Face Prints and Multiples

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Shabbas Candles (Green) Year: circa 1970 Medium: Lithograph, signed and numbered in pencil Edition: 136/150 Image Size: ...

19.5" x 16" Unframed Limited Edition Letterpress on Deckled Edge Paper of 450 Edition number is 312/450 Hand Signed by Shepard Fairey 2021

Artist: Sir Peter Thomas Blake Title: Red Power Year: 1972 Print: Lithograph on Heavy Paper Dimensions: Paper: 18’’ x 11 3/4’’ Image: 8 1/4’’ x 4 1/4’’ Edition: Signed and Numbered...

This original vintage poster for Trans World Airlines (TWA) promotes travel to Rome with a captivating image of the Fountain of Neptune in Piazza Navona. The central focus is the statue of Poseidon, depicted in dynamic detail, surrounded by cascading water. Above the statue, a TWA Constellation...

A woman in a pink shirt and yellow skirt crouches to fit within the frame of the image, her hands tenderly holding up her face as she looks off to the left. Gorman has caught this fi...

Marc Chagall Elsa Triolet, Woman with a bird Original lithograph, 1972 Hand signed in pencil "89/200" Numbered /200 copies Printed in Mourlot workshop On Arches vellum size 65 x 50 ...

Fallin'-Manma-Air. Limited Edition Offset print by Aya Takano Offset print, numbered and signed by the artist 23 ¹/₃₂ x 19 ¹³/₃₂ in 58.5 x 49.3 cm Edition 131/300

Salvador Dalí­ Allegory: "Brave Cecile" from Marquis de Sade, 1969 Lithograph on Arches Hand signed lower right Edition: XL / XC lower left Sheet size: 65.5 x 50 Reference Field 69-1

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

This historically important and exceptionally rare poster was created to encourage Japanese Americans to enlist in the 442nd Infantry Regiment, which would become the most highly dec...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Paul Cézanne Les baigneurs, petite planche (The Bathers, small plate) (Venturi 1156; Druick III) From the Album d'Estampes de la Galerie Vollard Lithograph printed in colors, 1896-7...

"Lovesick" Black & White Photography 45" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 36" x 24" inch Edition...

Customs - Persian Kings is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

Artist: Peter Max (1937) Title: Liberty Head I Year: 2001 Edition: 430/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscriptio...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs...

Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued. Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.05 x 7.08 inches Inscription: Signed in the...

Plate 13 from La Suite Vollard. Bloch 229. Baer 444. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Printe...

Itzchak Tarkay “tea at the club” Color Serigraph SIGNED. In good condition measures 49x38x2

HARDY, DUDLEY (1867 – 1922) "A Gaiety Girl" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #...

Alphonse Mucha (Czech, 1860-1939) Lorenzaccio Theatre De La Renaissance. Printed: 1896 Printed By: F. Champenois, Paris Signed in plate; Mucha, F. Champenois, Paris Lithograph paper ...

Marie Laurencin, French (1885 - 1956) - Young Girl with Rose (Fillette a la rose), Year: 1955, Medium: Lithograph, signed and numbered in pencil, Edition: 54/150, Size: 12.5 x 9....

Original 1951 poster for Behave Yourself! starring Shelley Winters with art by pin-up master Alberto Vargas. This poster was acquired directly from th...

Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued. Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.45 x 7.84 inches Inscription: Signed in the...

Diseases of the Ovary is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atl...

WOMAN WITH RAISED ARM Year: 2020 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Size: 58 x 42 in (147 x 107 cm) Edition: 50 Price: $5,000 David Sa...

"Love Letter, After Kunimasa" is a hand-painted lithograph by Michael Knigin. It is signed in the lower right and is edition 16/200. This print is inspired by the Ukiyo-e prints of U...

ARTIST: Salvador Dali TITLE: Hommage a Albrecht Durer Venus & Cupid MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Vision Nouvelle EDITION NUMBER: EA MEASUREMENTS: 22" x 30" ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Andre Minaux: (1923 - 1986) French painter and printmaker, he studied at the ecole national superieure des arts decoratifs in Paris, he exhibited at the salon d’automne and salon des...

History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Ga...

Archival Pigment Print On 300 gsm Somerset Paper With 2 layer screen print Edition of 50 Signed And Numbered By The Artist 59.5 X 49.5 Cm 2019 Comes with Certificate Of Authent...

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Bloom Year: 2014 Medium: Digital Print, signed in marker Edition: 5/200 Size: 13 x 9.5 in. (33.02 x 24.13 cm)

Artist: Dan May (American, 1955-) Title: "Party Pig" *Signed by May in pencil lower left Year: 1989 Medium: Original Monoprint on unbranded white cotton rag laid paper Limited editio...

Artist: D*Face Title: Careless Whispers Size: 20 9/10 × 39 2/5 in (53 × 100 cm) Technique: Screen Print Edition: of 140 Year: 2019 Notes: D*Face, aka Dean Stockton...

Arabian Night and End (2005). Offset print by Aya Takano Offset print, numbered and signed by the artist Image 59.5 × 49.4 cm (23⅜ × 19½ in.) Sheet 60.5 × 50.5 cm (23⅞ × 19⅞ in.) Ed...

Takashi Murakami New Day Self Portrait 2011; Silkscreen 31 1/2 x 31 1/2 inches From the edition of 100 Published by Kaikai Kiki Co., Ltd., Tokyo Signed in pencil Unframed

This romantic poster recalls imagery from the Belle Époque era and promotes Moët Champagne, which has a 270 year history. Moët & Chandon , is a French fine winery and co-owner of the luxury goods company LVMH Moët Hennessy Louis Vuitton SE. Moët et Chandon is one of the world's largest champagne producers and a prominent champagne house. Moët et Chandon was established in 1743 by Claude Moët, and today owns 1,190 hectares (2,900 acres) of vineyards, and annually produces approximately 28,000,000 bottles of champagne. By the late 1800s this brand had a long-established reputation of glamour and prestige, associated with success and royalty. Award winning artist Vince McIndoe...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that me...

Medium: original lithograph. Catalogue reference: Mourlot 223. Printed in 1956 for the art revue Derriere le Miroir (issue number 87-88-89) and published in Paris by Maeght. Size: 15...

"Marley was sometimes fiery, sometimes joyful, sometimes contemplative, but always visionary and poetic. I love this intimate, thoughtful moment Dennis captured and I’m honored to tr...

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograp...

Diana Raised 1 Lithograph from four stones, 1970 Signed and dated lower right (see photo) Annotated "PP" for Printers Proof lower right (see photo) Publisher: ULAE ULAE blindstamp lo...

"Woman with Book" lithograph by artist Branko Bahunek of a woman with a book sitting next to a fireplace beneath a portrait of a nude woman on a couc...

Nude of Woman is a Lithograph realized by Carlo Marcantonio in 1970s. This original print is hand signed. This is an edition of 50 prints plus some artist's proofs, numbered 21/50. Prints are the most affordable and reasonably priced artworks...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 10.63 x 8.27 inches Inscription: Signed in th...

Original collotype lithograph of Gustav Kilmt’s Bust of a Woman, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This art...

Vintage Lithograph, Ed. 59 of 75, Signed. In this print the artist renders portraits of family members in a sketch like, and loose manner.

The Physiognomy - Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

Screen print in colors on had torn Coventry Rag 335 gsm paper. Hand signed lower right corner by Pose. Hand numbered 10/25 lower left. Artwork size 40 x 30 inches. Artwork is in ...

"Manomon (L'Estampe Moderne Volume I)" is an original estampe originale in color by Rene-Xavier Prinet. The artist signed the piece lower right. This piece was published in "L'Estampe Moderne," an Art Nouveau publication, and features a seated woman in a white robe and large, coiffed hair. 15 3/4" x 12" art 25 1/4" x 21 1/2" frame René-Xavier Prinet , born on December 31 , 1861 in Vitry-le-François and died on January 26 , 1946 in Bourbonne-les-Bains is a French painter Prinet exerts a spiritual talent, holding a distinguished place in Parisian society. He is noted for his bourgeois interiors and his portraits (families Saglio and Desgranges for example). His home region, Franche-Comté , as well as the Normandy coast where his residence the "Double Six...

Nudeis a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Contes et Nouvelles” by La Fontaine (Gi...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Lady with an Axolotl is an homage to the painting Lady with an Ermine by Leonardo da Vinci. The axolotl is a salamander native to Mexico with the i...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...