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(after) Pablo Picasso
Dora Maar (Femme Assise)

1955

Price:$1,399
$1,500List Price

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Femme a la Robe, Blanche Couronee de Fleurs - Lithograph after Pablo Picasso
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Portrait d’Homme, Cubist Lithograph after Pablo Picasso
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Visage, Cubist Portrait Lithograph after Pablo Picasso
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MAGIC MAN
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Lithograph in colors on paper. Hand signed and numbered by Max Papart. Image size 39 x 31 inches. Sheet size 47.25 x 35.75 inches. Frame size approx 51 x 42 inches. Edition of 15...
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H 47.25 in W 35.75 in
Tete de Femme, Cubist Lithograph after Pablo Picasso
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A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete de Femme". The original painting was completed in 1958. In the 1970's after Picasso's d...
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Portrait de Face sur Fond Rose et Vert, Cubist Lithograph after Pablo Picasso
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A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Portrait de Face sur Fond Rose et Vert". The original painting was completed in 1917. In the...
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Visage sur Fond Rouge, Cubist Lithograph after Pablo Picasso
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A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Visage sur Fond Rouge". The original painting was completed in 1914. In the 1970's after Pic...
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Satan /// Surrealism Modern Andre Masson French Lithograph Mythological Art
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Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci) Poster /// Edvard Munch Litho
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Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Nordjyllands Kunstmuseum, Aalborg, Denmark Sheet size: 35" x 21.5" Image size: 24.75" x 19" Condition: Some minor handling creases. Light toning at edges. In otherwise excellent condition Rare Notes: Printed in four colors: black, black, tan, and red-orange. Produced for a special posthumous exhibition of Munch's work at the Nordjyllands Kunstmuseum, Aalborg, Denmark from August 16 - October 21, 1973. The image featured on this poster is Munch's 1903 lithograph edition "The Brooch. Eva Mudocci", (Woll No. 244, page 208-209). Edvard Munch would build a strong relationship with Eva Mudocci which lasted many years. They were connected through both romance and also friendship, with the two alternating in importance over time. There was a great mutual respect for each other, with Mudocci being a highly talented violinist from the UK who would regularly tour throughout Europe. They first got together in Paris...
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Louise and Else Heyerdahl /// Expressionism Edvard Munch Portrait Figurative Art
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Artist: Edvard Munch (Norwegian, 1863-1944) Title: "Louise and Else Heyerdahl" *Signed by Munch in pencil lower right Year: 1920 Medium: Original Lithograph on heavy cream wove paper...
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Derrière Le Miroir No. 156 (front cover) /// Modern Abstract Alexander Calder
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Artist: Alexander Calder (American, 1898-1976) Title: "Untitled (front cover)" Portfolio: Derrière le Miroir (No. 156) *Issued unsigned, though signed by Calder in the plate (printed signature) lower right Year: 1966 Medium: Original Lithograph on smooth wove paper Limited edition: Unknown Printer: Arte Adrien Maeght, Paris, France Publisher: Galerie Maeght, Paris, France Sheet size: 14.75" x 11" Condition: In excellent condition Notes: Lithograph produced for the 1966 No. 156 "Derrière le Miroir" portfolio in conjunction with a special exhibition of Calder's work at Galerie Maeght, Paris, France in February of 1966 which featured 13 totems and 27 gouaches. The complete folio included a poem by Jacques Prévert and texts by Professor Meyer Schapiro, Alexander Calder, and Nicholas Guppy. Small spiral lithograph and text on verso as issued. In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery...
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