference: Delteil 28, Shapiro 50 vi/vi with the cancelation line...
Category
Impressionist 19th Century Prints and Multiples
Materials
Aquatint
(after) Camille Pissarro - "La veillee" etching
Located in Henderson, NV
Medium: etching (after the painting). This beautiful piece was etched by Auguste Lauzet after Camille Pissarro, and published in Paris in 1892 by Chamerot et Renouard, for the very r...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
"Road Landscape, " Original Etching and Aquatinit
Located in Milwaukee, WI
"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and i...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching, Aquatint
"Fulham AKA Chelsea (Kennedy 182), " Original Etching Signed
Located in Milwaukee, WI
"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Trois Esquisses de maternite (Three Studies of Maternity)
Located in Fairlawn, OH
After Pierre Auguste Renoir (1841-1919)
Trois Esquisses de maternite (Three Studies of Maternity)
Heliogravure with etching on velin paper, 1893
Unsigned as issued
Edition 1000, there are also 100 on a different paper
Note: The original red and white chalk drawing is in the collection of th Art Gallery of...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Child with a Tray (Pear and Bottle) - Original Etching (Guerin #15)
Located in Paris, FR
Edouard MANET
Child with a Tray (Pear and Bottle), 1861
Original etching
Printed signature in the plate
On Japan paper 36 x 24 cm (c. 12 x 10 inch)
REFERENCES : Catalog raisonnes G...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Courtesans at Yoshiwara Edomachi - Figurative Japanese Woodblock Print on Paper
By Utagawa Yoshiiku
Located in Soquel, CA
Courtesan at Yoshiwara Edomachi - Figurative Japanese Woodblock Print on Paper
Full color woodcut print of two women in elaborate gowns by Utagawa Yoshiiku (Ochiai Yoshiiku) (Japanese, 1833-1904). Two women are dressed in colorful robes with crossed arms. They are underneath a plum blossom tree in bloom, at night. In the background there is a building with many rooms. Valuable polychrome woodblock print of vertical large oban (大判) format made by Utagawa Yoshiiku (歌川芳幾), the famous artist also known as Ochiai Yoshiiku (落合芳幾), and depicting the courtesan Shizuka (しづか), of the house of pleasure Matsumotoro (松本楼), together with her young kamuro (禿) assistant. The couple is escorted by a kanabohiki (金棒引き) watchman holding a lantern and a metal rod with rings to make noise and alert the crowd.
The work, produced in August 1869 by the publisher Tsunajima Kamekichi (綱島亀吉), is taken from the “Twelve Months of Yoshiwara” (よし原十二ヶ月のうち), an elegant series of prints dedicated to the famous red light district of Edo (江戸), and is paired with the “month of leaves” Hazuki (葉月), that is August.
Ochiai Yoshiiku (Japanese, 1833-1904) was an ukiyo-e artist from the end of the Edo Period to the Meiji Period. He has created works which are essential to the history of ukiyo-e, such as“Twenty-eight Famous Murders with Verse”, a series of chimidoro-e (bloody paintings) which Yoshiiku and Tsukioka Yoshitoshi collaborated together, and “Shimbun (newspaper) Nishiki-e” that illustrated Meiji news articles with ukiyo-e.
Born the son of teahouse proprietor Asakusa Tamichi in 1833, Yoshiiku became a student of ukiyo-e artist Utagawa Kuniyoshi toward the end of the 1840s. His earliest known work dates to 1852 when he provided the backgrounds to some actor prints by his master.
Yoshiiku's earliest works were portraits of actors (yakusha-e), beauties (bijin-ga), and warriors (musha-e). He later followed Kuniyoshi into making satirical and humorous pieces, and became the leading name in the field after Kuniyosh's death in 1861. He illustrated the Tokyo Nichi Nichi...
Category
Impressionist 19th Century Prints and Multiples
Materials
Paper, Ink, Woodcut
"Vachere au Bord de l'Eau" original etching on japon paper
Located in Henderson, NV
Medium: original etching and drypoint. This rare and beautiful impression on japon paper is one of only 50 printed for the deluxe edition of the Gazette des Beaux Arts. Published in ...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Florence Leyland
Located in New York, NY
A very good impression of this extremely scarce drypoint. MacDonald's eleventh state "b" (of 11b), restored after cancellation.
Category
Impressionist 19th Century Prints and Multiples
Materials
Drypoint
Old Putney Bridge
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching, Drypoint
The Master Smith
Located in Storrs, CT
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Category
Impressionist 19th Century Prints and Multiples
Materials
Lithograph
The Angelus - Original etching - Ed. Durand Ruel, 1873
Located in Paris, FR
Jean Francois MILLET (after)
The Angelus, 1873
Original Etching
Engraved by Martinez under the supervision of PUVIS DE CHAVANNES
Printed signature in the ...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Venus
Located in New York, NY
A brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....
Category
Impressionist 19th Century Prints and Multiples
Materials
Drypoint, Etching
"Under the Apple Tree", Figurative Chromolithograph after George Niles, 188/250
By Louis Prang
Located in Soquel, CA
Original chromolithograph by Louis Prang (German/American, 1823-1909) of L. Prang & Co. (American, founded 1860), after "Under the Apple Tree" by George E. Niles (American, 1837-1898). This late 19th century figurative chromolithograph depicts a small boy in a country setting and period dress under an apple tree, reaching into a barrel with a basket of apples spilling into the grass. A German style chromolithograph, this limited edition 188/250 print was created with heavy, oil-based inks which were applied in several layers to impart a texture similar to an original oil painting.
Signed and dated in the plate "G.E. Niles 1867". Tag on verso with "Prang's American Chromos - Under the Apple Tree, after Niles - Chromolithographed and published by L. Prang & Co. ...Boston". Displayed in a rustic giltwood beveled frame. Image size: 9"H x 7.25"W.
Louis Prang was a foremost lithographer and publisher in New York City from the mid to the end of the 19th Century. Born in Breslau, Germany to a father who was a calico printer, he was an apprentice to his father during his teen-age years and then spent five years as a journeyman, learning printing and dyeing and living in Austria, France and England. However, Prang's liberal political vliews caused him to be deported by the Prussian government during the Revolution of 1848, and fled via Bohemia and Switzerland to get to America.
In 1850, Prang went to Boston, having stopped briefly in New York City, and became a publisher and taught himself wood engraving. In 1856, he turned to lithography in partnership with Julius Mayer. In 1860, he founded Louis Prang and Co., which was his own company and the first stiff competition to Currier and Ives.
A primary reason for this competition was Prang's active imagination and energetic pursuit of his business. During the Civil War, he published maps and battle plans so that people at home could follow military movements. He also created printed card portraits of Union soldiers...
Category
American Impressionist 19th Century Prints and Multiples
Materials
Lithograph, Cardboard
“Tending the Sheep”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
Impressionist 19th Century Prints and Multiples
Materials
Watercolor, Gouache, Lithograph
"Les Deux Baigneuses (The Two Bathers), " Etching by Pierre-Auguste Renoir
Located in Milwaukee, WI
"Les Deux Baigneuses (The Two Bathers)" is an original etching from 'L'Estampe Originale' by Pierre-Auguste Renoir. Signed with initial and numbered ‘42’, from the edition of 100. The stamp of the publication is in the lower left of the paper. This piece features two nude female bathers.
10 1/4" x 9 1/4" image
23 1/2" x 16 3/4" paper
34 1/8" x 28 1/8" frame
Pierre-Auguste Renoir, commonly known as Auguste Renor (25 February 1841 – 3 December 1919), was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings.
His initial paintings...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Fête du Jubilé de la Reine à Bedford Park, Londres
Located in New York, NY
A superb, dark and evenly-printed impression of this very scarce lithograph by Camille Pissarro and George W. Thornley. Printed in light brown on Chine appliqué. The deluxe edition o...
Category
Impressionist 19th Century Prints and Multiples
Materials
Lithograph
Barges, Dordrecht
Located in Fairlawn, OH
Barges, Dordrecht
Etching, c. 1886
Signed in the plate with the butterfly
Edition: One of 10 known impressions of this image. VERY RARE
Provenance:
Frederick Keppel & Co. with their ...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
Spanish Guitar Player - Original etching - Ed. Durand Ruel, 1873
Located in Paris, FR
Edouard MANET (after)
Spanish Guitar Player, 1873
Original Etching
Engraved by Courtry under the supervision of MANET
Printed signature in the plate
...
Category
Impressionist 19th Century Prints and Multiples
Materials
Etching
La Barricade - Lithograph by Edouard Manet - 1871
Located in Roma, IT
Rare and beautiful lithograph by Edouard Manet .
"La Barricade " illustrates a group of soldiers executing a band of rebels on a street corner. This artwork deals with a subject in...
Category
Impressionist 19th Century Prints and Multiples
Materials
Paper, Lithograph
The Forge
Located in Fairlawn, OH
The Forge
Drypoint, 1861
Signed in the plate lower right (see photo)
Published as part of the Thames Set, 1871
Printed between 1894 and 1896 when the plate was canceled. This impress...
Category
Impressionist 19th Century Prints and Multiples
Materials
Drypoint
“Flower Picking”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
Impressionist 19th Century Prints and Multiples
Materials
Lithograph, Watercolor, Gouache
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