Outdoors Prints and Multiples

Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...

“Polynesia, La Ciel” features a patterned assembly of cut-out forms that evoke a sense of flying figures. Matisse’s use of abstracted forms suggests a relationship to nature, particu...

"Covered Bridge Near Columbia" - Woodblock Landscape on Tissue Paper Bold woodblock print by Charles Surendorf (American, 1906-1979). A covered br...

Original 1958 Normandie Le Mont Saint Michel Travel Poster – Authentic French Vintage Art. Acid-free archival linen backed in Grade A condition, ready to frame. Step back into the g...

Medium: etching (etched by Theophile Narcisse Chauvel after the Hippolyte Boulanger painting). Published in Paris by L'Art in 1875 and printed by Francois Lienard on laid paper. The ...

Artist: Michael Torquato deNicola Title: Rock Star Surf Board Print Edition Details: Archival pigment print on 100% Agave/Cotton sustainable fine art paper, signed and numbered in the margins by the artist, and released in the following exclusive worldwide edition: 24x18, edition 70, $300. 32x24 sheet, edition 30, $780. Michael Torquato deNicola (know as Torquato) is an award winning professional surfer, visual artist and filmmaker. His work has shown in museums and galleries in the US and Europe, including shows at the Amstel Gallery in Amsterdam and Florida, Chase Edwards Gallery in the Hamptons, Art Project Paia on Maui, The Misfit Gallery in La Jolla, and The Laguna Gallery of Contemporary Art, as well as showcased at The Museum of Architecture and Design,The Surfing Heritage Museum and the California Surf...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 325. Str...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

large scale original photograph of vintage television set with iconic western movie in American Wild West landscape Cowboy TV by Frank Schott 30 x 40 inches (76 x 102cm) signed edi...

Peter Biegel The Trinity Foot Beagles Lithograph 27 x 40 cm Signed in pencil to the lower right. Peter Biegel (1913–1988) was a distinguished British sporting artist renowned for h...

Christo and Jeanne-Claude, Bulgarian (1935 - 2020) - The Umbrellas, Year: 1991, Medium: Poster, signed in marker, Size: 25 x 37.5 in. (63.5 x 95.25 cm), Description: Image by Wolfga...

'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel' French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794). From 'Th...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

This artwork "Dam Construction" c.1920 is a very rare large original colors etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed and numbered 27/100 in pencil by the...

First edition lithographs in stock Full plate: 118 Presented in a acid free mount

large format photograph of Malbacco Desiata, a secret swim hole in Tuscany, by iconic Italian photographer Massimo Vitali, renowned for his grand scale to...

Amazing version of the famous impressionist Starry Night by Van Gogh re-imagined by Dran. Done in Dran’s signature style with super vibrant colors titled Starry Night in the South We...

The 1995 original poster Louis Vuitton Cup: Challenger Races for the America’s Cup, San Diego, created by renowned French artist Razzia (Gérard Courbouleix Dénériaz), captures the dynamic essence of competitive sailing at one of the world’s most prestigious regattas. Commissioned for the Louis Vuitton Cup—the series of races that determine the challenger for the America’s Cup—this poster vividly reflects the elegance and intensity of international yachting. The artwork prominently features a sleek racing yacht, slicing through ocean waves, evoking a sense of speed and precision that defines the competition. Razzia’s signature minimalist style brings a clean, sophisticated aesthetic, highlighting the fluid lines of the yacht against the deep blues of the sea and sky, symbolizing the boundless energy of the event. The San Diego setting, home to the 1995 Louis Vuitton Cup...

Sarah du Feu Drizzly Day in Haweswater Original Screen print Image size 90 x 90 cm Paper size 103 x 103 cm Unframed Printed on acid free Somerset tub sized 410gsm paper Please note t...

Mel Hunter, American (1927 - 2004) - Stage Hound in Full Gale, Year: 1978, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 21 in. x 29 in. (53.34 cm x 73.6...

Lu Fang, Chinese (1932 - ) - Music in Morning, Year: 1983, Medium: Woodcut and water-soluble ink and Chine colle, signed, titled and dated in pencil, Image Size: 15 x 21 inches, S...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape XI - Triptych by Frank Schott 3 individual large format photographs of blue water surface...

Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. ...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...

Koitsu, Tsuchiya (Japanese, 1870-1949). BENKEI BRIDGE. Color Woodblock, 1933. Printed signature and other information in the margins left and right. Vertical Oban. 14 1/4 x 9 1/2 inc...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows one of the mountains in beautiful Yosemite National park in California. Details: + Title: Yosemite Blue Mountain + Year: 2021 + Edition Size: 100 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden) “Fjärden” (Expansive Archipelago Landscape) Signed "Oskar Bergman" in pencil Drypoint etching image size: 17.5 x 25 cm (6 7/8 x 9 7...

Original. SNCF Snowman Ski travel by French Railways poster. Archival linen backed and ready to frame. Je prefere le train SNCF For my snow vacations, I prefer the train, SNCF. T...

Color lithograph after the 1940 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

This is an Russell Chatham - Island Suite-Champagne Point - signed artist proof. In good condition Unframed. Measures 45x34

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

This French Quarter garden is a serene haven with a lighted statue of Christ that exists not very far from the raucous revelry of New Orleans' Bourbon S...

This traditional Limited Edition print by Daniel Pollera captures a small coastal New England home that is reminiscent of the artist's frequent Long Island Bay Houses subjects. The h...

First printing 1978 poster from the Vintage Prints exhibition by Ben Shahn Paper Size: 22 x 15.75 inches ( 56 x 40 cm ) Image Size: 10.5 x 15.75 inches ( 27 x 40 cm ) Framed: No Con...

An Ohio native Witonski made his home in the Chelsea neighborhood of New York City and this subject may well be a Chelsea scene. But mostly it is a homage to intaglio printmaking. It...

Image dimensions: 24.5 x 31.7 cm. La strada d’Ancona ("The Road to Ancona") is an original artwork realized by Luigi Bartolini in 1931. Original etching applied. Plate dimensions:...

'Site of Cana in Galilee', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 183...

A 1930 lithograph in colors on paper by artist Raoul Varin, titled "Chicago in 1779 (Then Called Eschikago)". Archivally matted to 20" x 24 5/8". Provenance: Arthur Ackerman & Son...

This nearly 4-foot long one-of-a-kind cyanotype with hand-torn deckled edges was made by carefully arranging hundreds of individual blades of the South African reed called "dakriet" ...

California Dreaming by Frank Schott from a series of photographs capturing the Golden State's vast desert landscapes of the Sierra Nevada 48 x 72 inches / 122cm x 183m edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

Linda Plotkin, American (1938 - ) - Early Fall, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 16/90, Image Size: 20.5 x 20 inche...

Beth Ganz, 'Mount Kenya, Kenya', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked im...

Artist: Emmett Kelly Work: Limited Edition, Print on Satin Paper, Medium: Satin Paper Year: (1898-1979) Style: Classic Art Title: Tis the Season, Size: 9" x 7" x 0.1'' inch, (23 x1 8 x 0.2 cm) Framed: 17'' x1 3.5'' x 1'' inch, (43 x 34x5 cm) Ready to Hang. Biography Artist Emmett Kelly is best known as the creator of Weary Willie, a character who reinvented the typical clown. Kelly left Houston, Missouri, and moved to Kansas City in 1919, carrying little with him except his portfolio of drawings. Emmett Kelly's artwork of Weary Willie features a man with a scruffy beard, torn denim overalls, regular hat, and somber face. In 1937, Kelly joined the Bertram Mills Circus where Weary Willie made his debut and was well received. The success of artist Emmett Kelly's Weary Willie portrayal garnered him movie roles, figurines based on his likeness, and a spot with Ringling Brothers' Barnum and Bailey...

A pair of of prints that form a cohesive landscape when displayed side by side. Each piece is 28 x 22 inches. Together they are 28 x 44 inches over all. Each of the two prints are si...

Acrylic on wood panel. There is snow, and then there is snow....After a major storm the city awakes to snow-filled streets and buried cars. But life goes on. Some people get up, trud...

Artist: David Rosenthal (American 1876-1949) Title: Bayfront Park, Miami Florida Year: c.1940 Medium: Color Etching with aquatint Image (Plate mark) size: 9 x 11 inches Sheet size: 10 x 12.25 inches Signature: Hand signed, titled and numbered 6/150 in pencil by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...

Signed, titled and numbered by the artist. Medium: etching and aquatint Image size: 12 x 9 inches Year: 2019 Fall colors along Ashland Creek in Lithia Park. Born in Berkeley, Ca...

Linda Plotkin, American (1938 - ) - Costa Secca, Year: 1965, Medium: Etching on Arches, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 15 x 14.75 inches, ...

Ski Free in Siberia. Circa 1969. Poster satirizing ski culture in Soviet-era Siberia: A skier wears a prisoner’s outfit and carries a hammer and sickle; “Gone-Dola” prison trucks are...

Jean-Claude PICOT (1933-) French Riviera : Around Marseille, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Coated paper 7...

"Yield" by Allan D’Arcangelo uses the familiar road sign as a symbol of caution and submission, reflecting themes of modern life, societal control, and decision-making. The yield sig...

This artwork titled "Munichau (Austria)" 1926, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 11.5 x 11.5 inches, framed size is 21 x 20.75 inches. Custom framed in a wooden gold frame, with grey/green matting . It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Louis Lozowick, 'Winter Fun', lithograph, 1940, edition 20, 250 (1941). Flint 188. Signed in pencil, with the artist’s monogram in the stone, lower left. A...

This artwork titled "TheLong Trail West" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and n...

Medium: lithograph (after the painting). Printed in Paris in 1958 at the atelier Mourlot and published in an edition of 2000. The image size is 7 3/4 x 9 1/2 inches (200 x 238 mm). T...

Charles Hallé's 1910 poster for the Chemins de fer de l'État, titled "Excursion en Normandie," stands as a picturesque journey to the heart of Normandy's...

This Limited Edition print, "Into the Light," by Daniel Pollera is a contemporary realist seascape that depicts a Bay House in Long Island. The Bay House can be seen to the right, su...

Aditya Dicky Singh Untitled photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2016 Edition 1/8 *Should you wish the photograph to be printed at a different size for a specific project, we are happy to discuss this. Please message with your request. This would still be Edition 1/8 Dicky Singh's images have enthralled many and have given him a following worldwide. Institutions and individuals alike seek out his knowledge on wildlife and habitats. He has lent his expertise to BBC, National Geographic and many very well-known wildlife photographers. He has been photographing and documenting generations of families of Tigers, learning behaviours and understanding their role in the wider context of the Forest at Ranthambhore National Park in India. His knowledge is vast, not only of big cats but the other flora and fauna that co-exist special places. In 2016 he was asked to lead a photography, conservation expedition to Kenya. This powerful image shows a lone female...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...