Digital Abstract Sculptures

Title: Lantern Column I Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 41 3/4" inches Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

This laser cut acrylic series of Scribble Sculptures is inspired by the gestures and quick mark making found in abstract expressionist painting and drawing, and the whimsical, bold color and shape found in classic cartoon. Ryan Coleman...

"Obsidian Geode" is an original work from Paige Smith's ongoing series of geode sculptures. The piece is solid resin cast by the artist and painted. This work measures 8in x 7in x ...

Resin cast geodes and cracked slate in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplinary artist and designer who lives and works in Los Angeles, CA. Smith is most notable for creating “Urban Geode,” a street art series of sculptures that resemble geodes, made entirely of paper and resin casts. Always interested in geology, Smith started to notice the nooks and crannies in the sides of buildings, walls, and abandoned phone booths within her community of the Historical Arts District (in Los Angeles). Seeing this as an opportunity to create, Smith took street-art to a whole new level. Since beginning the project, she has created large-scale installations for well-known brands such as The Standard, Hollywood; The Viper Room...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box with Britto studio certificate of authenticity. Artw...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

This laser cut acrylic series of Scribble Sculptures is inspired by the gestures and quick mark making found in abstract expressionist painting and drawing, and the whimsical, bold color and shape found in classic cartoon. Ryan Coleman...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

This abstract sculpture shows a spirited and organic form. These qualities are emphasized by the brilliant yellow color that adorns 80% of the work and by the technical expertise of ...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Artist Commentary: This diptych started several years ago during a public art performance called Nike's Advice. I painted 130 feet of unprimed canvas with the public. It was scary! I don't consider myself a painter. I was having to accept Nike's Advice myself ... as in "Just Do It". Later, I used my sewing machine to stitch decorative lines. Gold-leaf was added before the surface was coated in UV filtering epoxy. The works are mounted with copper roofing nails to a stretcher bar with gold painted sides. Keywords: painted textile, abstract, mixed media Artist Biography: Susan Lenz...