Engraving Portrait Prints

Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19...

A Man with a Large Beard and a Low Fur Cap is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belong...

Self-portrait with long bushy hair is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a l...

Grotesque Profile of Man with High Hat is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. The piece of art belongs to ...

Oriental Head is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition...

HELLEU, PAUL CÉSAR (1859 - 1927) "La Dame a la Toque" (Lady in Fur Hat) Drypoint printed in colors on pale cream wove paper, c. 1906 Signed in black crayo...

The Old Teacher of Philosophy is an original artwork realized by French Artist Jeanne Bardey (1872 - 1954) Drypoint print. Hand-signed on the lower right in pencil, on up dated 191...

Portrait of Sculptor John Michael Rysbrack, from John Vanderbank is an original mezzotint artwork realized in 1734 by John Faber II (L'Aia 1684 ca. - Londra 1756). Signed and dated ...

Beggar and Beggar, Coming From Behind a Hillock is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt. This wonderful piece of art bel...

The Great Jewish Bride is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1635. This wonderful pi...

Woman In Front Of The Stove III is an engraving on ivory-colored paper by Charles Amand Durand realized after Rembrandt (date of realization 1658). This wonderful piece of art belon...

Crispin van de Passe The Younger (c. 1594-1670) Untitled (Royal Stallion), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in plate: Le Bonit...

Portrait of Woman 1929 is an original drypoint realized by Mino Maccari (1929). The artwork is in good conditions except for worn paper on the margins. Ref: Cat. Meloni numbered 88...

This rare 10 piece series from 1973 is Dali's interpretation of Shakespeare's drama Hamlet. Dali paid homage to Shakespeare in several other works but this suite is considered to be ...

Madonna and Child ( Vergine di Bellini) is an original print ( Bulino) realized in 1966 by Ferdinand Gaillard (1834-1887) in the 19th Century. The artwork represents a beautiful po...

A charming mezzontint after the portrait by Henry MacBeth Raeburn depicting General Hay MacDowall. Hay MacDowall was a Scottish officer in the British Army who was the sixth General ...

Jean-François Raffaëlli (French, 1850-1924) Le Marchand de Habits, 1895 Etching and drypoint Sight: 6 x 4 in. Framed: 12 x 9 3/4 x 3/4 in. Initialed lower left in plate: R This etc...

Signed, titled and numbered in pencil by the artist. Edition size: 30. "The central theme of my works is man and his inner world. I use numerous religious, mythological and historic...

SOLD UNFRAMED *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Leicester Square, London by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 14.2 x 11.5 cm (5 ⅝ x...

A fine stipple engraving of Elizabeth, Countess of Derby. She stands in a blue taffeta cloak with fur trim, in a verdant landscape. The artist and en...

Two Hand Crafted Foster Brothers Frames, Gilded, c. 1920 Wood and gold leaf 22 7/8 x 18 x 3/4 inches each Note: One frame contains a mezzotint by William Henderson. Established by S...

The Yale Football Team and Groups of Spectators at the Championship Game between Yale and Harvard which shows the eleven member Yale football team se...

A fine 18th Century mezzotint, showing Lord William Newbottle and his sister, Lady Elisabeth Kar, as children, holding a dove. This mezzotint, by Valentine Green (1739-1813) is after the original painting by Catherine Read (1723-1778). The print has been attractively presented in a 19th Century Hogarth...

Jacques Villon (1875-1963), two drypoints, 1905, (Ginestet and Pouillion E156) each signed in pencil: an impression of the final state (third state of three) printed in bistre, with ...

A charming portrait mezzotint of a young lady with a well-plumed hat by Minnie Cormack (1862-1919), thought to be after one of a pair of works by George Morland (1763-1804). Wearing ...

Woman's Head in Profile - Woman's Head in Profile (left) (Havard) Drypooint, 1920 Unsigned (as usual) From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, pro...

Signed and titled artist proof. Mezzotint portrait of a musician playing a baritone. Suarez is from Mexico, and exhibits internationally, winning awards for his evocative mezzotint...

Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Henry Howard...

Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...

Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...

This is a drypoint and aquatint artwork by Jacques Villon. The artist signed in pencil on the lower right. As well as signed in plate at the top right of the image. This is a wonderful artwork of different intaglio processes being brought together in a beautiful almost seamless harmony. The thin pencil like markings and hair detailing are made using the Drypoint printmaking method. Whilst the color details around the girls are made using the Aquatint etching method. Jacques Villon shows his skills as a printmaker with the way these pieces line up perfectly and with how clean the rest of the plate is around the girls. An unnumbered impression, apart from the numbered edition of 50. Catalogue Raisonne E101, pg. 66-67 (Ginestet & Pouillon. It depicts two young girls. 15" x 11 1/2" art 25 1/8" x 20" frame French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...

Jean- Louis Forain (1852-1931), Similitudes, etching and drypoint, not signed [signed in the plate upper right], 1880, from the total edition of 545, on wove paper, in generally good...

Artist: Sidney Tushingham (English, 1884-1968) Title: "Peggy" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) lower right Cir...

'Eliza Cook' Steel-engraving after a photograph by John Watkins, 1872. Facsimile signature below the image. Eliza Cook (1818 - 1889) was an English author, Chartist poet and writer...

Henry Isaacs (United States, 1951) 'Retrato de Girona', 1989 silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Unframed ID: ISA1446-001-099 Hand-signed by author

Arnulf Rainer (Austrian, born 1929) Self-Portrait, 1995 Medium: Drypoint etching and aquatinta on wove paper Dimensions: 53.5 x 38 cm Edition of 35: Hand-signed and numbered Publishe...

Artist: George Virtue (English, 1684-1756) Title: "King Richard II" Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History *Issued unsigned, though signed by Virtue in the plate (printed signature) lower right Year: 1736 Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown, London? UK Publisher: James, John, and Paul Knapton, London, UK Reference: Brunet No. IV.1115; Bryan V. No. 294 Framing: Recently framed in a gold ornate moulding with 100% cotton rag matting Framed size: 23.63" x 19.69" Image size: 11.25" x 7.25" Condition: In excellent condition Notes: Comes from Virtue's 1736 "The Heads of the Kings of England, Proper for Mr. Rapin's History" portfolio of approximately 63 engravings. Richard II (1367-1400), also known as Richard of Bordeaux, was King of England from 1377 until he was deposed in 1399. Richard's father, Edward, Prince of Wales, died in 1376, leaving Richard as heir apparent to his grandfather, King Edward III...

Firmado por la artista en la parte inferior Se presenta enmarcado El estado del aguafuerte es bueno Medidas aguafuerte: 62 cm. de altura x 46 cm. de ancho. Medidas marco: 66 cm. ...

Edition of 50 printed by Charles White in 1951 for the estate Bibliography: Lincoln Kirstein, Elie Nademan (New York: The Eakins Press, 1973),, 20 Elie Nadelman Born 1882, Warsaw...

This is an 18th century copperplate engraved portrait of Joseph Addison, Esq. by Jacobus Houbraken after a painting by Sir Godfrey Kneller, from "The Heads of Illustrious Persons of Great Britain", published in London in 1748 by John & Paul Knapton. It depicts a bust portrait of Addison in an ornamental oval. He is turned to his right, but he is looking directly at the viewer. He is wearing a dark coat over a white shirt. Below the oval are items relating to plays, music, as well as the rod of Asclepius and books lying in foreground on the right. Joseph Addison (1672-1719) was an English essayist, poet, playwright and politician. he founded The Spectator magazine with his friend Richard Steele. In 1712, Addison wrote his most famous work, "Cato, a Tragedy". It focussed on the last days of Marcus Porcius Cato Uticensis, He was dealing with issues of individual liberty versus government tyranny. The play was particularly popular in America. It is credited as an inspiration for the American Revolution. General George Washington had Cato performed for the Continental Army at Valley Forge during the winter of 1777-78. Several famous quotations from the American Revolution were inspired by passages in Cato, including: Patrick Henry's famous "Give me liberty or give me death!", inspired by Act II, Scene 4: "It is not now time to talk of aught, But chains or conquest, liberty or death.") and Nathan Hale...

Salvador Dali - La Fontaine Portrait - Handsigned Engraving 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 inch paper Referenc...

Maurice Pasternak has created a portrait of his signature figure with outstretched arms. He moves images around on the paper to create a sense of mystery and drama. This impression ...

Bell, Cecil C. SELF PORTRAIT. Drypoint with pencil highlights, 1931. 16 X 12 inches. Titled and signed in pencil, and with Bell's drystamp in the margin, lower left. In excellent con...

HELLEU, PAUL CÉSAR (1859 -1927) "MADAME GEORGES MENIER" Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full...

ean-Emile Laboureur (1877-1943), La Fille au Litre (Grande Planche), engraving, 1921, signed in pencil lower left and inscribed “ep d’art”. Reference: Sylvain Laboureur 217, third st...

This is a self portrait of a young woman who is the wife of the artist. Francisco Souto was born in Venezuela, and received a BFA from Herron School of Art and a MFA from The Ohio ...

Hans Sebald Beham (1500-1550), Panel with a Mascaron, engraving, 1543 [with the initials monogram and date in the plate]. Reference: Bartsch 231, Hollstein 235. Second state (of 2). ...

Untitled (Portrait) Drypoint printed in blue-black graphite mixed with silver, 1974 Signed and dated lower ight (see photo) From: Series entitled Six Drypoints Edition: 23 (4/23) Numbered lower left (see photo) Print Shop: Crown Point Press Printer: Jeannie Fine Publisher: Parasol Press, New York Note: A portfolio is in the collection of the National Gallery, Australia, Fine Arts Museums of San Francisco- de Young/Legion of Honor, Davis Museum at Wellesley College and the Yale University Art Gallery. Condition: Excellent Image/Plate size: 6 3/8 x 5 3/8 inches Sheet size: 24 x 20 inches From a portfolio of six drypoints, printed with unqiue combination of blue-black graphite shavings combined with silver to create the appearence of an original drawing. I know of no other artist to use a similar printing technique. William Bailey studied art at the University of Kansas, Yale University and Yale School of Art where he studied with Josef Albers receiving his MFA in 1957. Mr. Bailey’s first exhibition in New York was at Robert Schoelkopf Gallery in 1968, where he showed regularly until its closing in 1990. During the 90’s he exhibited at the Andre Emmerich Gallery and on its closing, exhibited at the Robert Miller Gallery. In 2004 Bailey moved to the Betty Cuningham Gallery where his most recent exhibition was held from April 30 - June 11, 2016. Mr. Bailey’s work has been exhibited extensively in both America and Europe. He is represented in the collections of The Whitney Museum of American Art, The Museum of Modern Art, the Pennsylvania Academy of Fine Arts, and the Hirschhorn Museum and Sculpture Garden, among others. He was awarded a Guggenheim Fellowship in painting in 1965. Mr. Bailey was elected to The National Academy of Design in 1983 and to The American Academy of Arts and Letters in 1986. Mr. Bailey taught at The Yale School of Art from 1958 to 1962 and from 1969 to 1995. He has also taught at The Cooper Union, University of Pennsylvania and Indiana University. He maintains studios in New Haven and in Umbertide, Italy. Courtesy Betty Cunningham Gallery Tribute to William Bailey THE NEW YORK TIMES William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep. Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than life. “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the William Harrison Bailey...

Jean-Emile Laboureur (1877-1943), La Receveuse, engraving, 1919-1920, signed in pencil lower left, numbered (2/38) lower right and annotated ”imp” [also with initials and the date 19...

Signed in pencil lower right Edition: 3 impressions Signed, dated and annotated “1 of 3” Exhibited: Zygote Press, Cleveland, 2016 Tregoning & Co. 2017

Artist: George Virtue (English, 1684-1756) Title: "King Henry VII" Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History *Issued unsigned, though signed by Virtue in the plate (printed signature) lower right Year: 1736 Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown, London? UK Publisher: James, John, and Paul Knapton, London, UK Reference: Brunet No. IV.1115; Bryan V. No. 294 Framing: Recently framed in a gold ornate moulding with 100% cotton rag matting, and filet from Italy Framed size: 22.69" x 18.63" Image size: 11" x 7" Condition: Light toning and a few minor foxmarks to sheet. In very good condition Notes: Comes from Virtue's 1736 "The Heads of the Kings of England, Proper for Mr. Rapin's History" portfolio of approximately 63 engravings. Engraving of Henry VII, King of England. Half length with long hair, cap with jewelled brooch, jewelled collar, and robes edged in ermine, holding orb in left hand and sceptre in right. Within a rectangular frame with crown, orb, and sceptre above and with coat of arms, putti, and a portrait of Elizabeth of York below. With English inscription below. Henry VII (1457-1509) was the King of England and Lord of Ireland from his seizure of the crown on 22 August 1485 to his death. He was the first monarch of the House of Tudor. Henry attained the throne when his forces defeated King Richard III at the Battle of Bosworth Field, the culmination of the Wars of the Roses. Biography: George Vertue...

Artist: Sidney Tushingham (English, 1884-1968) Title: "Molly" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) upper right Cir...

Jacques Villon (1875-1963), La Couseuse (The Seamstress), drypoint, 1905, signed in pencil lower right margin. Reference: Ginestet and Pouillon 147, Aub...

Title: Basra Medium: Mezzotint Image Size: 12" x 10" Edition Size: 20 ABSENCE OF PASSION / PORTRAITS OF IRAQ Basra is from The Absence of Passion suite of fifteen mezzotint portrait...

Self Portrait is a drypoint realized after Giuseppe Viviani in 1983. Hand signed and numbered. 1983 edition of 100 prints. Signed by the Artist widow "Eralda Benso Viviani". Refe...

Ragged Peasant with His Hands behind Him, Holding a Stick is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piec...

Bust of an old man with curly hair is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905)after an etching by Rembrandt. This piece of art belongs to a la...

Girl with a Basket is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of t...

Bald Old Man with a Short Beard in Profile is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belong...

Philosopher with an Hourglass is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late e...