Figurative Sculptures

Astian Rey "SHARK PEOPLE"

A rare ceramic work, Pablo Picasso ceramic Large Corrida Bird, 1953 captures the entirety of a bullfight- or corrida - as you travel around the vase. Starting in the front, below the...

"TERAPHIM" Salvador Aulestia's Teraphim exhibition and simultaneous video presentation of the Teraphim exhibition held in front of Leonardo da Vinci's "Last Supper" on Corso Magenta...

Bronze sculpture of a wild mustang horse created by American artist Arnold Goldstein. This artwork has the signature and numbering inscribed. Numbered...

Grisha Bruskin Adam Kadmon (dedicated to art historian and collector Jacob Baal Teshuva), 1992 Steel (Signed, Dated & Dedicated) 6 × 6 × 3 inches Edition AP Hand-signed by artist, In...

A remarkable and unique format bronze of unique cast that could be great for a mantle or console table. In Robert Cook's book entitled “Waxing and Waning” he discusses three castings...

Modern abstract brutalist metal sculpture by Houston artist Bob Fowler. The work features a skeletal figure welded in a box or locker. Firmly attached to a white and natural wood bas...

Richard ORLINSKI Panda Spirit (Orange Edition) Sculpture in resin Metallic silver About 13 x 11 x 9 cm (c. 5 x 4 x 3.5 in) Presented in original box with certificate Excellent cond...

Combining found elements with those fashioned by my own hand, my work encompasses two- and three-dimensional collage as well as sculptural objects. Infused with a rich sense of histo...

Standing figure of Julius Caesar wearing a Tunic and holding a billowing drapery with a composition marble square-section pedestal. . The other figure is of Hannibal. Provenance fro...

This 18 x 9 x 4 inch carved wood sculpture is unsigned and comes directly from the artist's family. Louis 'Lou' Bunin (28 March 1904 – 17 February 1994) was an American puppeteer, artist, and pioneer of stop-motion animation in the latter half of the twentieth century. While working as a mural artist under Diego Rivera in Mexico City in 1926, Bunin created political puppet shows using marionettes...

Richard ORLINSKI Pac Man (Yellow edition) Sculpture in resin Metallic Yellow About 18 cm (c. 7 in) Presented in original box Excellent condition

Although this whimsical sculpture by Allan Winkler has the look of outsider art, this ceramic work stems from the art school-trained artist’s interest in...

A ceramic work by Pablo Picasso. “La Danse” is a modern figurative ceramic, white eathenware ceramic plate, partially engraved, with colored engobe and glaze ...

Portrait of Giosuè Carducci is an original modern artwork realized by Libero Andreotti in the first half of 20th century. Relief on copper plate. Includes frame. Signature on the ...

Hebru Brantley GAIA (Hebru Brantley Lil Mama as Gaia): Hebru Brantley’s ethereal art toy features his much iconic, Lil Mama character as Gaia, the...

Salvador Dali (1904-1989) and Daum Rhinoceros (Chippendale Rhinocerotype) Original two-tone yellow and opalescent brown pate de verre Edited and handcrafted by the Daum crystal glas...

The weight of your head…", 2019 by Alex Hodge From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing 4 in. x 3 in. W x 3 in. This cup is one of 48 that m...

Chaim Gross (American, 1904-1991) Patinated cast bronze sculpture, Three Acrobats, signed mounted on black marble plinth 24.5"h x 14"w x 7"d (bronze alone) Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

This is a one of a kind original bronze surrealist figurative sculpture by San Diego artist, Debbie Korbel. Its dimensions are 41" x 42" x 34". A certifi...

Mid century sculpture depicting two hand blown cockatoos perched on a doré bronze tree on a glass base signed Zanetti.

"L'Oiseau" is a sculpture by Surrealist Joan Miró. The bronze sculpture is signed verso, "Miro" and inscribed 'N.3', and with foundry stamp 'Clementi cire perdue (Paris). André Bret...

Created in 1960, ceramic Round-eyed Face (Visage aux yeux ronds) A.R. 451 is a Madoura round/square plate of red earthenware clay stamped with the ‘EMPREINTE ORIGINALE DE PICASSO’ an...

Leonard Baskin, American 1922-2000 Homage to the Un-American Activities Committee Bronze relief sculpture plaque This is not editioned, nor signed or numbered, on the piece but according to the catalog there was 12 or less. A number of these are in museum and university art collections and one of them was exhibited at MoMA NY. This was done to commemorate the communist witch hunts of the Mccarthy era. An important, historic piece. Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine, small edition, book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960). The Funeral Cortege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C. His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan. His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his signed work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin. Contemporary Religious Imagery in American Art. Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Arman, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover, Edmond Casarella...

German Romanian artist, Otto Scherer, pays homage to one of the most important artists of the 20th century, Brancusi.

Fantastic pair of gilt bronze leopard sculptures . The item will be well-suited to either an indoor or outdoor setting.

TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery...

Bronze Marble Wood Sculpture Four separate pieces, unsigned artist Sarah Schwartz was born 1953 Chicago, Illinois. Education: 1971-72 York University/Ontario College of Art, Toronto...

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 12.75 x W 7 x D 6 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

The Moon, 2022 by Alex Hodge Porcelain Jar with Sgraffito, Transfers, and underglaze Detailing 10.5 in x 4 in x 4 in This sculptural jar is the first to feature the figure in combin...

Horse Rider, Bronze sculpture on marble base, signed, edition 1/6. Heriberto Juárez (March 16, 1932 – August 26, 2008) was a self-taught Mexican sculptor, ...

This monumental pair of sculptures in "Bardiglio" marble represent Greek Athlete of Discobolo and the Hercules figure with a lion pelt, on a cylindrical base...

German Romanian artist, Otto Scherer, pays homage to one of the most important artists of the 20th century, Brancusi, in his ceramic "Bird in Flight".

Seated Mother And Child, Modern Pre Columbian style large sculpture edition 1/30, artist signed. Walter Bastianetto is an Italian born sculptor who moved to Mexico in the 1970s an...

Large Pre Columbian style clay, terracotta sculpture Limited Edition 6/30, signed. Walter Bastianetto, was born in Venice Italy. He graduate of...

Born in Melun in 1957, Jager is a French sculptor and painter. Passionate about equitation, he is famous for making representations of horses in plaster and bronze in all their forms. He studied at the School of Fine Arts in Dijon and is currently living in France. Rather than just being an artist, he describes himself as a dreamer: unpredictable and passionate. For Frédéric JAGER, beauty is a must. His style, classic, figurative, is stunning in this world of contemporary art. Bringing bronze to life, his works always capture the energy and beauty of the horse “Because unlike men, a horse is always beautiful, always strong, always sad.” Several large companies, such as HERMES, NINA RICCI, goldsmith MELLERIO, CHEVIGNON, SOCIETE GENERALE, HORSE WOOD, watches PEQUIGNET, SWEATERIE, have called upon him for sculptures, decorative objects, advertising works, or trophies for the races. He has had numerous solo exhibitions, and has also participated in a myraid of art fairs such as the ‘Salon International de Saumur’, the Animal Sculpture Biennale of Rambouillet, the Derby Horse in Art...

Artist: Mattakitkosol Somchai Title: Gold Reindeer Year: Circa 1970 Medium: Bronze Sculpture mounted on Marble Base Size: 10.5 x 15.5 x 4 in. (26.67 x...

This is a one of a kind original mixed media surrealist figurative sculpture of a horse by San Diego artist, Debbie Korbel. Its dimensions are 48" x 46" ...

Minna Rothenberg Harkavy (1895-1987) Estonian-American This is not signed bronze portrait bust Provenance: Estate of the artist by descent Minna Harkavy (1887 – 1987) (birth occasionally listed as 1895) was a Jewish American sculptor born in Estonia to Yoel and Hannah Rothenberg and immigrated to the United States around 1900. She studied at the Art Students League, at Hunter College and in Paris with Antoine Bourdelle. Harkavy was a WPA Federal Art Project artist, for whom she created a 1942 wood relief piece, Industry and Landscape of Winchendon for the post office in Winchendon, Massachusetts. She was a founding member of the Sculptors Guild and showed a work, My Children are Desolate Because the Enemy Prevailed in the Second Outdoor Sculpture Exhibition Negro Head in the 1940-1941 and Woman in Thought in 1941. Harkavy was an early feminist, a founding member of the New York Society of Women Artists. Politically she was known as a leftist and anti-fascist with a strong social consciousness. In 1931 she exhibited a bust of Hall Johnson in the Museum of Western Art in Moscow and the work was purchased for the Pushkin Museum there. Abraham, Walkowitz sat for a portrait by her. In 1932 she represented the John Reed Club at an anti-war conference in Amsterdam. A bust of Italian- American anti-fascist (and her lover) Carlo Tresca who was assassinated in New York in 1943 was installed in his birthplace of Sulmona, Italy. She showed at Associated American Artists gallery, along with Max Weber, Waldo Peirce...

Charles Rumsey Puma is one of most recognized of small sculptures by the artist. The estate of artist Charles Rumsey has been represented by Lynda Ander...

Group of bronze skeleton sculptures having a passionate conversation. Very detailed. The kneeling figure has working jaw. By American sculptor David W...

Chasing Butterflies by Gary Alsum 8x17x11" ed/75 #3 available Bronze car driven by dogs -'58 corvette Details include a custom plate that says "Lv D Vet" Shipping price includes the ...

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed...

SEMION RABINKOV "UNICYCLE HORN PLAYER" BRONZE, SIGNED, NUMBERED 1/9 MOLDOVAN-AMERICAN, C.1990'S 27.5 INCHES Semion was born in Chisinau, Moldova, 1954...

Artist: George Gach, Hungarian (1909 - 1996) Title: Moses Year: 1966 Medium: Bronze Sculpture, signature and date inscribed Size: 17 x 11 x 10 in. (43.18 x 27.94 x 25.4 cm)

Metal sculpture on wood by Houston, Texas modernist sculptor and painter David Adickes. High relief sculpture of George Bush facing right cast in metal and mounted on wood. Signed by artist. Metal Sculpture Diameter: 6" Artist Biography: Born 1927 in Huntsville, Texas, David Pryor...

Set of 3 Handmade Porcelain Cups with Sgraffito Detailingby Alex Hodge From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing Overall size: 4.5 x 9 x 3 inches Individual size: 4.5 x 3 x 3 inches 1. “When the door closes..” 2018 2. “Some days that’s me...”, 2019 3. “My favorite moment...”, 2019 Pieces can be sold separately. This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility objects...

This image of infinity is beautifully deceptive because although it appears to be in steel, it is a ceramic piece embellished in platinum.

Terracotta Sculpture by Swedish artist Evert Lindfors (1927-2016), made in the 1970s. Evert moved to France in the 1940s where he studied at the École des Beaux-Arts in Paris. He wo...

Sinuous modern carving of a Mesoamerican. Aztec? Mayan? Striated sandstone, circa mid-20th century.

Felicor by Roberto Matta, Chilean (1911–2002) Terracotta Wall Plaque, signature inscribed, numbered in ink Edition of 49/150 Size: 15 x 12.75 x 2.25 in. (38.1 x 32.39 x 5.72 cm) Fram...

Richard ORLINSKI Pac Man (Blue edition) Sculpture in resin Metallic Sky Blue About 10 cm (c. 3.9 in) Presented in original box Excellent condition

Me soaking up the light…", 2019 by Alex Hodge From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing 4 in. x 3 in. W x 2.75 in. This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility...

Richard ORLINSKI Pac Man (Red edition) Sculpture in resin Metallic Red About 18 cm (c. 7 in) Presented in original box Excellent condition

This dramatic ceramic sculpture references the horns of an ibex in an homage to native culture.

DESCRIPTION Bronze with brown patina 4 1/4 x 7 3/4 x 2 7/8 inches 6 x 7 7/8 x 2 7/8 inches Signed Kunst Foundry, NY PROVENANCE Private collection, New York

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2...

Richard ORLINSKI StandingBear (Gold Pink) Sculpture in resin Gold Pink edition About 13 x 8 cm (c. 5.1 x 3.1 in) Presented in original box with certificate Excellent condition