ABS Abstract Sculptures

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Tumbling Blocks...

Visage au nez noir January 9th, 1969 Ed. 176/200 pcs White earthenware clay, decoration in engobes engraved by knife under partial brushed glaze, grey patina Stamped and inscribed un...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Granny's Curse Jar Materials : Stoneware, Underglaze, Glaze Date : 2015 Dimensions : 4" x 3.5" x 3.5" Description : Ceramic jar with vintage textile prints and vignette phrases Rachel Hubbard Kline's work explores the wistfulness of personal connections to historical domestic objects and material culture. Kline seeks symbiosis in the relationship of surfaces to forms and addresses the hierarchy of importance between the form itself and the image or decoration. Objects both functional and decorative, factor into the banality and routineness of daily life. As the current political and social climate continues to shift, She seeks to compare past and present means of the production of goods and labor. Surface design inspired by vintage textile prints from family quilts and other historical motifs appear in Kline's work. The vessel acts as a stand in for the body and a metaphor for preservation. Kline's series of jars and jugs are intended to preserve memories of family members and places by using specific colors, patterns and objects she remembers from childhood to the present. Rachel Hubbard Kline is an art educator and artist in her hometown Kansas City, MO. With a background in fashion and art history, she explores relationships of fine art and craft in the disciplines of drawing, painting, ceramics, and fiber. Hubbard draws on her Midwestern roots and ties to rural farm life to reflect on past ways of life based on collections and artifacts. Hubbard Kline has been the recipient of educator residencies at the Kansas City Art Institute, a participant in the Connecting Collections teacher institute in New York, and Educator Conferences and AP Teacher Training at the Savannah College of Art and Design. She earned a Master of Arts in Teaching from Park University in 2010, a Bachelor of Arts from the University of Connecticut in 2007, and attended Parsons School of Design. She is currently pursuing her Master of Fine Arts in Studio Art at the Maryland Institute College of Art. Contemporary Ceramics, Functiona lCeramics, Pattern, Stoneware, Underglaze, Glaze, Decals, Luster, Craft, Fine Art, Contemporary Craft, Contemporary Fine Art, Beatrice Wood, Nampeyo, Karen Karnes, Tammy Garcia, Melanie Sherman, Mary Rose Young...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Eroded Tumbling Blocks...

Artist : Stephanie Lanter Title : "Attached" Materials : Porcelain, glaze, stoneware, wire, thread Date : 2020 Dimensions : 20" x 9" x 8.5" Description : Manually slip-trailed sculpture...

Artist : Stephanie Lanter Title : "Ampersand" Materials : Porcelain, glaze, stoneware Date : 2020 Dimensions : 15" x 9.5" x 6" Description : Manually ...

The sunflower and the bouquet is an idea that has been floating around in the artist's head for years. It starts with the notion of the still life, the most basic subject when approaching visual art. It's the attempt to look at that which is full of life, yet by acknowledging its existence, one understands that beauty is temporary and will fade. This series starts with the flower, the symbol of fleeing beauty. By taking this character and turning it into a cast object, the artist has turned it into an icon, further removed from reality by bleeding it of color. The sunflowers then become beautiful shadows their former selves, as dying coral becomes enticing when it bleaches. They are elegant reminders of their past, whilst also becoming new figures that reference archaic notes of classical beauty expressed monochromatic hues. STATEMENT In the end, gravity always wins. It is the blunt, immutable force that has a constant effect, keeping us on the ground and ultimately pulling us into it. Sculpture by its very nature is in conversation with this pull, at times enjoying and acknowledging it, and at times trying to hide and defy it. My work recognizes the force of gravity, sometimes tacitly and sometimes overtly. It is a practice of mixing the delicate with the ordinary. I have been mining the contrasts of sculpture, relishing the materiality while also attempting to address the ephemeral. Because sculpture is so heavily rooted in the ground, one has to accept its materiality. Yet, some of the most effective work I have witnessed is that which attempts transcendence. It is that steady push and pull between mass and lightness, solidity and absence, form and void. Additionally, I am drawn towards familiar objects and associations that are embedded within them. Current work makes reference to visual anchors such as bodily forms, sagging, or bloating. Whether the product is a still life created in Scotch tape or a bouquet composed of plaster flowers, I look to the fantastic as a goal in my work. The work is intensely representational in content but without clearly assigned meaning, thus creating a disquiet. In this way I think in a surrealist vein, looking to traditional figures like Eva Hesse and Piero Manzoni, and contemporary figures like Robert Gober and Matthew Barney. The juxtaposition of the seemingly simple streamline objects with this disquiet adds a powerful force to the work, again symbolic of the contrast between the emotional life which defines us as humans and the compulsions and minutia that compose our daily lives. Joe Davidson

PABLO PICASSO (1881-1973) Profil de Jacqueline (A. R. 309) Terre de faïence dish, 1956, from the edition of 100, with the workshop numbering, with the Edition Picasso, Empreinte O...

Visage, Pablo Picasso, Face, 1950's, Ceramic, Madoura, Sculpture, Earthenware Ed. 500 pcs White earthenware clay, decoration in engobes under glaze Inscribed on the reverse: Edition...

Cone 04 earthenware sculpture with textured glazed and slips. Signed, titled, and dated in black ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Shelley Heffler was born and raised in the Bronx. She attended the Fashion Institute of Technology in New York where she studied interior design, followed by a Bachelor’s Degree in Art. She graduated from Cal State Northridge with a Master’s degree in fine art followed by a teaching credential. She traveled extensively throughout Europe and Asia photographing...

Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals ...