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Richard MacDonaldNightfall Red, Atelier2016
2016
About the Item
Cloaked in mystery, the female form of “Nightfall” intrigues us. Concealed is a beautiful face, but like nightfall itself, all is not revealed. The globes in each hand suggest the arrival of night and the passage of day, but also reference the idea to put the past behind us, and open ourselves to the future. Poised on the scythe shaped moon, the figure of “Nightfall” strides with strength and purpose. Our eye follows the organic curve of the drapery from the top of the head to the base, a device that generates movement in the piece, countering the direction of the stride and creating dramatic visual tension. Artist initials in bronze.
In 2014 and 2015, Richard MacDonald focused intently on the minerals and pigments of his patina process - specifically on the color red. Shortly thereafter, the artist revealed his discoveries in a new exhibition entitled “Richard MacDonald: Red.” The exhibition, which highlights MacDonald's creative immersion into the hue, the emotion, and narrative of color, represents a profound new direction in the artist's work.
- Creator:Richard MacDonald (1946, American)
- Creation Year:2016
- Dimensions:Height: 16.5 in (41.91 cm)Width: 9 in (22.86 cm)Depth: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Laguna Beach, CA
- Reference Number:Seller: 201609-29161stDibs: LU49015663472
Richard MacDonald
There are artists and there are masters. Richard MacDonald will go down in the history of sculpture as Picasso did painting, as an unequivocal master of the art.
Only a number of people can master craftsmanship, far fewer, the art of the human form. Figurative sculpture is a language MacDonald speaks with astounding fluency, and as with any language, MacDonald’s creative drive is formed from a need to share the universal dialect of the human figure with those who understand it; this is the unique privilege the artist affords his viewers.
MacDonald captures the beauty, romance and essence of the human spirit in motion. Influenced by the expressiveness in the figures of Renaissance master Donatello, the emotional intensity of works by 19th century French sculptor Auguste Rodin, and the power of Michelangelo’s sculptures, MacDonald’s inspirational, sensitive works are precisely of the moment, yet profoundly historic by reference. And they dance rhythmically for all to see — in the leap and grace of the dancer, the power of the athlete, the gesture and passion of lovers, the spirit rises, and MacDonald captures it.
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Greek mythology records the Three Graces, considered the fairest daughters of Zeus and Eurynome, as representatives of the blessings of nature. Followers believed that each spring, their fertility dance caused seeds to sprout and flowers to bloom. On another creative level, the young goddesses were believed to influence artistic achievement. While Boticelli’s expression of the soft, linear forms inherent in the Three Graces influenced the rebirth of classical mythology, Richard MacDonald is inspired to foster the renaissance of figurative art with his own interpretation of “grace.” Employing the classical tradition of undulating lines, precise contour and soft, fair forms, MacDonald created first his masterpiece “The Three Graces” followed by an exploration into the personae of each of the three sisters, Agalia, Euphrosyne and Thalia. In "The Gathering of the Graces...
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