Poster Prints and Multiples

Cachou Lajaunie is French advertisement from 1905 by the artist, Francisco Tamangno. Cachou Lajaunie is a licorice candy whose strong flavor was designed to disguise the smoker's breath. Tamangno's composition places the Victorian woman in the center. She holds the small tin...

Original poster of Vandor for the singer Jean Lumière. His real name was Jean Anezin and he was born into a family of music-loving merchants. He won first ...

Milton Glaser Poster for Stevie Wonder at New York's Philharmonic Hall, 1968: Vintage original 1968 Milton Glaser Stevie Wonder concert poster designed by the legendary designer for...

This bold and iconic Mao portrait is an official poster created in 1977 and published by Warhol Enterprises. Based on Warhol’s celebrated Mao series from 1972, the image reinterprets...

Éluard, Paul. Liberté j’écris ton nom. Paris (Seghers), [1953]. Folding broadside (leporello), with continuous color silkscreen by Fernand Léger, integrated with text, extending th...

rtist: Henri Matisse Medium: Lithographic Poster, 1958 Dimensions: 25.5 x 18.25 in, 64.8 x 46.4 cm Classic Poster Paper - Perfect Condition A

Beautiful poster of exhibition of the writings and engraved work of Max Ernst to the gallery of the point Cardinal. Max Ernst ( 1891 - 1976 ) was a German painter, sculptor, graphic artist and poet. A prolific artist, Ernst was one of the main pioneers of the Dada movement...

This sublime psychedelic poster was made for a concert of Creedence Clearwater Revival , Jethro tull & Sanpaku. Rock concert posters are one of the...

A beautiful poster commissioned in the 1930's by La Maison du Voyage, a former travel agency that developed cruises and tours around the world. This poster was intended to promote t...

Beautiful art deco poster by Felix Fournery ( 1865 - 1938 ) featuring an elegant woman with her De Dion-Bouton bicycle. Felix Fournery, fashion illustrator, pa...

Artist: (after) Pablo Picasso (Spanish, 1881-1973) Title: "Galerie Louise Leiris (The Painter & His Model)" Year: 1972 Medium: Lithograph, Exhibition Poster on light wove paper Limit...

Simon's original travel poster for "Les Vosges Sports d'Hiver" encapsulates the timeless appeal of winter adventures in the Vosges Mountains, conveniently located within a short jour...

Shrouded in light and shadow, a figure halts in anxiety while a precipice forms the horizon. Carrière echoes fellow Symbolist Edvard Munch’s Der Schrei der Natur (also known by the popular name “The Scream”) in L’Aurore, a quintessential example of Carrière’s misty and spectral body of work. An 1897 oil study for this work sold for 26,400 GBP (approximately $36,190) at Christie’s in 2007. Stone lithograph of Eugène Carrière...

Stone lithograph mandala plate of Thy Kingdom Come from Alphonse Mucha’s masterpiece of mysticism, Le Pater. Printed by F. Champenois, published by Henri Piazza in Paris in an edition of 510, 1899. “Le Pater is the perfect convergence of three important movements at the close of the 19th century: Art Nouveau, Mysticism, and Religion. Art Nouveau, through its respect and honor of Nature, promotes the idea of a spirit of energy coursing through all things–a tenet of Mysticism–that finds foundation in the traditions of Mucha's personal relationship with the imagery of Religion. Le Pater gave Mucha a venue to communicate his beliefs specifically through his unique approach to Art and the coded language he had been learning through his devotion to Masonic teachings. He combined the aesthetics of Medieval manuscripts with Moorish arabesques, Byzantine mandalas, and Classical Renaissance melodrama to create a body of work that guided viewers across the gap between the ancient and the modern. The published plates for Le Pater were struck by Champenois on December 20, 1899 in an edition of 510 copies with the express agreement that they never be reprinted. As much of Mucha's work had been commercialized by Champenois due to numerous printings across multiple mediums, by this point he felt he had earned the right to insist on this deeply personal work existing only in the original release he had envisioned. The title page, prayer plates, and illuminated manuscript pages...

Original railroad travel poster for the beautiful Mississippi Gulf Coast. All sports Year round Biloxi Gulfport Pass Christian 21 hours from Chicago 17 hours from St Louis. Panama Limited Illinois Central...

Max Cowper 🏴󠁧󠁢󠁳󠁣󠁴󠁿(1860-1911) was a Dundee born painter. He was employed as an illustrator for the Dundee Courier before moving to London around 1901 to join the staff of the ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

"Maeght Editeur" is a color lithograph poster. This poster was for an exhibit on Alexander Calder's work in Paris, France. It depicts a black tree with red fruits on the left side an...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Beautiful 1969 psychedelic poster created by Lee Conklin for It's a Beautiful Day and the blues-rock ephemeral Aum at the Fillmore West. Lee Conklin is an artist best known for his psychedelic posters from the late 1960s and particularly for his iconic cover for Santana's first album. At the time, photography was the basis of advertising, while psychedelic graphics were done by hand and were mostly based on an illustration concept. The posters of this movement claim a new aesthetic: the flashy and warm colors, the shapes and moving typography and the density of the motif that invades the space translate the psychedelic vision, often associated with the taking of substances such as LSD. Music - Psychedelic - United States Fillmore West - Bill Graham Tea Lautrec Litho...

Very beautiful poster of Dorothea Fischer-Nosbisch in 1966 representing Marilyn Monroe. Fischer-Nosbisch truly embraces the psychedelic vibes of the ‘60s in this design for the Germa...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 9.05 x 6.3 inches Inscription: Signed in the plate and unnumbered...

The Waltham Manufacturing Company was co-founded in 1893 in New York by Charles Metz and three business partners. The company's designer, Metz, called his cycles “Orient racing bicycles,” named after the Orient Fire Insurance...

This bright and cheerful poster was created by famous poster artist, Leonetto Cappiello in 1903 for a fundraiser being held in Paris' Bois de Boulogne. One of his signature smiling l...

This lithographic poster was created after Georges Braque, from an original etching published by the Gallery Maeght "The Pitcher and Bird". It was repro...

Beautiful advertising poster of the beginning of the XXth century and of Art Nouveau style, signed P. F. Grignon. It is an advertisement for the brand A. A. Tunmer & Co and its vario...

Once again, a splendid poster made by Bernard Villemot 🇫🇷 (1911-1989), in 1954 to promote tourism in the South West of France and more particularly, the Basque coast. The works of ...

A very nice poster on the theme of tourism, made in 1936 by Marchand. This poster was commissioned at the time by the Réseau de la Mer. Until 1934, Les Chemins de fer de l'État took...

Delahaye is a 1989 poster by Pierre Fix-Masseau. The artwork features the classic 1937 Delahaye model 135 M amidst the backdrop of the famous Casino de Monte-Carlo. This poster comme...

Original vintage Cognac Pellisson poster by Leonetto Cappiello of figure carrying Pellison Pere & Co. Cognac barrel printed by Vercasson. Raised Maxmi...

Very beautiful tourism poster of the 50s for Yugoslavia and its 1000 islands. Tourism - Balkans - Dive - Croatia

John Fitzgerald Kennedy (1917-1963) is one of the fondest remembered United States Presidents of the past century. There is perhaps no more r...

Vintage advertising poster made by Derouet Lesacq in 1939 for the National Lottery with the slice of the Eiffel Tower. Economy - Paris Lafayette Paris

Futura 2000 NYC 1984: A rare 1980s Futura announcement card published on the occasion of: FUTURA 2000 at Pizza A Go-Go June 27, 1984; 121 W 31st, New York, NY. Offset printed annou...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Join QARANC – Queen Alexandra...

Designed in the 1930's by Niccolitch this poster shows the dance duo of Nijni and Stone. Like many other posters of the era, there is a strong influence of the Constructivist Movemen...

Social Distortion Shepard Fairey 18 x 24″ Screen Print, Signed and Numbered Edition of 600. Band poster of punk icons as pioneers, Social Distortion from 2019. "I first heard Social Distortion in 1985, and I was immediately struck by their punk power and rebellious themes delivered with an undeniable melodic appeal. I begged my parents to buy me the first Social Distortion album “Mommy’s Little Monster.” My parents hated punk, so when they asked me if the music was punk, I lied and said “no, it’s New Wave.” I listened to the album non-stop and a lot of the themes… freedom, generation gaps, questioning authority, sub-cultural community, etc… really resonated with me. As a frustrated teen, I especially related to the line, “I love the sound when I smash the glass… if I get caught they’re gonna kick my ass” from the song “Telling Them.” That line always stuck with me and was the first thing that came to mind when Mike Ness...

Original travel poster promoting the Alpine city of Trento in northern Italy, published by ENIT, the Italian tourist board, and the Italian railroads. It features a beautiful illustration of the 1896 historical monument...

Artist: John Giorno Title: Poppies Have Pockets Packed With Narcotic Treats Portfolio: Welcoming the Flowers Date: 2007 Screenprint, signed, numbered, and dated in pencil Edition of ...

The 1937 original exhibition poster by Daragnès for "Le Livre au Trocadéro," created for the Exposition Internationale in Paris, represents an important moment in the celebration of ...

Obey Deco Flower (Blue, Black, Red). Screenprint on thick cream Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 144/300. "The Obey Deco Flower is inspired by Constructivism...

"Renoir: The Man & his Images", Large exhibit poster, originally made for Musee d'Art Histoire, Paris. Colorful and poignant portrait of a woman. Artist signature is plate signed in ...

Paper Size: 36 x 24.5 inches ( 91.44 x 62.23 cm ) Image Size: 36 x 24.5 inches ( 91.44 x 62.23 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Lithograph poster designed by Martha Diamond...

Artist: Pablo Picasso Medium: Lithographic Poster, 1956 Dimensions: 25.9 x 18.7 in, 66 x 47.5 cm Arches Paper - Excellent Condition A This lithographic poster was designed to promote the first Congress of Black writers and artists at la Sorbonne in Paris, in 1956. Mourlot Master Printer Henri Deschamps was asked to reproduce an original etching by Pablo Picasso that was illustrating the book "Corps Perdu", written in 1950 by famous Caribbean intellectual and poet, Aimé Cesaire...

An elegant woman in a blue Victorian dress toasts with a glass of “the coldest” and “most carbonated” sparkling water from Vichy, France. In early...

This Europe poster was created circa 1960 by the gifted American artist David Klein (1918 -2005) for TWA. Klein chose to depict some of the European highlights for this poster: The R...

Very beautiful tourism poster of the 50s for Yugoslavia and its 1000 islands. Tourism - Balkans - Dive - Croatia

Paper Size: 20 x 30 inches ( 50.8 x 76.2 cm ) Image Size: 20 x 30 inches ( 50.8 x 76.2 cm ) Framed: No Condition: A: Mint Additional Details: Hand painted montage of latin American ...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Keith Haring Illustration art 1986: Rare seldom available 1980s Keith Haring illustrated New School university pamphlet (New York, NY) featuring offset printed Keith Haring art throughout. Solid condition. Offset printed university pamphlet. 6.25 x 4 inches (opening to 6.25 x 12 inches). Minor signs of handling. Very good overall vintage condition. Haring artwork credit on lower area of listing image 4; from an edition of unknown; published 1985/1986 by the New School (New York, NY). Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, and the Albertina Museum in Vienna, among other institutions. Related Categories: Keith Haring 1986. Keith Haring prints. Keith Haring cover art. Keith Haring catalog...

Richard Prince, Dude Ranch Nurse, Lithograph with Collage, 2008 Lithograph with collage with offset lithography, hand colouring, hand cutting and pencil F...

Artist: Nicolas De Stael Medium: Original Lithographic Poster, 1958 Dimensions: 27.1 x 18.7 in / 68,8 x 47,4 cm Classic poster paper - Good Conditi...

This Los Angeles poster was created circa 1965 by the gifted American artist David Klein (1918 -2005) for TWA. The image shows the three-bell tower ...

Latitude 43 was designed by the avant-garde architect Georges-Henri Pingusson. The building, listed as a historical monument in 1992, is a reference in ter...

Belle Époque lithograph of Folies Bergère: Fleur de Lotus by Jules Chéret, published in 1896 by Imprimerie Chaix, Paris. While Fleur de Lotus ...

Artist: Georges Braque Medium: Lithographic Poster, 1965 Dimensions: 23.5 x 17.5 in, 59.7 x 44.5 cm Classic Poster Paper - Excellent Condition A This rare lithographic poster was...

This original lithographic poster was designed after Pierre Bonnard, for the Orangerie Des Tuileries in 1947. This work encompasses still life as this table set takes center stage. Bonnard was a founding member of the Post-Impressionist group of avant-garde painters Les Nabis...

Condition: Print has been stored flat since purchase. Print has four sharp corners. Signature Hand-signed by artist, Print is signed and numbered in pencil by the Artist, Shepard Fa...