Engraving Portrait Prints

Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19...

Francesco Bartolozzi after Hans Holbein. Artist and engraver inscribed. Presented in a black varnished frame with a gold card mount. On paper.

Student at a table by candlelight is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a la...

Two Beggars is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19th...

The Artist’s Mother is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of ...

Bust of an old man with flowing beard is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art b...

Self-Portrait with Plumed Cap and Lowered Sabre is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1634. This wonderful piece...

Oriental Head is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition...

Self-portrait with a Broad Nose is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late...

Self-Portrait, stuurs kijkend is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late e...

Head of a Man with Turban is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonde...

Landscape With A Milkman is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1650. This wonderful piece of art belongs to an e...

Hans Sebald Beham (1500-1550), Panel with a Mascaron, engraving, 1543 [with the initials monogram and date in the plate]. Reference: Bartsch 231, Hollstein 235. Second state (of 2). ...

The Old Teacher of Philosophy is an original artwork realized by French Artist Jeanne Bardey (1872 - 1954) Drypoint print. Hand-signed on the lower right in pencil, on up dated 191...

From "Le Bestiaire de la Fontaine." Engraving on arches. Form the edition of 250. Sheet size 22.84 x 29.92 inches. Image size 15.75 x 22.84 inches. Custom framed as pictured. Authen...

Self-Portrait, Bare-Headed is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edit...

The Great Jewish Bride is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1635. This wonderful pi...

Man Crying Out, Three-Quarters Left is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a ...

Man With a Hawk is an engraving on ivory-colored paper realized after an etching by Rembrandt dated 1623-1647. This wonderful piece of art belongs to a late edition of the 19th centu...

Beggar with a stick is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of ...

Rembrandt's Mother with Black Veil I is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching after Rembrandt's original eng...

Cottages and a Hay Barn on the Diemerdijk is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs...

A Man with a Large Beard and a Low Fur Cap is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belong...

Seated beggar and his dog is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late editi...

Head Of An Old Man is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of ...

Self-portrait with long bushy hair is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a l...

Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19...

Man Crying Out is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 1...

Grotesque Profile of Man with High Hat is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. The piece of art belongs to ...

Delicate drypoint etching of two girls by Dorian Krausz (American, b. 1948). Signed "Dorian Krausz" in the lower right corner. Numbered "196/300" in the lower left corner. Presented ...

Portrait of A Man is an etching on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late editi...

Portrait of Woman 1929 is an original drypoint realized by Mino Maccari (1929). The artwork is in good conditions except for worn paper on the margins. Ref: Cat. Meloni numbered 88...

Beggar and Beggar, Coming From Behind a Hillock is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt. This wonderful piece of art bel...

Jacob Haaringh "'Young Haaringh" is an engraving on ivory-colored paper realized after an etching by Rembrandt dated 1655. This wonderful piece of art belongs to an edition of the la...

Woman In Front Of The Stove III is an engraving on ivory-colored paper by Charles Amand Durand realized after Rembrandt (date of realization 1658). This wonderful piece of art belon...

Woman in the Bathroom I is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt of 1658. This specimen belongs to an edition of the late...

Crispin van de Passe The Younger (c. 1594-1670) Untitled (Royal Stallion), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in plate: Le Bonit...

Image dimensions: 10.5 x 6.5 cm. Dame Romaine is an original modern artwork realized by the French artist Léon Gaucherel (1816-1886) in 1862. Original...

Crispin van de Passe The Younger (c. 1594-1670) Untitled (French Noblemen on Horseback), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in p...

Woman's Head in Profile - Woman's Head in Profile (left) (Havard) Drypooint, 1920 Unsigned (as usual) From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, pro...

Firmado por la artista en la parte inferior Se presenta enmarcado El estado del aguafuerte es bueno Medidas aguafuerte: 62 cm. de altura x 46 cm. de ancho. Medidas marco: 66 cm. ...

Crispin van de Passe The Younger (c. 1594-1670) Caesar August de Bellegarde Conte de Montbar Marquis de Termes grand Ecuyer de France, c. 1660 Engraving Sight: 11 3/4 x 15 3/4 in. Fr...

Untitled (Portrait) Drypoint printed in blue-black graphite mixed with silver, 1974 Signed and dated lower ight (see photo) From: Series entitled Six Drypoints Edition: 23 (4/23) Numbered lower left (see photo) Print Shop: Crown Point Press Printer: Jeannie Fine Publisher: Parasol Press, New York Note: A portfolio is in the collection of the National Gallery, Australia, Fine Arts Museums of San Francisco- de Young/Legion of Honor, Davis Museum at Wellesley College and the Yale University Art Gallery. Condition: Excellent Image/Plate size: 6 3/8 x 5 3/8 inches Sheet size: 24 x 20 inches From a portfolio of six drypoints, printed with unqiue combination of blue-black graphite shavings combined with silver to create the appearence of an original drawing. I know of no other artist to use a similar printing technique. William Bailey studied art at the University of Kansas, Yale University and Yale School of Art where he studied with Josef Albers receiving his MFA in 1957. Mr. Bailey’s first exhibition in New York was at Robert Schoelkopf Gallery in 1968, where he showed regularly until its closing in 1990. During the 90’s he exhibited at the Andre Emmerich Gallery and on its closing, exhibited at the Robert Miller Gallery. In 2004 Bailey moved to the Betty Cuningham Gallery where his most recent exhibition was held from April 30 - June 11, 2016. Mr. Bailey’s work has been exhibited extensively in both America and Europe. He is represented in the collections of The Whitney Museum of American Art, The Museum of Modern Art, the Pennsylvania Academy of Fine Arts, and the Hirschhorn Museum and Sculpture Garden, among others. He was awarded a Guggenheim Fellowship in painting in 1965. Mr. Bailey was elected to The National Academy of Design in 1983 and to The American Academy of Arts and Letters in 1986. Mr. Bailey taught at The Yale School of Art from 1958 to 1962 and from 1969 to 1995. He has also taught at The Cooper Union, University of Pennsylvania and Indiana University. He maintains studios in New Haven and in Umbertide, Italy. Courtesy Betty Cunningham Gallery Tribute to William Bailey THE NEW YORK TIMES William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep. Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than life. “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the William Harrison Bailey...

Crispin van de Passe The Younger (c. 1594-1670) Grand Écuyer de France or Grand Squire of France, c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Crisp...

Artist: George Virtue (English, 1684-1756) Title: "King Richard II" Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History *Issued unsigned, though signed by Virtue in the plate (printed signature) lower right Year: 1736 Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown, London? UK Publisher: James, John, and Paul Knapton, London, UK Reference: Brunet No. IV.1115; Bryan V. No. 294 Framing: Recently framed in a gold ornate moulding with 100% cotton rag matting Framed size: 23.63" x 19.69" Image size: 11.25" x 7.25" Condition: In excellent condition Notes: Comes from Virtue's 1736 "The Heads of the Kings of England, Proper for Mr. Rapin's History" portfolio of approximately 63 engravings. Richard II (1367-1400), also known as Richard of Bordeaux, was King of England from 1377 until he was deposed in 1399. Richard's father, Edward, Prince of Wales, died in 1376, leaving Richard as heir apparent to his grandfather, King Edward III...

" Sacred to the Memory of the Illustrious Champion of Liberty General George Washington First President of the United States of America" engraved and published by John Donlevy . The artist lists himself as an "intaglio-chromographic and Electrographic Engraver". This is a fine example of American calligraphic and stipple engraving. The face of the portrait is based on Stuart's " Antheaeum " painting surrounded by swirls and elaborate calligraphic design typical of this artist. This is the second state, according to Charles Hart's "Catalogue of the Engraved Portraits of Washington...

Initialed in pencil, l.r. Engraving on paper (Unique) (State II) 12.5 x 9.5 inches (31.8 x 24.1 cm), sheet 8 x 6 inches (20.32 x 15.24 cm), plate Literature: Alfonso Panzetta, Jared French...

HELLEU, PAUL CÉSAR (1859 -1927) "MADAME GEORGES MENIER" Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full...

Chinois inventa, dit-on, la poudre a canon, nous en fit don (The Chinese invented gunpowder, they say, and made is a gift of it) Aquatint, roulette, drypoint, acid bite, and scorper, 1926 From: Miserere, Plate 38 Initially started by Ambrose Vollard, this portfolio was published in 1948 by Editions de l'Etoile Filante, Paris This image is the cover illustration for the 1938 MOMA catalog...

Artist: George Virtue (English, 1684-1756) Title: "King Henry VII" Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History *Issued unsigned, though signed by Virtue in the plate (printed signature) lower right Year: 1736 Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown, London? UK Publisher: James, John, and Paul Knapton, London, UK Reference: Brunet No. IV.1115; Bryan V. No. 294 Framing: Recently framed in a gold ornate moulding with 100% cotton rag matting, and filet from Italy Framed size: 22.69" x 18.63" Image size: 11" x 7" Condition: Light toning and a few minor foxmarks to sheet. In very good condition Notes: Comes from Virtue's 1736 "The Heads of the Kings of England, Proper for Mr. Rapin's History" portfolio of approximately 63 engravings. Engraving of Henry VII, King of England. Half length with long hair, cap with jewelled brooch, jewelled collar, and robes edged in ermine, holding orb in left hand and sceptre in right. Within a rectangular frame with crown, orb, and sceptre above and with coat of arms, putti, and a portrait of Elizabeth of York below. With English inscription below. Henry VII (1457-1509) was the King of England and Lord of Ireland from his seizure of the crown on 22 August 1485 to his death. He was the first monarch of the House of Tudor. Henry attained the throne when his forces defeated King Richard III at the Battle of Bosworth Field, the culmination of the Wars of the Roses. Biography: George Vertue...

A charming mezzontint after the portrait by Henry MacBeth Raeburn depicting General Hay MacDowall. Hay MacDowall was a Scottish officer in the British Army who was the sixth General ...

ean-Emile Laboureur (1877-1943), La Fille au Litre (Grande Planche), engraving, 1921, signed in pencil lower left and inscribed “ep d’art”. Reference: Sylvain Laboureur 217, third st...

Signed and titled artist proof. Mezzotint portrait of a musician playing a baritone. Suarez is from Mexico, and exhibits internationally, winning awards for his evocative mezzotint...

Nadelman, Elie (Born Poland, 1882, Died in New York, 1946). WOMAN'S HEAD (WOMAN'S HEAD WITH RIBBON). Drypoint, 1920. 4 1/4 x 2 3/4 inches, 106 x 69 mm., plus margins. Unsigned, as us...

Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...

Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Henry Howard...

Artist: Sidney Tushingham (English, 1884-1968) Title: "Peggy" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) lower right Cir...

Henry Isaacs (United States, 1951) 'Retrato de Girona', 1989 silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Unframed ID: ISA1446-001-099 Hand-signed by author Good c...