Bride Prints and Multiples

Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...

Medium: lithograph (after the monotype). Printed in 1974 for Derriere le Miroir (issue No. 210) and published in Paris by Maeght. Size: 15 x 22 inches (377 x 553 mm). There is a cent...

An Unexpected Visit is an original litograph realized by Marcel Vertés in 1920. Good condition for this artist's proof on a white paper. Hand-signed by the artist on the lower right corner. Marcel Vertès (Budapest, 10 August 1895 – New York 31 October 1961) was a French costume designer and illustrator of Hungarian-Jewish origins. Vertès is also responsible for the original murals in the Café...

No quiren is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los Desastres de la Guerra" realized during the years of the Independence Spanish War, published in 1863 and representing the horrors and the despair of the War. Signature appears upside down in the lower right corner. Titled on the lower central margin "No Quiren" (Not Even Them). Numbered on the lower left corner. Etching N. 9. Very good conditions. A Napoleonic soldier...

Etching with aquatint on cream wove paper, 1 3/4 x 5 inches (178x 127 mm), full margins. Signed, dated and inscribed "Ed. 150" in pencil, lower margin. Second state (of 3), before th...

Very nice lithograph by Man Ray ( 1890 - 1970 ) who was an American visual artist and spent most of his career in Paris. This unique trial proof is hand signed by the artist. He was ...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Divine Impenetrability from the Series "The Divine Comedy" by Dante Alighieri is woodcut print realized in 1963. Good conditions. Not signed, as issued. Plate n.22 (as reported on...

A Harlot's Progress is an etching print realized after William Hogarth in 1732 Signature on the plate on the lower right. Good conditions, with some foxing. A Harlot's Progress" i...

Artist Signed Giclèe Edition 250 S/N Paper Size: 21 x 39 inches ( 53.34 x 99.06 cm ) Image Size: 18 x 36 inches ( 45.72 x 91.44 cm ) Framed: No Condition: A: Mint Shipping and ...

Artist: Dali, Salvador Title: Moses Series: Our Historical Heritage Date: 1975 Medium: drypoint with added color Unframed Dimensions: 26" x 19.875" Framed Dimensions: 33.5" x 2...

Medium: Lithograph on vélin d'Arches Arjomari paper Year: 1965 Paper Size: 11.81 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Lettr...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

The image of "The Violinist" is a recurring motif in Marc Chagall's work, and it reflects his deep connection to his Russian-Jewish heritage. Chagall first painted "The Violinist" in...

Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...

Medium: pochoir (after the watercolor). Printed in 1927 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

The Bishop Cum Troubadour from the Series "The Divine Comedy" - Canto 9 - Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Co...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Aquatint, 1932, edition unknown. Signed, dated, and titled in pencil. Image size 7 3/8 x 6 3/8 inches (187 x 162 mm); sheet size 12 1/4 x 11 3/8 inches (311 x 289 mm). A fine impression, in rich sepia ink, on cream wove paper, with wide margins (2 3/8 to 2 1/2 inches); in excellent condition. Scarce. A beautifully composed cubist work depicting urban Rumba revelers, possibly inspired by a New Orleans Rumba Night scene. Little biographical information is available about E. P. Marquié. The artist created numerous miniature-format etchings of New York...

Jacques VILLON Young Girl with the Cats (Minne et les chats buvant), 1907 Original etching Handsigned in pencil Limited to 30 copies On linen...

Figure is an original lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes, short and...

Medium: Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper Year: 1970 Paper Size: 11.024 x 8.66 inches Inscription: Inscription: Unsigned and unnumbered, as...

Profile of the Woman is an original etching artwork realized after Heinrich Fussli for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love ...

Three native Mexican women all similarly dressed in traditional, flowing white dresses covered in dark, fringed shawls raise their heads as if the...

Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.48 x 9.69 inches. Inscription: Signed in the plate and unnumbered, as issued. ...

Vintage offset print realized after a watercolor by Giorgio de Chirico in 1962. From the rare portfolio "Greek Mythology" realized for IRI and printed by Stab Salomone. Excellent c...

Paper Size: 23.75 x 11.75 inches ( 60.325 x 29.845 cm ) Image Size: 22.5 x 10.5 inches ( 57.15 x 26.67 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Uses and Customs - King and Queen of Sicily is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Histor...

La Gelinote is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la des...

Maria Rivans, Mrs Smith (Lenticular) Lenticular Print 55 x 75 cm (21.65 x 29.53 in) Comes with Certificate of Authenticity Edition of 25

London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 1818 (published August 1st, 1835) 9 1/2 x 13 3/4 inches (240 x 348 mm), full...

Image dimensions: 15 x 11.5 cm. Boudoir is a black and white linocut on ivory-colored paper, realized in 1945 by the Italian satiric master Mino Maccari (1898-1989). Hand-signed wi...

A beautiful Spanish poster featuring bullfighting. It's an ancient tradition that represents the way of facing the bull, either in fights at the end of which the bull is put to death...

Emperor Trajan addressing the Roman soldiers is an artwork realized by Pietro Santi Bartoli (1635-1700) in 1672. Etching. Good condition. The T...

Dimensions w/Frame: 25 3/4" x 20 3/4" Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography and the Constructivist/Suprematist style of the 1910s. Despite the authorities' persecutions of nonconformist artists (including arrests, forced evictions, terminations of employment, and various forms of routine hassling), they united in a group, "TEV – Fellowship of Experimental Exhibitions." TEV's exhibitions proved tremendously successful. In the same period, Rapoport became one of the initiators of another anti-establishment group, ALEF (Union of Leningrad's Jewish Artists). In the United States this group was known as "Twelve from the Soviet Underground." Rapoport's involvement with this group increased tension with the authorities and attracted KGB scrutiny, including "friendly conversations," surveillance, detentions and house arrests. It became increasingly dangerous for him to live and work in the USSR. In October 1976, Rapoport with his wife and son were forced to leave Russia. In Italy, Rapoport exhibited at the Venice Biennale, "La Nuova Arte Sovietica-Una prospettiva non-ufficiale" (1977), participated in television programs about nonconformist art in the Soviet Union, and created lithographic works continuing his theme of Jewish characters from Babel's play Sunset. In 1977, Rapoport's family was granted U.S. immigration status and settled in San Francisco. a significant event in Rapoport's life occurred in his meeting with San Francisco gallery owner Michael Dunev, who became his friend and representative, organizing all his exhibitions until the artist's death. Toward the end of the 1980s and beginning of the 1990s, Rapoport completed his most ambitious works on the theme of the Old Testament prophets: Samson Destroying the House of the Philistines (1989), Lamentation and Mourning and Woe (1990), the four paintings Angel and Prophets (1990–1991) and Three Deeds of Moses (1992). In 1992, the artist's friends in St. Petersburg organized the first exhibition of his works there since his departure into exile, with works patiently gathered from collectors and art museums. This exhibition, held in the City Museum of St. Petersburg and accompanied by headlines such as "A St. Petersburg artist returns to his town," was followed by much larger ones in 1993 (St. Petersburg and Moscow), organized in collaboration with Michael Dunev Gallery under the name California Branches – Russian Roots. He Exhibited in "Soviet Artists, Jewish Themes...

Paper Size: 34 x 22.5 inches ( 86.36 x 57.15 cm ) Image Size: 26 x 19 inches ( 66.04 x 48.26 cm ) Framed: No Condition: A: Mint Additional Details: This original lithograph, So...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

Lithograph and stencil with gouache and pastel inks on vélin de Rives paper, archivally hinged on vélin de Rives backing sheet, as issued. Inscription: signed in the plate and unnumb...

This work was published for the exhibition, American Jesus, held 13 July - 18 September 2010 at Paul Kasmin, New York in cooperation with Fred Torres Colla...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Inscribed and signed lower center: "Monoprint H Lee-Smith" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is in our New Yo...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Godfrey Kneller. Houbraken was a Dutch engraver famous for his series of portraits of famous English his...

A charming etching depicting Giovanni Battista Piranesi's Villa of Maecenas at Tivoli. Inscribed with artist name in plate. Presented in a black and gilt frame. On paper.

Luis Enrique Camejo (Cuba, 1957) 'Sábanas blancas', 2022 sugar aquatint on paper Canson 320 g. 28.2 x 20.9 in. (71.5 x 53 cm.) Edition of 15 Unframed

Pablo PICASSO (1881-1973) Diurnes, Man and a Piece of Lace, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2...

Pino Daeni (Italian/American, 1939-2010), "Evening", Oil Enhanced Giclee on Canvas, signed lower left, unframed. 30" H x 30" W. Provenance: From a New York City Collection.

Alluring black and white fine art stone lithograph of three females frolicking in the shallow water around a dock by artist McVey, circa 1950. Signed lower right. Original one-of-a-...

ARTIST: Salvador Dali TITLE: The Hippies Woman With Garter MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: X/C MEASUREMENTS: 25.6" x 20" Framed: 36" x 31" YEAR: 1969 CON...

Jean Jansem (1920-2013) Pélerin au cierge, 1986 Lithographie sur papier Japon, justifiée XIV / XXX Signée en bas à droite 67 x 51 cm / 76 x 54 cm Bibliographie: CR Jansem, 1993, n...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From t...

Jean Pichore workshop, 1500-1541 Crucifixion Metal cut engraving printed on vellum with vintage hand coloring c. 1500-1541 Miniature (image) size: 4 3/4 x 3 1/8" Including decorated ...

From the suite Le Poesie, Les Poetes, a set of 8. Henry Moore was invited to illustrate a group of poets selected by President Georges Pompidou. Catalogue Raisonne (#324) Henry Moo...

Boris Lovet-Lorski, 'Untitled (Nude Crucified)', lithograph, edition 250, 1929. Signed and numbered 19 in pencil. Number 19 of Volume 2, a series of 10 lithographs published by the a...

Charming original drypoint on ivorycoloured plate realized by Giuseppe De Nittis between 1870 and 1880. Signed on plate lower left margin, not numbered and in perfect conditions. Inc...

Vintage poster by Henri Privat-Livemont created for the Exposition Universelle (the 1900 Paris Exposition) before the lettering was added on the upper portion of the image. Henri Pr...

Jules Pascin, Bulgarian/French (1885 - 1930) - 11 Rue Foyatier, Medium: Etching, signed in the plate, Image Size: 6.5 x 4.5 inches, Size: 8.75 x 6 in. (22.23 x 15.24 cm), Descripti...

Nude woman is an original modern artwork realized in mid-20th century by the artist Guglielmo Coladonato. Lithograph on paper. Signature an hand written dedication on the lower ma...

The cover lithograph exemplifies Tàpies' use of abstract forms and textures, blending gestural marks with layers of muted and earthy tones. His work often incorporates a mix of media...