Boat Prints and Multiples

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Selected from the Derujinsky: Around The World Portfolio, shot in Fragrant Harbor, Hong Kong for Harper's Bazaar Artist: Gleb Derujinsky Title: Fragrant Harbor Year: 1957 Estate ...

PERELLE Family (17th Century) Building a Ship Original Engraving Signed in the plate On laid paper, 15.5 x 28 cm INFORMATION: This family of artists, led by Gabriel, the father, an...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Boats at Dock, Year: circa 1980, Medium: Lithograph, signed in pencil, Edition: 125, EA, Image Size: 24 x 16 inches, Size:...

On the beach  is an lithograph realized by  Nicola Simbari  in 1977. Hand-signed on the lower right. Edition of 100 prints. The artwork represents a beach with an abstract multico...

Medium: original etching. This impression on cream laid paper was printed by Lienard and published in Paris by L'Art in 1879. The plate size is 7 3/4 x 11 3/4 inches (200 x 300 mm). ...

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

Medium: original etching. Printed in 1902 and published in Paris by Gazette des Beaux Arts. Image size: 5 3/4 x 8 1/4 inches (145 x 210 mm). Signed in the plate, not hand-signed.

Artist: Vahe Yeremyan Work: Print on Canvas Subject: Rowboats, Framed Size: 14" x 17" x 1.5''inch, 36x43x4cm Ready to Hang All works are copyrighted and all rights are reserved by ...

Combat Naval is a black and white etching realized by Charles Longueville (1829-1899) in 1870s. Titled in the lower. Image size: 30cmx22cm. Very Good condition. Signed on the low...

From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 4) London: Thomas Mclean, 1835. Etching with handcoloring in watercolor on cream wove p...

Etching and lithograph on cream wove paper, 6 x 8 3/4 inches (151 x 220 mm), full margins. With some scattered light spots of yellowing in the margins on the recto, outside of image ...

Jim Dine Shoe (third state) 1973 Etching from one 20 x 26 in / 51 x 66 cm  copper plate Printed in black on sheet of 22 x 30 in / 56 x 76 cm  Copperplate Deluxe paper Edition of 15 w...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Morning Light on Honfleur, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 1...

'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...

Artist: Christo, Title: Wrapped Fountain Date: 2009 Medium: Lithograph, Collage Unframed Dimensions: 21.8" x 27.9" Framed Dimensions: 28" x 34" Signature: Signed Edition: /200

Medium: original lithograph. Printed in 1972 for the art revue Derriere le Miroir (issue number 196) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 555 mm). There is a...

Levi is an etching on paper from Salvador Dalí's "Twelve Tribes of Israel." The image size is 19.62 x 14.37 inches and the framed dimensions are 34.25 x 27.75 inches. From the Englis...

The original Soviet propaganda poster created by N. Denisov in 1951, titled "URSS Grande puissance maritime" (USSR Great Maritime Po...

An elegant and delicate seascape of Brightlingsea Hard, Essex circa 1925 18/75. Drypoint etching on cream laid paper, 5 1/2 x 7 7/8 inches (138 x 198 mm), full margins. Signed and ...

Medium: 8 color Screenprint Year: 2023 Image Size: 16 × 32 inches Edition of 18 Pangas Launch from Punta Lobos by Jos Sances is a vivid contemporary woodcut that captures the tensio...

Maurice de VLAMINCK (after) Seine River and Boat in Chatou Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Excellent ...

Medium: 8 color Screenprint Year: 2015 Image Size: 36 × 18 inches Edition of 11 Mariners, Renegades, and Castaways by Jos Sances revisits the brutal realities of nineteenth-century ...

'View of Greenwich from Deptford Yard, Thames, London' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine St...

This exquisite black and silver silkscreen, printed on white by Wild Hawthorn Press in 1970, is a testament to the collaborative genius of Ian Hamilton Finlay and artist Ron Costley....

London [WERNER, Friedrich Bernard]. London. Georg. Balthasar Probst, Augsburg, [c.1730]. A beautiful large, coloured panorama of ‘post fire’ London by Friedrich Bernhard Werner, ...

The pirate in love is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories”...

A 1930 lithograph on paper by artist Raoul Varin, titled "The First House Built in Chicago". Provenance: Arthur Ackerman & Son, Inc., Chicago, IL - Printed in 1930. Artwork size: ...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

After William Adolphus Knell (1805-1875). A view of H.M. Steam Frigate 'Geyser' when off Mt Edgecombe. Engraving with aquatint by Charles Hunt. Finished with hand colouring. Well pre...

La Nouvelle Orléans is a wonderful black and white xilograph on paper, realized in 1876 by an unknown artist, whose signature is not completely readable on lower right corner, after the German artist and marine painter Theodore Alexander Weber (1838-1907). With high meticulousness of sign this original print describes the new port...

Vue du Port au Chemin de Fer à Honfleur is an artwork realized by Jongkind in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initi...

French Sailboats by Peter Edwards, British (1934–2017) Date: circa 1975 Lithograph, Signed and Numbered in Pencil Edition of 11/275 Image Size: 15.5 x 21 inches Frame Size: 24 x 30 i...

THE LOOKOUT is an original hand drawn lithograph by the American woman artist Sally Caldwell-Fisher, printed using hand lithography techniques on archival Arches paper 100% acid free. THE LOOKOUT depicts a quiet boating scene with a young woman dressed in a long, Victorian style navy blue skirt, white blouse and navy neck scarf solidly standing aboard her sailboat gazing out toward the viewer. Ms. Caldwell-Fisher presents a nostalgic look back at New England life portraying a Victorian era female sailor on her sailboat floating on still water, surrounded by peaceful blue skies. THE LOOKOUT evokes a wistful affection for the past with its classic coloration of blues, beige, brown, yellow ochre, black, touches red and white. THE LOOKOUT captures a moment of tranquility while boating during the earlier era of a New England summer season delightfully expressed by the talented American woman artist, Sally Caldwell Fisher. Print size - 16.5 x 9.5 inches, unframed, mint condition, pencil signed by Sally Caldwell-Fisher Sally Caldwell-Fisher was born in Philadelphia 1951, raised in Michigan. She graduated from the University of Michigan and started selling her artwork. Upon moving to New England in the early seventies, she immediately fell in love with its natural beauty - a beauty of contrasts; the granite and dark pines, the fields of snow, and the sparkling sea. It quickly became Caldwell-Fisher's passion to paint New England life in its variety and harmony with nature. Sally Caldwell Fisher portrays in her images a world brimming with charm and simplicity. Attracted to the whimsical, she illustrates everyday life in rural...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

Kcho (Alexis Leiva Machado), (Cuba, 1970) 'Bote con espinas', 2003 engraving, sugarlift on paper 28.8 x 41.3 in. (73 x 104.8 cm.) Ref: KCH-109

Artist: Saul Steinberg, Romanian/American (1914 - 1999) Title: Chrysler Building (Day) from Derrier le Mirroir Year: circa 1965 Medium: Lithograph Size: 14 x 10.5 in. (35.56 x 26.67 ...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 012, Subject: Boats on the Shore Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Gla...

John DePol, 'North River Front', chiaroscuro wood engraving, 1953, edition not stated. Signed, dated, and titled in pencil. Signed in the block, lower left...

This artwork titled "Koln Rhine 1850" c.1950, is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed and titled in pencil. The plat...

Size of sheet is ca. 30 x 42 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

'New Rochelle - Before the Wind', drypoint, 1931, edition 30 (only a few impressions printed), Rose l.163. Signed, dated '1932' and numbered '1 – XXX' in ...

Edward Landon, 'Dark Vessel', color serigraph, 1952, edition 50, Ryan 51. Signed, dated, and titled in pencil. A superb impression, with fresh colors, on c...

René Quillivic Brittany : Boats at the Harbour, 1923 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a panoramic view of the banks of Kanagawa, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japanese, 1797-1858) and printed circa 1946 by Gihachiro Okuyama (1907-1981). An exceptionally crisp image with fresh color, printed on traditional Washi paper and showing delicate bokashi gradation of sumi ink in the foreground, horizon and upper sky. Sheet Dimensions: 10.25 H x 15.25 W inches. Travelers pass through a section of the Kanagawa post station, dominated by a variety of shops, each with views looking out over the water. A number are tea houses, outside of which stand waitresses inviting travelers inside. On the water we see several small fishing boats, as well as larger shipping vessels...

MARK FREEMAN (1908 - 2003) MANHATTAN CLIFFS, 1947 Lithograph (offset?) with 2 color plates. Signed, titled and dated. 19 1/2 x 15 in., large grey sheet, 22 3/8 x 17 1/2 in. Very good condition. A large and very strong image of New York.

Platt, John Edgar (English, 1886-1967). PORT OF ST. TROPEZ. Woodcut in color, 1924. Edition of 100, signed and titled in pencil and numbered 43/100. 15 1/4 x 11 1/2 inches (sheet). P...

Isola Bella on Lake Maggiore is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

John McNulty, Irish/American (1949 - ) - Sailing 2, Year: circa 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 450, Size: 13 in. x ...

Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...

Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...

Water is the New Black Signed and dated in pencil Edition 179/450 Screenprint on cream speckle tone paper Published by Obey Giant. image: 17 by 23 in. (43.2 by 58.7 cm.) sheet: 18...

Beautiful poster of Sandy-Hook, pseudonym of Georges Taboureau of Art Déco style for the account of the Chargeurs Réunis. Sandy-Hook is specialized in...

Portrait of David Glasgow Farragut (American Civil War Officer) a 20th century color print after the painting by William Meijer color print on canvas, un...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 013 Subject: Boats on the Shore Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glas...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 017 Subject: Sky Trees, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are co...

A Buffalo, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is known for his Arts and Crafts period woodcuts and his later industrial sce...

Christo, Christo and Jeanne-Claude, Javacheff Christo The Pont Neuf, Paris Wrapped (Hand Signed), from the Estate of Aviva and Jacob Bal Teshuvah, 1985 Offset lithograph poster (hand signed Christo et Jeanne-Claude) Signed Christo et Jeanne-Claude in orange crayon on the front Unnumbered 24 × 36 1/2 inches Unframed Hand signed Christo et Jeanne-Claude in orange crayon on the front unframed Accompanied by gallery issued Certificate of Guarantee & provenance This elegant vintage poster was published to promote and raise funds for Christo's famous The Pont Neuf Wrapped Project in the mid 1980s. From the estate of Jacob and Aviva Bal Teshuva - authors of books on Christo, collectors, philanthropists and friends of the artist. Provenance Estate of Aviva and Jacob Bal-Teshuva ABOUT THE PONT NEUF WRAPPED PROJECT: On September 22, 1985, a group of 300 professional workers completed the temporary work of art The Pont Neuf Wrapped. They had deployed 450,000 square feet (41,800 square meters) of woven polyamide fabric, silky in appearance and golden sandstone in color, covering: The sides and vaults of the twelve arches, without hindering river traffic. The parapets down to the ground. The sidewalks and curbs (pedestrians walked on the fabric). All the street lamps on both sides of the bridge. The vertical part of the embankment of the western tip of the Île de la Cité. The Esplanade of the Vert-Galant. The fabric was restrained by 8 miles (13 kilometers) of rope and secured by 12.1 tons of steel chains encircling the base of each tower, 3.3 feet (1 meter) underwater. The Charpentiers de Paris headed by Gérard Moulin, with French sub-contractors, were assisted by the USA engineers who had worked on Christo and Jeanne-Claude's previous projects, under the direction of Theodore Dougherty: Vahé Aprahamian, August L. Huber, James Fuller, John Thomson and Dimiter Zagoroff. Johannes Schaub, the project's director had submitted the work method and detailed plans and received approval for the project from the authorities of the City of Paris, the Department of the Seine and the State. 600 monitors, in crews of 40, led by Simon Chaput...

Uses and Customs - Ischia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

The Castle is an artwork realized by Antonio de Totero (1936) in 1980. Hand-signed and numbered by artist with pencil. Numbered, Edition of V/XXV prints Good condition.