Large Figurative Sculptures

**ANNUAL SUPER SALE TIL MAY 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* This is a rare Terracotta large Bacchus sculpture...

Jorge Seguí Ilusion silla, 2000 Bronze, Edition of 7 78 x 90 x 33 cm 30.7 x 35.4 x 12.9 in. Signed and Numbered. Jorge Seguí b. 1945, Argentina. He atte...

Gaugin inspired 21st Century montage titled 'Manau Tupapau' (spirit of the dead watching) by French artist, Armand Avril. Mounted and presented in a custom built painted tray frame and signed and dated 2004 both front and back with a later sketch of his favourite dog Dimar in repose to the reverse. This montage fully demonstrates Avril's inspiration drawn from tribal art and Gaugin's famous painting of a Tahitian nude whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the materials used in making this piece come alive. This montage is made from carved wood pieces, paint, clothespegs and cardboard . Armand Avril was born in 1926 in Lyon. His father, Marcel Avril was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

Sylwia Jakubowska-Szycik is professor at the Academy of Fine Arts at the Faculty of Sculpture and Intermedia in Gdańsk, she conducts classes in the f...

American, 1892-1971 Doris Porter Caesar was born in 1892 in Brooklyn, New York. Her father’s successful career as a lawyer allowed her to attend Miss Chapin’s School for transferrin...

"Boy with Goat" Charles Umlauf 36.5 x 15 x 5.5 inches Bronze An early bronze cast by Charles Umlauf in collaboration with Roman Bronze Works. The sculpture...

Although this whimsical sculpture by Allan Winkler has the look of outsider art, this ceramic work stems from the art school-trained artist’s interest in...

"Torso" is a large free-standing aluminum sculpture, suitable both for the inside and outside. Edition 8, signed, numbered and dated. Comes with Certificate & Book. The sculptress ...

Rennende Poema no. 2 Running Cougar Bronze Sculpture Patin In Stock Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his edu...

Catherine Bohrman's bronze sculptures encompass gestural form with figurative elements. Her international style has been noted to possess soft edges that belie the magnitude of their density. Her sculpture "Chrysalis" is a museum quality bronze...

EMILE PEYNOT French, (1850-1932) Young Female with Doves Signed 'E. Peynot' on base 33 3/4 in x 12 1/2 in.

Jorge Segui Magic Woman, 2019 Bronze. 1/3 AP 83.8 x 91.4 x 59.6 cm 33 x 36 x 23.5 in. Signed and Numbered. Jorge Seguí b. 1945, Argentina. He attended th...

Contemplation by Nguyen Tuan The Vietnamese master sculptor Nguyen Tuan is internationally known for his seemingly “weightless” figurative sculpture merging Western techniques with...

Stèle aux Dollars. Accumulation of US dollar bills in polyester. Edition of 30 ex. Artwork size: 30x80x6 cm. (Size with base 45x82x6 cm) [Archives Durand Ruel 2089] Arman explor...

Joaillier de haute-fantaisie, artiste, poête, chef cuisiner, photographe

Bronze #116 by Hanneke Beaumont Beaumont's sculptures are realized in terracotta, bronze and cast iron, and she is known for sculpting figural life-s...

Debabrata De Untitled, Bronze Sculpture H 11.8 x L 32.6 x W 16.1 inches Education: • 1985 – 1989 Diploma in Fine Arts from Indian College of Arts and Draftsmanship, Calcutta(R.B.U.)...

Glass & nickel bronze

Sculpture of a woman representing the element of earth.

Plaster, Gold Leaf. Signed and titled in pencil on base. Stamped with a wax seal.

The artist Mariko grew up in Africa, where she discovered clay and sandstone at an early age. Studying at “Les Beaux-Arts” in France, Mariko was marked by the Cubist movement, in par...

Very rare Art Deco three dimensional terracotta sculpture of Adam and Eve by the Austrian artist, Virgil Rainer. Hand painted by the artist. Signed bott...

This splendid sculpture represents Young Girl with a Goat (Amalthea and Jupiter's Goat), after the original by Pierre Julien commissioned by Louis XVI in 1785 and completed in 1787 for the cot of Queen Marie-Antoinette in Rambouillet. The work of the sculptor Pierre Julien decorated the interior of a grotto in a pavilion decorated with bas-reliefs by the same sculptor (acquired by the State by dation in 2003). The work was the main element of a rock basin, which was destroyed during the renovation of the gardens of the small castle. The same sculpture was seized during the Revolution and exhibited in the Louvre from 1829. The terracotta sketch, which belonged to the collector Ernst May, must have adorned his château de la Couharde (Yvelines) before entering the Louvre's collections in 1920. The bronze set with a beautiful gilded patina presented here is a work after the original by Pierre Julien (1731-1804) and dates from the 19th century (around 1850). The superbly preserved sculpture, which has belonged to the same family since its acquisition, is presented on its original base in grey serpentine marble. The quality of this work is doubly certified: - on the one hand it is stamped with a round stamp at the top "A. This stamp is a sign of high quality. Achille Collas (1794 - 1859) was the French engineer, engraver and illustrator, inventor among other things of the patented mathematical reduction process of the 19th century to reproduce sculpted objects in reduction, which was very successful. He was awarded a prize at the 1855 exhibition: his "Procédé mécanique", the name under which he prints all his productions, is easily recognisable by the finesse of its execution and by the famous stamp which appears on the base (terrace) of this sculpture. - On the other hand, an important signature is found on the terrace of the sculpture "F. Barbedienne Fondeur", founder. In 1844, Achille Collas, in order to protect his invention, formed the Société Collas et Barbedienne (Paris) with the art founder Ferdinand Barbedienne (1810-1892), which began to produce and sell famous but smaller sculptures in plaster, wood, bronze or ivory. The first object to be marketed was the Venus de Milo after the original in the Louvre Museum. Other sculptures such as the sculpture of George Washington, of which a bronze bust was made by the Barbedienne & Process Collas foundry, are currently in the Metropolitan Museum of Art. HEIGHT OF THE SCULPTURE without base 69CM + BASE = 84CM WIDTH OF THE SCULPTURE without base 28 CM + BASE = 30,5 CM LENGTH OF THE SCULPTURE without base 46 CM + BASE 51 CM The Collas and Barbedienne company was highlighted at the Great Exhibition in London in 1851, the objects of the Barbedienne foundry received a medal and sales soared. At the 1889 Universal Exhibition in Paris, the Barbedienne company again presented a large number of its compositions, including the large neo-Renaissance clock of 1878. This clock, which was part of the Leblanc-Barbedienne estate, was donated by his heirs to the city of Paris, and is kept in the city hall. Pierre Julien (20 June 1731 - 17 December 1804) was a French neo-classical sculptor who worked in the full range of rococo and neoclassical styles. He had an early apprenticeship in Le Puy-en-Velay, near his native village of Saint-Paulien, and then at the École de Dessin in Lyon, before entering the Paris workshop of Guillaume Coustou le Jeune. In 1765, he won the Prix de Rome for sculpture with a bas-relief panel depicting a subject from Antiquity and entered the Royal School for Protected Pupils, which offered a special curriculum under the direction of the painter Louis-Michel van Loo. He was a boarder at the Académie de France in Rome from 1768 to 1773, where he was influenced by the wave of neoclassicism affecting his fellow students. As boarders were required to do, he sent back to France a slightly reduced marble copy of the so-called Cleopatra, the Sleeping Ariadne from the Vatican, which survives in Versailles. Back in France and with his former master, he worked on the sculpture of the mausoleum of Louis, the Grand Dauphin, in the cathedral of Sens. After a failed attempt in 1776, with his Ganymede, he was accepted by the Royal Academy of Painting and Sculpture in 1778, with a Dying Gladiator. He was appointed one of the first members of the Institut de France in 1795, and knight of the Legion of Honour in 1804. He was commissioned by the Count of Angiviller, director of the King's Buildings, on behalf of Louis XVI, to paint the figures for a series of life-size portraits of the great men of France: he produced a Jean de La Fontaine and a Nicolas Poussin, whom he chose to depict in a nightgown, similar to the draperies of a Roman toga. While fulfilling commissions in Paris, for the church of Sainte-Geneviève (now the Panthéon, Paris), or for the Pavillon de Flore in the Louvre, he sculpted in 1785 a virtuoso marble set representing the nymph Amalthée and Jupiter's nurse goat for the Queen's Dairy at the Château de Rambouillet; for his model, he adapted the pose of the famous Venus of the Capitoline. The bas-reliefs of the Dairy, considered his masterpieces, were sold at auction in 1819, but were recovered by the State in 2005, thanks to a gift from the son of the great dealer-collector Daniel Wildenstein. 19th century French school, after Pierre Julien (1731-1804)Amalthea and Jupiter's Goat Bronze with a light brown patina and gilding, reduction made after the marble by Pierre-Julien 1785 executed for Marie-Antoinette at the Laiterie du parc du château de Rambouillet in the Louvre Museum. Among his major works: - Dying Gladiator, marble, 1779, Musée du Louvre. - Ganymede pouring nectar to Jupiter changed into an eagle, [4] marble group, 1776-1778, Paris, Musée du Louvre. - Jean de La Fontaine, marble, 1783-85. Musée du Louvre - Nicolas Poussin, marble, 1789 - 1804. Musée du Louvre - Sketch of a model in terracotta by Nicolas Poussin, ca. 1787 - 1788. Musée du Louvre - Amalthea and Jupiter's goat, marble group, 1787 for the Rambouillet Dairy. The Queen's Dairy at Rambouillet - The girl with the goat, terracotta statuette, 1786. Louvre Museum - Sainte Geneviève restoring her mother's sight, terracotta bas-relief, 1776. Musée du Louvre The works of the famous sculptor Pierre Julien have been referenced in several books and catalogues, including The exhibition catalogue. Gilles Grandjean and Guilhem Scherf. "Pierre Julien 1731-1804". Le Puy-en-Velay, France: Musée Crozatier, 2004. The Lure of Classical Sculpture 1500-1900 (Yale University Press, 1981), cat. no. 24, pp 184-87). Michael Preston Worley, 2003. Pierre Julien: Sculptor to Queen Marie Antoinette. The first modern monograph. Europe in the age of enlightenment and revolution, a catalogue from the libraries of the Metropolitan Museum of Art (fully available online in PDF format), which contains information on Julien. Excerpts from the Grove Dictionary of Art online Pierre Julien in American Public Collections, on the French Sculpture Census website STATUE BARE (BODY) NANNY GOAT (ANIMAL) AMALTHAEA SITTING WOMAN ABOUT US: AYN GALLERY is located in the heart of old Paris on the Ile Saint-Louis surrounded by the Seine, in the most prestigious district of Paris. Just a few steps away from Notre Dame, like a village, this place preserved from urbanists offers a setting as it existed centuries ago with its numerous private mansions which earned the island the nickname "island of palaces" and its illustrious occupants: Charles Baudelaire, Marie Curie, Georges Pompidou or Camille Claudel Our gallery is located just opposite one of the oldest churches in Paris. As the eponymous name of the place indicates, Yasmine Azzi, the owner and artistic director of the place, has a keen eye. Born from the desire to bring together, in a unique space, vintage pieces of 20th century design, contemporary creations, original works of art and interior design know-how, AYN GALLERY was created in 2017. Our gallery presents an eclectic and daring mix, driven by a total freedom of styles and periods. We offer a collection that combines aesthetics and authenticity, in a word what we like and what our customers like. We offer an inspiring selection of furniture from the last century with rare antiques, but also precious objects and lighting with a special emphasis on vintage Italian...

Bronze (After) Henri (Comte) Geoffroy De Ruille, Mounted Jockeys (French 1842-1922) "Mounted Jockeys Taking a Jump" 40"long x 26" high x 20 ½" wide 20th Century Medium: Patinaed B...

Artificial stone & nickel bronze

Julio Quijano "Journey of the Wise" Mixed Media Sculpture C.1997 The materials used for the face and body are ceramic. The structure of the figures are made of wire and the costumes are old fabrics. Fine mixed media sculpture by noted artist and designer Julio Quijano Dimensions 34.5" wide x 18" deep x 19" high Signed and dated - Good vintage condition Julio Quijano is a teacher of makeup, sculpture, painting, tapestry artistic makeup and special effects at the Stick Art...

JULES-ALFRED-ALEXANDRE DERCHEU French, (1864-1912) L'Amour Désarmé A nude girl holding Cupid away with her left arm, her left foot on his quiver, on a circular base, seated on a ro...

Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculptures in the world. Three intertwined bodies, two men and a woman, spiral upwards as the woman tries to escape the clutches of the younger man standing over the older one. It is an absolute masterpiece by the Flemish sculptor Giambologna. After the original in Florence’s Loggia dei Lanzi, Piazza della Signoria...

Bronze & marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, where...

Artificial stone & stainless steel

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the most eminent and affirmed artist represented by the Frilli Gallery...

A mask of steel aircraft cable is framed by a halo of unwound ends. Patinated in dark rust, the wall sculpture by Dale Dunning has a moody, weathered appearance. Merriam-Webster dictionary defines Nimbus as: "an indication (such as a circle) of radiant light or glory about the head of a drawn or sculptured divinity, saint, or sovereign" Dale Dunning holds a Master of Fine Arts Degree from Cranbrook Academy of Art in Bloomfield Hills...

Born in Montecchio Emilia, Italy in 1975, lives and works in Montecchio Emilia. Nato a Montecchio Emilia (Reggio Emilia) nel 1975, vive e lavora a Monte...

Medium: Wood, cutouts from books TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in...

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

Artificial stone & stainless steel

'Meditation' original opal serpentine sculpture signed by Zimbabwean artist Dudzai Mushawepwere. The sculpture uses abstraction in the human figure to capture an abstract state of mind: the sculpture presents the form of a woman, her hips wide and arms long. Her arms reach over and hold her circular head, which floats neckless above the torso like a nearly-setting sun. The figure thusly separates their mind and thoughts from their bodily and earthly concerns and instead connects themselves to the heavens. The image reminds of the dancer drawings...

Medium: Wood, cutouts from books TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in...

Signed and titled at the base, Sloan's Auctioneers, 1998 The work shows a peak moment of drama and is meticulously carved in the neo-classical style. Lion garment in the back with ...

This free-standing sculpture titled "An Exact Record Of How It Happened" is an original artwork by Jedediah Morfit made of plaster, paint, wax, thermoplastic, epoxy, wood, rope. This piece measures 33.25"h x 10"w x 14"d. Please note: Artwork will be on display at SHOWFIELDS NY (11 Bond St, New York, NY 10012) through the end of November. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

Artificial stone & stainless steel

Technological Pinocchio is an original decorative object realized between 2007 and 2008 by Ferdinando Codognotto. Original wood sculpture realiz...

Signed 'E. Picault' inscribed and titled ‘Reveil de la Nature’ on self-base Artist: Emile Louis Picault (1833–1915) Origin: French Date: Late 19th century Dimension: 34 1/2 x 17 inc...

HIPPOLYTE FRANÇOIS MOREAU French, (1832-1927) Bronze sculpture of Two Beauties The base inscribed H. Moreau, surmounted on a green marble base. ...

Rare and wonderful mid-century modern ceramic wall hanging by Marianna von Allesch. Incised design on ceramic panel. Signed lower right corner. Me...

Large 35" tall, fine detail porcelain Dehua Blanc de Chine figure of Kwan Yin, early 20th Century. The goddess is clothed in a voluminous flowing robe which is open at the chest to r...

Retreating from the stress and chaos of the last year, I created another landscape; populated by an army of friendly creatures. Here the burdens of coronavirus, climate change, and political division are dismissed by hot pink kittens...

Eugène Marioton (1857 - 1933) was a French sculptor, medalist, and pupil of Jean-Marie Bonnassieux.

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Giant Green Free Range Critter, soft sculpture, felt, green,pink,hearts, squares "In my mind, these hybrid free-range critters originate in the high desert canyons around Los Alamos, New Mexico, home of the Manhattan Project...

Exotic carved teak sculpture. The sentinel with his sword drawn. 19th century architectural artifact.

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the...

SALE ONE WEEK ONLY This work by Reinhoud d'Haese is a magnificent hammered copper figure on a natural stone base. This mythical creature, large and corpulent, invites a caress of it...

This impressionist wooden sculpture of the biblical story of Jonah & The Whale was done by New Hampshire artist Robert Hughes (1915-2004). Hughes was born in...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...

JEAN-BAPTISTE CLÉSINGER (French, 1814-1883) SAPPHO AND HÉLÈNE 19th Century A Fine Quality Pair of Patinated Bronze Statues Depicting Sappho and Hélène Inscribed ‘J. CLESINGER.; F...

Hesot Kachin Mana, by Dan Namingha, bronze, kachina, Hop,i brown, sculpture #1/18 bronze edition signed and numbered by the artist We present paintings, prints, and sculptures by Sou...