Coat Prints and Multiples

Signed and numbered by the artist. Unframed. Edition: 360 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, b...

The Ninth (Queen's Royal Lancers) Officer 1899 uniform Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall ...

Poster. Measures 22.5 x 28.5 inches and is Unframed. Good/Fair Condition-signs of wear consistent with age and handling/tear along lower border.

Paper Size: 23.25 x 32 inches ( 59.055 x 81.28 cm )?Image Size: 15.25 x 22 inches ( 38.735 x 55.88 cm )?Framed: No?Condition: B: Very Good Condition, with signs of handling or age??A...

Army Hospital Corps Surgeon - 1st Class 1866 uniform Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limited, Southall 51...

Hockney, David. JOE MCDONALD. Scottish Arts Council 175. Gemini DH76-767. Lithograph in two blacks, 1976. Done in crayon on both a stone and an aluminum ...

Black Belt Jones - Original 1974 Lobby Card Black Belt Jones Black Belt Jones is a 1974 American blaxploitation martial arts film directed by Robert Clouse and starring Jim Ke...

TECHNICAL INFORMATION: Jim Dine The Woodcut Bathrobe 1975 Woodcut and lithograph on Natsume 4007 paper 36 x 24 in. Artist's Proof (A.P.) Pencil signed, dated and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a light wood frame with matte, as shown in photos. ABOUT THE WORK: Jim Dine began painting bathrobes in 1964; some of them were titled or subtitled as self portrait. The bathrobe became a motif in his repertoire which he has returned to on many occasions, in prints as well as paintings. Though he claimed never to wear a bathrobe, nonetheless these are all, in a way, portraits and self portraits. Dexter's Four Robes illustrates the enduring importance of the bathrobe motif in Dine's work, a motif that he has been using over the years in countless printed works to depict mostly himself, but also his wife and people around him. This subject came to him as source of inspiration after coming across an image of a man's dressing gown...

Unframed. Edition of 150 ex Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, between torment and transports of d...

Derives from a publication of 33 lithographs in four colors, all completed specifically for the final (6th) edition of The Situationalist Times: International Parisian Edition, produ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

Diptych 1980. paper, linocut, each artwork 24,5х15 cm The diptych created in 1980 consists of two linocut prints on paper. Each artwork measures 24.5x15 cm. The subject of the dipt...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Yoshitomo Nara and Hiroshi Sugito Untitled (2005), Edition 26/100. Lithograph in colours on wove paper. Image: 29.6 x 22.8 cm. Sheet: 42.7 x 33 cm. Framed: 47.6 x 37.7 x 2.4 cm. Hand...

Original American Lobby Card of the Movie „Highlander“ USA 1986 Director: Russel Mulcahy, Actors/Stars: Sean Connery, Christopher Lambert Keywords: Film, movie, scene, aka. Highlande...

In this poster by fashion illustrator, Rene Gruau, a couple is observed walking into the forefront of the image wearing elegant and beautifully illustrated coats in the typical Gruau...

Lee Wells End of the World Party #3 2023 Archival pigment print Edition of 5 Caption: Apocalyptic Elegance: In this lush, ethereal garden, Sebastian the Sophisticate, Lord Livingsto...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio...

Stay On Target! II by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex an...

Tender, black and white scene of children bundled up in sweaters and hats for snow. Evoking the chilly weather and the spirit of winter holidays, this painterly monotype is ready to ...

Citizens is an artwork realized after Corrado Cagli in the middle of the 20th century.  Photype print. Signed and dated on the low side. Good condition.   Corrado Cagli (Ancona,...

Citizens is an artwork realized after Corrado Cagli in the middle of the 20th century.  Photype print. Signed on the low side. Good condition.   Corrado Cagli (Ancona, 1910 - Ro...

Unframed. Edition of 175 ex Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, between torment and transports of d...

Uses and Customs - Mexico is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

Uses and Customs - Habitat Des Landes is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of t...

Uses and Customs - Tyrol is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government...

Uses and Customs - Chef de Clan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

Gerald Leslie Brockhurst (1890-1978), James McBey, etching, 1931, signed in pencil lower right [also signed in the plate, in reverse, lower right just under the borderline, and title...

A very good impression of this lithograph. From the edition of 250. Signed in pencil by Dosamantes. Published by Associated American Artists...

Those Were The Days! (Che tempi!) is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-sign...

36 x 26 inches - Edition 1 of 3 with 2 APs Framing an additional $525 Shot in 2012 in Amsterdam Inspired by Van Eyck’s Arnolfini Marriage, 1434 Photography and acting are kindre...

Customs of Quito  is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of th...

Persian Woman is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Femme Persanne". The work is part ...

Ainos is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Ainos". The work is part of Suite Moeurs, ...

Japanese Soldier is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Soldat Japonais". The work is p...

Mardin Turk is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Turc de Mardin". The work is part of...

Eleuthe is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Eleuthe". The work is part of Suite Moeu...

Bishop, Isabel. TAKING OFF HER COAT (REACHING FOR THE COAT SLEEVE). Etching, 1943. Teller 32. An early proof, printed by Bishop before the 1981 edition of 50 printed by Stephen Sholinsky...

Poster. Measures 25.5 x 16 inches and id Unframed. Good/Fair Condition-signs of wear consistent with age and handling. Printed by Alinari in Firenze, Italy (Florence)

Heart Javanais en Costume de Guerre is a hand colored lithographs realized by Auguste Wahlen in 1844. Good condition. The artwork belongs to the Suite Moeurs, usages et costumes de...

Esquimaux is a hand colored lithographs realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costum...

Skin Diseases of Subcutaneous Cell Tissue and Muscles is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 18...

Duval Pere is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

Joseph is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land...

Giuseppe Gallo. Symphonie en trois mouvements is a vintage offset poster realized in 2008 . This artwork was realized in occasion of the exhibition by Giuseppe Gallo at the Galerie ...

Giuseppe Gallo. Symphonie en trois mouvements is a colored lithograph realized in 2008. This artwork was realized in occasion of the exhibition by Giuseppe Gallo at the Galerie Di ...

Giuseppe Gallo. Symphonie en trois mouvements is an original colored lithograph realized in 2008 . This artwork was realized in occasion of the exhibition by Giuseppe Gallo at th...

Portrait of Amedéé Huot is an original artwork realized in 1848 by French artist Denis Auguste Marie Raffet (1804 – 1860) Lithograph print. Signed on the plate. Very good condi...

Portrait of Alexandre Nordmann is an original artwork realized in 1848 by French artist Denis Auguste Marie Raffet (1804 – 1860) Lithograph print. Signed on the plate. Very goo...

Portrait of Henri Malinvaud is an original artwork realized in 1848 by French artist Denis Auguste Marie Raffet (1804 – 1860) Lithograph print. Signed on the plate. Very good c...

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in marker on the lower right. Artist's proof. Very good conditio...

They Thunder forth from Their Clouds is an original lithograph, realized by George Grosz in 1922, from Die Raüber, edition Malik Verlag in 100 prints, plate n°8 da Die Raüber, hand-signed in pencil. "They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer.)" Sheet dimension: 61,5 x 42 cm. In very good conditions. Here representing a man in front of cross miserably praying, below of his feet laid down many dead bodies and ruined part of the city. here is one of his artwork affected by consequences drama of war. George Grosz (1893 -1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He studied drawing at the Dresden Academy 1909-11 and at the School of Arts and Crafts in Berlin 1912-14, He was in the army 1914-15 and again for a short time in 1917, but spent the rest of the war in Berlin where he made violently anti-war drawings...

A. Karr is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. From series of "Masques et Visages". Titled on the lower. Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...

Jean-Michel Basquiat Photograph by Nick Taylor of Gray: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. "Basquiat knew funk, jazz and what was up. How many people were equally versed in Miles Davis and Funkadelic, Charlie Parker and Bootsy Collins, Thelonious Monk and the JBs?" (Glenn O'Brien, 'Gray Matters,' GQ, 2011) Archival Inkjet Print. 11 x 14 inches (including borders). Hand signed by Taylor on the reverse from a limited edition of 50. Excellent overall condition. Provided directly by artist. Listing dealer is a primary representative of Nicholas Taylor. Related exhibitions featuring this work: Basquiat: Boom for Real; Barbican London; September 2017-January 2018. Museum of the City of New York (NY, New Music: 1980-1986): 2021. Montreal Museum of Fine Arts (Seeing Loud: Basquiat and Music): 2022. Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping (named "DJ High Priest" by Basquiat). His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Exhibitions: Basquiat: Boom For Real at the Barbican Centre, London (9/21/17- Present) Literature/Catalog Raisonne: Basquiat: Boom For Real (Eleanor Nairne/Dieter Buchart) Jean-Michel Basquiat: King For A Decade (Taka Kawachi) Jean-Michel Basquiat: 1981, Studio of The Street (Diego Cortez) For further history on Basquiat & his group Gray, please see: "Gray Matters," by Glenn O'Brien (GQ magazine, 4/21/11) "We formed a band: Jean-Michel Basquiat and the New York noise underground," The New Statesman, 9/29/17 "Bowie, Bach and Bebop: How Music Powered Basquiat" (New York Times 9/22/17) Glenn O'Brien, "Gray Matters," GQ Magazine April, 2011: "Gray’s approach to music was having heard music, to approach instruments and sound systems the way one would pick up a strange machine and try to intuit its operation and function. Since Basquiat didn’t know guitar technique, it seemed like a good idea to play one with a steel file. Michael Holman discovered that you could achieve a very nice effect by pulling masking tape off the skin of a snare drum... And then there was the clarinet that Basquiat liked to walk around with, that was as much a scepter and wand as wind instrument. This utterly charming 27-track album is chock full of the road not taken, which sounds so right just now. It is refreshingly stripped of flagrant virtuosity but it is conceived brilliantly, played perfectly, and arranged impeccably... If a wine can have notes of chocolate, leather, licorice, and tobacco, then this record can have notes of William DeVaughn, Willie Hutch, Marcel Duchamp, Larry Coryell, the Modernaires, Sergio Mendez...

Screenprint, signed and numbered in marker Edition of LXIV/LXX Size: 39 x 29.75 in. (99.06 x 75.57 cm) Publisher: American Image Art

Turcos is an original lithograph realized by Jules Renard in 19th Century. It is part of the collection "Soldiers of the Republic". Good condition. Draner, actually Jules Joseph G...

Artillery is an original lithograph realized by Jules Renard in 19th Century. It is part of the collection "Soldiers of the Republic". Hand-signed. Good condition. Draner, actual...

Glam art deco c1926 'Tres Parisien' fashion pochoir No.8. w/ gouache highlights depicting two chic ladies of the day Art Sz: 10 5/8"H x 6 7/8"W Fram...

Portrait of Man is an original Etching realized by an unkown artist in late-19th century. Very good condition. No signature.

La Grande Edition du musée des tailleurs is an original artwork realized by Morin et Charpentier, in Juin 1877s. Beautiful black and white lithograph on paper. Good conditions. Signed, dated and titled on the lower margin. The artwork represents two men in tuxedos.