Sculptures

Boar model Benzin / 2021, glazed ceramics painted over glaze, 18,5 x 31 x 12 cm. Horns and hooves gilded with 24 carat gold. On the bottom the author's logo and numerical description: 59/2021. Mariusz Dydo...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2023. Package: protected cardboard box. Dispatching terms: 2-3 working days. Location an...

Sculpture in bronze by Mario Dilitz. It is an edition of 8 sculptures + 4 Artist Proofs, all numbered and signed by the artist.

Represented by George Billis Gallery. Pedro's sculpture's are whimsical and sophisticated. The sailboat series is affordable for the work involved in creating them. His use of mix...

Represented by George Billis Gallery. Pedro's sculpture's are whimsical and sophisticated. The sailboat series is affordable for the work involved in creating them. His use of mix...

Represented by George Billis Gallery. Pedro's sculpture's are whimsical and sophisticated. The sailboat series is affordable for the work involved in creating them. His use of mix...

Represented by George Billis Gallery. Pedro's sculpture's are whimsical and sophisticated. The sailboat series is affordable for the work involved in creating them. His use of mix...

Boar, patinated bronze, 19.5 x 32 x 12 cm, on the bottom the author's logo and a numerical description. Weight: 4.35 kg, edition 3 of 8, 2022. Mariusz Dydo...

Wisent (Żubr) XL model Lines WB, 2022, glazed ceramics painted over glaze, 22 x 14 x 30 cm, on the bottom the author's logo and numerical description: 148/2016. Mariusz Dydo...

Religious sculpture of a bearded Christ holding a lamb. This beautiful sculpture is made from terracotta with a layer of gesso. The sculpture is...

Boar, patinated bronze, 19.5 x 32 x 12 cm, on the bottom the author's logo and a numerical description. Weight: 4.35 kg, edition 2 of 8, 2022. Mariusz Dydo...

A fine cast patinated bronze bust of a woman with her hair tied back by American artist Andrew Coppola (1941-1992). Coppola was an active artist in Connecticut, known for his figura...

TITLE: Babel ARTIST: Giuliano Cataldo Giancotti YEAR: 2018 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Iron DIMENSIONS: 13 x 12 x h 87 cm This sculpture is part of an artistic researc...

TITLE: Torre d'Ercole ARTIST: Giuliano Cataldo Giancotti YEAR: 2019 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Iron DIMENSIONS: 37 x 37 x h 110 cm This sculpture is part of an artist...

Medieval style carved sculpture of three religious figures, possibly saints. The sculpture is in the style of Gothic religious art from continental Europe, particularly Germany and F...

TITLE: Omaggio al Cielo ARTIST: Giuliano Cataldo Giancotti YEAR: 2017 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Iron DIMENSIONS: 37 x 37 x h 86 cm This sculpture is part of an artis...

GIGI MILLS Bull Sea Lion Gigi Mills sculptures are highly collectable as each sculpture is unique. Gigi Mills’ sculptures emphasize the generalization of forms to their most abstract...

An acute observer of nature Barye was fascinated by the dramatic depiction of animals in the wild. These anomalies bronzes can sit on mantles and desks and elevate a room tremendousl...

DONALD JUDD (1928-1994) Armchair 47/48 2017 Painted aluminium, Turquoise blue, RAL 5018 75 x 50 x 50 cm 29.53 x 19.69 x 19.69 inches Signed, inscribed, dated and numbered "Donald Jud...

Dan Super "SAM HOUSTON" (1873-1953) Houston Artist Image Size: 3 3/4 inches tall Medium: Carved Horn of Sam Houston to celebrate the Texas Centennial. Texas Centennial 1936 "Sam Houston Pin Cushion Holder" Biography Dan Super (1873-1953) Dan E. Super, Jr. (1873 – 1953) Dan Super had the eye of a sculptor, envisioning and then creating hundreds of objects from the elongated form of a Texas Longhorn’s tusk. At the age of six, Dan Super carved his first drawing into a piece of the horn of a Texas Longhorn. Over the next 56 years, he made utilitarian pieces like pencil cups, pin cushions, and backscratchers, realistic replicas of animals and birds, and imaginative carvings of elegant nudes. While these carvings resemble the traditional art of scrimshaw, carvings from whale bone, we’ve not been able to identify another carver who used the Texas Longhorn as his material. “My work is done with an ordinary pocketknife, hacksaw file and rasp,” Super wrote in 1937. He used the horn in every way conceivable; whole, allowing the shape to define the object he was making, flattened to make mosaic or inlay work. He incised and pierced it and carved in the round. His own hands polished the horn to a sheen. Daniel Super, Jr. was born in Houston on August 22, 1873. His father owned stock years, D. Super and Brothers Co., providing the young Super with ready access to his raw material. Throughout his life, he worked in the businesses key to the identity and success of young, booming Houston, cattle, oil, real estate and rail. In 1896 he married Lula, and took over the family business, expanding it to include a grocery. He closed the company in 1912 and got into the oil business...

This beautiful pink minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work,...

This beautiful minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work, mono...

This beautiful minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work, mono...

This beautiful red minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work, ...

This beautiful orange minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural wor...

This beautiful green minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work...

"Light Whispers" Dimensions: 17" x 12" x 5" Medium: Clear Acrylic Resin Edition 182/300 Frederick Hart's "Light Whispers" is the perfect name for this lucite sculpture that studies translucency's impact on the interplay of shadow and light. The nude woman subject is repeated several times, with varying degrees of revelation. In some iterations, she is shrouded in mystery, while other representations show her on full display with remarkable detail. Thanks to his impeccable eye for detail and technical precision, Frederick Hart is considered one of the world's foremost figurative sculptors. His classical techniques make for timeless, traditional works, but the innovative and modern use of lucite as a material help modernize the work. Frederick Hart's "Light Whispers" is signed by the artist and includes a gallery certificate of authenticity. It is from an edition of 300 and the current gallery retail price for the piece is over $16,000. About Frederick Hart As one of America’s greatest representational artists, Frederick Hart left a lasting and unique mark in the world of modern sculpture. Born in Atlanta, Georgia in 1943, he studied at the University of South Carolina and after protesting alongside black students during the Civil rights movement, he moved to Washington D.C. to continue his studies at the Corcoran School of Art. Fascinated with the human figure and the classical approach, he started developing his career in 1966 as a stone carver apprentice at the National Cathedral in Washington D.C. Leaving the Cathedral in 1971, Hart started his own studio practice but had little success in the first years. In 1974, he was awarded the project by the Cathedral to create a contemporary interpretation of The Creation, an event that would change his life. Soon, Hart’s career took a turn for the better, and in the upcoming decades, he rose to national prominence, becoming a government art advisor in 1985 and receiving the prestigious Henry Hering...

TITLE: VR2017_SC07 ARTIST: Daniele Basso YEAR: 2017 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror polished by hands, rusted iron, olive and walnut wood DIMENSIONS: ...

TITLE: Pietrasanta 03 ARTIST: Daniele Basso YEAR: 2016 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, wood and Blue Colour DIMENSIONS: 50 x 50 cm The project "Vertical Reflection", artworks in steel, felt and wood, investigates vertical modernity meeting horizontal tradition, fast-paced fashion versus the paralysis of conventions, the boundary between private and public dimensions, trends and beliefs. “A Vertical Reflection of thoughts and hints that metaphorically mark the stages of man’s journey in search for the meaning of life...

TITLE: VR2018_SC08 ARTIST: Daniele Basso YEAR: 2018 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror polished by hands, rusted iron, olive and walnut wood DIMENSIONS: ...

TITLE: NYC 03 ARTIST: Daniele Basso YEAR: 2016 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, wood DIMENSIONS: 50 x 50 cm The project...

TITLE: Miami 03 ARTIST: Daniele Basso YEAR: 2016 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, wood and Blue Colour DIMENSIONS: 50 x 5...

TITLE: HK 02 - HARLEQUIN ARTIST: Daniele Basso YEAR: 2015 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror and coloured felt DIMENSIONS: 120 x h 40 cm The most excit...

TITLE: HK 05 - OLIVE GREEN & PINK ARTIST: Daniele Basso YEAR: 2015 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror and coloured felt DIMENSIONS: 160 x h 40 cm The m...

TITLE: VR2018_SC05 ARTIST: Daniele Basso YEAR: 2018 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror polished by hands, rusted iron, olive and walnut wood DIMENSIONS: ...

TITLE: NYC 02 ARTIST: Daniele Basso YEAR: 2016 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, wood DIMENSIONS: 50 x 50 cm The project...

TITLE: Miami 01 ARTIST: Daniele Basso YEAR: 2016 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, wood and Blue Colour DIMENSIONS: 50 x 5...

"Transcendent" Dimensions: 19" x 11" x 9" Medium: Clear Acrylic Resin Edition 96/350 Frederick Hart's 1991 “Transcendent” lucite sculpture is imbued with a truly sublime presence. Female and male figures emerging from the Lucite seem to appear and disappear within the work. This ghostly effect is created through Hart’s unique process of embedment, which involves casting one acrylic work within another. It is a technique the artist patented in 1982, marking the end of a decade of constant experimentation and progression and the beginning of a period of precise refinement. Consistent with his unique poetic vision, the inner, emotional, intellectual, and spiritual forces dominate the work. Imbued with a distinct sense of grace, this piece is a testament to Hart’s remarkable technical abilities and devotion to the craft. Frederick Hart's "Transcendent" is signed by the artist and includes a gallery certificate of authenticity. It is from an edition of 350 (+ 60 AP) and the current gallery retail price for the piece is over $40,000. About Frederick Hart As one of America’s greatest representational artists, Frederick Hart left a lasting and unique mark in the world of modern sculpture. Born in Atlanta, Georgia in 1943, he studied at the University of South Carolina and after protesting alongside black students during the Civil rights movement, he moved to Washington D.C. to continue his studies at the Corcoran School of Art. Fascinated with the human figure and the classical approach, he started developing his career in 1966 as a stone carver apprentice at the National Cathedral in Washington D.C. Leaving the Cathedral in 1971, Hart started his own studio practice but had little success in the first years. In 1974, he was awarded the project by the Cathedral to create a contemporary interpretation of The Creation, an event that would change his life. Soon, Hart’s career took a turn for the better, and in the upcoming decades, he rose to national prominence, becoming a government art advisor in 1985 and receiving the prestigious Henry Hering...

In this abstract sculpture by Ruth Vollmer, the fusion between contrasting concepts: mathematical precision and natural "organicism", materials in both raw and manipulated states are evident. Signed by the artist. Ruth Vollmer (1903 - 1982 New York City), was a German artist born in Munich. She was born in 1903 and named Ruth Landshoff. Her father, Ludwig Landshoff, was a musicologist and conductor and her mother, Phillipine Landshoff, was an opera singer. Their family was Jewish. At age 19 she began to work as an artist and took the advice of her father to draw every day. She also had many connections to the teachers and students at the Bauhaus. In 1930 she married a pediatrician named Hermann Vollmer, whom she met in Berlin. Ruth and Hermann move from Germany to New York in 1935. Ruth begins work designing window displays for Bonwit Teller, Tiffany's, Lord & Taylor, and other department stores. Her displays experimented with wire, steel, and copper mesh to create figural forms. In 1943, Vollmer becomes a U.S. citizen. In 1944 she receives a commission from the Museum of Modern Art for its fifteenth anniversary exhibition, "Art in Progress." Vollumer continues to work with wire mesh and shows her work Composition in Space at the Museum of Modern Art's 1948 exhibition "Elements of Stage Design." In 1950, she was commissioned to create a mural for the lobby of 575 Madison, where Vollmer created a large wall relief that used wire rods and wire mesh to play with light, texture, and transparency. Vollumer visits Giacometti for a second time during the summer of 1951. During the 1950s she begins to works with clay as well. Additionally, in 1954 she begins to teach at the Children's Art Center at the Fieldston School in Riverdale and continued to teach until the mid-sixties. In 1960, Vollmer participates in the NYU discussion series "Artists on Art" with her friend Robert Motherwell. 1960 is an important year because she also has her first one-person exhibition at Betty Parson's Section Eleven gallery space. Throughout the 1960s Vollmer works with bronze and as well as showing at Betty Parson's gallery several times. In 1963, she joins the group American Abstract Artists (AAA) and includes her work in their exhibitions from 1963 on. By 1970 Vollmer's art is working with complex geometrical forms and mathematical concepts, particularly spirals and platonic solids. Sol LeWitt wrote a short essay on Vollmer's work for Studio International titled "Ruth Vollmer: Mathematical Forms." Vollmer protests the cancellation of the Hans Haacke at The Solomon R. Guggenheim exhibition by writing a letter to the director, Thomas Messer, in 1971. In 1976, she had a large one-person exhibition at the Neuberger Museum of Art. In 1982, Ruth Vollmer dies after a long battle with Alzheimer's. A majority of her large personal art collection of over one hundred sculptures, paintings, and drawings is donated to MoMA. Her art collection included works by Carl Andre, Mel Bochner, Eva Hesse, Sol LeWitt, Ad Reinhardt, Frank Stella, Agnes Martin, and Vardea Chryssa. Exhibitions 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

Francesco Messina (Linguaglossa 1900 – Milan 1995), Fisherman (1930) Bronze sculpture measuring 131 x 52 x 65 cm, signed and dated 1930 on the base. Francesco Messina’s Fisherman w...

This artwork titled "Dos Mujeres Mayas (Two Mayan Women)") 1983 is an original Mixograph cast paper bas relief by Costa Rican/Mexican artist Francisco...

Provenance Acquired by the gallery directly from the artist Exhibitions Beauty and the Power of Sculpture, American Legacy Fine Arts, Octobe...

A nineteenth-century cast of Antoine-Louis Barye's Le cheval demi-sang arabe (no. A125-Poletti; A148-Pivar), with nice patina. Poletti and Richarme, Barye: Catalogue raisonné des sc...

Adolph T. DIODA (1915-1991) Birth place: Aliquippa, PA Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA Profession: Sculptor, educator Studied: Carnegie Inst Technol; Cleveland School of Art; Barnes Fnd., Art Student League New York, NY; also with John B Flannagan, New York. Exhibited: WMAA, 1939-40; Carnegie Inst., 1941; AIC, 1940, 1951; Sculpture Int., Philadelphia Mus. of Art, 1940-49; AA Pittsburgh, 1941-45; Carved in Stone, Bucholtz Gallery, New York, 1945; PAFA, 1946-47 & 1968 (prize, 1947); Philadelphia A. All., 1951; Carlen Gal., Philadelphia, 1951; 2-man exh. with William Kienbusch...

From a limited edition of 1000. Plate signed on the bottom. Espresso cup and saucer can be displayed as an Anish Kapoor sculpture with the sauce...

Nice 19th-century cast with rich, brown patina by French sculptor Emile-Joseph-Nestor Carlier. Carlier frequently created large, multi-figural group sculptures. These are dramatic an...

Nice, 19th-century gilt bronze cast by Emile Francois Carlier Exhibited: Salon, Société des Artistes Français, Paris, 1865 (another cast) Salon, Société des Artistes Français, Pari...

STEEL ROOM, 1989, steel sculpture, 8 x 8 x 8”, signed and dated. Peter Lodato was born in 1946 in Los Angeles, California, has exhibited extensively and received significant acclai...

Nina Simone- Feeling Good Bronze If you are a fan of Nina Simone, you know how beautifully the piece is executed. "Feeling Good" - Birds flying high, Fish...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Carved stone sculpture with incredible detail. Father and Son was created by an unknown artist in the Late 19th Century. This sculpture boasts incredible craftsmanship and attention to detail carved throughout the stone. The statue comes with a certificate of authenticity and a letter of appraisal. Shown in the American Art Gallery...

A fine patinated bronze of the iconic classic Greek statue of Venus de Milo, incised by artist on base side (possibly 19th century French sculptor Ron Li...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

This 19th century big scale Italian animalier sculpure features a lion striding forward on a root-wood base, snarling with open mouth and expressive eyes enlivening its rippling mane with an extremely realistic sense of motion. The wooden statue, wonderful as a table top, is entirely hand carved in the round in a single block of solid olive wood, sign of high quality and sculptural artisanal mastery. An original whimsical and impressive centerpiece clearly sculpted by a true artist who carved the block of wood creating this figure of the proudest feline boasting a detailed study of the lion's anatomy.The features on the face, mane, muscles, tail and the paws are still distinctive and full of character as well as the beautifully carved stand. This sculpture boasts smooth surface and a warm patina developed over centuries and exudes wonderful quality and timelessness of the ancient world. The rich original patina brings further intrigue to its intricately carved details. This hand carved wooden lion statue is a great looking antique centrepiece...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

"Herself" by Frederick Hart is an acrylic figurative sculpture of a woman's face numbered 176/350. Hart began to equate light and spirit, the medium itself conveying the meaning, bey...