Face Prints and Multiples

Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018 Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...

Paul CEZANNE (1839-1906) Armand Guillaumin Hanged Original Etching Unsigned On laid paper, 32 x 25 cm (c. 13 x 10 in) REFERENCES: - Catalogue Raisonné Venturi #1159 - Catalogue Rai...

William Nicholson (1872-1949) Newspaper Boy 1897 Original Colour Lithograph Image27.5 x 24.5 cm Frame: 45.2 x 42.0 cm William Nicholson was born at Newark in 1872. He left to study in Paris in his late teens for six months at the Academie Julian before returning to England. In 1893 Nicholson married the painter Mabel Pryde and their first son Ben went on to become the famous painter and sculptor. Nicholson concentrated on printmaking with his brother-in-law James Pryde...

Pablo Picasso Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970 showcases a beautifully crisp work of art that Picasso imaginatively creates. Simple and ...

"From: Ilsee, Princesse de Tripoli "Ilsee and Jaufre" is an original lithograph by Alphonse Mucha. From "Ilsee, Princesse de Tripoli," a rare illustrated book. Image: 8.12" x 6" F...

Texas Swing Luis Alfonso Jimenez 1940-2006 Stone Lithograph Edition of 50 Artist Proof 24 x 18 inches Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Akt Podwòjny is an modern artwork realized by Moïse Kisling. Black and white lithograph. Signed in plate. Polish painter (Krakow 1891 - Sanary-sur-Mer, Var, 1953), naturalized Fre...

Amedeo MODIGLIANI (1884-1920) (after) The Poet, Young Woman Lithograph and stencil after a drawing from the artist Signed in the plate On Arches vellum 48 x 36 cm (c. 19 x 14,2 in) ...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Original Lithograph by Jean Cocteau Title: Jean Monnet's Vision Signed in the stone/printed signature Dimensions: 33 x 46 cm Edition: 200 Luxury print edit...

Artist - David Azuz, Israeli/French (1942 - 2014) Medium - Lithograph Print size - 21 x 26.5 in., unframed, unsigned Printer's Proof, strong impression, good colors, registration mar...

'Mode degl' Indiani in Mechoacan' / 'Idoli del Messico'' Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli, publishe...

"Manomon (L'Estampe Moderne Volume I)" is an original estampe originale in color by Rene-Xavier Prinet. The artist signed the piece lower right. This piece was published in "L'Estampe Moderne," an Art Nouveau publication, and features a seated woman in a white robe and large, coiffed hair. 15 3/4" x 12" art 25 1/4" x 21 1/2" frame René-Xavier Prinet , born on December 31 , 1861 in Vitry-le-François and died on January 26 , 1946 in Bourbonne-les-Bains is a French painter Prinet exerts a spiritual talent, holding a distinguished place in Parisian society. He is noted for his bourgeois interiors and his portraits (families Saglio and Desgranges for example). His home region, Franche-Comté , as well as the Normandy coast where his residence the "Double Six...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

G Girl (2009) by Hush Five Colour Screen Print with Spot Varnish 28 x 60 cm Edition 150 Signed and Numbered (75/150) by the artist HUSH is a British mixed media artist who trained a...

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograp...

Marc Chagall The Death of Dorcon, from Chagall's Daphnis and Chloé suite, 1961 Sheet size: 42 x 64 cm Unsigned From the book edition of 250 (there is also a signed and numbered edit...

Dwight Baird's 1990 offset lithograph, "If Abner Only Knew-Cooperstown," is a signed piece measuring 20 x 30 inches. This artwork presents a vibrant collage celebrating baseball hist...

'Peace Woman Kennwood' by Shepard Fairey, 2008 18 x 24 inches (45,7 x 61 cm) Screen print on cream, speckletone fine art paper. Rare Kenwood Vineyard limited edition of 200 (137 /200...

Artist: Emil Fuchs (Austrian, 1866-1929) Title: "Confidences" *Signed by Fuchs in pencil lower right. It is also signed in the plate (printed signature) lower left Circa: 1920 Medium: Original Drypoint Etching on unbranded white wove paper Limited edition: Unknown Printer: the artist Fuchs himself, New York?, NY Publisher: likely the artist Fuchs himself, New York?, NY Sheet size: 7" x 8.5" Image size: 5" x 7" Condition: Never framed, has been professionally stored away for decades. Presently tipped into an archival storage mat. In mint condition Extremely rare. Lovely work Notes: Various pencil inscriptions at bottom in margins including the title. "Imp" pencil inscribed by Fuchs after his signature denoting he was the printer of this work. There is an example of this very same work within the permanent collection of the Metropolitan Museum of Art, New York, NY. The MET specifies their example was acquired as a gift directly from the artist Emil Fuchs himself in 1931. Biography: Emil Fuchs, MVO, (9 August 1866 – 13 January 1929) was an Austrian and American sculptor, medallist, painter, and author who worked in Vienna, London and New York. He painted portraits of Queen Victoria and Edward VII and was fashionable among London high society in the early 20th century. He was born in Vienna on 9 August 1866. During his years in Austria, Germany and Rome he was a sculptor and medallist who eventually began to study painting as well. He studied at the Academy of Fine Arts Vienna under Edmund von Hellmer and Viktor Oskar Tilgner. He then attended the Prussian Academy of Arts in Berlin where he studied under Fritz Schaper and Anton von Werner...

Vintage Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Medium & Dimensions: Lithograph in colors. 15 x 22 inches. Condition: Fold-li...

KYNE & Nonchelee Untitled (Pink) Silkscreen Hand-signed by artist, Signed by Noncheleee lower left, signed and numbered by KYNE lower right Edition 32 / 100 Image size: 52 x 42 cm F...

Egon SCHIELE (after) The lady with red hair Lithograph Printed monogram signature in the plate On paper 50 x 32 cm (c. 19.7 x 12.6 inches) Excell...

Staring at each other lovingly, the mother and child in this print by Pablo Picasso are representative of the maternal bond between individuals in this relationship. Rendered in soft...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Buste de Femme Au Foulard Mauve". The original painting was completed in 1937. In the 1970's ...

Miguel CONDÉ (1939-) Veterinarian, Animal Lover, 1981 Original etching Signed in pencil Numbered / 80 copies On vellum, 24 x 16.5 cm (c 10 x 6.5 in) Excellent condition

The woodblock print of a girl in red depicts a moment of introspection with the defined closed eyes of a little girl at the top of the work and the vision of a malicious face at the bottom. Kaoru Kawano was a woodblock...

Andy Warhol Rare broadside for Gotham Bookmart exhibition "Andy Warhol His Early Works, 1947 - 1959", 1971 Offset lithograph poster 18 × 12 1/2 inches Unframed (not signed) Accompan...

Pablo PICASSO Métarmorphoses d'Ovide, Three Heads of Men, 1936 Original etching (Atelier Lacourière, Paris) Unsigned On BFK Rives vellum 32.5 x 25 cm (12.7 x 9.8 in) REFERENCES : ...

This original limited edition graphic art lithographic poster entitled "Chez Panisse Twenty-First Birthday" was created by David Lance Goines in 1992 in h...

Lithograph on Magnani-Pescia paper 310 gr/m2, paper size 47cm x 69cm, 47cmx 69cm . Excellent condition, no defects. Work number P.A. 11/50 ; artist signature and date 1990 Renzo Ves...

A very good impression of this color drypoint on Japon nacré. Artist's proof, aside from the edition of 270. Signed and inscribed "EA" in pencil. Published by Vision Nouvelle, Paris....

Max Beckmann (Leipzig 1884 – New York 1950), Portrait of Baron Simolin II (large version)(1928) Drypoint, 38 x 25 cm (plate), 48 x 40 cm (sheet), signed and dated lower right.

Medium: etching. Etched by Paul Edme Le Rat after Mino da Fiesole. This impression on thin japon paper was printed in 1875 at the Alfred Salmon imprimerie (before letters were added)...

It is thanks to the chemist Paul Baudecroux that we owe the famous lipstick, "Rouge baiser", the lipstick that resists kissing, born in the roaring twentie...

Original aquatint etching by the well know French/Americwn artist, Etienne Ret. Signed by the artist in pencil lower right margin. Titled “Muse Chsmpetre” lower center margin in p...

'Set Pieces: Vanity of Trust', color lithograph, 1949, edition 40, Fine and Looney 279. Signed, titled, dated and numbered '23/40' in pencil. A fine, impression with fresh colors, on...

HENRI MATISSE 1869-1954 (Emile Benoît) Le Cateau-Cambrésis 1869-1954 Nice (French) Title: Figure Reading Figure lisant, 1929 Technique: Original Hand Signed and Numbered Etching o...

Raphael Soyer Self-portrait, 1980 Lithograph on wove paper Hand-signed by artist, Pencil signed and numbered 7/250 on the front Titled "Self portrait" on the verso Bears publisher's ...

"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall Playful etching of a lumberjack by Marc Chagall (Russian, 1887-1985). A stout lumberjack is shown holing his...

Rendered in the Cubist style practiced by Pablo Picasso, this portrayal of a painter with a palette of paint and several brushes showcases the artist's unique use of perspective and viewpoints. A lithograph from the Marina Picasso...

Alpine Lookout is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Hand-colored Lithograph. Good condition except for consumed margins and th...

Salvador Dali - David Ben Gurion - Original Handsigned Etching Dimensions: 38 x 28 cm 1968 Signed in pencil EA in Sanguine Jean Schneider, Basel References ...

Inscribed and signed lower center: "Monoprint H Lee-Smith" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is in our New Yo...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a F...

Pas de Deux II (Danny Moynihan and Laura Faber) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 107/150. From the edition of ...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 10 x 6 1/2 inches (257 x 163 mm). Not signed. Con...

HAPPY MOTHER, is an original hand drawn, stone lithograph by the American artist/sculptor Chaim Gross. Endearing figure study of a woman with a group of young children playing togeth...

Lithograph on vélin paper. Paper Size: 9.06 x 7.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Li...

Giclee print in colors on Moab Entrada paper with deckled edges. Hand signed and numbered by the artist. Sheet size: 20 x 24 inches. Frame size approx 26 x 30 inches inches. Editi...

This artwork titled "Vivaldi, Spring" 1993 in an original etching with hand coloring by noted German artist Jurgen Gorg, b.1951. It is hand signed, dated, titled and numbered E.A. III/X in pencil by the artist. The plate mark (image) size is 15.5 x 12.5 inches, framed size is 29 x 18 inches. Custom framed in a wooden silver frame, with light grey matting, silver color bevel and red/brown fillet. The artwork and matting are in excellent condition, the frame have some scratches and dents, it will be replaced by a new similar or better silver frame when sold before shipping. This will bring the over all condition to excellent. About the artist: Born in 1951 in Dernbach, West Germany, Jurgen Gorg has established himself as a master craftsman and consummate artist. His etchings and lithographs reflect his innate talent and imagination. He studied visual arts first, in Koblenz, Germany and later, at the Johannes-Gutenberg University in Mainz, Germany. Gorg began his professional career in 1977 as an artist and printmaker and by 1980, was awarded a special painting prize by the district of Rheinland-Pfalz. In 1985, a catalog raisonne was published of Gorg's creations. Gorg's work follows a strong tradition of figurative art with erotic overtones. He interprets his subject matter loosely, keeping his figures open and emphasizing motion through line and contour. A foreword in a book on Gorg's work captures his artistic sensibility: "The predominant subject is the human body: it is the body of a young, slim, beautiful person. The face remains vague, the gestures are those of free motion...

Francois BOUCHER Mannerist : Lying Nude Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

This original 1967 poster by the legendary Stanley Mouse announces one of the foundational events of the American counterculture: A Gathering of the Tribe for a Human Be-In. Held on ...

CAZALS, FREDERIC-AUGUSTE (1865 -1941) "Salon des Cent" Original Lithograph, c. 1894 Signed in stone, lower left; “F.A. Cazals, 94” Printed by Bourgerie & Cie, Paris Image size: 24...

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

Lithograph on vélin paper. Paper Size: 9.06 x 7.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Li...

THE DOORWAY by the American painter and printmaker Will Barnet (born May 25, 1911 - died Nov. 13, 2012) is an original 12-color, hand drawn lithograph, with gold and silver silkscree...

Tassel Hat is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 10.5 x 10 inches. From the edition of 650, the art is...