Head Portrait Prints

Carrying baskets filled with vines, the figures in this Pablo Picasso print lean forward to balance the weight on their shoulders and in their hands. On the left, a nude woman walks behind them across the blanketed brown landscape with a deep blue sky. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Etude de Personnages". The original painting was completed in 1906. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. Etude de Personnages Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph...

Little Girl is a splendid drypoint realized by the French artist Lucien-Philippe Moretti in 23 numbered and signed exemplars. Inside the matrix, the artwork is signed on the lower le...

D*Face is a London-based sculptor and stencil artist, who uses London as his own personal gallery. Sticking, pasting and drawing on any wall or space he doesn't actually own. (If he ...

An etching by Leonor Fini depicting a gnarly old man with two youthful angels one sitting at his feet and the other standing close to his right side. This is a signed limited edition etching numbering 62 out of 100. There is also a signature by the artist embossed in the paper just below the pencil signature. The paper is very fibrous and has a couple of inherent creases that are part of the makeup of the fibrous paper. These are to the right of the figures. The edges of the paper are deckled. The paper size is 25.75 x 20 Image size 15.50 x 12.50. This original etching is in very good condition. Argentinian-born artist Leonor Fini (1907-1996) is considered one of the great female artists of the twentieth century. She moved to Paris in the early 1930’s where she spent most of her life and almost immediately formed friendships with Salvador Dali, Cartier- Bresson, Max Ernst and other intellectuals of the time. At twenty five she had her first one person show in Paris and was included in the 1936 pivotal exhibition at MOMA…Fantastic Art, Dada and Surrealism…..and that same year had an exhibition at a famous avant garde gallery in New York. Although Fini never considered herself a Surrealist she maintained close personal relationships with several members of the group. One can see how their ideology influenced her work but she remained firmly rooted in the tradition of Symbolism, Metaphysics and Italian and German Romanticism Her works can be found in most important collections of modern art around the world. Fini was renowned as a portraitist and as a painter of erotic sexual tensions with a mysterious atmosphere. She was adamant about being independent and not belonging to any one group. She lived life on her own terms and is sometimes referred to as …..the female Dali. She was also involved with designing for fashion and creating elaborate sets for opera and theatre. As a feminist she was definitely ahead of the times. She produced the first erotic male nude...

Renoir portrait that is a quality limited edition print, unnumbered, and is plate signed. It is in good condition and nicely framed

Frank Sinatra IV by David Studwell. Hand pulled screen print of music icon Frank Sinatra. 58x36cm Edition of 30 Signed by the artist

Artist: Larissa De Jesús Negrón Title: I forget how big it is Medium: Digital Print on Fine Art Paper Size: 27 x 23 Inches (30 x 26 Inches Framed) Edition: 25 Year: 2022 Notes: A...

"Real," is a digital illustration by DC-based artist Samantha Viotty. This piece, created from a found image, creates a portrait of a figure without facial features to allow for the ...

IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979 Archival Pigment Print, Framed Image size 30 x 30 cm Frame: 55 x 45.5 cm © Brian Griffin "I remember this...

Leonardo Lasansky Signed & Framed Exhibition Poster C.1982 Dimensions 22" wide x 32" high The frame measures 26" wide x 35" high Signed at ...

CHIKANOBU, Yoshu (1838–1912) A Set of Six Bust Portraits of Beauties - Jidai Kagami (Mirror of the Ages). 1896-1898 A Set of Six oban tate-e woodblock prints of okubi-e (bust portraits) of beauties, titled Jidai kagami (Mirror of the Ages), documenting the fashions of former times (from the Keicho to the Meiji era) in chronological order, each sheet with a beautiful woman in sumptuous costume depicted at the lower section and a rectangular panel at the top which makes a reference to the era, some sheets with lacquer and embossed details, published by Matsuki Heikichi, variously dated Meiji 29, 30 and 31 (1896-8), all signed Yoshu Chikanobu. Each sheet approx. 36 x 23.7 cm (14 1/8 x 9 3/8 in). oyohara Chikanobu (1838–1912), better known to his contemporaries as Yōshū Chikanobu, was one of the most successful woodblock print artists of Japan's Meiji period. He lived at a time when Japan saw the reinstatement of the emperor as ruler and underwent rapid westernization. He worked both with traditional subjects, such as actors, courtesans, scenes of famous sites, beautiful women, and with topical subjects, such as the Satsuma Rebellion (1877) and the Sino-Japanese War (1894-1895). Chikanobu used the flat planes and decorative patterning of the ukiyo-e tradition to striking effect, adding brilliant colors, especially reds, purples, and blues to his compositions. More precisely, Ukiyo-e, or ukiyo-ye (in Japanese: "pictures of the floating world"), is a genre of woodblock prints and paintings that flourished in Japan from the 17th through 19th centuries. It was aimed at the prosperous merchant class in the urbanizing Edo period (1603–1867). Amongst the popular themes were depictions of beautiful women, as is the case here with these okubi-e prints (i.e. bust portraits); kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. One of Chikanobu’s best series, A Mirror of the Ages shows women by fashion and hair style throughout history. Despite a sense of longing for the past, these prints are unmistakably modern and of their time. Each print depicts a beauty from a certain period in the lower part and customs at that time, in grisaille, in the upper part - a way to tell viewers about the latest fashion and historical backgroud at that time. The quality of printing is outstanding, especially in Chikanobu’s use of white for the rendering of the powdered faces. Indeed, Chikanobu was known as a master of bijinga (images of beautiful women), and for illustrating changes in women's fashion, including both traditional and Western clothing...

A Pop Art portrait of Pablo Picasso by American painter and illustrator Seymour Chwast. The silkscreen is hand-signed and numbered in pencil from the edition of 200.

This screenprint was created by American artist Christopher Makos. Makos is well known for his relationships with icons like Andy Warhol, Elizabeth Taylor, Tennessee Williams, and Jo...

Ben Frost's "Calorie Mate" print is a limited edition Giclee that exemplifies his unique approach to blending pop culture with sharp social commentary. Measuring 29.7 x 29.7 cm, this...

Young Blue Eyes Oversize Signed limited edition - Pop Art - Frank Sinatra by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 40 x 30" inches / 101 x 76 cm paper size Edition 2/15 limited to 15 only this size. signed and numbered by the artist. certificate of authenticity provided. unframed. (Framing and Other Sizes available - please enquire) In 1938, a 23-year-old Frank Sinatra was arrested in Bergen County, N.J. on charges of seduction and adultery. According to the FBI reports, "On the second and ninth days of November 1938 at the Borough of Lodi" and "under the promise of marriage" Sinatra "did then and there have sexual intercourse...

Artist: Gerald Leslie Brockhurst (English, 1890-1978) Title: "James McBey" *Signed by Brockhurst in pencil lower right. It is also signed, dated, and titled in the plate (printed si...

CONEY ISLAND, 3 Year: 1994 Medium: 9-color silkscreen Size: 29 x 29 inches (74 x 74 cm) Edition: 75 Price: $3,700 Donald Baechler was born in Hartford, Connecticut in 1956 and came...

Marilyn Monroe Pink Teal No.5 by BATIK Archival pigment pop art print signed & limited edition. paper size 30 x 30" inches / 76 x 76 cm signed and numbered by the artist on front ...

Pink Marilyn II by BATIK Archival pigment pop art print signed & limited edition. paper size 30 x 30" inches / 76 x 76 cm signed and numbered by the artist on front edition of 15...

Lithograph after a drawing by Jean Cocteau Title: Profil Signed in the plate Dimensions: 33 x 46 cm Edition: 600 Luxury print edition from the portfolio of Sciaky 1961

"Girl Puff," is a digital illustration by DC based artist Samantha Viotty. This piece, created from a found image, creates a portrait of a figure without facial features to allow for...

Explore a modern twist on a timeless classic with Mimi Yoon's "Once Upon a Time No More," an urban reinterpretation of Disney's Snow White. This sold-out mint condition canvas galler...

Limited Edition Etching, EA. Signed by Artist. Image- 17.75 x 11.75 in, Image+Border- 24.75 x 17.75 in. Good/Fair Condition-shows signs of age and handling.

Neg Edit Blondie by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – signed & limited edition. Grande XL 40×30″ inches / 101 ...

No matter what happens, or how bad it seems today, life does go on, and it will be better tomorrow. We have always held to the hope, the belief, the conviction that there is a better...

Text from: Stanford Rathbun Lecture in 2017 Limited run of 100 editions, hand-printed and signed by the artist. On 100% cotton rag pH neutral, acid-free 250 gsm (90lb) paper using ...

Text from: Renewal and Renaissance Towards A New World Order Very limited run of only 30 editions hand printed and signed by the artist. On 100% cotton rag pH neutral, acid free 25...

A charming etching depicting a man in glasses, deep in thought, captured in expressive, simple lines. Signed. Numbered 1/3. Presented in a light wooden frame. On paper.

Blondie Peach - Hand Signed Limited Edition Archival Pigment Print This piece is a modern reworking of Debbie Harry, from Blondie. BATÍ...

Hand signed and numbered screen print in colors with deckled edges. Edition of 100. Artwork is in excellent condition. Additional images are available upon request. Certificate o...

Poster. Measures 23 x 20.25 inches and is Unframed. Good Condition.

In Joy by Amy Gardner [2021] limited_edition Mono Print/Screen Print Edition number 19 Image size: H:45 cm x W:65 cm Complete Size of Unframed Work: H:45 cm x W:65 cm x D:0.1cm Sold...

Copyright by Die Piperdrucke Verlags. Printed in Germany. Measures 23.25 x 19.5 inches and is Unframed. Good Condition-signs of wear consistent with age and handling.

Raphael Soyer (Russian-American, 1899-1987) Woman With Her Suitcase, c. 1950 Lithograph Sight: 19 1/4 x 13 3/4 in. Framed: 27 x 21 1/4 x 1 in. Edition 63 of 150 Numbered lower left, ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Eve (Pink) Year: 1974 Medium: Screenprint, signed and numbered in pencil Edition: AP Image Size: 18 x 18 inches Size: 20 x 20 in. (...

Ohh Baby ! - Hand Signed Limited Edition - Pop Art - Kate Moss Archival Pigment Print BATÍK is a London based contemporary pop art image creator and artist. Measures 30 x 20 inc...

Kate Cerise - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and ...

Artist: Leonard Tsugouharu Foujita (Japanese, 1886 - 1968) Title: Le Matin (Buisson 56.64) Year: circa 1956 Medium: Lithograph, signed in...

Avery, Milton. MARCH WITH BABUSHKA (HEAD OF MARCH). Drypoint, 1948. Edition of 100, published by Collectors of American Art. Unsigned, as called for (prints from this edition were not signed). 7 x 6 5/8 inches (plate size, measured along the edges), 9 3/4 x 9 5/8 (image, measured on the diagonal, as oriented), 11 1/4 x 11 inches (sheet). In excellent condition. Three of the four corners of the plate have been trimmed to about one inch from the platemark. A spare and elegant portrait of the artist's daughter, the artist March Avery.

Barry Manilow in Concert Music Legend Pop Star Grammys Litho NYT Published LGBT Al Hirschfeld (1903-2003) Barry Manilow Limited Edition Etching Sight: 14 3/4 x 11 3/4 Framed: 25 1...

Artist: Dan May (American, 1955-) Title: "Portrait of Elegant Lady II" *Signed by May in pencil lower left Year: 1991 Medium: Original unique Monoprint on unbr...

Artist: Mel Ramos, American (1935 - 2018) Title: Devil Doll Year: 1997 Medium: Lithograph, signed and numbered in pencil Edition: 199 Paper Size: 29 x 22.5 inches

Photograph of the french actor Lino Ventura, hand signed by Sam Levin. It comes framed Sam Lévin ou Sam Levin est un photographe français d'origine russe,...

ANJA VAN HERLE "Kiss and Tell" Hand-Embellished Giclee on Canvas 48 x 34 in Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork with an...

Artist: Henri Matisse Title: D'Apres Longus Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Sign...

Gold Marilyn Monroe by David Studwell is a hand pulled silk screen print of actress Marilyn Monroe. Printed using gold metallic ink and a line effect. Edition of 30 prints. 46.5x56cm...

"Clint Eastwood 'Hollywood Superstar'" original etching by artist Al Hirschfeld. Caricature portrait of a young Clint Eastwood in "Rawhide." Hand pulled in an edition of 160 plus 30 ...

Artist: Mike McKenzie, American (1954 - ) Title: Negotiable (Portrait of Andy Warhol) Year: 1990 Medium: Monoprint Silkscreen, signed in in...

Artist: Henri Matisse Title: Hier, de tes Doights d'Or Pale Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition Size: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 1...

Poster. Measures 17.75 x 14.5 inches and is Unframed. Good Condition.

Bernadette Peters is a silver gelatin print created in 2004 from a 1977 negative. An example of this photographic portrait is owned by the Smithsonian for their National Portrait Ga...

Emil Orlik (1870-1932), Portrait of Slevogt, etching, 1921, signed in pencil and numbered (27/100) [also signed and dated in the plate], from the presumed edition of 100. In very goo...

This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...

Mitch McGee, Don't Try So Hard, Limited Edition Pop Art Print, Silkscreen, Edition of 40. Image is 20" round, paper size 24x24. Each signed and numbered. It is currently framed to 25x25. The influences for McGee's own artwork came from the style of Pop Art legend, Roy Lichtenstein. According to McGee, "Lichtenstein with a Red Bow was the first piece that started me down this rabbit hole. Roy Lichtenstein took comic strips and repositioned them as lithography. In an almost tongue-in-cheek fashion I wondered how I could take one of his pieces and recreate it in another medium. The easy answer for me was wood. I grew up working with it and, combined with my graphic design background, it left me with a new medium and expression that I think really works." From that start, Houston artist, McGee began to create his own style and establish his unique voice. Today, his creativity exists in that space between painting and sculpture. In his Birch series, McGee uses pieces of wood, each illustrated, hand cut and stained or painted to create dimensional pieces. Each painting is filled with thick layers and subtle shadows. There is a warmth created by the imperfection of the birch and its grain that creates an emotional connection. Each painting is a labor of love, taking 40 to 50 hours or more to complete. McGee has created original works inspired by Superhero comics, Sports icons, as well as romantic moments using thick lines and bold colors to bring these scenes to life in his own way. Each artwork is filled with humor, irony, compassion or seduction. His artwork has been exhibited throughout Texas since 2001 and in New York with Elisa Contemporary Art...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Artist: Henri Matisse Title: Lied Dement Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Signatu...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Eve Year: 1974 Medium: Silkscreen, signed, titled and numbered in pencil Edition: 11/50 Image Size: 18 x 18 inches Size: 20 i...

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

THIS WORK (R:5002) of 2009 dedicated to Maryl (Streep) is one of the many portraits dedicated to great famous people made with the technique of PHOTOCOLLAGE. The final solution came ...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...