Women Prints and Multiples

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Lithograph on Saunders Waterford, St Cuthberts Mill paper. Paper size: 18.5 x 24.25 inches. Inscription: Hand signed and unnumbered A.P., as issued. Notes: Published and printed by C...

Lithograph on Saunders Waterford, St Cuthberts Mill paper. Paper size: 19 x 28 inches. Inscription: Hand signed and unnumbered A.P., as issued. Notes: Published and printed by Circle...

Original 1984 Levi's 501 Jeans by Andy Warhol Vintage Pop-Art Poster. Archival linen backed in excellent condition, ready to frame. Add a distinctive touch of pop art to your coll...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

ARTIST: Salvador Dali TITLE: Celestial Elephant or Space Elephant MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine and Levine for DALART EDITION NUMBER: I 285/350 MEAS...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Medium: Lithograph on vélin paper Year: 1948 Paper Size: 16.54 x 11.81 inches Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the album, Carnet de dessins de...

Lithograph on vélin paper. Paper size: 22 x 31 inches. Inscription: Hand signed and unnumbered A.P., as issued. Notes: Published and printed by Galerie La Vigne, Paris, in an edition...

Lithograph, silkscreen, drypoint, and collage on vélin de Rives BFK paper. Inscription: hand signed and numbered, I-70/250, as issued. Good condition. Notes: From the folio, Imaginat...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

Artist: Romare Bearden Title: The Open Door Year: 1979 Print: Lithograph on Somerset Paper Paper size : 22'' x 30'' Edition: Signed in pencil and marked 4/175 Romare Bearden is r...

Maurice REALIER DUMAS (1860-1928) Art Nouveau Woman in a Garden (Corinne), 1897 Original lithograph (Imprimerie Champenois) Signed in the plate On vellum, 40 x 31 cm INFORMATION: L...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

The colour offset lithograph on Parsons Diploma Parchment wove paper. Published in 1982 for the LA Olympic Games in 1984, David Hockney was one of the fifteen artists invited to create a poster for the Games. Hand signed by the artist in pencil lower right, un-numbered from the limited edition of 750, although there are said to be less than 200 prints in existence. Not to be confused with the unsigned LA Olympics poster...

The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print Original Toyokuni III/Kunisada (Japanese, 1786 - 1864) Japanese Woodblock Print "The Courtesan Kashiwagi and...

Jean Jansem (1920-2013) Baladin, 1983 Lithographie sur papier Arches, justifiée et numérotée 27/100 Signée en bas à droite 20 x 15 cm / 36 x 27 cm Bibliographie: Catalogue raisonné...

Olympia - Poster is a vintage poster realized by the italian artist Francesco Clemente (Naples, 1952) in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good co...

7 colour silkscreen on bespoke 410gsm Somerset Tub Sized Radiant White Rough Textured M-R 100% cotton paper. Edition of 1163 Hand-signed and numbered by the artist and comes with pub...

Woodcut shunga print attributed to Keisai Eisen and realized in the early 19th century. Good condition except for some signs of time.

Authentic Spa Orangina, Pure Orange Juice, and Original Spa Water vintage lithograph poster. Large French size format. Archival linen backing in very good condition. Artist: Hypsos. ...

This simple still life is a lithograph by Russian Modern artist Marc Chagall. It employs several of Chagall's recurring motifs, such as a bird (in this case a rooster), a bouquet of ...

Salvador Dali (1904-1969) The Hand (La main) Original lithograph Signed in pencil Limited edition of 150 ex On BFK Rives vellum 65 X 50 cm (c. 26 x 20 in) REFERENCES : - Catalog...

Artist: PABLO PICASSO (AFTER ) Title: 'La Ronde de la Jeunesse (The Youth Circle)' Year: 1961 Published by: Combat Pour La Paix, Paris Medium: Lithograph on wove paper Printed by Mourlot Edition: 200 plus EA Size: 26 x 20 inches Signed and numbered in pencil by the master CERTIFICATE OF AUTHENTICITY INCLUDED ARTWORK IS IN EXCELLENT CONDITION Through the use of crisp vibrant colors and the fluid use of line, Picasso creates a sense of optimistic energy that is focused around the dove of peace in Pablo Picasso La Ronde de la Jeunesse...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

David Shrigley I'm Sorry I Can't Promise It Won't Happen Again, 2021 8 colour screenprint with a varnish overlay on Somerset Satin Tub sized 410 gsm 75 x 56 cm Edition of 125 + 4 APs...

Jean Dubuffet painted his New Orleans Jazz Band series in 1944, but there is no specific record of him having visited New Orleans. Instead, Dubuffet was inspired by American jazz mus...

Untitled (self portrait) By Billy Childish Billy Childish is a British artist, musician, and writer known for his raw, energetic, and often provocative approach to art and culture...

After Pablo Picasso (Spanish, 1881-1973) La Grande Maternité 1963 pencil signed and annotated 'E.A.' (aside from the edition of 200), with margins Editions Combat de la Paix, Paris P...

Le chapeau épinglé (La fille de Berthe Morisot et sa cousine) 3e planche. Etching realized by Renoir in 1894. Image dimension 11.5x8 cm. / sheet dimension 33.2x15.1 cm. The final s...

Original Vintage 1981 Cappiello Exhibition Poster held at the Paris Grand Palais. Celebrating the Iconic Artwork of Leonetto Cappiello. Linen backed in very good condition without an...

Pablo PICASSO (1881-1973) Comédie Humaine, The King's Muse, 1954 Lithograph (Mourlot workshop) Unsigned On paper 26 .5 x 35.5 cm (c. 10,2 x 13.7 in) INFORMATION : Created for port...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Original 1982 Pink Floyd, The Wall vintage movie poster. Archival linen backed International edition in the size of 27” x 41” ready to frame. Excellent condition. No restoration...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 13.75 x 19 inches. Inscription: Signed in the p...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The ...

Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove paper, with margins, in excellent condition. Published by Associated American Artists. Archivally matted to museum standards, unframed. Image size 9 7/16 x 11 7/8 inches; sheet size 10 3/4 x 13 5/16 inches. Impressions of this work are held in the following museum collections: Figge Art Museum, Georgetown University Art Collection, Indianapolis Museum of Art, Library of Congress, Metropolitan Museum of Art, and the Nelson-Atkins Museum of Art. ABOUT THE ARTIST “Benton’s idiom was essentially political and rhetorical, the painterly equivalent of the country stump speeches that were a Benton family tradition. The artist vividly recalled accompanying his father, Maecenas E. Benton — a four-term U.S. congressman, on campaigns through rural Missouri. Young Tom Benton grew up with an instinct for constituencies that led him to assess art on the basis of its audience appeal. His own art, after the experiments with abstraction, was high-spirited entertainment designed to catch and hold an audience with a political message neatly bracketed between humor and local color.” —Elizabeth Broun “Thomas Hart Benton: A Politician in Art,” Smithsonian Studies in American Art, Spring 1987. Born in 1889 in Neosho, Missouri, Thomas Hart Benton spent much of his childhood and adolescence in Washington, D.C., where his father, Maecenas Eason Benton, served as a Democratic member of Congress from 1897 to 1905. Hoping to prepare Benton for a political career, his father sent him to Western Military Academy. After nearly two years at the academy, Benton persuaded his mother to support him in attending the Art Institute of Chicago for two years, followed by two additional years at the Académie Julian in Paris. In 1912, Benton returned to America and moved to New York to pursue his artistic career. One of his first jobs involved painting sets for silent films, which were being produced in Fort Lee, New Jersey. Benton credits this experience with equipping him with the skills necessary to create his large-scale murals. When World War I broke out, Benton joined the Navy. Stationed in Norfolk, Virginia, he was assigned to create drawings of camouflaged ships arriving at Norfolk Naval Station. These renderings were used to identify vessels that might be lost in battle. Benton later remarked that being a "camofleur" profoundly impacted his career: "When I came out of the Navy after the First World War," he said, "I made up my mind that I wasn’t going to be just a studio painter, a pattern maker in the fashion then dominating the art world—as it still does. I began to think of returning to the painting of subjects, subjects with meanings, which people, in general, might be interested in." While developing his Regionalist vision, Benton also taught art, first at a city-supported school and later at The Art Students League from 1926 to 1935. One of his students was a young Jackson Pollock, who regarded Benton as both a mentor and father figure. In 1930, Benton was commissioned to paint a mural for the New School for Social Research. The "America Today" mural, now permanently exhibited at the Metropolitan Museum of Art, led to many more commissions as Benton’s work gained wide recognition. The Regionalist Movement became popular during the Great Depression of the 1930s. Painters such as Benton, Grant Wood, and John Steuart Curry rejected modernist European influences, choosing instead to depict realistic images of small-town and rural life—comforting representations of the American heartland during a period of upheaval. Time Magazine referred to Benton as "the most virile of U.S. painters of the U.S. Scene," featuring his self-portrait on the cover of a 1934 issue that included a story titled "The Birth of Regionalism." In 1935, Benton left New York and returned to Missouri, where he taught at the Kansas City Art Institute. His outspoken criticism of modern art, art critics, and political views alienated him from many influential figures in both political and art circles. Nonetheless, Benton remained true to his beliefs, continuing to create murals, paintings, and prints that captured enduring images of American life. The dramatic and engaging characteristics of Benton’s artwork drawn the attention of Hollywood producers, leading him to create illustrations and posters for films, including his famous lithographs for the film adaptation of John Steinbeck’s "The Grapes of Wrath," produced by Twentieth Century Fox. During the 1930s, The Limited Editions Club of New York asked Benton to illustrate special editions of three of Mark Twain’s books...

Artist: Picasso, Pablo Title: Francoise (B. 401, M. 45) Date: 1946 Medium: Lithograph printed in black ink on wove paper bearing the Arches script watermark. Unframed Dimensions:...

In 1982, the Musée d'Art Moderne in Céret, France, hosted the exhibition "Picasso et la Tauromachie" (Picasso and Bullfighting), celebrating Pablo Picasso's profound connection to bu...

The 2000 Roland Garros poster by Antoni Tàpies is a compelling fusion of sport and abstract art. Its textured, abstract composition and philosophical undertones make it a standout pi...

Mid Century Nocturnal Horses with Riders Under Moonlight Lithograph Limited Edition Compelling nocturnal lithograph of two women on horseback by ...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Museo Picasso. Palacio Aguilar.', 1966 Four-color offset printing on paper 30 x 21.5 in. (76 x 54.5 cm.) Unframed Ref: PIC2001-P008 Conservatio...

Artist: Salvador Dali Title: "The Shepherd" from the Portfolio Song of Songs of Solomon Year: 1972 Medium: Color Etching with Gold Dust on Arches Paper, signed in pencil Edition: 250...

Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 7 3/4 x 5 7/8 inch...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 12.44 x 8.31 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fo...

A group of 14 Blackfeet Indians prints created by the artist Winold Reiss. The Great Northern Railway printed and released these prints in c. 1940. This is for the entire group...

Medium: lithograph (after the drawing). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). Signed in the pla...

Medium: lithograph (after the drawing). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). Signed in the pla...

Lithograph on Saunders Waterford, St Cuthberts Mill paper. Paper size: 29.75 x 22.25 inches. Inscription: Hand signed and numbered 166/300, as issued. Notes: Published and printed by...

Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...

I Don't Want to Go to Heaven, 2017 Giclee Print on Paper signed and numbered by the artists Edition of 150 166 x 106 cm - Sheet The Connor Brothers are a British artistic duo known ...

SHARING THE CHORES is a hand drawn, limited edition lithograph by the acclaimed Charleston SC artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper...

Roe Ethridge Le Luxe II BHGG, Gagosian poster (hand signed, dated and inscribed by Roe Ethridge), 2023 Offset lithograph poster invitation/mailer (hand...

Medium: lithograph (after the watercolor). Printed in Paris in 1951 at the atelier Dreux-Barry and published in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). ...

Artist: PABLO PICASSO (AFTER ) Title: Vive le Paix (Long Live Peace) Year: 1954 Published by: Combat Pour La Paix, Paris Medium: Lithograph on Lana paper (Blind stamp JPG attached) P...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

Elizabeth Catlett, 'Survivor', linocut, 1983, edition 1000. Signed, titled, dated, and numbered '914/1000' in pencil. A fine impression, on...