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Medium: Fabric
Sinuosity in mid blue (wall sculpture minimalist classic blue curvy art pedestal
Located in Quebec, Quebec
Sinuosity sculpture. Wall mount or pedestal mount. Mid Blue metallic finish. 21"x18"x7"
keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common material...
Category
2010s Minimalist Fabric Abstract Sculptures
Materials
Concrete
Susan Hensel_Skewed Geometry 2_digital embroidery_12x12in_
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Fabric Abstract Sculptures
Materials
Fabric, Thread
Drifter
By Rachel Denny
Located in Bozeman, MT
'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...
Category
2010s Contemporary Fabric Abstract Sculptures
Materials
Metal
King of the Hill
By Rachel Denny
Located in Bozeman, MT
'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...
Category
2010s Contemporary Fabric Abstract Sculptures
Materials
Metal
Sinuosity in chiffon (wall sculpture minimalist monochrome curvy white textile)
Located in Quebec, Quebec
keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...
Category
2010s Minimalist Fabric Abstract Sculptures
Materials
Concrete
"Wild in the Woods" abstract horse, mixed media textile sculpture
Located in Wilton, CT
"Wild in the Woods" fiber, wood, mixed media, 40 x 11 x 16, 1997.
This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing te...
Category
1990s Contemporary Fabric Abstract Sculptures
Materials
Textile, Thread, Mixed Media, Wood
Scandinavian Abstract Wool Tapestry Rug Gun Gordillo Neon Electric Blue Color
Located in Surfside, FL
Gun Gordillo (Swedish, 1945-)
Ege Axminster, Denmark. Danish Tapestry Rug Art-Line
55" X 79"
"Blue Hour" Tapis rectangulaire en laine tuftée, fond bleu marine sur lequel se détache un néon bleu turquoise. Etiquette de l'éditeur Ege Axminster (Danemark) titrée au revers. vintage 1980's.
This had a velcro strip to be used as a wall hanging. It can also be laid on the floor. This is a tufted pile wool tapestry not a flat weave like an Aubusson. Perfect for a Memphis Milano 80's interior.
Gun Gordillo was born in Lund, Sweden. Contemporary Scandinavian Artist. Her fluency with the material, which comes so natural to Gun Gordillo, makes her works unusually suited to function in many different context in a public milieu. Dolerite, lead, copper, and zinc plate in combination with contemporary fragile art materials such as glass, plexiglass and, above all, neon light makes her works stand out among those which have been created with light as the basic architecture of their artistic expression. There is a decidedly personal angle to her way of dealing with neon light which gives it a poetic dimension in marked contrast to the harsh stridency of advertising signs.
Gordillo's work has been shown at several major solo exhibitions, most recently in 2015 at the famous French galerie denise rené, Paris. She has worked with the legendary gallerist Denise Rene for more then 30 years. She has also participated many group exhibitions including "The spirit of white" at Galerie Beyeler, Basel in 2004 and most recently "Néon, who's afraid of red, yellow and blue?" at la Maison Rouge, Paris in 2012. She has also been invited to create several major installations at world famous companies and public sites in cities like Basel, Paris, Copenhagen and Stockholm.
Gordillo today lives and work in Copenhagen, Denmark after spending many years living and working in Paris, France.
Her work straddles the lines of design and sculpture with her Neon and Fluorescent Light installations reminiscent of the California Light & Space artists such as Larry Bell, Robert Irwin, Bruce Nauman, James Turrell as well as Dan Flavin.
Tapisserie d' Artiste.
select group exhibitions
2021
galerie denise rené, paris, "Retour à la ligne" Artists included: Carlos Cruz-Diez, Geneviève Claisse, Gun Gordillo, Jesus-Rafael Soto, Julio Le Parc & others.
galerie denise rené, Espace Marais Paris, "Esprit des couleurs" Artists included: Aurélie Nemours, Carlos Medina,
Christian Megert, Darío Pérez-Flores, Francis Celentano, Gun Gordillo, Hans Kooi, Hugo Demarco, Tony Bechara
galerie denise rené, paris, "Small is beautiful" Artists included: Gun Gordillo, Heinz Mack, Henryk Stazewski, Jesus-Rafael Soto, Josef Albers, Sonia Delaunay, Victor Vasarely, Yaacov Agam.
galerie denise rené, paris, "Let there be light" Artists included: Angel Duarte...
Category
1980s Contemporary Fabric Abstract Sculptures
Materials
Wool
Susan Hensel_Skewed Geometry 7_digital embroidery_11.5 x 11.5 inches
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Fabric Abstract Sculptures
Materials
Fabric, Thread
Untitled (0399), colorful, abstract collage
Located in New York, NY
Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt sources and arranges her fabric...
Category
2010s Abstract Fabric Abstract Sculptures
Materials
Fabric, Acrylic
Susan Hensel_Skewed Geometry 8_digital embroidery_11.5 x 11.5 inches
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Fabric Abstract Sculptures
Materials
Fabric, Thread
Susan Hensel_Hard Geometry 3_embroidery on fabric mounted on painted Arches
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Fabric Abstract Sculptures
Materials
Fabric, Acrylic, Archival Paper
Patricia Miranda, Lamentations for Ermenegilda; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Fabric Abstract Sculptures
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Fabric Abstract Sculptures
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
"Grey Streak Transparency", Waxed Linen Sculpture with Mixed Media, Copper, Iron
By Mary Giles
Located in St. Louis, MO
Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After receiving her degree she began exploring various textile processes. She ho...
Category
2010s Contemporary Fabric Abstract Sculptures
Materials
Copper
Tantra in Blue #11: minimalist abstract sculpture / painting w/ madala circles
By Antonio Puri
Located in Bryn Mawr, PA
Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhe...
Category
2010s Abstract Fabric Abstract Sculptures
Materials
Canvas, Mixed Media, Acrylic
"The Moon" (2021) By Jan R Carson, Stitched Silk Sculpture on Light Box
Located in Denver, CO
"The Moon" (2021) by Jan R Carson is an original abstract sculpture that measures 40 x 56 inches with a depth of 3 inches. This piece was created with silk, stitched together and str...
Category
2010s Fabric Abstract Sculptures
Materials
Silk, Lights
Susan Hensel_Skewed Geometry 6_digital embroidery_12x12in_
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Fabric Abstract Sculptures
Materials
Fabric, Thread
Susan Hensel_Skewed Geometry 1_digital embroidery_12x12in_
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Fabric Abstract Sculptures
Materials
Fabric, Thread
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Fabric Abstract Sculptures
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Yvette Cohen, Ara Pacis - Zen Corner, 2009, Minimalist sculpture
By Yvette Cohen
Located in Darien, CT
My work bridges the divide between
sculpture and painting and drawing.
Paintings are geometric masses
of color in oil paint and wood dowels,
on shaped canvas. Often grouped in
d...
Category
2010s Minimalist Fabric Abstract Sculptures
Materials
Acrylic, Canvas, Wood
Yvette Cohen, PerAsperaAdAstra.ThroughHardshipToTheStars_Diptych_2011_Minimalist
By Yvette Cohen
Located in Darien, CT
Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...
Category
2010s Minimalist Fabric Abstract Sculptures
Materials
Canvas, Wood, Oil
Lime Glow, Jo Barker, Colorful Contemporary Woven Textile
By Jo Barker
Located in Wilton, CT
Lime Glow, Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 29" x 30.75" x 1.5", 2010
This colorful contemporary abstract textile is by British...
Category
2010s Abstract Fabric Abstract Sculptures
Materials
Fabric, Textile, Tapestry, Wool, Cotton, Linen, Silk, Thread
Patricia Miranda, Sentinella, 2020, Battinger lace, synthetic dyes, cast plaster
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Fabric Abstract Sculptures
Materials
Fabric, Dye, Plastic
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Fabric Abstract Sculptures
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Tantra 48: minimalist abstract spiritual mandala sculpture painting, red circles
By Antonio Puri
Located in Bryn Mawr, PA
Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...
Category
2010s Abstract Fabric Abstract Sculptures
Materials
Canvas, Mixed Media, Acrylic
Tantra in Blue #12: minimalist abstract sculpture / painting w/ madala circles
By Antonio Puri
Located in Bryn Mawr, PA
Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhe...
Category
2010s Abstract Fabric Abstract Sculptures
Materials
Canvas, Mixed Media, Acrylic
Lacescape V - Contemporary Wall Hung Sculpture w/ Amazing Texture (Green + Pink)
Located in Gilroy, CA
"Lacescape V" is an original wall-hanging sculpture by Spanish artist Elisa Ortega Montilla. This contemporary piece is made with an expert assemblage of sculpted plywood and reclaim...
Category
2010s Contemporary Fabric Abstract Sculptures
Materials
Textile, Wood
Andra Samelson, Microcosm 3, 2016, Canvas, Found Objects, Acrylic Paint
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Fabric Abstract Sculptures
Materials
Canvas, Found Objects, Acrylic
MIRROR - Contemporary - Geometric Abstract w/ Repurposed Construction Material
Located in Signal Mountain, TN
"Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam.
Review from "The Rib" about "Mirror"
One of the more surprising works here is Nashville-based Brian Jobe...
Category
2010s Contemporary Fabric Abstract Sculptures
Materials
Concrete
The Young Prince
By Rachel Denny
Located in Bozeman, MT
'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...
Category
2010s Contemporary Fabric Abstract Sculptures
Materials
Metal
Garden Variety
Located in New York, NY
Recycled textiles, thread, batting, glazed ceramic, metal table, spray paint
34 x 22 x 18 inches
Artist Statement
I hand-sew compound sculptural forms that are constructed from clot...
Category
2010s Contemporary Fabric Abstract Sculptures
Materials
Ceramic, Textile, Thread, Found Objects, Spray Paint
Yvette Cohen, 3+2, Triptych_2011_oil, shaped canvas, wood dowel, Minimalist
By Yvette Cohen
Located in Darien, CT
Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...
Category
2010s Minimalist Fabric Abstract Sculptures
Materials
Canvas, Wood, Oil
Wall Sculpture: 'Sentinel #5'
By Megan Klim
Located in New York, NY
Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...
Category
2010s Contemporary Fabric Abstract Sculptures
Materials
Wire
Levan Mindiashvili, 'Archeology Of The Failed Attempt', 2018, Fabric, Plaster
Located in Darien, CT
Levan Mindiashvili, in his second major exhibition, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity politics f...
Category
2010s Assemblage Fabric Abstract Sculptures
Materials
Fabric, Polyester, Plaster, Neon Light, Archival Pigment
Patricia Miranda, Seeing Red Lace, 2020, egg tempera on panel
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Fabric Abstract Sculptures
Materials
Fabric, Plastic, Dye
Portrait of Nut / Goddess No. 3
Located in New York, NY
Hand-machine knitted thread, fluid acrylic on dyed fabric
Statement
My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category
2010s Abstract Fabric Abstract Sculptures
Materials
Fabric, Thread, Dye
UNTITLED SCULPTURAL PAINTING -Abstract Oil & Acrylic on Linen, Pink, Orange, Tan
Located in Signal Mountain, TN
Linda King Ferguson describes her "Equivalence Series" as social bodies; a re-thinking of Modernist figurative abstraction. They are a discursive formal and reductive language. As fi...
Category
2010s Abstract Geometric Fabric Abstract Sculptures
Materials
Linen, Acrylic
Lacescape II - Contemporary Wood and Lace Wall Sculpture (Purple + Red + Orange)
Located in Gilroy, CA
"Lacescape II" is an original wall-hanging sculpture by Spanish artist Elisa Ortega Montilla. This contemporary piece is made with an expert assemblage of sculpted plywood and reclai...
Category
2010s Contemporary Fabric Abstract Sculptures
Materials
Textile, Wood
Andra Samelson, Microcosm 2, 2016, Canvas, Wood, Found Objects, Acrylic Paint
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Fabric Abstract Sculptures
Materials
Canvas, Wood, Found Objects, Acrylic
Multi-National LLC’s
Located in Palm Desert, CA
LLC and mining operation being bought up at an alarming rate by international consortiums.
The Rare Earth artworks grew out of my investigative research in 2009 while working on a Smithsonian Artist Research Fellowship (SARF) application. That resulted in a body of work titled “Imagos”– photo/journalism images that capture a moment in history and immediately place the viewer at that moment in time.
While navigating Landsat records of Earth's land surfaces from space I discovered large areas of disturbed landscapes. These were immense open pit mines at numerous locations world wide, many of which were Rare Earth mines or REEs. The mining and processing to separate the rare earth elements is an environmental conundrum. On one hand these elements are in extremely high demand and necessary for electric vehicles...
Category
21st Century and Contemporary Fabric Abstract Sculptures
Materials
Gold Leaf
"Mercy Seat" Abstract, Decorative Chair
Located in Philadelphia, PA
This piece titled "Mercy Seat" is an original artwork by Jason Andrew Turner made of acrylic on MDF, plywood, acid-dyed linen, foam, and batting. Cut and se...
Category
21st Century and Contemporary Contemporary Fabric Abstract Sculptures
Materials
Fabric, Foam, Wood, Acrylic
Yvette Cohen, Thin Air 2 & 3, 2011, oil, shaped canvas, wood dowel, Minimalist
By Yvette Cohen
Located in Darien, CT
Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...
Category
2010s Minimalist Fabric Abstract Sculptures
Materials
Canvas, Wood, Oil
Color Theory 2022 Contemporary collage
Located in Palm Desert, CA
Style: Contemporary, Modern, Conceptual
The artwork is an assembly of art fundamental theories in juxtaposition with patterns, shapes and archival digital prints illustrating phenome...
Category
21st Century and Contemporary Conceptual Fabric Abstract Sculptures
Materials
Fabric, Plywood, Paint, Paper, Digital
Ragisména series White M2, Abstract Sculpture
Located in Miami Beach, FL
Ragisména series White M2, 2024 by Rodrigo Zampol
From Ragisména Series
Plaster on canvas
Dimensions: 30 cm H x 20 cm W
Weight: 3 kg
Unique piece
Signed on the back
The piece has a...
Category
2010s Abstract Fabric Abstract Sculptures
Materials
Canvas, Plaster
Pinnacle Expectations
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category
2010s Abstract Fabric Abstract Sculptures
Materials
Canvas, Resin, Vinyl
Sinuosity mini in Copper (pop slick metallic smooth small sculpture abstract)
Located in Quebec, Quebec
Mini. Copper Metallic
keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, an...
Category
2010s Pop Art Fabric Abstract Sculptures
Materials
Concrete
ImPossible
Located in New York, NY
Found objects, repurposed textiles
Statement
In work that integrates the theories and methodologies of both fine art and craft, I transform domestic cast-offs, such as old furnitu...
Category
2010s Abstract Fabric Abstract Sculptures
Materials
Textile, Found Objects
Saba's Garden, Mid-Century Modern Woven Textile Sculpture
Located in Wilton, CT
Saba's Garden, linen, sisal and wool, 84" x 92", 1978. This mid-century modern woven textile wall sculpture was done by fiber artist, Agnieszka Ruszczynska-Szafranska (b. 1929, Warsa...
Category
Mid-20th Century Modern Fabric Abstract Sculptures
Materials
Fabric, Textile, Wool, Linen, Thread
Silver wall sculpture
Located in Palm Desert, CA
Silver From the series, Elements, this sculpture references the Bolivian mines that produce much of the worlds silver production ARTIST'S STATEMENT Michael Davis My sculptures and...
Category
21st Century and Contemporary Abstract Fabric Abstract Sculptures
Materials
Metal, Silver
Ceramic and textile sculpture: 'No. 5'
By Ak Jansen
Located in New York, NY
This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...
Category
2010s Contemporary Fabric Abstract Sculptures
Materials
Gold
Esmeralda Mine, (Rare Earth), NV
Located in Palm Desert, CA
I began to incorporate these Landsat images into a new body of work titled "Rare Earth." Each Rare Earth artwork includes an archival image of a specific mine rendered in classic 3D (anaglyph) off-registration referencing mid-century exuberant optimism, geopolitical history, cultural signifiers, symbolic design patterns and phenomena
The formal and elegant composition belies the actual relationship of the cause and effect of rare earth mining.
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The Rare Earth artworks grew out of my investigative research in 2009 while working on a Smithsonian Artist Research Fellowship (SARF) application. That resulted in a body of work titled “Imagos”– photo/journalism images that capture a moment in history and immediately place the viewer at that moment in time.
While navigating Landsat records of Earth's land surfaces from space I discovered large areas of disturbed landscapes. These were immense open pit mines at numerous locations world wide, many of which were Rare Earth mines or REEs. The mining and processing to separate the rare earth elements is an environmental conundrum. On one hand these elements are in extremely high demand and necessary for electric vehicles...
Category
21st Century and Contemporary Fabric Abstract Sculptures
Materials
Gold Leaf
Who Wore It Best
Located in Palm Desert, CA
The Rare Earth artworks grew out of my investigative research in 2009 while working on a Smithsonian Artist Research Fellowship (SARF) application. That resulted in a body of work titled “Imagos”– photo/journalism images that capture a moment in history and immediately place the viewer at that moment in time.
While navigating Landsat records of Earth's land surfaces from space I discovered large areas of disturbed landscapes. These were immense open pit mines at numerous locations world wide, many of which were Rare Earth mines or REEs. The mining and processing to separate the rare earth elements is an environmental conundrum. On one hand these elements are in extremely high demand and necessary for electric vehicles...
Category
21st Century and Contemporary Fabric Abstract Sculptures
Materials
Metal
Ryan Mine, (Rare Earth) Death Valley
Located in Palm Desert, CA
The mining and processing to separate the rare earth elements is an environmental conundrum. On one hand these elements are in extremely high demand and necessary for electric vehicles...
Category
21st Century and Contemporary Fabric Abstract Sculptures
Materials
Gold Leaf
"What is it About Old Men and Flowers?" (quoted from artist Richard Turner)
Located in Palm Desert, CA
Quote from RT on style subject matter.
From the model image the actual artwork evolves in the studio. What was once a model
is now a reference. The act of making, testing material compatibility, critical evaluation,
chance, gesture and the Illuminating accident often shift the final concept. Ine artwork
has a lite of its own.
The Rare Earth artworks grew out of my investigative research in 2009 while working on a Smithsonian Artist Research Fellowship (SARF) application. That resulted in a body of work titled “Imagos”– photo/journalism images that capture a moment in history and immediately place the viewer at that moment in time.
While navigating Landsat records of Earth's land surfaces from space I discovered large areas of disturbed landscapes. These were immense open pit mines at numerous locations world wide, many of which were Rare Earth mines or REEs. The mining and processing to separate the rare earth elements is an environmental conundrum. On one hand these elements are in extremely high demand and necessary for electric vehicles...
Category
21st Century and Contemporary Fabric Abstract Sculptures
Materials
Metal
Feather - Carved Slate, Felt
Located in Hudson, NY
The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...
Category
2010s Contemporary Fabric Abstract Sculptures
Materials
Slate
Forces of Nature 20 - Rich Textured Abstract Minimalist Beige Canvas Painting
By Len Klikunas
Located in Los Angeles, CA
Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...
Category
21st Century and Contemporary Minimalist Fabric Abstract Sculptures
Materials
Gesso, Canvas, Mixed Media
Sinuosity in gold fish orange (table sculpture minimalist monochrome curvy art
Located in Quebec, Quebec
Pedestal mount. No wall mount available. Goldfish orange metallic finish. 24"x19"x11".
keywords; sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials...
Category
2010s Minimalist Fabric Abstract Sculptures
Materials
Concrete
Confused feelings. "Emotional states" series
Located in Zofingen, AG
This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...
Category
2010s Fabric Abstract Sculptures
Materials
Textile, Wood, Acrylic
Fabric abstract sculptures for sale on 1stDibs.
Find a wide variety of authentic Fabric abstract sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, pink, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Ak Jansen, Elisia Nghidishange, Rachel Denny, and Judy Rushin-Knopf. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Fabric abstract sculptures, so small editions measuring 1 inches across are also available