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Andy Warhol
Uncle Sam (FS II.259)

1981

Price Upon Request

About

UNCLE SAM 259 Uncle Sam 259 is a part of 10 screenprints in the Myths series that exemplify Warhol’s unerring sense for the powerful motifs of his time. Most of the images in Warhol’s Myths series are taken from 1950s television or old Hollywood films. They portray the universal view of America’s once captivating and commanding past. Other pieces included in the series are characters loved by children such as Mickey Mouse, Howdy Doody, and Santa Claus, as well as fictional figures like Dracula, The Wicked Witch of the West, and Uncle Sam. While each of these characters has a strong, sometimes unpleasant persona, they are distinctly separated from reality. It has been said that Warhol considered each of these characters to be facets of his personality. Each of the ten works in Warhol’s Myths portfolio represents a different archetype of American popular culture, including Dracula, Santa Claus, Superman, and Uncle Sam. UNCLE SAM 259 AS PART OF ANDY WARHOL’S LARGER BODY OF WORK For his Myths series, Warhol selected the fantasy characters and imaginary heroes of a typical American childhood. He included Uncle Sam in the portfolio because of the image’s symbolic relevance to the shaping of American culture.

Details

  • Creator
  • Creation Year
    1981
  • Dimensions
    Height: 38 in. (96.52 cm)Width: 38 in. (96.52 cm)
  • Medium
  • Movement & Style
  • Period
  • Condition
  • Gallery Location
    West Hollywood, CA
  • Reference Number
    1stDibs: LU2637325522

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    Ships From: West Hollywood, CA
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    This item cannot be returned.

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About Andy Warhol (Artist)

The name of American artist Andy Warhol is all but synonymous with Pop art, the movement he helped shape in the 1960s. He is known for his clever appropriation of motifs and images from popular advertising and commercials, which he integrated into graphic, vibrant works that utilized mass-production technologies such as printmaking, photography and silkscreening. Later in his career, he expanded his oeuvre to include other forms of media, founding Interview magazine and producing fashion shoots and films on-site at the Factory, his world-famous studio in New York.


     Born and educated in in Pittsburgh, Warhol moved to New York City in 1949 and built a successful career as a commercial illustrator. Although he made whimsical drawings as a hobby during these years, his career as a fine artist began in the mid-1950s with ink-blot drawings and hand-drawn silkscreens. The 1955 lithograph You Can Lead a Shoe to Water illustrates how he incorporated in his artwork advertising styles and techniques, in this case shoe commercials.


     As a child, Warhol was often sick and spent much of his time in bed, where he would make sketches and put together collections of movie-star photographs. He described this period as formative in terms of his skills and interests. Indeed, Warhol remained obsessed with celebrities throughout his career, often producing series devoted to a famous face or an object from the popular culture, such as Chairman Mao or Campbell’s tomato soup. The1967 silkscreen Marilyn 25 embodies his love of bright color and famous subjects.


     Warhol was a prominent cultural figure in New York during the 1960s, ’70s and ’80s. The Factory was a gathering place for the era’s celebrities, writers, drag queens and fellow artists, and collaboration was common. To this day, Warhol remains one of the most important artists of the 20th century and continues to exert influence on contemporary creators.

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