Coat Prints and Multiples

Royal Guards is an original lithograph by Antonio Zezon. Naples, 1854. Interesting colored lithograph which describes the Royal Guards, Two Officers in dressing uniform. In excelle...

Navy: Seafaring Students is a lithograph by Antonio Zezon. Naples 1855. Interesting colored lithograph which describes the Army of the Sea: in the lithograph there are a Seafaring S...

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Swiss Regiment is an original lithograph by Antonio Zezon. Naples 1854. Interesting colored lithograph which describes some members of the Swiss Regiment: In the foreground an Offic...

Horse Bodyguards is an original lithograph by Antonio Zezon. Naples, 1851. Interesting colored lithograph which describes the Horse Bodyguards inside a noble Palace. In excellent c...

In Mexico is an original lithograph on paper realized by French artist Alfred Darjou (1932-1874). Signed on the plate on the lower left. Titled at the top center in French, print o...

The Noble Pontifical Guard is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). "Cameriere Segreto Cavaliere di Spada, e Cappa" is an Artwork realiz...

Gentleman of the Cardinal is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the...

Giclée print on archival paper (one print) Minimalistic, dark toned print featuring a female figure against a simple background. Gigi Mills work is born out of her need and desire to simplify and/or reduce each moment to its absolute essential, by removing details from life that tend to obscure what is truly being experienced. It is also her desire to bare witness to, and often to lift up in beauty what is so often considered unwanted or held in despair. Ms. Mills was born in Ohio into the well known Mills Brothers Circus family...

The Order is an original drawing artwork in black marker and watercolor on paper realized by Mino Maccari in the 1960s. Hand-signed by the artist on the lower right. Good condition...

Militaries in Station is an original lithograph by the Italian artist, painter, and printmaker Anselmo Bucci. Signed on the plate on the lower right. In very good conditions. The ...

Charles de Gaulle, born on November 22, 1890 and died on November 9, 1970, was a French soldier, resistance fighter, statesman and writer. He was, a...

Image dimensions: 26x37,5 cm. L'Album di Montecitorio is an original artwork realized by Antonio Manganaro, in 1872. Original colored lithograph. Good conditions, except for a sli...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Women's Auxiliary Army Corps Officer (Clerical Section) 1917 uniform Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Limi...

From the series Political Sketches. John Doyle (1797-1868) was one of the most famous and prolific illustrator of the 19th century in Europe who was born in Ireland and active in Lo...

Puritani is an original artwork realized in the 1870s by Antonio Manganaro. Original colored lithograph Good conditions except for yellowing of paper due to the time. This beauti...

Polin - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along the ...

Gendarme is a drypoint on Japon paper, etched on leather by Georges Ferdinand Bigot (Paris, 1860 - 1927). From Croquis Japonais, a print suite of 21 drypoints, a collection published at the author's expense in Tokyo in 1886. Titled by "the caricaturist of the Meiji era", Georges Bigot, on plate on the lower right margin. Overall very good conditions, except for some usual yellowing of paper on the edges. In this beautiful print, a Japanese military...

The artwork belongs to the "Gerarchia ecclesiastica considerata nelle vesti sagre e civili usate da quelli li quali la compongono", composed by 112 engraved and hand-colored tables, ...

Signed limited edition print. Artist proof, editions of 1-5 signed by Shane and other cast members. The original painting this print came from was created from pixels, repeated graphics and hand painted with ink using an airbrush. The original artwork was created from movie frames...

A beautiful poster created in 1942 by the Vichy government to promote the Service d'Ordre Legionnaire (S.O.L.) The Service d'Ordre Légionnaire (SOL) was a shock political and parami...

The  Camaldolese Cardinal  is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on th...

For sale is a stunning Martin Whatson "Son of Man" mini print, with a gorgeous peach square background. Measuring at 12 inches by 12 inches and embossed wi...

Original poster realized around the years 1920 to promote the gastronomic products of the region of Strasbourg, in the Bas-Rhin and more specifically the products made by the canning...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Figure with Umbrella by Canal. Year: circa 1985, Medium: Lithograph on Arches Paper, signed and numbered in pencil, Edition: ...

Medium: original etching. Published in 1880 by the American Art Review. Plate size: 8 1/2 x 5 3/4 inches. Not signed. Condition: there is minor foxing.

Medium: original lithograph. Printed in 1897 and published in London by The Studio. Image size: 8 3/8 x 11 inches (213 x 282 mm). Sheet size: 11 1/4 x 14 3/4 inches (285 x 375 mm). T...

Artist: Jean-Louis Forain (French, 1852-1931) Title: Ils Parlent de Notre Emprunt Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil Paper: Wove Size paper: 15 x...

"Judith" by Bezt Immerse yourself in the enigmatic world of contemporary art with "Judith," a captivating fine art print by the acclaimed artist Bezt. Measuring 61 x 85 cm (24 x 33 in), this striking print invites viewers to delve into a narrative of intrigue and symbolism. Rendered on natural rag 260gsm paper, Bezt's meticulous attention to detail and mastery of composition are evident in every brushstroke. "Judith" exudes a timeless elegance, with its evocative imagery and rich textures commanding attention in any space. Bezt, whose real name is Przemek Blejzyk, is a Polish artist known for his evocative and thought-provoking murals and paintings. Alongside his artistic partner Sainer, he co-founded the internationally renowned artistic duo Etam Cru...

The 1968 original exhibition poster for the Xèmes Jeux Olympiques d'Hiver (10th Winter Olympic Games) in Grenoble stands as a significant work in the history of Olympic design. Creat...

Artist: Fernand Léger Medium: Lithograph, 1959 Dimensions: 26 x 20 in, 66 x 50.8 cm Arches Paper - Good Condition A This lithograph by Fernand Leger is from the portfolio entitl...

Signed and numbered from the edition of 30. In the 1970's, Chicano artist Xavier Viramontes worked with the Galeria De La Raza of San Francisco on a number billboard/mural projects...

A limited edition (out of 25) black and white photographic print. Framed with a black or white box frame and floated to the backboard. The dimensions of 33.5 x 47.2 cm is that of the...

"Loneliness" Photography 24" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

20.5" x 26" Unframed Limited Edition Giclee of 100 Hand Signed by Joseph Lorusso 2002

Benito, Eduardo Garcia. La Derniere Lettre Persane. This plate: Condottiere. Paris, Librairie Centrale des Beaux-Arts, 1920. Original pochoir print.

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find it. 'Careless Talk May Cost His Life' 50 x 33.5 cm Original RAF Poster...

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Venetian Blinds Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 35 Si...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art...

Soho Saturday Date: 1980 Lithograph, signed and numbered in pencil Edition of 250 Image Size: 28 x 20 inches Size: 30 in. x 22.5 in. (76.2 cm x 57.15 cm)

Signed and numbered by the artist. Unframed. Edition: 360 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, b...

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

'Rhinology' Vanity Fair portrait of Dr Robert Spicer, 'a specialist in matters relating to ears, noses and throats'. Accompanied by original descriptive text. 380mm by 260mm (sh...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

'Top of the List' Vanity Fair portrait of William Higgs (1880-1958). Higgs was a Irish jockey who was Champion Jockey on two occasions He won the 2000 Guineas on Slieve Gallion. ...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Artist: Max Ferguson, American (1959 - ) Title: Coney Island - Self-Portrait Medium: Etching with Aquatint, signed and numbered in pencil Edition: 100 Image Size: 14.5 x 18.5 inches ...