ABS Abstract Sculptures

This abstraction of the ethereal beauty of open flame is painted with a special automotive paint that shifts color from magenta to jade green or both depending on point of view and a...

"Book Seed" is a contemporary modern abstract wall sculpture by UK artist Mari-Ruth Oda. Made from Bath Stone Jesmonite, a fine art composite material based on acrylic resin, fibergl...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals,...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

"Here" is a contemporary modern abstract wall sculpture by UK artist Mari-Ruth Oda. Made from Bath Stone Jesmonite, a fine art composite material based on acrylic resin, fiberglass a...

Created in 1953, this Madoura big turned vase of white earthenware clay with decoration in engobes and paraffin (red, black), knife engraved is numbered from the edition of 75. This Picasso ceramic vase is stamped with the 'MADOURA PLEIN FEU' and 'EMPREINTE ORIGINALE DE PICASSO' pottery stamps on the bottom. A spectacular work to witness in person, Pablo Picasso Gros oiseau Picasso...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Growing up on the Ottawa River, Shayne Dark has long been inspired by the natural world that surrounded him—its myriad of shapes, patterns, forms and colours. In this new intriguing ...

The sunflower and the bouquet is an idea that has been floating around in the artist's head for years. It starts with the notion of the still life, the most basic subject when approaching visual art. It's the attempt to look at that which is full of life, yet by acknowledging its existence, one understands that beauty is temporary and will fade. This series starts with the flower, the symbol of fleeing beauty. By taking this character and turning it into a cast object, the artist has turned it into an icon, further removed from reality by bleeding it of color. The sunflowers then become beautiful shadows their former selves, as dying coral becomes enticing when it bleaches. They are elegant reminders of their past, whilst also becoming new figures that reference archaic notes of classical beauty expressed monochromatic hues. STATEMENT In the end, gravity always wins. It is the blunt, immutable force that has a constant effect, keeping us on the ground and ultimately pulling us into it. Sculpture by its very nature is in conversation with this pull, at times enjoying and acknowledging it, and at times trying to hide and defy it. My work recognizes the force of gravity, sometimes tacitly and sometimes overtly. It is a practice of mixing the delicate with the ordinary. I have been mining the contrasts of sculpture, relishing the materiality while also attempting to address the ephemeral. Because sculpture is so heavily rooted in the ground, one has to accept its materiality. Yet, some of the most effective work I have witnessed is that which attempts transcendence. It is that steady push and pull between mass and lightness, solidity and absence, form and void. Additionally, I am drawn towards familiar objects and associations that are embedded within them. Current work makes reference to visual anchors such as bodily forms, sagging, or bloating. Whether the product is a still life created in Scotch tape or a bouquet composed of plaster flowers, I look to the fantastic as a goal in my work. The work is intensely representational in content but without clearly assigned meaning, thus creating a disquiet. In this way I think in a surrealist vein, looking to traditional figures like Eva Hesse and Piero Manzoni, and contemporary figures like Robert Gober and Matthew Barney. The juxtaposition of the seemingly simple streamline objects with this disquiet adds a powerful force to the work, again symbolic of the contrast between the emotional life which defines us as humans and the compulsions and minutia that compose our daily lives. Joe Davidson

Shelley Heffler was born and raised in the Bronx. She attended the Fashion Institute of Technology in New York where she studied interior design, followed by a Bachelor’s Degree in Art. She graduated from Cal State Northridge with a Master’s degree in fine art followed by a teaching credential. She traveled extensively throughout Europe and Asia photographing...

This small sculpture is made of 5 individual pieces that stack together to create a standing sculpture. Each piece is made of cut and buffed plexiglass. Colombian-born, Atlanta-bas...