Portrait, from Brushstroke Figure Series
View Similar Items
Roy LichtensteinPortrait, from Brushstroke Figure Series1989
1989
About the Item
- Creator:Roy Lichtenstein (1923 - 1997, American)
- Creation Year:1989
- Dimensions:Height: 52.5 in (133.35 cm)Width: 34 in (86.36 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU481343783
Roy Lichtenstein
Roy Lichtenstein is one of the principal figures of the American Pop art movement, along with Andy Warhol, James Rosenquist, Claes Oldenburg and Robert Rauschenberg.
Drawing inspiration from comic strips, Lichtenstein appropriated techniques commercial printing in his paintings, introducing a vernacular sensibility to the visual landscape of contemporary art. He employed visual elements such as the halftone dots that comprise a printed image, and a comic-inspired use of primary colors gave his paintings their signature “Pop” palette.
Born and raised in New York City, Lichtenstein enjoyed Manhattan’s myriad cultural offerings and comic books in equal measure. He began painting seriously as a teenager, studying watercolor painting at the Parsons School of Design in the late 1930s, and later at the Art Students League, where he worked with American realist painter Reginald Marsh. He began his undergraduate education at Ohio State University in 1940, and after a three-year stint in the United States Army during World War II, he completed his bachelor’s degree and then his master’s in fine arts. The roots of Lichtenstein’s interest in the convergence of high art and popular culture are evident even in his early years in Cleveland, where in the late 1940s, he taught at Ohio State, designed window displays for a department store and painted his own pieces.
Working at the height of the Abstract Expressionist movement in the 1950s, Lichtenstein deliberately eschewed the sort of painting that was held in high esteem by the art world and chose instead to explore the visual world of print advertising and comics. This gesture of recontextualizing a lowbrow image by importing it into a fine-art context would become a trademark of Lichtenstein’s artistic style, as well as a vehicle for his critique of the concept of good taste. His 1963 painting Whaam! confronts the viewer with an impact scene from a 1962-era issue of DC Comics’ All American Men of War. Isolated from its larger context, this image combines the playful lettering and brightly colored illustration of the original comic with a darker message about military conflict at the height of the Cold War. Crying Girl from the same year featured another of Lichtenstein’s motifs — a woman in distress, depicted with a mixture of drama and deadpan humor. His work gained a wider audience by creating a comic-inspired mural for the New York State Pavilion of the 1964 World's Fair, he went on to be represented by legendary New York gallerist Leo Castelli for 30 years.
In the 1970s and ’80s, Lichtenstein experimented with abstraction and began exploring basic elements of painting, as in this 1989 work Brushstroke Contest. In addition to paintings in which the brushstroke itself became the central subject, in 1984 he created a large-scale sculpture called Brushstrokes in Flight for the Port Columbus International Airport in Ohio. Still Life with Windmill from 1974 and the triptych Cow Going Abstract from 1982 both demonstrate a break from his earlier works where the subjects were derived from existing imagery. Here, Lichtenstein paints subjects more in line with the norms of art history — a pastoral scene and a still life — but he has translated their compositions into his signature graphic style, in which visual elements of printed comics are still a defining feature.
Lichtenstein’s work is represented in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, Tate Modern, and many others. He was awarded National Medal of Arts in 1995, two years before he passed away.
Find a collection of Roy Lichtenstein prints, drawings and more on 1stDibs.
- NicoleBy Alex KatzLocated in Miami, FLTECHNICAL INFORMATION Alex Katz Nicole 2018 Lithograph, woodcut and screen print 36 1/2 x 80 in. Edition of 60 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum ...Category
2010s Contemporary Prints and Multiples
MaterialsLithograph, Screen, Woodcut
Price Upon Request - Blue Face from the Brushstroke Figures SeriesBy Roy LichtensteinLocated in Miami, FLLithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...Category
1980s Contemporary Abstract Prints
MaterialsLithograph, Screen, Woodcut
- Michele Maria: bright yellow red Maria Callas opera artist portrait with poetryBy Rene RicardLocated in New York, NYTouched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this bright yellow, red, ...Category
1980s Contemporary Abstract Prints
MaterialsLithograph, Screen, Woodcut
- Sunrise - forest, sunlight, woodcutBy Alex KatzLocated in Köln, DEThis work is not a typical landscape by Alex Katz. It is a very stunning, nearly abstract work which is made of a combination of printing techniques like woodcut, lithograph and scre...Category
2010s Contemporary Landscape Prints
MaterialsLithograph, Screen, Woodcut
Price Upon Request - Reflections on Brushstrokes, from the Reflections SeriesBy Roy LichtensteinLocated in Palo Alto, CARoy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 incorporates his iconic multimedia imagery, flowing with eclectic and imaginative sequence of shapes. Bright colors of neon yellow, blue, gray, and green intertwine against each other creating a strong contrasting effect. Shapes and forms are irregularly placed within a rectangular frame allowing the composition to stand out. Lichtenstein’s famous dots are dispersed along the cream colored block running through mainly the center of the image. This creates a comic-like effect that is a common theme throughout his entire oeuvre. Because Reflections is an important series where Lichtenstein uses multimedia and relates to his Mirrors paintings of the early seventies. Dots, stripes, mirrors, prominent brushstrokes presents themselves in a dashing manner throughout this series. Created in 1990, Roy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 is a color lithograph, screenprint, woodcut, and metalized PVC collage with embossing on Somerset paper. This work is hand signed and dated by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil in the lower right margin. Numbered from the edition of 68 in pencil in the lower right margin, there were also 16 artist proofs. Catalogue Raisonné: Roy Lichtenstein Reflections on Hair...Category
1990s Pop Art Figurative Prints
MaterialsLithograph, Screen, Woodcut
- Two Paintings: Beach Ball, from Paintings SeriesBy Roy LichtensteinLocated in Palo Alto, CARoy Lichtenstein Two Paintings: Beach Ball, from Paintings Series, 1984 uses his signature patterns and lines to create various visual implications. Straight lines are used to emphas...Category
1980s Pop Art Abstract Prints
MaterialsLithograph, Screen, Woodcut
Price Upon Request