Coat Prints and Multiples

Salvador DALI (1904-1969) Casanova : Imagination and conscience, 1967 Original etching Printed signature in the plate On vellum Rives 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - ...

Vanity Fair legal portrait of John Patrick Murphy QC. 380mm by 260mm (sheet)

Félix Beristaín Amallobieta (Spain, 1937) 'Maitasun', 2000 silkscreen on canvas 31.9 x 36.3 in. (81 x 92 cm.) Edition of 75 Unframed ID: BER1022-001-075 Hand-signed by author

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

Paper Size: 30.5 x 21.25 inches ( 77.47 x 53.975 cm ) Image Size: 24.25 x 19.25 inches ( 61.595 x 48.895 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supp...

DOT DOT DOT is a visual artist from Norway. With foundations in graffiti since the 90’s, the mediums utilised by the artist range from installations to etc...

Chiton is an original etching realized by Francisco Goya and published for the first time in 1799. Etching on paper. The plate belongs the Third Edition of "Los Caprichos" that has...

To promote the "Masterpiece Theatre" presentation of "The Citadel," Mobil created a large advertisement poster. While specific details about the poster's design are not provided, suc...

'Repton, Oxford & Somerset' Vanity Fair portrait of Lionel Charles Hamilton Palairet (1870-1933) who was an English amateur cricketer who played for Somerset and Oxford University....

Association "Massimiliano Kolbe". Exhibition in Gallery Rondanini, Rome, 1987. Excellent condition.

Science Fiction is an artwork realized by Sergio Sarri in 1978 . Colored lithograph and etching on paper. Hand-signed and dated by the artist on the lower right. Numbered on lower left. Edition 64/180. Good conditions, except for some very light folds along the margins. This contemporary artwork represents a surreal composition where the artist, like in most of his artworks, refers to not only avant-garde art, but also elements from languages that are considered "minor", such as comic strips, illustrations, and cinema genre. Sarri also enjoys collecting advertising...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

'He rides for Lord Durham' Vanity Fair portrait of William Griggs. He won the 1000 Guineas on "Cinna" in 1920. 395mm by 265mm (sheet)

Chino López (Cuba, ) 'Che Guevara', N/A silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: LOP1095-001-099 Unframed Hand-signed by author

French 1950s women's fashion design from 'Les Tendances de la Mode' a Parisien fashion periodical showing the designs of Gaston Verbie. Descriptions in F...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Paper Size: 24.75 x 29.75 inches ( 62.865 x 75.565 cm ) Image Size: 21 x 29.75 inches ( 53.34 x 75.565 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or ag...

'A Connoisseur' Vanity Fair portrait of John Seymour Lucas (1849-1923) who was a Victorian English historical and portrait painter as well as an accompl...

'Sir John Ross' Steel-engraving. C1850. 220mm by 130mm (sheet) Sir John Ross (1777-1856) became an Arctic explorer after distinguished naval service in the Napoleonic Wars. In 18...

'Sam Loates' Vanity Fair portrait of Samuel "Sam" Loates (1865 - 1932) was a British Thoroughbred horse racing jockey who was the Champion Jockey of 1899. 395mm by 265mm (sheet)

This is a 19th century Vanity Fair color chromolithograph caricature of William Booth "The Salvation Army" by Spy (Leslie Ward) November 25, 1882, No. 2...

Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...

Armenian Merchant is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Marchand Armenien". The work i...

'Popular Astronomy' Vanity Fair portrait of Irish astronomer Sir Robert Stawell Ball (1840-1913). In 1867 he became Professor of Applied Mathema...

'He painted '"he Doctor"' Vanity Fair portrait of Sir Samuel Luke Fildes, KCVO, RA (1843-1927) who was an English painter and illustrator born at Liverpo...

Eleuthe is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Eleuthe". The work is part of Suite Moeu...

'Impromptu' Chromolithograph. 1908. Vanity Fair portrait of Mark Hambourg (1879-1960) who was a distinguished Russian-British concert pianist, among the most famous of his age. ...

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

David Loggan (1634-1692) Habitus Acamedici in Universitate Oxoniensi - Oxford Academical Dress Engraving 39 x 52 cm Loggan was born to English and Scottish parents, and was baptised...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

'H Searle, Professional Champion Sculler of the World'. Vanity Fair rowing portrait of Henry Searle (1866-1889), an Australian sculler who raced in...

In 1911, the original poster "Biplace de l'armée Française" emerged as a captivating tribute to the French military's biplane, showcasing the nation's commitment to aviation innovation. Crafted by the artist Gamy, this artwork highlighted the sleek design and formidable presence of the biplane against a backdrop evoking the spirit of aerial prowess. Gamy demonstrated a keen eye for capturing the essence of military aviation...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

Keeping in Touch: The Post Office in Town Original vintage poster Lithograph 74 x 91 cm This "Keeping in Touch: The Post Office in Town" poster is a vintage advertisement produce...

Norman Rockwell was a well known illustrator and painter, who was best known for his many magazine covers created mainly for the Saturday Evening Post. During World War ll he created...

Screenprint, signed and numbered in marker Edition of LXIV/LXX Size: 39 x 29.75 in. (99.06 x 75.57 cm) Publisher: American Image Art

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

Screenprint, signed and numbered in marker Edition of LXIV/LXX Size: 39 x 29.75 in. (99.06 x 75.57 cm) Publisher: American Image Art

For sale is a stunning Martin Whatson "Son of Man" mini print, with a gorgeous peach square background. Measuring at 12 inches by 12 inches and embossed with his signature, this scr...

Lithograph on vélin d'Arches Arjomari paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettre à mon peintre Raoul Dufy, 1965. Published by Librairie ...

Screenprint, signed and numbered in marker Edition of LXIV/LXX Size: 39 x 29.75 in. (99.06 x 75.57 cm) Publisher: American Image Art

The 1939 original poster by Paul Colin delivers a powerful message with its simple yet striking design. Bearing the inscription "Silence, l'ennemi guette vos confidences," which tran...

Paper Size: 43 x 33 inches ( 109.22 x 83.82 cm ) Image Size: 40.5 x 30.75 inches ( 102.87 x 78.105 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

M M.Pot de Naz is an original lithograph realized by Frenc artist Honoré Daumier in 1832, plate 270 from La Caricature n°130. In good conditions. Included a frame. This lithograp...

Frederic Lepia is an original Lithograph realized by D. M. Raffet in 1848. Good condition included a cream colored cardboard passpartout. Denis Auguste Marie Raffet (2 March 1804 –...

Lithograph on vélin d'Arches Arjomari paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettre à mon peintre Raoul Dufy, 1965. Published by Librairie ...

Vanity Fair color chromolithograph caricature of Rev. Edgar Sheppard "A Great Marrier" by Spy (Leslie Ward) March 14, 1904 from the "Clergymen" series....

Uses and Customs - Mexico is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

"Algerian Arabic" is an original lithograph on ivory-colorated paper by Anonymous Artist of XIX Century. In very good conditions. Not signed. Titled on the bottom center "Arabo del...

Original linen-backed LUFTHANSA: Your lift to the Alps vintage ski poster. Excellent condition original German ski poster. The image has two women with skis resting on their sho...

Mardin Turk is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Turc de Mardin". The work is part of...

Star Wars: The Empire Strikes Back 1980 Vintage Lobby Card #11 Original Star Wars lobby card of Leia and Han Solo Framing options available: Black, brown, white and perspex Cond...

Goldfinger - Original 1964 Lobby Card #5 Vintage 1964 Lobby Card: While investigating a gold magnate's smuggling, James Bond uncovers a plot to contaminate the Fort Knox gold reserv...

Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5. Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage. By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...

The Parachute Regiment Parachutist 1954 uniform Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Offic...