Coat Prints and Multiples

David Shrigley I Hate Human Beings, 2021 Screen print on wove paper Signed, dated, and numbered on the COA Edition 37/125 on the verso Published by AllRightsReserved, Hong Hong Accom...

This striking exhibition poster was produced for the Van Gogh exhibition at the Musée Jacquemart-André in Paris, held from February to March 1960. It features a reproduction of Portr...

Barefoot In The Park - Original 1967 Lobby Card #1 Vintage 1967 Lobby Card: Paul, a conservative young lawyer, marries the vivacious Corie. Their highly passionate relationship desc...

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

Vanity Fair color chromolithograph caricature of Rev. Edgar Sheppard "A Great Marrier" by Spy (Leslie Ward) March 14, 1904 from the "Clergymen" series....

This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London. 'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...

Original Italian poster: Impermeabili Moretti by Leopoldo Meticovitz. Archival linen-backed original Italian vintage poster IMPERMEABILI MORETTI. This pre-art deco poster is in v...

In this poster by fashion illustrator, Rene Gruau, a couple is observed walking into the forefront of the image wearing elegant and beautifully illustrated coats in the typical Gruau...

Air India's mascot, Maharajah AKA "The Rogue" is one of the most beloved corporate personalities. Developed in 1946 by Bobby Kooka, Maharajah is known for his padded belly, large mus...

Original 1960s fashion design from a Northern Italian fashion house. Sketched and coloured by hand with a pencil sketch of the reverse. The name and description of the outfit is type...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Red Rodeo Rider 1981 Bill Schenck Serigraph, edition of 75 Image size 35 x 25 inches UNFRAMED Billy Schenck has been...

Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Roger de la Fresnay...

The Godfather - Original 1972 Lobby Card #3 Vintage Godfather Lobby Card: The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluc...

Charlie And The Chocolate Factory - Original 2005 Lobby Card Charlie, a young boy from an impoverished family, and four other kids win a tour of an...

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

'a good soldier'. Vanity Fair portrait of Lt.General George Wentworth Alexander Higginson, who was born in 1826. He joined the Grenadier Guards at 1...

Original I'LL CARRY MINE TOO! ORIGINAL VINTAGE WWII POSTER. Artist: Valentino Sarra. Size: 22" x 28". Year: 1943. Original U. S. Government World War II vintage poster. Professional archival linen backing; ready to frame. Original WWII fold marks restored during linen backing. (All WWII U. S. Government posters were folded - this is not a defect.) During World War ll conservation was a major part of the war effort. In this image we see the lady carrying her own groceries home and thereby saving wear and tear on trucks and tires as well as aiding the troops. Each citizen was encouraged to do their part in helping in the allied war effort. This is an Original Vintage Poster; it is not a reproduction. A fun World War 2...

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

French fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Darroux was a Parisien tailor, who designed several ...

PKZ Reprint - 1981 - Official 1981 reprint for Kunstgewerbemuseum, Zurich Printer: JE Wolfensberger Niklaus Stoecklin – PKZ – 1935 PKZ Burger-Kehl & Co. AG, Zurich, C Switerland Lit...

Man from Puebla is an original hand-watercolored lithograph on ivory paper by Anonymous Artist of 19th Century, in 1849. In excellent conditions: As good as new. Not signed. Title...

'H Searle, Professional Champion Sculler of the World'. Vanity Fair rowing portrait of Henry Searle (1866-1889), an Australian sculler who raced in...

'Impromptu' Chromolithograph. 1908. Vanity Fair portrait of Mark Hambourg (1879-1960) who was a distinguished Russian-British concert pianist, among the most famous of his age. ...

French fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Darroux was a Parisien tailor, who designed several ...

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

French fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Darroux was a Parisien tailor, who designed several ...

Artist: Ben Shahn, Lithuanian/American (1898 - 1969) Title: To Days of Childhood from the Rilke Portfolio Year: 1968 Medium: Lithograph on Richard de Bas, signed in the plate Edition...

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

French fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Darroux was a Parisien tailor, who designed several ...

Hand signed and numbered by the artist. Image size approx 17.25 x 13.25 inches. Frame size approx 30 x 26 inches. From the edition of 200. Artwork is in excellent condition. Cert...

The plumed is a modern artwork realized in 1970s by Erté (Romain de Tirtoff). Mixed colored lithograph. Hand signed on the lower margin. Provenance : - Collection Serge Leeman.

Artist: Will Barnet, American (1911 - 2012) Title: The Cat Year: 1997 Medium: Screenprint on Arches, signed in pencil Edition: AP Image Size: 16 x 7 inches Siz...

Field Marshals is an original lithograph by Antonio Zezon. Naples 1853. Interesting colored lithograph which describes a Field Marshals in daily gear and in running gear. In excell...

Hockney, David. JOE MCDONALD. Scottish Arts Council 175. Gemini DH76-767. Lithograph in two blacks, 1976. Done in crayon on both a stone and an aluminum ...

Contemporary etching print by Polish artist Marian Bocianowski. The print depicts two cats walking down the street, smartly clothed, with dog on a leash. Title of this print is 'High...

Yoshitomo Nara and Hiroshi Sugito Untitled (2005), Edition 26/100. Lithograph in colours on wove paper. Image: 29.6 x 22.8 cm. Sheet: 42.7 x 33 cm. Framed: 47.6 x 37.7 x 2.4 cm. Hand...

Le Comte De N is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. S...

William Wegman Whitney Museum 1992: Rare early 90s tri-fold card, published for Wegman's exhibition at the Whitney Musuem: January 24 - April 19, 1992. Front cover features Wegman's ...

They Thunder forth from Their Clouds is an original lithograph, realized by George Grosz in 1922, from Die Raüber, edition Malik Verlag in 100 prints, plate n°8 da Die Raüber, hand-signed in pencil. "They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer.)" Sheet dimension: 61,5 x 42 cm. In very good conditions. Here representing a man in front of cross miserably praying, below of his feet laid down many dead bodies and ruined part of the city. here is one of his artwork affected by consequences drama of war. George Grosz (1893 -1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He studied drawing at the Dresden Academy 1909-11 and at the School of Arts and Crafts in Berlin 1912-14, He was in the army 1914-15 and again for a short time in 1917, but spent the rest of the war in Berlin where he made violently anti-war drawings...

In 1911, the original poster "Biplace de l'armée Française" emerged as a captivating tribute to the French military's biplane, showcasing the nation's commitment to aviation innovation. Crafted by the artist Gamy, this artwork highlighted the sleek design and formidable presence of the biplane against a backdrop evoking the spirit of aerial prowess. Gamy demonstrated a keen eye for capturing the essence of military aviation...

Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...

Those Were The Days! (Che tempi!) is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-sign...

Parasite: “There’s a lot to unpack in Bong Joon Ho's PARASITE. It asks many questions and doesn’t give us comforting answers. For the poster, I wanted to capture that sense of discomfort and unease. A seemingly picture-perfect moment between the happily rich Parks completely oblivious to what’s unfolding around them, and the Kim family relegated to the shadows struggling with their own complex feelings toward such wealth and privilege. It’s a timely film, groundbreaking for a handful of reasons, and difficult to define. My hope is the poster art is just as mesmerizing and ambiguous as the film itself.” - Rory Kurtz...

Immerse yourself in the rich tapestry of 20th-century American art with this page from "American Art in the 20th Century," a 1993 portfolio by Te Neus Verlag, printed in Germany. Thi...

limited_edition Screen print Edition number 20 Image size: H:28 cm x W:19.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A quirky screen print of a Bear in a suit...

This artwork titled "Springtime in the North" c.1980, published 1996, is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. I...

Auxiliary Territorial Service (now the Women's Royal Army Corps) 1939 - 1945 uniform Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Of...

French fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Darroux was a Parisien tailor, who designed several ...

Robert Longo "James" 1999 Lithograph 69 x 41 inches unframed dimensions Edition "HC" (Hors Commerce). Printed at the same time as the regular edition and often given to collaborato...

The Family of Ruth is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-1969. ...

Le Petit Maitre (The Small Master) is an engraving made by the Parisian artist Louis-Marin Bonnet and realized in the second half of 1700 in Paris. Inside the matrix, the title is engraved on the lower center, whilst “A Paris, chez Bonnet rue St. Jacques” appears on the lower right. The state of preservation is somewhat good, except for fungal foxing spread on the left margin and some stains, of which one is more visible on the higher left of the image. The higher, lower, and left margins are fringed and present tiny tears. Louis-Marin Bonnet lived from 1736 to 1793 in Paris. He was a painter and engraver, and as such he invented one of the first color-printing methods with many matrices, with a pastel-like effect. In 1769, he published a treatise titled Le Pastel en gravure inventé, et execute par Louis Bonnet...

Ricky Powell ANDY WARHOL & JEAN-MICHEL BASQUIAT SOHO. NYC. 1985 - 44 X 32 INCH EDITION Archival Pigment Print on 310gsm Fine Art Paper 44 x 32 Inches Run of 25 (Printers Proof) Bor...

'Sam Loates' Vanity Fair portrait of Samuel "Sam" Loates (1865 - 1932) was a British Thoroughbred horse racing jockey who was the Champion Jockey of 1899. 395mm by 265mm (sheet)

'Top of the List' Vanity Fair portrait of William Higgs (1880-1958). Higgs was a Irish jockey who was Champion Jockey on two occasions He won the 2000 Guineas on Slieve Gallion. ...

Lithograph with hand coloring in watercolor on cream wove paper with a deckle edge, 8 3/4 x 12 1/2 inches (222 x 320 mm); sheet 15 1/4 x 20 7/8 inches (388 x 530 mm), full margins. I...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

A large format book (15.25 x 11.25 inches), following the trend among leading Parisian couture houses who had been producing elaborately designed luxury catalogs since Paul Poiret’s ...

Giclée print on archival paper (one print) Minimalistic, dark toned print featuring a female figure against a simple background. Gigi Mills work is born out of her need and desire to simplify and/or reduce each moment to its absolute essential, by removing details from life that tend to obscure what is truly being experienced. It is also her desire to bare witness to, and often to lift up in beauty what is so often considered unwanted or held in despair. Ms. Mills was born in Ohio into the well known Mills Brothers Circus family...

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)