Drawing Still-life Prints

This lithograph with collage of twine, fabric and photograph is hand signed in pencil by the artist "Christo" at the centre right of the image. It is hand numbered from the edition o...

Fred Deux - Grey VI - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudon...

Still Life by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 14.5 x 10.8 cm (5 ³/₄ x 4 ¹/₄ inches) Initialed LR in the plate Exhibition Fort Lauderdale, Museum of Art, Camille Pis...

CHAREWICZ Gochka (XXe) Michel Butor's Herbarium Signed and numbered 2/29 Dimensions: 42 x 32 cm. Toutes marges.

Fred Deux - Cosmic Root - Signed Original Serigraphy Signed and Numbered on Z (Edition of 26) Dimensions: 76 x 56 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under...

Fred Deux - Grey III - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

Fred Deux - Grey IV - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

Mikelis day. 1984. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction ...

Elizabeth Quandt (1922 - 1994) Aries II, 1978 Etching on Arches paper. Deckled edges. Singed and dated in pencil, lower right Edition IX/L (9/50) With artist's embossed stamp to lower center Image 8in H x 10 1/2in L: Sheet 22 1/4in H x 18in L. Unframed. The ram's skull pictured was found entwined in a stand of trees in Mendocino by the artist's grandchild, Timothy Brien Mailliard. The first 25 prints in this edition of 50 are identified by Roman numerals and comprise the portfolio suite...

Dedication to Valmiera city. 1982, linocut, print size 60x42 cm; total 70x55 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publicatio...

Screenprint in colors on wove paper. Hand signed and numbered by the artist. HC Edition 6 of 12, the total edition was 90. Published by International Images, Putney, Vermont. Sheet...

CHAREWICZ Gochka (XXe) Michel Butor's Herbarium Signed and numbered 2/29 Dimensions: 42 x 32 cm. Toutes marges.

Fred Deux - Grey VII - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

CHAREWICZ Gochka (XXe) Michel Butor's Herbarium Signed and numbered 2/29 Dimensions: 42 x 32 cm. Toutes marges.

A Piece of Swiss Cheese Clare Halifax Artist a 3 colour interpretation of a swiss cheese plant found in the the Barbican conservatory, its pink with the p...

Helio-etching on hand-made paper, 1927 by Paul Klee. Signatur is printed, top right: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 43 Image: 5.79 x 7.48 in ( 14,7...

The painting is being offered with a work and authenticity certificate

Screenprint on heavy wove paper. Hand signed and numbered by the artist. HC edition of 12 (there was also a main edition of 100). Published by International Images, Putney, Vermont....

Limited Edition Print 33/80. Edition 32/80 is also available. Pencil-signed by the artist (signature is illegible). Measures 15 x 11 inches and is unframed. The print is in Excellent...

Limited Edition Print (34/80). Pencil-signed by the artist (signature is illegible). Measures 15 x 11 inches and is unframed. The print is in Excellent Condition.

Limited Edition Print (76/90). Pencil-signed by the artist (artist signature is illegible). Measures 15 x 11 inches and is unframed. The print is in Excellent Condition.

Limited Edition Print (33/80). Pencil-signed by the artist (signature is illegible). Measures 14.75 x 11 inches and is unframed. The print is in Excellent Condition.

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and fle...

Artist Commentary: “Collage is the exploitation of the chance meeting of two distant realities on an unfamiliar plane… and the spark of poetry that leaps across the gap as the two r...

Fred Deux - Grey I - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

"Bouquet: Fleurs bleues" by Georges Braque from Guillaume Apollinaire's "Si je mourais là-bas" (If I die there). It is the 14th panel of the suite. The present woodcut on japon nac...

Roy Lichtenstein Apple and Lemon, 1983 is an excellent example of the artist’s later work. Lichtenstein largely abandoned his famous comic strip pan...

The "La Comtesse de Monte Christo" is from "Aube à l'Antipode", a book with poems by Alain Jouffroy and reproductions of seven drawings by Magritte. This etching has been part of the...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Signed, dated, and numbered in pencil.

Tom Wesselmann, (1931-2004) "Still Life" (Stilleben) 1988 Porcelain with Polychrome Ed. 169/299 Porcelain Size: approx. 13 x 14 inches Overall Size: approx. 18 3/4 x 20 inches Foun...

Salvador Dali - Fruits With Holes - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference...

Framed Salvador Dali's Lithograph Wild Blackberries 1970 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Co...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Salvador Dali - Apricot - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) aside from the edition of 200. Paper :...

Salvador Dali - Currant's Reverence - Original Hand-Signed Lithograph Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned Edition: XIV/XXXV Lithograph with drypoint in colours, 1...

A beautiful black and white etching on wove paper created by Donald Baechler in 2007, Untitled (I) is one of five individual prints that comprise the Five Flowers portfolio, each pri...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...