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Carmelo Cappello1978 Italy Abstract Bronze Nickeled Finish Sculpture by Carmelo Cappello1978
1978
About the Item
This is an artwork created by the well known Italian artist Carmelo Cappello. It is a multiple, an Abstract Sculpture one of the identical 99 specimen edited in 1978. This piece is numbered 90/99.
This Carmelo Cappello Abstract Sculpture is a very interesting example of the approach of the artist to the Universe.
The artist has considered the Universe not a perfect circle but an irregular cosmic shape that can be observed from many point of view. And every time the point of view has changed.
The artwork will be delivered with its Certificate of Authenticity numbered and signed by the artist.
This artwork is made in stainless steel and nickeled finish. The base is made in black lacquered wood.
Carmelo Cappello was born in Ragusa, Italy in 1912 and since he was young, he attended artistic studies. In 1941 he became one friends of Giò Ponti and he started to collaborate with him.
He exhibited numerous time at the Venice Biennial and at the Milano Triennial.
- Creator:Carmelo Cappello (1912, Italian)
- Creation Year:1978
- Dimensions:Height: 17.72 in (45 cm)Width: 11.03 in (28 cm)Depth: 3.55 in (9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brescia, IT
- Reference Number:1stDibs: LU99733312613
Carmelo Cappello
Carmelo Cappello was born in Ragusa, Italy in 1912, he grew close to the Italian sculptor Ettore Colla and in the 1931 he went to Milano. Since his younger, he attended artistic studies. First he attended the Marino Marini courses at the School of Arts in Monza, Italy. In 1941 he became one friends of Giò Ponti and he started to collaborate with him. He exhibited numerous time in important exhibitions like, the Venice Biennial of Art and at the Milano Triennial of Art and also to the Quadriennial Exhibition of Art in Rome. The artist considered the Universe a not perfect circle but an irregular cosmic shape that can be observed from many points of view and every time the point of view was different. One of the basis of his structures is the curve, sometime used close to the circle and sometimes inserted into the ellipses. This vision are relevant to understand the continuous research of the artist of the equilibrium between the relations of the two-dimensional sides of the sculpture that represent the cosmos.
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