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Sculptures For Sale
Artist: Pablo Picasso
Artist: Nicholas Crombach
Scène de Tauromachie, Pablo Picasso, 1957, Plate, Ceramic, Design, Postwar, Toro
Located in Geneva, CH
Scène de Tauromachie, Pablo Picasso, 1957, Plate, Ceramic, Design, Postwar, Toro Scène de tauromachie Ed. 500 pcs 1957 Red earthenware clay, engobe decoration, knife engraved D.24 c...
Category

1950s Post-Modern Sculptures

Materials

Ceramic, Clay, Earthenware

Tete de chevre de profil (Goats head in Profile) Unique color Variant, A.R. 154
Located in Palo Alto, CA
Created in 1952, Pablo Picasso Tete de chevre de profil (Goats head in Profile) Unique color Variant, 1952, A.R. 154 is an original white earthe...
Category

1950s Modern Sculptures

Materials

Ceramic, Clay, Earthenware, Glaze

Paseo & Arrastro, from Service Scènes de Corrida (Set of 2), A.R.416 & A.R.423
Located in Palo Alto, CA
Created in 1959, Pablo Picasso (Málaga, 1881 – Mougins, 1973) Paseo A.R. 416 and Arrastro A.R. 423 are numbered from the edition of 50 on the reverse and stamped with the 'MADOURA PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO' pottery stamps on the reverse. Pablo Picasso was an avid fan of bullfighting his entire life, attending his first corridas when he was a child in Spain and gaining a renewed interest in the events when he settled in the South of France after World War II. Undoubtedly the theatrical drama and flashy machismo of the matadors appealed greatly to Picasso's sensibilities and resonated with his Spanish roots. In 1959, Picasso produced an 8-piece plate series, each featuring a different bullfighting scene suggested through lively stipple lines. Paseo A.R. 416 depicts a line of bullfighters highlighted by a streak of yellow. The strokes of blue above and below the figures contrast with the warm of the yellow, creating visual tension that anticipates the drama of the fight. Arrastro, from Service Scènes de Corrida, 1959 A.R. 423 features a victorious  bullfighter holding his curved sword, known as an estqoue, over his head. The dark atmosphere created by the deep blue, black, and touch of brown is slashed by the intense yellow down the center of the plate. This shock of bright color evokes the excitement of the bullfighter as he stands triumphant over the bull. Catalogue Raisonné & COA: Pablo Picasso Paseo...
Category

1950s Modern Sculptures

Materials

Ceramic

Joueur de flûte, Picasso, Limited Edition, Sculpture, Design, 1950's, Ceramic
Located in Geneva, CH
Joueur de flûte, Picasso, Limited Edition, Sculpture, Design, 1950's, Ceramic Joueur de flûte Ed. 40 pcs 1951 Earthenware clay covered with enamel D. 24.5 cm Stamped on the back : M...
Category

1950s Post-War Sculptures

Materials

Ceramic, Earthenware

Corrida Scenes, Pablo Picasso, Set, Ceramics, Design, Art, Sculpture, Postwar
Located in Geneva, CH
Corrida Scenes, Pablo Picasso, Set, Ceramics, Design, Art, Sculpture, Postwar Corrida Scenes of 8 pieces : Paseo, Pase de cape, Picador, Banderilleros, Pase de muleta, Cogida, Estoc...
Category

1950s Post-War Sculptures

Materials

Ceramic, Earthenware

Visage, Pablo Picasso, Face, 1950's, Ceramic, Madoura, Sculpture, Earthenware
Located in Geneva, CH
Visage, Pablo Picasso, Face, 1950's, Ceramic, Madoura, Sculpture, Earthenware Ed. 500 pcs White earthenware clay, decoration in engobes under glaze Inscribed on the reverse: Edition...
Category

1950s Post-War Sculptures

Materials

Earthenware, Clay

Face, Pablo Picasso, 1950's, Earthenware, Decorative Art, Design, Interior,
Located in Geneva, CH
Face, Pablo Picasso, 1950's, Earthenware, Decorative Art, Design, Interior, Ed. 500 pcs 1955 White earthenware clay, decoration in engobe, glaze inside Inscribed and stamped on the...
Category

1950s Post-War Sculptures

Materials

Ceramic, Clay, Earthenware, Glaze

Garden Wall
Located in Montreal, Quebec
Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...
Category

2010s Contemporary Sculptures

Materials

Concrete, Metal

Tête de faune avec tests de lustre rose, Pablo Picasso, Unique work, Plate
Located in Geneva, CH
Tête de faune avec tests de lustre rose, Pablo Picasso, Unique work, Plate Tête de faune avec tests de lustre rose Unique work Painted and partially glazed ceramic D. 21.6 cm Inscr...
Category

20th Century Post-War Sculptures

Materials

Ceramic

Grande Tête De Femme Au Chapeau Orné (Woman’s Big Head with Decked Hat)
Located in Palo Alto, CA
Created in 1964, this red earthenware clay big rectangular plaque printed with engobe pad is #15 from the edition of 50. This work is stamped with the 'MADOURA PLEIN FEU’ and ‘EMPREINTE ORIGINALE DE PICASSO’ stamps on the reverse. Pablo Picasso Grande Tête De Femme Au Chapeau Orné (Woman’s Big Head with Decked Hat), 1964 A.R. 518 is a remarkable and beautiful work. It represents Picasso’s most important relationships at the time, namely his artistic partnership with the Ramiés and his romance with Jacqueline Roque. It is also notably one of two ceramic works Picasso has ever made of this scale. Picasso takes immense care in depicting this portrait of his greatest muse Jacqueline; its wonderful texture and delicate variations in line weight are testaments to the artist’s innate creative skill. Composed of a simple linear carved design in an earth tone clay plaque...
Category

1960s Modern Sculptures

Materials

Ceramic

Vase avec Decoration Pastel (Vase with Pastel Decorations), by Pablo Picasso
Located in Long Island City, NY
Artist: Pablo Picasso, Spanish (1881 - 1973) Title: Vase avec decoration pastel (Vase with Pastel Decorations), [Ramie 190] Year: 1953 Medium: Chamotted red earthenware clay, pastel ...
Category

1950s Modern Sculptures

Materials

Ceramic

Woman's Head, Decorated with Flowers, Ceramic by Pablo Picasso 1954
Located in Long Island City, NY
Pablo Picasso, considered the greatest artist of the 20th Century, was a master of all art mediums. He collaborated with Madoura to produce editions of his painted ceramic works beginning in the 1940’s...
Category

1950s Modern Sculptures

Materials

Ceramic

Peacock No 1 - small, cast aluminum, male, bird, interior tabletop sculpture
Located in Bloomfield, ON
Cast in aluminum, this sculpture of a poised male peacock reflects the artist Nicholas Crombach's primary theme of human and animal interaction. This sculpture is number 1 from an ed...
Category

2010s Contemporary Sculptures

Materials

Metal

Hound
Located in Montreal, Quebec
Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting...
Category

2010s Contemporary Sculptures

Materials

Mixed Media, Acrylic, Resin

Self
Located in Bloomfield, ON
SELF is a compelling and ambiguous bronze sculpture by this talented young Canadian sculptor. (b.1989, Kingston, ON) Nicholas Crombach graduated from OCAD University’s sculpture...
Category

2010s Contemporary Sculptures

Materials

Bronze

Carousel
Located in Montreal, Quebec
Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...
Category

2010s Contemporary Sculptures

Materials

Graphite, Mixed Media, Wood, Archival Paper

Fetch
Located in Montreal, Quebec
In his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...
Category

2010s Contemporary Sculptures

Materials

Acrylic, Polyurethane, Nylon, Resin

Chew Toys 1
Located in Montreal, Quebec
In his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...
Category

2010s Contemporary Sculptures

Materials

Found Objects

Chew Toys 2
Located in Montreal, Quebec
In his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...
Category

2010s Contemporary Sculptures

Materials

Found Objects, Porcelain

Diana & Actaeon
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Wood, Polymer

Sparrows
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint, Polyurethane

Squirrel Skin
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint

Boar
Located in Montreal, Quebec
Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...
Category

2010s Contemporary Sculptures

Materials

Resin, Acrylic, Mixed Media

After da Vinci, Holbein, Claese, Cézanne, Klimpt, Van Cough, Picasso, Dali...
Located in Montreal, Quebec
After da Vinci, Holbein, Claese, Cézanne, Klimpt, Van Cough, Picasso, Dali, Warhol, Hurst & Everyone Else That I Have Forgotten. Nicholas Crombach has ...
Category

2010s Contemporary Sculptures

Materials

Gold Leaf

Teddy
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Plaster

Hunter #1
Located in Montreal, Quebec
Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...
Category

2010s Contemporary Sculptures

Materials

Plaster

Pheasant
Located in Montreal, Quebec
Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...
Category

2010s Contemporary Sculptures

Materials

Mixed Media, Acrylic, Resin

Nature Morte
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint, Polyurethane

Momento
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Plastic, Wood, Paint

Predator, Prey & Victim
Located in Montreal, Quebec
Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...
Category

2010s Contemporary Sculptures

Materials

Acrylic, Resin, Animal Skin

Pablo Picasso, "Four Enlaced Profiles, " ceramic plate
Located in Chatsworth, CA
This piece is a unique variation round plate by Pablo Picasso, created in 1949. It is made with white earthenware clay plate, decoration in engobes and enamel under glaze in white an...
Category

1940s Other Art Style Sculptures

Materials

Clay

Hound 2/8 - small, grey, white, blue, figurative, dog, wildlife, resin sculpture
Located in Bloomfield, ON
A cast resin figurine of a hound who has hunted a fox, which in turn has hunted a goose is patinated in indigo, black and white by emerging sculptor Nicholas Crombach. The work refl...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint

Inanimate Beings
Located in Montreal, Quebec
Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...
Category

2010s Contemporary Sculptures

Materials

Resin, Wood, Acrylic

Unnamed
Located in Montreal, Quebec
Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint

Pablo Picasso, "Face Plate .130"
Located in Chatsworth, CA
This piece is an A.R. round plate by Pablo Picasso, created in 1963. It is made with white earthenware clay plate, decoration in engobes and enamel under glaze in black, red, green, ...
Category

1960s Post-Modern Sculptures

Materials

Clay

Still Life
Located in Montreal, Quebec
Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham and Malka Green Award, and a BMO 1st Art Nomination. His work has been seen at Word On The Street, Katharine Mulherin Contemporary Art Projects, the Al Green...
Category

21st Century and Contemporary Abstract Sculptures

Materials

Ceramic, Resin, Wood, Acrylic

Boar 2/8 - small, grey, blue, figurative, animal, cast resin, tabletop sculpture
Located in Bloomfield, ON
Cast in resin, this figurine of a boar in a stance used in taxidermy reveals the artist's themes of human-animals relationships, domestication and conquest. These multi-layered meani...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint

Pablo Picasso, Visage Brun-Bleu (Ramie 2), White Earthenware Clay Plate 1947
Located in Long Island City, NY
Created in 1947, this early Picasso ceramic is the second that artist ever produced. It is in wonderful condition and presented in a fine black wood fra...
Category

1940s Modern Sculptures

Materials

Glaze, Clay

Pablo Picasso, "Lozenge with Mask", ceramic, clay
Located in Chatsworth, CA
This hexagonal tile, created by Pablo Picasso in 1956, is made of chamotted red earthenware clay and has decoration in engobes in black and white. It is from the edition of 350, num...
Category

1950s Modern Sculptures

Materials

Ceramic, Clay

Pablo Picasso, Unique variant of "Tête peinte" (Painted Face), pitcher, ceramic
Located in Chatsworth, CA
This piece is an A.R. turned pitcher created by Pablo Picasso in 1953. It is made with white earthenware clay, decoration in engobes and oxides under partial brushed glaze with white...
Category

1950s Modern Sculptures

Materials

Ceramic, Clay

Budgies
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Resin, Paint, Polyurethane

Bird Watcher
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category

2010s Contemporary Sculptures

Materials

Plaster

Les danseurs (Dancers), A.R. 387
Located in Palo Alto, CA
Created in 1956, this Madoura small convex wall plaque of white earthenware clay with engraving accentuated with oxidized paraffin and glaze bath (ivory, brown) is stamped with the ‘EMPREINTE ORIGINALE DE PICASSO’ and ‘MADOURA PLEIN FEU’ pottery stamps on the reverse; from the edition of 500. In fluid motions floating across the ceramic, the characters in Pablo Picasso ceramic Les danseurs...
Category

1950s Modern Sculptures

Materials

Clay, Ceramic, Earthenware, Glaze

Visage
Located in New York, NY
An early and stunningly beautiful hand-painted ceramic bowl created by Picasso in 1955, Visage measures 5 inches (12.8 cm) in diameter and is Inscribed 'Edition Picasso/Madoura' (bot...
Category

20th Century Modern Sculptures

Materials

Earthenware, Ceramic

Estocado, Scenes de Corrida
Located in Missouri, MO
Estocado, Scenes de Corrida, 1959, July 1st Pablo Picasso (Spanish, 1881-1973) Round Dish O.P. white earthenware clay, decoration in engobes under partial brushed glaze, beige patina...
Category

1950s Abstract Sculptures

Materials

Ceramic

Femme Echevelée, Picasso, Multiples, Edition, Ceramic, Women, 1960's, Nude
Located in Geneva, CH
Femme Echevelée, Picasso, Multiples, Edition, Ceramic, Women, 1960's, Nude Ed. 68/100 pcs 1963 White earthenware, decoration with engobes under partial glaze with a brush D.27 cm St...
Category

1960s Post-War Sculptures

Materials

Ceramic

Beach Scene : Bathers - Original Ceramic MADOURA - Edition of 450 (Ramié #391)
Located in Paris, FR
Pablo Picasso Beach Scene : Bathers, 1956 Original ceramic of Pablo Picasso, white faience earth, black covered bath and enamel. Annotated on the Back : Empreinte originale Picasso ...
Category

1950s Modern Sculptures

Materials

Ceramic

Pichet Espagnol, Picasso, 1950's, Pitcher, Ceramic, Earthenware, Multiple
Located in Geneva, CH
Pichet Espagnol, Picasso, 1950's, Pitcher, Ceramic, Earthenware, Multiple Pichet Espagnol Ed. 47/200 pcs 1954 White earthenware clay, decoration in en...
Category

1950s Post-War Sculptures

Materials

Ceramic, Clay, Earthenware

"Chouetton (A.R. 135)", Ceramic Dish Stamped Madoura Plein Feu, Edition Picasso
Located in Madrid, ES
PABLO PICASSO Spanish, 1881 - 1973 CHOUETTON (A.R. 135) stamped and marked 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura' (underneath) white earthenware ceramic va...
Category

1950s Modern Sculptures

Materials

Ceramic

"Visage (A.R. 288)", Ceramic Dish Stamped Madoura Plein Feu, Edition Picasso
Located in Madrid, ES
PABLO PICASSO Spanish, 1881 - 1973 VISAGE (A.R. 288) stamp underneath: Foundry Mark: EDITION PICASSO and MADOURA PLEIN FEU white earthenware, polychr...
Category

1950s Modern Sculptures

Materials

Ceramic

Joie de Vivre
Located in Missouri, MO
JOIE DE VIVRE (A. Ramié no. 346) stamped, marked, engraved and numbered 'Madoura Plein Feu/Empreinte Originale de Picasso (underneath) unglazed white ea...
Category

1950s Modern Sculptures

Materials

Ceramic

Yan Black Headband
Located in Missouri, MO
"Yan Black Headband" (A.R. 514) 1963 Red Earthenware Pitcher Painted in Black Inscised 'EDITION PICASSO MADOURA' and 'EDITION PICASSO' pottery stamps on...
Category

1960s Modern Sculptures

Materials

Ceramic

Fish Pitcher
Located in Missouri, MO
Fish Pitcher 1952 Turned Pitcher 13 cm x 21 cm/approx 8 1/4 x 4 3/4 inches Red Earthenware Clay, Decoration in Engobes Black, White Edition Madoura Picas...
Category

1950s Abstract Sculptures

Materials

Ceramic

Petit Soleil
Located in New York, NY
One of the most pleasing red earthenware tiles created by Picasso during his time at the Madoura Foundary in Vallarius, France, Petit Soleil (little sun) ...
Category

20th Century Modern Sculptures

Materials

Ceramic, Earthenware

Nude, Abstract and Figurative Sculptures for Sale

The history of sculpture as we know it is believed to have origins in Ancient Greece, while small sculptural carvings are among the most common examples of prehistoric art. In short, sculpture as a fine art has been with us forever. A powerful three-dimensional means of creative expression, sculpture has long been most frequently associated with religion — consider the limestone Great Sphinx in Giza, Egypt — while the tradition of collecting sculpture, which has also been traced back to Greece as well as to China, far precedes the emergence of museums.

Technique and materials in sculpture have changed over time. Stone sculpture, which essentially began as images carved into cave walls, is as old as human civilization itself. The majority of surviving sculpted works from ancient cultures are stone. Traditionally, this material and pottery as well as metalbronze in particular — were among the most common materials associated with this field of visual art. Artists have long sought new ways and materials in order to make sculptures and express their ideas. Material, after all, is the vehicle through which artists express themselves, or at least work out the problems knocking around in their heads. It also allows them to push the boundaries of form, subverting our expectations and upending convention. As an influential sculptor as much as he was a revolutionary painter and printmaker, Pablo Picasso worked with everything from wire to wood to bicycle seats.

If you are a lover of art and antiques or are thinking of bringing a work of sculpture into your home for the first time, there are several details to keep in mind. As with all other works of art, think about what you like. What speaks to you? Visit local galleries and museums. Take in works of public art and art fairs when you can and find out what kind of sculpture you like. When you’ve come to a decision about a specific work, try to find out all you can about the piece, and if you’re not buying from a sculptor directly, work with an art expert to confirm the work’s authenticity.

And when you bring your sculpture home, remember: No matter how big or small your new addition is, it will make a statement in your space. Large- and even medium-sized sculptures can be heavy, so hire some professional art handlers as necessary and find a good place in your home for your piece. Whether you’re installing a towering new figurative sculpture — a colorful character by KAWS or hyperreal work by Carole A. Feuerman, perhaps — or an abstract work by Won Lee, you’ll want the sculpture to be safe from being knocked over. (You’ll find that most sculptures should be displayed at eye level, while some large busts look best from below.)

On 1stDibs, find a broad range of exceptional sculptures for sale. Browse works by your favorite creator, style, period or other attribute.

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