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Jim Dine"Astonishing, Health and Sunshine" framed limited edition triptych by Jim Dine2021
2021
$46,000
£34,714.94
€39,743.35
CA$64,875.25
A$71,224.94
CHF 37,158.20
MX$861,920.87
NOK 465,720.37
SEK 438,831.03
DKK 296,673.52
About the Item
"Astonishing, Health and Sunshine" triptych by artist Jim Dine. Three spitbite aquatint, drypoint and lithographs with additional hand coloring on Shiramibe paper mounted onto three sheets of Hanemuhle Copperplate white paper. From an edition of 11. Each sheet is 56 1/8 x 32 5/8 inches (142.7 x 83 cm) and is framed under plexi in a white wooden frame with outer dimensions of 58 x 33 1/4. Panel 1 is hand numbered 3/11. Panel 2 is hand dated 2021. Panel 3 is hand signed Jim Dine.
- Creator:Jim Dine (1935, American)
- Creation Year:2021
- Dimensions:Height: 58 in (147.32 cm)Width: 99.75 in (253.37 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Small chip on top left corner of frame on Panel 1. Abrasion on lower right bottom of frame on Panel 2. Light scuffing on top of frame on Panel 3. (See detail images.).
- Gallery Location:Boca Raton, FL
- Reference Number:1stDibs: LU1554216951172
Jim Dine
The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.
Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.
More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
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