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1970s Still-life Prints

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Period: 1970s
Diamond Ring 1977 Signed Limited Edition Screen Print
Located in Rochester Hills, MI
Richard Bernstein Diamond Ring - 1977 Print - Silkscreen on Heavy Paper Paper : 30'' x 26'' inches image size : 28" x 23 ½" inches Edition: Signed in pencil, titled, dated and marked...
Category

Pop Art 1970s Still-life Prints

Materials

Screen

Calder, Soleil sur la Vagues (Red Sun Above the Waves), Alexander Calder
Located in Fairfield, CT
Artist: Alexander Calder (1898-1976) Title: Soleil sur la Vagues (Red Sun Above the Waves) Year: 1976 Medium: Lithograph on Arches paper Size: 22.75 x 30.75 inches Condition: Good No...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Roy Lichtenstein 'Blue Grapes' Invitation 1972 FRAMED
Located in Brooklyn, NY
Paper Size: 17 x 13 inches ( 43.18 x 33.02 cm ) Image Size: 4 x 5.5 inches ( 10.16 x 13.97 cm ) Framed: Yes Condition: A-: Near Mint, very light signs of handling Additional Details...
Category

Pop Art 1970s Still-life Prints

Materials

Lithograph

Flowers, Galerie Sonnabend announcement invitation card addressed with postmark
Located in New York, NY
Andy Warhol (after) Flowers, Galerie Sonnabend announcement invitation card, 1970 Offset lithograph on smooth card, addressed with postmark 7 1/5 × 7 1/5 inches Unframed Instead of observing flowers in nature, Andy Warhol found his botanical inspiration in a 1964 issue of Modern Photography. He transformed a photograph of hibiscus blossoms into a technicolor series of silkscreens, each simply titled Flowers and debuted at the influential Leo Castelli Gallery later that same year. Silkscreens from that exhibition have since sold for over $2 million at auction. While they evoke the Flower Power movement of the 1960s, Warhol’s Flowers have also be interpreted as a symbol of mourning, as the artist created these works just after President John F. Kennedy’s assassination...
Category

Pop Art 1970s Still-life Prints

Materials

Offset, Lithograph

Florals Narcissus (Phones) Andalou
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Florals Narcissus (Phones) Andalou MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 1/350 MEASUREMENTS: 21.75" x 29.5" YEAR: 1972 FRAMED: No...
Category

Surrealist 1970s Still-life Prints

Materials

Etching

Sandias, Surrealist Mixographia by Rufino Tamayo
Located in Long Island City, NY
Rufino Tamayo, Mexican (1899 - 1991) - Sandias, Year: 1977, Medium: Mixographia, signed and numbered in crayon, Edition: 31/100, Size: 29 x 20.75 in. (73.66 x 52.71 cm), Publishe...
Category

Surrealist 1970s Still-life Prints

Materials

Etching

Double Decoy II, Pop Art Screenprint by Hunt Slonem
Located in Long Island City, NY
Artist: Hunt Slonem, American (1951 - ) Title: Double Decoy II Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP Image Size: 19.5 x 23 inches Size: ...
Category

Contemporary 1970s Still-life Prints

Materials

Screen

Electric Chair
Located in Bristol, GB
Screen print in colours Edition of 250 90 x 121.5 cm (35.4 x 47.8 in) Signed, numbered and dated on the back Condition on request Printed by Silk Print Kettner, Zürich, published by ...
Category

Contemporary 1970s Still-life Prints

Materials

Screen

Ruby 1978 Signed Limited Edition Screen Print
Located in Rochester Hills, MI
Richard Bernstein Ruby - 1978 Print - Silkscreen on Heavy Paper Paper : 30'' x 26'' inches image size : 28" x 23 ½" inches Edition: Signed in pencil, titled, dated and marked 130/200...
Category

Pop Art 1970s Still-life Prints

Materials

Screen

Dufy, Bouquet, Vacances forcées (after)
Located in Fairfield, CT
Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Vase of Flowers, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Vase of Flowers Year: 1979 Edition: 138/350, plus proofs Medium: Lithograph on Somerset paper Size: 30 x 22 inches Condition: Excellent Inscription: S...
Category

Pop Art 1970s Still-life Prints

Materials

Lithograph

Carnations, Still Life Screenprint by John Grillo
Located in Long Island City, NY
Artist: John Grillo, American (1917 - 2014) Title: Carnations Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 25 Image Size: 22.5 x 16.5 inches S...
Category

Contemporary 1970s Still-life Prints

Materials

Screen

Magnelli, Sans titre, San Lazzaro et ses Amis, XXe siècle (after)
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Paper Size: 14 x 10.5 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, San Lazzaro et ses Amis, Hommage ...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

RECEIVING HAND Signed Lithograph, Fantastic Realism, Stone, Healing Art
Located in Union City, NJ
RECEIVING HAND is a hand drawn original lithograph printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. RECEIVING HAND a finely detailed hand drawn example of Fantastic Realism...
Category

Surrealist 1970s Still-life Prints

Materials

Lithograph

Garden Flowers, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Garden Flowers Year: 1979 Edition: 347/350, plus proofs Medium: Lithograph on Somerset paper Size: 30 x 22 inches Condition: Excellent Inscription: Si...
Category

Pop Art 1970s Still-life Prints

Materials

Lithograph

Dufy, L'opaline bleue, Vacances forcées (after)
Located in Fairfield, CT
Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Still Life with Fruits - Original Lithograph Handsigned and Numbered (Mourlot)
Located in Paris, IDF
Isis Kischka Still life with fruits, 1973 Original lithograph (Mourlot Workshop) Handsigned in pencil Numbered /120 copies On Arches vellum 76 x 54 cm (c. 29,9 x 21,2 inch) Excelle...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Space Fruit: Still Lifes (Watermelon) Poster /// Andy Warhol Pop Art New York
Located in Saint Augustine, FL
Artist: (after) Andy Warhol (American, 1928-1987) Title: "Space Fruit: Still Lifes (Watermelon)" Series: Space Fruit: Still Lifes Posters Year: 1979 Medium: Original Offset-Lithograp...
Category

Pop Art 1970s Still-life Prints

Materials

Lithograph, Offset

Herman Miller Summer Picnic August 20, 1971 - Watermelon Screen Print
Located in Houston, TX
Original Herman Miller Summer Picnic screen printed lacquer ink and lacquer finish print. August 20, 1971 annual company picnic poster is a...
Category

Pop Art 1970s Still-life Prints

Materials

Lacquer, Ink

Tulips 2, Photorealist Lithograph by Lowell Blair Nesbitt
Located in Long Island City, NY
Lowell Blair Nesbitt was an American painter and printmaker who’s work consists of unique and vivid depictions of flowers. Tulips 2 Lowell Blair Nesbitt, American (1933–1993) Date: ...
Category

Photorealist 1970s Still-life Prints

Materials

Lithograph

Watermelon /// Andy Warhol Space Fruit Still Lifes Pop Art Screenprint Food Art
Located in Saint Augustine, FL
Artist: Andy Warhol (American, 1928-1987) Title: "Watermelon" Portfolio: Space Fruit: Still Lifes *Signed and numbered by Warhol in felt pen lower left Year: 1979 Medium: Original Sc...
Category

Pop Art 1970s Still-life Prints

Materials

Board, Screen

Composition - Vintage Offset Print after Giorgio Morandi - 1973
Located in Roma, IT
Image dimensions: 24.5 x 33.5 cm. Bottles Composition is an original offset print, reproducing the original watercolor by Giorgio Morandi. Signature by the artist is perfectly repr...
Category

1970s Still-life Prints

Materials

Offset

Joan Miro - Original Abstract Lithograph
Located in Collonge Bellerive, Geneve, CH
Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1981 E...
Category

Abstract 1970s Still-life Prints

Materials

Lithograph

Large Abstract Expressionist Lithograph SIlkscreen Robert Motherwell St Michael
Located in Surfside, FL
Robert Motherwell, American, 1915-1991 St. Michel III 1979 Lithograph and Screenprint On handmade paper Hand signed in white pencil and numbered 71/99. Dimensions: Sight 40 3/4 x 32 ...
Category

Abstract Expressionist 1970s Still-life Prints

Materials

Lithograph, Screen

Purple Pansies in Cup, Folk Art Lithograph by Mary Faulconer
Located in Long Island City, NY
Mary Faulconer, American (1912 - 2011) - Purple Pansies in Cup, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 14 x 10 inches, Si...
Category

Folk Art 1970s Still-life Prints

Materials

Lithograph

Anemone per Antipasti, Lithograph by Salvador Dali 1972
Located in Long Island City, NY
Artist: Salvador Dali, Spanish (1904 - 1989) Title: Anemone per Antipasti (Anemone of the Toreador) Year: 1972 Medium: Lithograph with embossing on heavy Arches paper, signed and num...
Category

Surrealist 1970s Still-life Prints

Materials

Lithograph

1971 Tamarind Print Landscape Lithograph Paul Sarkisian Photo Realist Americana
Located in Surfside, FL
Paul Sarkisian (1928-) 1971 Brown Landscape Lithograph Silkscreen Print on calendred BFK Rives fine art paper. small edition of 15 from Tamarind print workshop with their blindstamp....
Category

1970s Still-life Prints

Materials

Lithograph

Flowers - Offset and lithograph after Josip Generalic - 1971
Located in Roma, IT
Flowers is a vintage offset and lithograph artwork on paper realized after Josip Generalic in 1971. Good conditions. Signed on the plate and dated o...
Category

Contemporary 1970s Still-life Prints

Materials

Lithograph, Offset

Still Life (Sixth Annual Community Holiday Festival)
Located in Brooklyn, NY
Artist: John Moore Title: Still Life (Sixth Annual Community Holiday Festival) Year: 1976 Signed: No Medium: Serigraph Paper Size: 47.25 x 31.25 inches ( 120.015 x 79.375 cm ) Image ...
Category

Contemporary 1970s Still-life Prints

Materials

Screen

FLOWERS V
Located in Aventura, FL
Lithograph in colors on Arches paper. Hand signed and numbered by the artist. From the edition of 250. Artwork is in excellent condition. Certificate of authenticity included. Al...
Category

Contemporary 1970s Still-life Prints

Materials

Paper, Lithograph

FLOWERS V
$250 Sale Price
50% Off
Frogs and Toad, Signed lithograph (AP), from Conspiracy: The Artist as Witness
Located in New York, NY
Jack Beal Frogs and Toad, 1971 Hand signed in pencil by Jack Beal, annotated AP One-color lithograph proofed by hand and pulled by machine from a zinc plate on Arches buff paper with deckled edges at the Shorewood Bank Street Atelier Stamped, hand numbered AP, aside from the regular edition of 150 Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears blind stamp 18 × 24 inches Unframed 18 x 24 inches Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears distinctive blind stamp of publisher (shown) Publisher: David Godine, Center for Constitutional Rights, Washington, D.C. Jack Beal's "Frogs and Toads" is a classic example of protest art from the early 1970s - the most influential era until today. This historic graphic was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. (The eighth activist, Bobby Seale, was severed from the case and sentenced to four years for contempt after being handcuffed, shackled to a chair and gagged.) Although Abbie Hoffman would later joke that these radicals couldn't even agree on lunch, the jury convicted them of conspiracy, with one juror proclaiming the demonstrators "should have been shot down by the police." All of the convictions were ultimately overturned by the 7th Circuit Court of Appeals. This lithograph has fine provenance: it comes directly from the original Portfolio: "Conspiracy The Artist as Witness" which also featured works by Alexander Calder, Nancy Spero and Leon Golub, Romare Bearden Sol Lewitt, Robert Morris, Claes Oldenburg, Larry Poons, Peter Saul, Raphael Soyer and Frank Stella - as well as this one by Jack Beal. It was originally housed in an elegant cloth case, accompanied by a colophon page. This is the first time since 1971 that this important work has been removed from the original portfolio case for sale. It is becoming increasingly scarce because so many from this edition are in the permanent collections of major museums and institutions worldwide. Jack Beal wrote a special message about this work on the Portfolio's colophon page. It says, "In 1956, shortly after Sondra and I moved to New York, two friends were arrested and jailed for protesting air-raid drills. From them and their friends came our education. This work is dedicated to them and their families. "In Memory of Patricia McClure Daw and AL Uhrie" - This print was made for their children. Jack Beal Biography: Early in his career Walter Henry “Jack” Beal Jr. painted abstract expressionist canvases, because he believed it was “the only valid way to paint.” By the early 1960s he totally altered his approach and fully repudiated abstraction. Turning to representation, he painted narrative and figurative subjects, often enhanced by bright colors and dramatic perspectives. Beal was born in Richmond, Virginia, and from 1950 to 1953 he attended the Norfolk Division of William and Mary College Polytechnic Institute, (now Old Dominion University) where he studied biology and anatomy. Shifting gears, he sought art training at the School of the Art Institute of Chicago where he focused on drawing, and met his wife, artist Sondra Freckelton. His art history instructor encouraged her students to paint in the manner of established artists, and to that end he frequented the Institute’s galleries. For Beal this was significant: “Until I saw pictures of real quality I had tended to think of painting as just so much self-indulgent smearing around, but when I saw masterpieces by Cézanne and Matisse, and other painters of similar stature, I was bowled over; suddenly I realized the force of art.” After spending three years (1953–1956) at the Art Institute, Beal concluded his studies there without getting a terminal degree, thinking it was only useful if he wanted to teach, which, at the time, he did not. He also took courses at the University of Chicago in 1955 and 1956. During this period he married Freckelton, a fellow student and sculptor who began her career working in wood and plastic. Together they moved to New York’s SoHo District before its transformation from a wasteland of sweatshops and small factories into an arts district. They were active with the Artist Tenants Association which was instrumental in getting zoning laws changed so that artists could live and work in the well-lit lofts. Embracing what came to be called “New Realism,” Beal initially painted an occasional landscape as well as earthy-toned still lifes which consisted of jumbled collections filled with personal objects. His signature style started with a series of female nudes—all modeled by Freckelton—based on Greek mythology. These were large canvases with flat paint surfaces, dramatic foreshortening, and unusual perspectives. He further enlivened them with vivid colors, stark lighting, and dynamic patterns derived from textiles and overstuffed furniture. He stopped painting nudes after two episodes. The first came as he was loading a canvas of his naked wife onto a truck in lower Manhattan; several laborers walked by and started to fondle and kiss the painting. On the one hand he felt his wife had been violated, while on the other he was pleased that his realism was so convincing. The second occurred after a solo exhibition in Chicago at which the reception had been sponsored by Playboy magazine. A few days later he was approached by a publicist and asked if Playboy bunnies could be photographed in front of his paintings. He refused. Some portrait commissions came Beal’s way, but he preferred only portraying friends. More significant were four large murals on the History of Labor in America, the 20th Century: Technology (1975), which he undertook for the headquarters of the United States Department of Labor in Washington. Following a historical timeline, the themes were: colonization, settlement, nineteenth century industry, and twentieth century technology. The unveiling ceremony was attended by government officials and Joan Mondale, an arts advocate and wife of the vice-president. The reviewer for the Washington Post wrote enthusiastically: “They’re heartfelt and they’re big (each is 12 feet square). Their many costumed actors (the Indian, the trapper, the scientist, the hardhat, the capitalist in striped pants, the union maid, etc.) strike dramatic poses in dramatic settings (a seaside wood at dawn, an outdoor blacksmith’s forge, a 19th-century mill, a 20th-century lab). The lighting is theatrical. Beal’s compositions, with their swooping curves and bunched diagonals, are as complicated as his interwoven plots.” To accomplish the murals Beal assembled a team of assistants and models, much in the manner of Renaissance masters, which included artist friends and Freckelton. who by then was painting brightly colorful still lifes. A second mural commission ensued from New York City’s Metropolitan Transit Authority for two twenty-foot long installations for the Times Square Interborough Rapid Transit Company subway station. Beal’s designs for The Return of Spring (installed in 2001, three days after the terrorist attacks in New York, Washington, DC and Philadelphia) and The Onset of Winter (installed in 2005), Beal captured the appearance of his models in an oil painting made to the scale of the intended mosaic. A collaboration with Miotto Mosaics, the canvases were shipped to the Travisanutto Workshop, in Spilimbergo, Italy, where craftsmen fabricated the design to glass mosaics. The Return of Spring depicted construction workers and other New Yorkers in front of a subway kiosk and an outdoor produce market and in The Onset of Winter, a crowd watches a film crew recording a woman entering the subway as snow falls against the city’s skyline. Harkening back to some of his early nudes based on Greek myth, Persephone, goddess of fertility and wife of Hades, appears in both. The symbolism is pertinent, since she spent six months each year below ground. Although he disparaged teaching early on, Beal and Freckelton offered four summertime workshops on their farm in Oneonta, New York. He was an instructor at the New York Academy of Art, a graduate art school he helped to establish in 1982. Returning to Virginia, he taught at Hollins College...
Category

Realist 1970s Still-life Prints

Materials

Lithograph

Morning Glories, Photorealist Screenprint on Paper by Lowell Nesbitt
Located in Long Island City, NY
A series of ghostly Morning Glory blooms set against a rich black background. These moon-toned flowers are rendered as a screenprint by Lowell Blair Nesbitt. This print is signed and...
Category

Photorealist 1970s Still-life Prints

Materials

Screen

Bodegon, 1979 Signed Abstract Still Life Etching by Juan Manuel Gomez-Quiroz
Located in Long Island City, NY
Bodegon by Juan Manuel Gomez-Quiroz, Chilean (1939–2021) Date: 1979 Etching, signed, titled, numbered and dated in pencil Edition of 65 Image Size: 29.5 x 23.5 inches Size: 35.75 x 2...
Category

Abstract 1970s Still-life Prints

Materials

Etching

5 Salvador Dali Photolithographs from LES DINERS DE GALA, Priced Each
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: Salvador Dali (Spanish, 1904-1989) Marking(s); notes: signed; ed. 34/195; 1977 Materials: photolithograph and engraving on BFK Rives paper Dimensions (...
Category

Surrealist 1970s Still-life Prints

Materials

Engraving, Lithograph

Joan Miro - Original Abstract Lithograph
Located in Collonge Bellerive, Geneve, CH
Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1972 E...
Category

Abstract 1970s Still-life Prints

Materials

Lithograph

Andy Warhol FLOWERS Hand-Colored Screenprint
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: Andy Warhol (American, 1928-1987) Marking(s); notes: signed; ed. 236/250; 1974 Materials: screenprint hand-colored with Dr. Martin's aniline watercolor...
Category

Pop Art 1970s Still-life Prints

Materials

Screen

Calder, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Sans titre, Derrière le miroir
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 221, 1976. Published by Aimé Mae...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Joan Miro - L'Issue Dérobée - Original Aquatint
Located in Collonge Bellerive, Geneve, CH
Joan Miro - L'Issue Dérobée - Original Aquatint 1974 Dimensions: 36 x 54 cm Edition: 220 Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974 (C. books 187) Biography Joa...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Standing in the Visionary Field Screenprint by Yayoi Kusama (ABE 002)
Located in Hong Kong, HK
Yayoi Kusama Standing in the Visionary Field (1979). Edition 46/100 Screenprint [13 screens, 13 colors, 13 runs] 40.8 x 52.2 cm (image) 50.8x 65 cm (sheet) Edition of 100 + 10 Artist Proofs Published in 1979 on Hakou-shi paper by Ishida Ryoichi (printer) Provenance: Art Factory Gallery, Setagaya-ku, Tokyo Shinwa Art Auction, Tokyo Publications: A specimen of the same edition is represented in full page at plate 2, page 12 of the Catalogue Raisonné of Kusama's prints: "Yayoi Kusama Prints 1979...
Category

Pop Art 1970s Still-life Prints

Materials

Screen

Flowering Angel
Located in Washington, DC
Artist: Peter Max Title: Flowering Angel Medium: Screen print in colors Date: 1976 Edition: 27/100 Sheet Size: 30" x 23" Frame Size: 37" x 30" Signature: Hand signed in pencil Price ...
Category

Contemporary 1970s Still-life Prints

Materials

Screen

Cloud cars, 5/20 - figurative, playful, pop-art, lithograph, limited print
Located in Bloomfield, ON
This charmingly whimsical lithograph of a classic Toronto image—the streetcar was one of a series Charles Pachter first created in the seventies. Two electric streetcars moving away from the viewer fill the frame—in yellow and pink— hydro lines above them appear to be suspended above a large cloud. Pachter is a much-admired Canadian artistic polymath, his colourful pop artwork merging playful even irreverent elements with deeply iconic imagery. Number 5 0f 20. “…and a good art critic would compare it with Warhol’s soup cans...
Category

Contemporary 1970s Still-life Prints

Materials

Lithograph

Derain, Nature Morte, André Derain, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Still life, Pale Roses in a vase - Lithograph, 1971
Located in Paris, IDF
Paul Cezanne Still life, Roses in a vase, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) ...
Category

Modern 1970s Still-life Prints

Materials

Lithograph, Stencil

Original Zurich, Switzerland vintage travel poster
Located in Spokane, WA
Original Zurich, Switzerland vintage travel poster. Conservation linen backed and ready to frame. Excellent condition. Created by the esteemed...
Category

1970s Still-life Prints

Materials

Offset

Salvador Dali - The Marvellous Steps - Original Handsigned Etching
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Original Handsigned Etching From La Quête du Graal Dimensions: 45 x 33 cm Handsigned Edition: 38/100 (from the rare Suite) Catalogue raisonné: Michler-Löpsinger 778-...
Category

Surrealist 1970s Still-life Prints

Materials

Etching

Cutting Board, Modern Woodcut by Shunji Sakuyama
Located in Long Island City, NY
Shunji Sakuyama, Japanese (1940 - ) - Cutting Board, Year: 1975, Medium: Woodcut on Arches, signed, numbered and dated in pencil, Edition: 47/50, Image Size: 13 x 17 inches, Size...
Category

Modern 1970s Still-life Prints

Materials

Woodcut

Calder, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Still Life - Offset print after Giorgio Morandi - 1973
Located in Roma, IT
Still Life is an Original vintage offset print, reproducing the original watercolor by Giorgio Morandi in 1973. Signature and date by the artist is perfectly reproduced on plate. ...
Category

Modern 1970s Still-life Prints

Materials

Offset

Calder, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Nails, from Monochromes at the New Gallery, historic Pop Art lithograph Signed/N
Located in New York, NY
James Rosenquist Nails, from Monochromes at the New Gallery, 1975 Limited edition lithograph and offset lithograph (pencil signed and numbered) Signed and numbered 10/100 in graphite...
Category

Pop Art 1970s Still-life Prints

Materials

Lithograph, Offset

Topiaire Sujet No. 1, by Francois Houtin
Located in Palm Springs, CA
Signed, titled and numbered by the artist, edition of 30. This Imaginary topiary and garden scene is the smallest size that Houtin created . François Houtin was born in Craon en Ma...
Category

Contemporary 1970s Still-life Prints

Materials

Etching

Calder, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 212, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Curtains and Leaves, Modern Lithograph by Robert Kipniss
Located in Long Island City, NY
Curtains and Leaves Robert Kipniss, American (1931) Date: circa 1975 Lithograph, Signed and numbered in Pencil Edition of 32/35 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)
Category

American Impressionist 1970s Still-life Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 212, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Hole Punch (Jim Dine 30 Bones of My Body portfolio) tool dry point
Located in New York, NY
The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...
Category

Pop Art 1970s Still-life Prints

Materials

Drypoint

After the Party FS II.183 (Warhol estate stamped)
Located in Aventura, FL
Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...
Category

Pop Art 1970s Still-life Prints

Materials

Paper, Screen

The Most Distant Visible Part of the Sea, Pop Art Silkscreen by Rauschenberg
Located in Long Island City, NY
Artist: Robert Rauschenberg, American (1925 - 2008) Title: The Most Distant Visible Part of the Sea Year: 1979 Medium: Lithograph and Screenprint, Signed and numbered in pencil Editi...
Category

Contemporary 1970s Still-life Prints

Materials

Lithograph, Screen

Derain, Nature morte aux Poissons, André Derain, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...
Category

Modern 1970s Still-life Prints

Materials

Lithograph

Watermelon - Lithograph after Renato Guttuso - 1982
Located in Roma, IT
Watermelon is a mixed colored lithograph by the Sicilian artist Renato Guttuso in 1982 The artwork is from XXeme Siècle Paris/New York; Printer Graphis Arte Livorno/Roma. Referenc...
Category

Contemporary 1970s Still-life Prints

Materials

Lithograph

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