Poster Prints and Multiples

This sublime psychedelic poster was made for a concert of Creedence Clearwater Revival , Jethro tull & Sanpaku. Rock concert posters are one of the...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Tyler Stout x Flight of the Conchords UK Tour Poster from 2018 A screenprinted limited edition signed and numbered copy of Flight of the Conchords 2018 UK...

Original WW1 poster: MY DADDY BOUGHT ME A GOVERNMENT BOND OF THE THIRD LIBERTY LOAN. DID YOURS? Archival linen-backed and in very good condition. Print...

Unique screenprint in colours, 1985, on Lenox Museum Board, signed in pencil, numbered and inscribed TP 12/30, a unique trial proof, aside from the standard edition of 40, printed by Rupert Jasen Smith, New York, published by George C. P. Mulder, Amsterdam, 100 x 80 cm. (39¼ x 31½ in.) Queen Ntombi...

The 1971 original travel poster by Pagès for Air France promoting travel to Canada is a striking example of how mid-20th century travel advertising captured the imagination of would-be travelers. With its focus on bold design and a sense of adventure, this poster reflects the growing enthusiasm for international travel and Air France's role in making distant destinations more accessible. Pagès' work for this campaign is emblematic of the era's modernist artistic trends, skillfully blending abstract forms with cultural and geographical references to convey the vast and varied appeal of Canada. Pagès, renowned for his innovative use of abstract shapes and colors, likely employs these elements to evoke the expansive landscapes and natural beauty of Canada. Though the specific visual details are not described, his style often incorporates geometric patterns and vibrant contrasts that could symbolize Canada's iconic features, such as its towering mountains, endless forests, and dynamic urban centers. The abstract nature of the design serves to create a sense of wonder and possibility, drawing viewers into the allure of exploring the vast Canadian wilderness and cosmopolitan cities. The word "Canada" is likely presented in a clean, modern font, emphasizing the destination's name with simplicity and elegance. Below this, the Air France logo, traditionally in a bold blue, reinforces the airline's commitment to providing a sophisticated and reliable travel experience. The minimalist text ensures that the viewer's focus remains on the visual elements of the poster, which communicate the essence of Canada as a destination rich in natural beauty and cultural diversity. In the 1970s, Canada was emerging as a popular destination for travelers seeking both adventure and tranquility. From the rugged beauty of the Rocky Mountains and the serene landscapes of the Great Lakes to the vibrant cultural scenes in cities like Montreal and Toronto, Canada offered a wide range of experiences. Pagès' abstract design likely captures this diversity, conveying the country's unique charm and inviting travelers to explore its myriad attractions. The choice of an abstract and modernist design reflects Air France's branding strategy during this period, positioning the airline as a gateway to the world's most exciting and diverse destinations. By commissioning contemporary artists like Pagès, Air France not only advertised its routes but also associated itself with the cutting-edge artistic movements of the time, appealing to a global audience of sophisticated and adventurous travelers. Today, the 1971 Air France Canada poster...

Vintage Poster American Airlines Niagara Falls Edward McKnight Kauffer Good condition -- see all photos and video. This listing includes the frame (which is new). If you prefer to r...

Artist: Nicolas De Stael Medium: Original Lithographic Poster, 1957 Dimensions: 25.2 x 18.5 in / 64 x 47 cm Classic poster paper - Perfect Condition A+ Th...

Vintage advertising poster made by Derouet Lesacq in 1939 for the National Lottery with the slice of the Eiffel Tower. Economy - Paris Lafayette Paris

Yvon TAILLANDIER The Propeller Pilot Original pastel drawing Handsigned in pencil On vellum BFK Rives 50 x 65 cm (c. 19.6 x 25.5 in) Very good condition, slight traces of pastel in...

This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. Government is supposed to create the greatest good f...

"RFK is a hero of mine for his positions on racial equality during the Civil Rights movement. His speech after Martin Luther King, Jr.’s assassination is one of the greatest speeches ever delivered. The opportunity to do this RFK mural at a high school that focuses on art and social justice is great for many reasons, especially because it demonstrates to the kids the power of large-scale artwork." -Shepard Fairey...

To see our other original vintage travel posters, many of which are from Switzerland, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Donald Brun...

Dow, Arthur Wesley. Modern Art, 1896. Color lithograph. Plate from Maitre de L’affiches. Arthur Wesley Dow, ( American painter, printmaker, photographer,...

In this 1923 travel poster by Léon Constant Duval, the medieval village of Beynac-et-Cazenac cascades down a limestone cliff along the banks of the Dordogne River, crowned by the imp...

Artist: (after) Karl Schmidt-Rottluff (German, 1884-1976) Title: "Kunsthandel Wolfgang Werner KG (Nudes)" Year: 1984 Medium: Original Offset-Lithograph, Exhibition Poster on yellow wove paper Limited edition: Unknown Printer: Unknown Publisher: Kunsthandel Wolfgang Werner KG, Bremen, Germany Framing: Recently framed in a contemporary black moulding with frame space Framed size: 29.25" x 19.5" Sheet size: 27.25" x 17.75" Image size: 9.5" x 12" Condition: In excellent condition Extremely rare Notes: Poster produced for a special posthumous exhibition of Rottluff's early watercolors and printmaking "Schmidt Rottluff" at Kunsthandel Wolfgang Werner KG, Bremen, Germany from March 8 - May 12, 1984, in tribute to the artist's, would have been, 100th birthday. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes. In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl, two other architecture students who shared their passion for painting. Together they formed the organization of Expressionist artists known as Die Brücke...

Like a Rolling Snowball (2019). Lithograph by Izumi Kato Limited edition of 300 numbered and signed by the artist 17 7/10 × 13 4/5 in 45 × 35.1 cm Edition 155/300 "Like a Rolling...

Original vintage travel advertising poster for the FRENCH RIVIERA FRENCH NATIONAL RAILROADS SNCF (French National Railways) - the French Riviera. (Cote D'Azur, known as the French Riviera) The image features people looking out towards a marina full of sailing boats. Colorful artwork by the French painter Jules Cavailles (1901-1977). Printed by Perceval, Paris in 1953. Mid-Century Modern. Grade A- This is the English version of the poster compared to the design created for Cote d'Azur. The English version is much rarer (both are rare today). The poster gives the impression of a naive painting at this Mediterranean beach and seaport. Step into a world of timeless elegance and sunlit dreams with this exquisite French Riviera Vintage...

From the 1960s onwards, Northern Ireland experienced a period of unparalleled violence and political unrest. Several paramilitary organizations took up arms to fight against the British presence on their soil. This was the beginning of the IRA (Irish Republican...

Andy Warhol The Thirteen Most Wanted Men (Dossier No. 2357) screen-print & exhibition catalog: Scarce 1967 Warhol Sonnabend exhibition catalog which includes the sought-after Andy Wa...

Original linen-backed NORWICH CASTLE vintage travel poster, printed in England in 1935 by artist C. W. Hobbis and published by Page Brothers (Norwich) Ltd. It features a city center ...

Norman Rockwell was a well-known illustrator and painter who was best known for his many magazine covers created mainly for the Saturday Evening Post. During World War ll he created ...

Few names resonate in the world of graphic design as powerfully as Milton Glaser, and this 1982 poster is a quintessential example of his ability to merge elegance with immediacy. Created to promote the Great Illustrators of Our Time exhibition at Rizzoli Galleries, the poster is both an homage and a showcase—highlighting not just the work of Glaser himself but the broader cultural importance of illustration in 20th-century art and publishing. The composition is unmistakably Glaser: bold yet balanced, playful but deliberate. His signature use of vibrant color palettes, whimsical linework, and symbolic imagery elevates the poster beyond mere promotion—it becomes a collectible in its own right. At a glance, the poster celebrates visual storytelling. It encapsulates the spirit of an era when illustrators were not just supporting the text, but redefining it—shaping magazine covers, books, advertisements, and cultural identity itself. Glaser, best known for his “I ❤ NY” logo and the iconic 1967 Bob Dylan poster...

Color lithograph fundraising poster for Learning Through Art/ The Guggenheim Museum Children's Program. Numbered out of 350 and dated in pencil. Blindstamped in bottom right corner. ...

This lithographic poster was designed after Henri de Toulouse-Lautrec for an exhibition of his prints at the Maison de La pensée Française, Paris in 1955. This poster is based on an original lithograph from 1896 entitled "The Seated Clowness...

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or sen...

Paper Size: 36 x 24.5 inches ( 91.44 x 62.23 cm ) Image Size: 36 x 24.5 inches ( 91.44 x 62.23 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Lithograph poster designed by Martha Diamond...

Theophile Alexandre Steinlen, French/Swiss (1859 - 1923) - Artiste Animaliers, Year: 1981, Medium: Poster with Embossed Cat Blindstamp, Size: 20.5 x 25 in. (52.07 x 63.5 cm), Prin...

This circa 1950 original poster by Albert Brénet was created for the Société Navale de l'Ouest, promoting maritime travel and trade along the West African coast. Known for his master...

The poster is promoting the use of Christofle’s products as in Wedding Registry items. Christofle is a manufacturer of fine silver flatware and home accessories based in France. It w...

In this whimsical design created by the gifted poster artist Bernard Villemot, we see the modern day dog admiring the voice and image of his master in the television screen. In the b...

rtist: Henri Matisse Medium: Lithographic Poster, 1958 Dimensions: 25.5 x 18.25 in, 64.8 x 46.4 cm Classic Poster Paper - Perfect Condition A

Artist: Giancarlo Impiglia, Italian/American (1940 - ) Title: Grand Tier Year: 1984 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 11/40 Image Size: 25 x 19.5 inch...

Artist: Pablo Picasso Medium: Lithographic Posters, 1959 Dimensions: 29 x 19.50 in, 73.7 x 49.5 cm Our mission for over 170 years, the name Mourlot has been associated with import...

Shrouded in light and shadow, a figure halts in anxiety while a precipice forms the horizon. Carrière echoes fellow Symbolist Edvard Munch’s Der Schrei der Natur (also known by the popular name “The Scream”) in L’Aurore, a quintessential example of Carrière’s misty and spectral body of work. An 1897 oil study for this work sold for 26,400 GBP (approximately $36,190) at Christie’s in 2007. Stone lithograph of Eugène Carrière...

Original vintage Cognac Pellisson poster by Leonetto Cappiello of figure carrying Pellison Pere & Co. Cognac barrel printed by Vercasson. Raised Maxmi...

This exceptional original advertisement poster by the renowned A.M. Cassandre exemplifies the pinnacle of graphic design and advertising artistry from the 1930s. Cassandre, celebrate...

Civic Building – Manaus, Eliza Southwood Limited Edition Silkscreen Print of 20 Silkscreen Print on Paper Size: H 97cm x W 67cm Signed and titled Silkscreen Print – A printing techn...

BRIAN DAVIS (American, b. 1946) The Grunwald Center for the Graphic Arts, UCLA Poster 27.25 x 32.75 in. Unframed Publication Information: Mirage Editions, ...

Plate 5. "Terrasse propriete a Cannes" from "Décoration moderne dans l'intérieur" bu Henry Delacroix. Paris, ca. 1930. Pochoir with hand-coloring. Mild yellowing at edges.

This original lithographic poster was designed after Pierre Bonnard, for the Orangerie Des Tuileries in 1947. This work encompasses still life as this table set takes center stage. Bonnard was a founding member of the Post-Impressionist group of avant-garde painters Les Nabis...

Louis Rhead’s 1897 Art Nouveau poster features a well-dressed man with a top hat, cane, and other late Victorian winter fashions. “America was quick to reveal strong Art Nouveau vo...

This poster, by Joseph Binder for the 1939 World’s Fair Poster features in the centermost portion of the image, the Trylon and the Persisphere,...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Vintage signed print. Image size, 24H x 29L.

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this seller" - or sen...

Bernhard Hoetger’s 1914 Expressionist poster for the Darmstadt Artists' Colony’s (Darmstädter Künstlerkolonie) fourth and final exhibition depicts the legend of Saint George slaying ...

TECHNICAL INFORMATION Shepard Fairey Obey ‘89 2006 Screenprint 42 x 30 in. Edition 88 of 89 Pencil signed & numbered Condition: This work is in excellent condition

The 1937 original exhibition poster by Daragnès for "Le Livre au Trocadéro," created for the Exposition Internationale in Paris, represents an important moment in the celebration of ...

Original poster: QUAND LE RIRE ETAIT ROI. ( When Laughter Was King.) Artist: Boris Grinsson. French smaller format vintage movie comedy printed in 1960. Archival linen backed ...

This original vintage Air-India poster, titled "Rome," features the airline's iconic Maharajah mascot indulging in a quintessential Italian dining experience. Seated comfortably, the...

Artist: Mimmo Rotella Title: Dame del Ritmo (Marilyn Monroe in Some Like it Hot) Year: 2004 Medium: Serigraph with Collage, signed in pencil l.r. Edition: PA Size: 38 x 28 inches / 1...

Connor Brothers There's Nothing So Seductive as a Dangerous Idea 2021 16 1/2 x 11 2/5 in. Numbered from the Rare Limited Edition of 20 Plus 5 Artist Proofs Hand Colored Pigment ...

Contrex is a circa 1970 French advertisement for Contrex Mineral Water by Bernard Villemot (1909-1989). The advertisement continues Villemot’s signature use of nude beauties in his a...

Original prerelease Indiana Jones and the Last Crusade 1 sheet movie poster that was rolled and not folded. Artist: Drew St4uzan. Size: 27" x 40". Linen backed. Excellent co...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

The circa 1950 original poster, "Bar des Folies Africaines" after Paul Colin, featuring Joséphine Baker, is a captivating artifact that encapsulates the spirit of mid-century Parisia...

This is an original 1980 exhibition poster featuring Femme en bleue by Henri Matisse, created for a show at the Musée d’Art Moderne de Céret. Printed in rich, elegant tones, this pos...

Griffon was one of the earlier French bicycle producers, but not much history about the company has been preserved. This poster highlights not just the company's bicycles but also it...

This is an original lithographic print created by the artist Joe Eula to promote a concert by The Supemes at Lincoln Center , New York. Noteworthy is that the top priced ticket was $...