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Edmond VernassaSpace concept, '90s - plexiglass, 14x16x14 cm.
About the Item
Little sculpture by the south france sculptor Edmond Vernassa. Signed.
Né à Nice, le 3 septembre 1926, Vernassa dessine et sculpte dès son plus jeune âge.
Il obtient un CAP d’électricien et travaille dès 14 ans avec son père.
Il suit les cours des Arts Décoratifs, après les journées passées sur les chantiers. Il y obtient le Grand Prix du Ministre en dessin, une première pour un élève des cours du soir. Il copie des peintures, redessine bas-reliefs et sculptures. Mines, fusains ou pastels sont ses outils. En 1950, il reprend un atelier de plasturgie et va découvrir ce matériau nouveau qu’est le Plexiglas.
Les années 60 sont marquées par la peinture et l’influence de ses amis peintres Dematteis et Angeletti (il participe à plusieurs mouvements dont les Arts Plastiques Méditerranéens). Peinture figurative puis graphismes évoluant vers le psychédélique et l’abstrait. C’est aussi le début de sa fascination pour le mouvement perpétuel. Il traduit celui-ci par des jeux de lumière qui aboutiront à la réalisation d’appareils cinéoptiques, de spirales et d’objets cinétiques se mouvant dans l’espace. Il est primé à la biennale Internationale de Menton.
Durant les années 70, dans la continuité de son étude du mouvement perpétuel, il va créer les mobiles « fleurs », - Moebius, Rond/Carré, Moulins à couleur (passage continu d’une forme à une autre qu’il avait déjà traité en cinéoptique). Les spirales à plat (dessins et collages) voient le jour quand un problème de santé le cloue au lit pendant plusieurs mois.
Dans le même temps il s’intéresse à la déformation des matériaux et les contraint afin de figer une étape de la déformation, bidon implosé, toiles étirées, plexiglas déformé, pincé.
Les années 80 et 90 l’amènent à franchir une étape supplémentaire, passant de la déformation, à la rupture des matériaux, les brisant, les déchirant, les imbriquant. Dans le même temps il reprend la peinture et commence la période des froissures soumettant toiles et papier à la déformation.
Les années 2000 le feront reprendre les hélicoïdales en plexiglas, mobiles ou stabiles, réaliser des graphismes colorés et rapporter des matériaux sur fond de froissures. Sa production est limitée car il a vendu son atelier de plasturgie et ne dispose plus des machines et d’autant d’espace qu’auparavant. Il va, au cours de cette période, s’intéresser aux reflets déformés d’objets sur des surfaces en plexiglas ou des miroirs en jouant sur des effets d’éclairage.
- Creator:Edmond Vernassa (1926 - 2010)
- Dimensions:Height: 5.52 in (14 cm)Width: 6.3 in (16 cm)Depth: 5.52 in (14 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Nice, FR
- Reference Number:1stDibs: LU52833668551
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