Coat Prints and Multiples

Classic colour plate of Bucks" by 'Spy' aka Sir Leslie Ward for Vanity Fair published Nov 7, 1885 Print Sz: 13 3/4"H x 8 1/2"W Frame Sz: 19"H x 14"W w/ billiard green mat & gilt b...

Art Sz: 13 3/4"H x 10 1/4"W Carlo de Fornaro (sometimes spelled Carlo di Fornaro) (1872–1949) was an artist, caricaturist, writer, humorist, and revolutionary. Art Sz: 13 3/4"H x 1...

Linda Stein, Gender Scrambling 848: Veteran Feminists of America Signed Limited Edition Feminist Contemporary Art Print Prints from this series are in the Permanent Collections of V...

Cecil Beaton & Rudolf Nureyev c1965 Art Sz: 14"H x 12"W Frame Sz: 19 1/2"H x 17 1/2"W w/ bespoke lavender mat w/ Brit racing green

Linda Stein, Gender Scrambling 758 Prints from this series are in the Permanent Collections of Victoria Gallery & Museum in the UK and Konstmuseet i Skövde in Sweden. Stein's Gende...

Linda Stein, Gender Scrambling 759: Copelon, Wiesen Cook, Steinem, Kennedy Prints from this series are in the Permanent Collections of Victoria Gallery & Museum in the UK and Konstm...

Art Sz: 13 3/4"H x 10 1/4"W Carlo de Fornaro (sometimes spelled Carlo di Fornaro) (1872–1949) was an artist, caricaturist, writer, humorist, and revolutionary. His work is in the c...

Print Sz: 12 7/8"H x 7 1/2"W Frame Sz: 17"H x 11 1/8"W Artist: Tim Holder David McPherson Broome CBE (born 1 March 1940) is a retired Welsh show jumping champion. He competed in t...

Bambi Hero to Zero, 2013 Screenprint 30 x 22 inches Numbered from the edition of 50 in the lower left corner Signed by the artist in the lower right corner unframed

Art Sz: 13 3/4"H x 10 1/4"W Carlo de Fornaro (sometimes spelled Carlo di Fornaro) (1872–1949) was an artist, caricaturist, writer, humorist, and revolutionary. His work is in the c...

Manager of the Ad Lib made it for a time the most successful nightclub in the world! Art Sz: 14"H x 12"W Frame Sz: 19 1/2"H x 17 1/2"W in bespoke lavender mat w/ Brit racing green ...

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

By John T. Rowe Print Sz: 7 3/4"H x 5"W Sheet Sz: 12"H x 9"W

Vanity Fair chromo-lithograph (colour) print of American jockey, "Skeets" Martin (1875-1944) Print Sz: 14"H x 9"W Frame Sz: 19"H x 14"W w/ billiard green mat w/ gilt bamboo frame ...

Classic colour plate by "Spy" aka Sir Leslie Ward for Vanity Fair's Supplement depicting the Yachtsman 'Tiggy', Sir Richard Bulkeley, August 7, 1907 12th Bt ('Men of the Day. No. 1...

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

Art Sz: 13"H x 10"W Frame Sz: 14 3/8"H x 11 1/8"W In custom gilt bamboo frame Original color page from Slim Aarons' iconic book "A Wonderful Time" published 1974

1896 Print Sz: 14 1/2"H x 9"W Mat Sz: 20"H x 12 7/8"W Samuel Loates (1865–1932) was a British Thoroughbred horse racing jockey who was the Champion Jockey of 1899 in his home coun...

Honore Daumier (1808-1879), La Fortune Fait Oblier Les Amis, lithograph, from the series Caricaturana, plate 31, 1838. Daumier Register 385, third state (of...

Edition of 100 Digital print on paper Hand signed by the artist

New mixed media Original artwork, 1/1

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 32 x 42 inches. Image size 27 x 36 inches. Edition of 275. Artwork is in excellent condition. Certificate...

From the suite La Poesie, Les Poetes, a set of 8. Henry Moore was invited to illustrate a French group of poets by President Georges Pompidou, selected by the President. Catalogue ...

"Red for Love 2" Figurative Photography 24 x 37 in Ed 1/11 by Tetiana Kalivoshko "The Red One - That Is Love" "The Red One - That Is Love" is a thought-provoking art series by Tetia...

Created in 2019, this screenprint with diamond dust is hand-signed by Russell Young Russell Young, British (Northern England, 1959- ) in pencil on verso. This is a unique and origina...

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

Etching and aquatint, 1980, on Rives BFK, signed and numbered from the edition of 100, printed at Studio Crommelynck, Paris, published by Waddington Graphics, London, 58.4 × 38.1 cm. (23 x 15 in.) The title is from a song of the 1960s by The Kinks...

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

It is very rare in WWII posters to know the identity of the exact soldier being depicted. This scarce and highly sought after poster by Betsy Graves Reyneau (1888 - 1964) is one such...

India dreams 2 - Jean-Francois Charles Lithograph signed and numbered on 40 by hand 40x50cm Circa 2014 190€

Rockstars Series Original Painting and Limited Edition Prints on Canvas Hand Signed by Stickman 2023 18" x 24" Unframed SE Series Edition of 150

Walking the Horse by Mackenzie Thorpe Framed Serigraph on Panel signed and numbered by the artist. Edition 195/275 Framed dimensions: 27.25 x 34.5 inche...

Prints from this series are in the Permanent Collections of Konstmuseet i Skövde in Sweden and Durham University Art Collection in the UK. Stein's Armored for Today's Events print...

Linda Stein, Gender Scrambling 762 Prints from this series are in the Permanent Collections of Victoria Gallery & Museum in the UK and Konstmuseet i Skövde in Sweden. Stein's Gende...

Dashing colour-plate depicting four elegant Edwardian gentlemen in bespoke overcoats & top hats Art Sz: 9"H x 9 1/2"W Frame Sz: 14 1/2"H x 16"W

Delightful colour c1950s plates by 'The Tout' aka Peter Buchanan depicting English horse racing owners Print Sz: 5"H x 12"W Frame Sz: 8"H x 15"W

Charming hand-coloured circa 1898 litho depicting a pink coat Master-Fox-Hounds Image Sz: 14"H x 8 1/4"W Frame Sz: 22 1/2"H x 16 1/2"W

Two-dimensional interpretation of Jim Rennert's A Deal's A Deal. Work is a UV print on ultra-clear polyester faced with acrylic with white backing on an aluminium back. Edition of 10.

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...

Soody Sharifi, Archival Inkjet Print, Middle Eastern Artist. Framed artwork in excellent condition. Edition of 3. Signed and numbered by artist on verso.

The Kid First National Pictures, American (1917–1936) Date: of Original: 1921 Reproduction Three Sheets Poster, numbered in pencil bottom left Edition of 125 Size: 86 x 46.5 in. (218...

Untitled (Lady Hamlet), black and white portrait photograph by Mark Morrisroe 1984/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x 3.25 ...

Artist: Julian Opie Title: Stephanie and Joshua Portfolio: Standing Couples Medium: Relief print with collage on archival Museum Board, presented in a sprayed white frame specified b...

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

Title: David Salle and Janet Leonard (From the portfolio 'Pas de Deux ') Artist: Alex Katz 1927 - PRESENT Year: 1993 Technique: Color screenprint Alex Katz's paintings and sculptures monumentalize common moments of everyday life. Katz was influenced by the golden age of the billboard business when hand-painted advertisements...

"Vivien in White Coat" - This is a very stunning "portrait" by Alex Katz who became famous for his portraying. It is a so called "lost profile" which is a...

NEW GENERATION is a hand drawn, limited edition lithograph printed using hand lithography techniques on archival Arches paper, 10% acid free, by the renowned African American woman artist...

TECHNICAL INFORMATION: Alex Katz Vivien in White Coat 2021 Silkscreen 54 x 39 in. Edition of 60 Pencil signed and numbered

Laurent Badessi Innocence 2 50 x 40 inches (unframed size) 51.5 x 41.5 (framed size) Lenticular Edition of 7 Signed by the artist Currently on display at Art Angels

Kelly Fearing (American, 1918 - 2011) Title: Boy Returning Water to the Sea, 1949 Medium: Prints and multiples, lithograph Size: 11.5 x 14 in. (29.2 x 35....

My Coo Kie - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with outfi...

This screenprint in colors was created in 1993/94. Hand-signed by the artist and numbered, from the edition of 150 measuring 36 x 20 in. (91.5 x 51 cm.).