1910s Portrait Prints

'Head of a Gaul' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the imag...

Original. YMCA for Your Boy. Acid-free original vintage poster in excellent condition with archival linen backing, ready to frame. Certificate o...

Original 1919 Vintage "Americans All!" Victory Liberty Loan Poster by Howard Chandler Christy. Archival linen backed in A- condition, ready to frame. This iconic 1919 "American...

Original. FIGHT OR BUY BONDS. THIRD LIBERTY LOAN. Linen backed. Lithograph. World War 1 authentic vintage poster. ARTIST: Howard Chandler Christy. Linen-backed, larger size format for this poster. Ready to frame. Despite minor edge wear touch-up from linen backing, this poster presents very well and is in above-average condition. You can be confident in the quality of this piece. One of the most famous and powerful WW1 propaganda images, this flag-waving Ms. Liberty (aka Columbia) poster is unusual in that it urged both recruitment and bond sales. The US had just entered the war when this poster appeared and it is one of the earliest examples of myriad illustrations that were used to motivate both troops and the American public. It's designer, Howard Chandler Christy, was at the height of his fame. He earned his spurs as a wartime artist when he accompanied US troops to Cuba in 1898, an experience that stood him in good stead when he was called on to create his famed series of patriotic WW1 posters...

Original "Clear the Way !!" Buy Bonds Fourth Liberty Loan vintage poster.. With Lady Liberty holding the U. S. Flag above the soldiers prepari...

Original "Take Up the Sword of Justice," antique poster from 1915. Archival linen backed in good condition, ready to frame. The poster was printed for the Parliamentary Recruiting...

Lu Lu Bisquites; Lefevre -Utile ( Lefèvre-Utile) crackers. The original lithographic poster is printed in colors, and the vintage vintage poster is archival li...

Medium: original etching and drypoint. Catalogue reference: Sanchez and Seydoux 1913-10. Printed in 1913 and published in Paris by Gazette des Beaux-Arts. Sheet size: 8 1/2 x 6 inche...

Original poster: . Come On!, By more Liberty Bonds. Artist: Walter Whitehead. Professional acid-free archival linen backing. A- condition. Small ...

Original "SHALL WE BE MORE TENDER WITH OUR DOLLARS THAN WITH THE LIVES OF OUR SONS?" vintage poster. Buy a United States Government Bond of the 2nd LIBERTY LOAN of 1917. Depict...

Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...

Original "Four Years in the Fight: The Women of France, We Owe Them Houses of Cheer" vintage war poster. Archival linen backed, ready to frame. By Lucien Jonas. Excellent colors a...

Original 1918 YMCA, One of the Thousands of YMCA Girls in France. United War Work Campaign vintage poster. Archival linen backed and ready to frame. Some touch up in the lower b...

Original vintage poster: YOU Buy a Liberty Bond. Linen Backed World War 1 bonds poster. Archival linen backed in good condition; ready to frame. Artist: C . R. Macauley created...

Original 1918 Red Cross Poster - "Have YOU a Red Cross Service Flag?" - Illustrated by Jessie Willcox Smith, Linen Backed. Restored horizontal fold mark and restored small tears along the bottom. This poster is, after all, more than 107 years old. Own a Piece of History! 1918 "Have You a Red Cross Service Flag?" Poster ✨ Step back into history with this original 1918 Red Cross poster. It is a poignant and touching piece of WWI-era Americana, beautifully preserving a time of nationwide unity and heartfelt service. Illustrated by the celebrated artist Jessie Willcox Smith, this lithograph captures the tender moment of a child hanging a Red Cross service flag in the window—a symbol of hope, sacrifice, and pride in supporting humanitarian efforts during World War I. The poster radiates warmth, with Smith’s signature style of innocence and emotional depth shining through in the delicate depiction of the boy, the adorned window, and the serene winter backdrop. The vibrant red and white cross emblem on the service flag is a focal point of the artwork, inspiring viewers to reflect on the values of compassion and generosity that the Red Cross championed during this period. As a significant historical artifact and a beautiful piece of early 20th-century American illustration, this poster would be an exceptional addition to any serious collection of WWI memorabilia...

Original Beat Back the Hun with Liberty Bonds vintage military poster.. Artist F. Strothmann. Original World War 1 antique vintage poster; archival linen backed and ready to fram...

Original World War 1 antique poster: Go Over The Top With U.S. Marines. Artist John Coughlin. Linen backed. Grade A, Excellent condition. Rare W...

Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Le manuscrit trouvé dans un chapeau, orné de dessins a la ...

Original: I summon you to the comradeship, Woodrow Wilson vintage poster from 1918, issued by the Red Cross. The poster has been archivally mounted on...

Original poster: Red Cross Christmas Roll Call. “Where Columbia sets her name let every one of you follow her” Linen-backed in very good condition, ready to frame. Artist: Edwin Howland Blashfield. The Red Cross stands on the left helping hold the banner that reads Where Columbia sets her name let every one of you follow her. December 16th to 23d. World War 1...

Discover a piece of history with our original WW1 antique military poster: Women Of America Work For Victory. This unique piece features a great kitchen de...

Artist: Sidney Tushingham (English, 1884-1968) Title: "Peggy" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) lower right Cir...

Corinth, Lovis. WEIBLICHER AKT MIT BREITKREMPIGEM HUT (Female Nude with Broad-Brimmed Hat). Schwartz 226A. Etching, 1916. 11 3/4 x 7 3/4 inches, 300 x 198 mm. The earlier version, be...

Original La Croix-Soleil, artist Leonetto Cappiello (1875 - 1942) lithograph vintage poster. This La Croix-Soleil lithograph is an original, archival linen backed and ready to fra...

Original WW1 poster: Kosciuszko Pulawski. Walczyli o wolnosc w Ameryce. Czy ty pomozesz Ameryce walczyc o wolnosc w Polsce? They fought for freedom in America. Will you help Ameri...

Original poster: Haddon Hall. Original theater vintage poster, archival linen backed. Printed in the United Kingdom. Vintage theater poster...

Medium: original etching and drypoint. Catalogue reference: Sanchez and Seydoux 1913-10. Printed in 1913 and published in Paris by Gazette des Beaux-Arts. Plate size: 8 3/4 x 6 1/8 i...

ELMO THE MIGHTY, original 1919 lobby card, not signed. Protected in a 16" x 20" acid-free presentation mat suitable for framing. This lobby card is over 100 years old. Original,...

Original World War 1 poster: Uncle Sam Needs That Extra Shovelful (of Coal.) If you like the Uncle Sam image, this is a good one to have. Help Unc...

Bernhard Pankok (1872 Münster - 1943 Baierbrunn), General Wilhelm von Blume, 1915, aquatint etching, 34 x 29.5 cm (sheet size), 26 x 22 cm (plate size), signed in the plate at upper left, in pencil at lower right and dated in pencil at lower left. - At lower left old collection stamp, at the right broad margin with a small spot, otherwise very good condition. About the artwork The 1915 aquatint etching of General Wilhelm von Blume is based on a 1912 oil painting in the LWL-Museum für Kunst und Kultur in Münster. A second oil portrait of the general by Pankok is in the Staatsgalerie Stuttgart. When Pankok painted the first oil portrait in 1912, the general had already been retired for 16 years. It is therefore a retrospective portrait. Accordingly, the orientation of his head is such that he is looking back in both the oil painting and the etching. Without fixing on anything in particular, he looks thoughtfully inwards and reflects on his life. Uniformed and highly endowed, it is his military activities in particular that he is reviewing attentively and, as his gaze reveals, quite critically. Pankok has literally written the sum of his experiences on Wilhelm von Blume's face: The physiognomy is a veritable landscape of folds, furrows, ridges and gullies, all the more striking against the flat background. It is clear that each of the medals was also won through suffering. However, by breaking the boundaries of the picture, his bust appears as an unshakable massif, which gives the general a stoic quality. The fact that the design of the portrait was important to Pankok can be seen from the different versions, the present sheet being the third and probably final revision, which Pankok dates precisely to 18 February 1915. Compared with the previous state, the light background now has a dark area against which the sitter's face stands out, the dark background in turn combining with the uniform to create a new tension in the picture. Pankok's taking up of the portrait of the high-ranking military veteran and its graphic reproduction can also be seen in relation to the First World War, which had broken out in the meantime. In the face of modern weapons of mass destruction, Wilhelm von Blume's warfare and military writings were relics of a bygone, more value-oriented era. About the artist After studying at the Düsseldorf Art Academy from 1889 to 1891 under Heinrich Lauenstein, Adolf Schill, Hugo Crola, and Peter Janssen the Elder, Bernhard Pankok went to Munich in 1892, where he worked primarily as a graphic artist for the two major Jugendstil magazines "Pan" and "Jugend," which established his artistic success. Through this work he met Emil Orlik, with whom he had a lifelong friendship. In 1897, he exhibited his first furniture, and in 1898, together with Richard Riemerschmid, Bruno Paul and Hermann Obrist...

Artist: Anders Zorn (Swedish, 1860-1920) Title: "Gulli I" Series: Gulli *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower right Year: 1914 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 265; Hjert & Hjert No. 162 Sheet size (irregular margins): 12.88" x 10.13" Image size: 5.13" x 3.5" Condition: Faint UV stain. Minor toning to sheet and minor paper loss at bottom center margin. It is otherwise a strong impression in excellent condition Very rare Notes: Provenance: private collection - Santa Fe, NM. Fleur-de-lis shield (Van Gelder Zonen) watermark at left center margin. Pencil inscribed "Gulli No. 1" lower right in margin. Retains old paperwork from previous framing. Biography: Anders Leonard Zorn...

The Liberty Bond You Buy The Liberty Bond You Buy. Archival linen backed in very good condition; ready to frame. Printer: Liberty Loan Committee Second Federal Reserve District. O...

Femme assise Etching with drypoint, c. 1920 Signed in pencil lower left publisher stamp lower right Edition: 100 (88/100) Condition: Excellent Image size: 11 3/4 x 8 1/4 inches Cou...

Amedeo MODIGLIANI (1884-1920) (after) The acrobat Lithograph from a drawing of the artist On Arches vellum 48 x 36 cm (c. 19 x 14,2 in) Limited to 300 ex...

Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterfu...

Original U.S. Post WWI United War Work Campaign “New York Will Give One Day’s Pay” Fundraising vintage poster. Linen backed in fine to mint condition, ready to frame. This is an...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Männlicher Kopf von vorn (Male Head from the Front)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 226, page 46; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Overall size with attached page: 8.5" x 10.63" Sheet size: 8.5" x 5.38" Image size: 6.38" x 3.5" Condition: Toning to sheet (as normal). In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...

Study of an old woman - Plate 25 is the last collotype from “ Gustav Klimt : Fünfundzwanzig Handzeichnungen” , a limited-edition collection of 25 monochrome and two-color collotype...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

Medium: original soft ground etching. This is a lifetime impression printed in 1914 on laid paper and published in Berlin by Bruno Cassirer for Theodore Duret's "Die Impressionisten"...

Medium: original etching with drypoint. Catalogue reference: Fiorani 23. This impression on laid paper was printed in 1913 and published by Gazette des Beaux Arts. The image size is ...

Jean-Emile Laboureur (1877-1943), Portrait, 1917, engraving, signed in pencil lower left and numbered lower right (28/40). Reference: S. Laboureur 170, third state (of 3), from the e...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Weiblicher Kopf (Female Head)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 224, page 46; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Overall size with attached page: 8.5" x 10.63" Sheet size: 8.5" x 5.38" Image size: 4.88" x 3.5" Condition: Toning to sheet (as normal). In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...

Jean-Emile Laboureur, Lassitude, 1912, woodcut, signed and numbered (24/35) in pencil. Reference: Sylvain Laboureur 682, third state (of 3). From the edition of about 35, published b...

Medium: original etching. Printed on laid paper in 1919 for Genius. Plate size: 9 1/2 x 7 1/2 inches (240 x 190mm). This etching is from GENIUS: Zeitschrift fur Werdende und Alte Kun...

Original vintage poster: Over the Top for You; artist Sidney Riesdenberg, 1917, World War 1 original antique lithograph poster. Very good /...

Medium: original lithograph. Catalogue reference: Bouvet 82. This is an interpretation by Pierre Bonnard of one of Paul Cezannes's compositions, printed in 1914 and published in Pari...

Woodcut on vélin de cuve à la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Calligrammes, poèmes de la paix et de l...

Oval Portrait by Ludovic-Rodo Pissarro (1878 - 1952) Woodcut 15.1 x 11.3 cm (6 x 4¹/₂ inches) Initialled, inscribed and dated 1918 in the plate Signed lower right, Ludovic Rodo and n...

'Maenad in Frenzy' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the im...

'Strangford Apollo' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the i...

'Endymion' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the image. 1...

Old Antwerp Road is an artwork realized by Jan Claessens (Belgian, 1879 - 1963) in 1914. Woodcut print Good condition.

Karl Schmidt-Rottluff, German (1884 -1976) - Kopf, Year: 1915, Medium: Woodcut on wove paper, Image Size: 6.75 x 9.5 inches, Size: 10.25 x 13.75 in. (26.04 x 34.93 cm), Descripti...

'Demeter of Cnidos' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the i...

'Germania' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the image. 2...

Woman in Green is a Colored print on paper, realized by Otto Lange in 1916  Woodcut on paper. Good conditions.

Original WW1 poster: "Be Patriotic sign your country's pledge to save the food." U. S. Food Administration. Miss Liberty calls with outstretch...