Modern Figurative Sculptures

EDITION Monogrammed : FXL Dated : 2003 Numbered EA 2/4B Stamped with foundry mark : bocquel fd. PROVENANCE Marie Lalanne former collection, daughter of the artist. LITERATURE W....

Renowned Israeli sculptor Menashe Kadishman (1932-2015), CONTINUUM, 1979, revolving metal sculpture, Dimensions 16.5 x 10 x 9.25 inches. Hand signed and numbered on dedication pla...

EDITION Each monogrammed, stamped, dated and marked: FxL; Lalanne; 85; Artcurial dated 85 One numbered on a metal label inside a wick: E A 41/80 LITERATURE François-Marie Barnier et Jean-Gabriel Mitterrand, Claude et François...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 26 x 12 x 8 Medium: Bronze Sculpture "La Dolce Vita" The Sweet Life! John Bennett (Born 1952) John Bennett was desig...

Retaining a fine patina and in overall good condition. Signed with initials SB. I believe the edition size was 7 But I cannot find a mark. Stanley Bleifeld (1924 – 2011) was an American sculptor. Stanley Bleifeld was born and raised in Brooklyn, New York, Bleifeld earned bachelor of fine arts, bachelor of science in education and in 1949 a master of fine arts degree in painting at Tyler School of Art of Temple University. After a trip to Rome in 1959 or 1960 he gave up painting for sculpture. He began his fine-art career as a painter. However, a visit to Italy and exposure to the bronzes of Donatello, Michelangelo, and Ghiberti changed his direction He worked with the Art Foundry of Massimo del Chiaro and alongside artists such as Lucchesi, Harry Marinsky, Fernando Botero, Igor Mitoraj and Ivan Theimer. Many of his early pieces were religious subjects, and reflected both painting and sculptural techniques in bas reliefs* that had "liquid landscapes in undulating reliefs and free-flowing portraits reminiscent of classical fragments" (166-167). He later turned from these abstract pieces to more realistic figures in bronze. Bleifeld was a National Academician in Sculpture, and a member of the National Academy of Design, and helped set policy for that organization. He was also President of the National Sculpture Society. Past presidents of the society have included John Quincy Adams Ward, James Earle Fraser, Chester Beach, Wheeler Williams, Leo Friedlander, Neil Estern, and Cecil de Blaquiere Howard. The first woman to gain admission into the NSS was Theo Alice Ruggles Kitson, in 1893. She was followed a few years later by Enid Yandell and Bessie Potter Vonnoh in 1898; Janet Scudder in 1904; Anna Hyatt Huntington in 1905 and Evelyn Longman and Abastenia St. Leger Eberle in 1906. In 1946, Richmond Barthé was likely the first African-American to be admitted. In 1994, the NSS held their first exhibition outside the United States at the Palazzo Mediceo Di Seravezza in Italy. Titled “100 Years of the National Sculpture Society of the United States of America in Italy” it ran from the 16th of July through the 4th of September and was curated by Nicky and Stanley Bleifeld along with Costantino Paolicchi, Lodovico Gierut and Paolo Giorgi. Among the 60 notable American sculptors whose work was selected for the exhibition were Stanley Bleifeld, Andrew DeVries, Neil Estern, Leonda Finke, Bruno Lucchesi, Barbara Lekberg...

Charles Cary Rumsey attended Harvard University, studied art in Paris at the Academie Julian and at Boston School of Fine Art under Bela Pratt. His public works are found worldwide, such as the frieze at the Manhattan Bridge, Zion Park...

Gerardo Fernandez South American Artist set of 10 bronze stick bugs with iron antennas. Some bugs have circles on their feet in order to make an...

American sculptor Hana Geber (1910 - 1990) She was born in Prague of Czechoslovakian heritage and eventually settled in New York. Her sculptures deal with Jewish themes...

William Haendel framed 16.75 X 17 paper 11.5 X 12.5 Bas relief on hand-made molded, cast, paper; Visual statement of modernist society’s role in conformity of the individual and acquiescence to nationalism. Toy Soldiers in tin, lead or plastic, cast into the paper. Bill Haendel...

The modern Sculpture " VITA ” is a unique piece made from a burnout mold by David Marshall in 2015, sand cast brass in our foundry, handcrafted by the Artist in his workshop in Spai...

A tall, modified columnar vase with incised catfish by Canadian-American ceramist Sasha Makovkin (1928-2003). Made of a white clay body. Glaze in varied shades of gray, blue and green. Signed and titled by the artist including trademark on the bottom: "Makovkin," "Blue Catfish." Dimensions: 14.25 Height x 4.75" Top x 5.13" Base. Northern California potter Sasha Makovkin, originally from Vancouver, B.C. and of Russian descent, moved to California in 1954 to work at Heath Ceramics in Sausalito in order to get industrial experience. During the 1050s, Makovkin exhibited at the Association of San Francisco Potters and at the San Francisco Art Festivals. Five years later after arriving in California, Makovkin took some samples of his ceramics to Gumps, a high-end department store in San Francisco. Impressed with his work, Gumps featured Makovkin’s work in the mail floor exhibits for the next three years. He had periods of apprentice with Marguerite Wildenhein at Pond Farm artists’ colony and with Ross Curtis. He also worked for Edith Heath at Heath Pottery...

This 18 x 9 x 4 inch carved wood sculpture is unsigned and comes directly from the artist's family. Louis 'Lou' Bunin (28 March 1904 – 17 February 1994) was an American puppeteer, artist, and pioneer of stop-motion animation in the latter half of the twentieth century. While working as a mural artist under Diego Rivera in Mexico City in 1926, Bunin created political puppet shows using marionettes...

Head of a warrior. From the Totonaca culture (state of Veracruz) created about 1982. Modern Pre Columbian style clay, terracotta sculpture artist signed on the right bottom. Walter...

Created in 1960, ceramic Round-eyed Face (Visage aux yeux ronds) A.R. 451 is a Madoura round/square plate of red earthenware clay stamped with the ‘EMPREINTE ORIGINALE DE PICASSO’ an...

Artist: Anthony Quinn, American (1915 - 2001) Title: Zeus Year: 1992 Medium: Bronze Sculpture with Patina, signature, date and number inscribed Edition: 8/8 Size: 22 in. x 9 in. x 5 ...

This sculpture of a pair of Dancing Cranes by Lyle London explores a unique translation of the Japanese art of folded paper into a metal sculpture. Th...

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

Maurice Lambert Head of Dame Edith Sitwell 1901-1964 Patinated bronze on marble base Dimensions: 7 x 16 inches (18 x 41 cm) Provenance Private collection Originally commissioned by Edith's brother Osbert Sitwell circa 1926/27. Our version is of the same period and must have been commissioned at the same time. A version of this piece made in 1984 in aluminium is held in the permanent collection of the National Portrait Gallery (NPG 5801). Maurice Lambert Maurice Lambert, born in Paris, was son of the Russian-born Australian painter George Washington Lambert...

Unique life-size bronze statue of a woman standing. The hands were painted red, hence the name 'Red right hand'. Very impressive statue and a real eye catcher.

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

Beautifull Mexican Modernist Madonna and Child ; Maternity Midcentury wood sculpture. Probably caribbean rosewood characteristic of the ext...

Windswept Face Of A Man Marble Sculpture Signed, on wooden base. Leon Saulter (1908 - 1986) was active/lived in California born in Poland. Moved to US in 1921. Leon Saulter is known for sculptures, paintings also writer. Born in Poland on March 31, 1908. By the 1930s, Saulter was active on the Federal Art Project while a resident of Los Angeles. Exhibitions: Painters & Sculptors of LA, 1936-40; Artists Union (LA), 1939; Stendahl Gallery (LA), 1941; LACMA, 1940, 1943, 1946 Santa Barbara Museum; Bonita Union High School (Spirit of Youth Learning Industry); David Starr Jordan School, Long Beach (Head). Museums: University of Wyoming Art...

The historic tradition of cast bronze provides a contemporary avenue for the creation of Wayne Salge’s abstracted human and animal figures. Thoroughly modern and distinctly impressio...

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

Created in 1959, Pablo Picasso Arrastro, from Service Scènes de Corrida A.R. 423 is numbered from the edition of 50 on the reverse and stamped with the 'MADOURA PLEIN FEU' and ‘EMPRE...

This stunning figurative bas relief sculpture captures a female ballet dancer gracefully poised in the arabesque position, created by the acclaimed Colorado/Missouri artist Eric Bransby (1916-2020). Crafted from bronze and polymer Forton casting, the piece beautifully exemplifies Bransby’s mastery of motion and form. Provenance: Collection of the artist, Eric Bransby About Eric Bransby: Eric James Bransby was a highly respected muralist, painter, illustrator, and educator. His education at the Colorado Springs Fine Art Center included studies with renowned artists like Thomas Hart Benton, Jean Charlot, Boardman Robinson, and Josef Albers. He also studied at the prestigious Yale School of Fine Art. Bransby’s career is defined by his exceptional work as a muralist, with notable commissions including the Rockhurst Library Triptych Mural at the University of Missouri, murals at Brigham Young University, the U.S. Air Force Academy...

Lalu Prasad Shaw - Tandrima-II H 45 x W 17 x D 10.7 inches Bronze, Edition-1/5. Lalu’s Tandrima-II exudes grace and quiet introspection through its poised feminine form. Cast in bro...

This polished bronze bust is sealed with Glasurit- a car finish that is baked on. It prevents the sculpture from tarnishing or yellowing. All you need to do is dust with a soft cloth. This bust is from a full figure wood sculpture...

EDITION Signed underbase: Lalanne ; Paris Mark of the Paris porcelain on the back EXHIBITIONS Model published for the "Les Lalanne" exhibition in Bagatelle in 1998.

Mother Holding Baby, large terra-cotta and clay sculpture. From the Totonaca culture (state of Veracruz). Modern Pre Columbian style large sculpt...

Lapin, modèle 6, circa 1944-1949 Edition Leblanc-Barbedienne Bronze with a brown patina 7.5 x 4 x 2.5 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l...

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

Leonard Baskin (1922-2000) Jewish Matriarchs, Sarah, Rebecca, Rachel and Leah with Hebrew calligraphy Bronze, 1998 9.5 X 9 inches Judaic biblical bronze of Jewish mothers. Leonard ...

Picasso Quatre Poissons Polychromes (Four Polychrome Fishes), 1947 is a wondrous mixture of color and charm. In the center of the dish are three fish, e...

We are responsible for our daily actions and directions chosen in life. This art work represents the empowerment of motivation in every person driven by wind filled sails. This uni...

Daniel Arsham - FUTURE RELIC 07 - CASSETTE PLAYER Date of creation: 2017 Medium: Plaster and crushed glass Edition number: 476/500 Size: 12.7 × 14.6 × 14 cm Condition: In mint condi...

Cast sculpture titled 'Rotation' by artist Eric James Bransby (1916-2020) depicting six ballet dancers in motion and a flying cupid above them to the right. Sculpture measures 12 3/4 x 25 1/4 x 1/2 inches. Provenance: Estate of the Artist, Eric Bransby About the Artist: Born New York, 1916 Eric James Bransby was a muralist, painter, illustrator, and teacher. Bransby studied at the Colorado Springs Fine Art Center in Colorado under Thomas Hart Benton, Jean Charlot, Boardman Robinson, and Josef Albers. He also studied at the Yale School of Fine Art. Bransby painted the Rockhurst Library Triptych Mural at the University of Missouri at Kansas City, where he was an associate professor of art. Bransby has also painted murals at Brigham Young University, the Air Force Academy, Colorado College, and the Air Defense Command. Bransby was a longtime resident of Colorado Springs and a member of the National Society of Mural Painters. In 1997, the University of Colorado awarded him a doctorate of humane letters, and the Colorado College Alumni Association honored him with a medal for lifetime achievement in 1998. Exhibited: Association of American Art, 1941; Kansas City AI, 1940; Joslyn Art Museum, 1940; Oakland Art Museum, 1940; Oklahoma Art Center, 1945 (solo); Denver Art Museum, 1951; Library of Congress, 1944, 1951; Colorado Springs Fine Art Center, 1951. Works held: Nelson Gallery, Kansas City, Mo.; Princeton University; Oklahoma Art Center; Brigham Young University; murals, Command and Genl. Staff Sch., USA, Ft. Leavenworth, Kans.; Colorado College; USAF, Colorado Springs, Colo.; Hq. NORAD, Colorado Springs; Brigham Young University, Provo, Utah; Medical Center, Colorado Springs; University of Illinois. Further Reading: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Vol. I. Peter Hastings Falk, Georgia Kuchen and Veronica Roessler, eds., Sound View Press, Madison, Connecticut, 1999. 3 Vols. ©David Cook Galleries...

Embrace Mother with child. Soft pink-white marble, black onyx pedestal, artist signed. It will be shipped in two separate boxes. Robert Russin, born in 1914, in New York City died in...

Marc Chagall Untitled (Roi David), 1954 is a rare and imaginative culmination of the collaboration between Marc Chagall and the Fucina degli Angeli. This work is from the beginning of Chagall’s usage of Murano glass as a means of expression. In 1954, Chagall was invited into the Fucina degli Angeli by Egidio Costantini who was the master glass blower at the time. This stunning and mesmeric sculpture beckons the eyes through the use of vivid, bold colors that blend seamlessly together. Blue, purple, teal and hints of red coalesce in the center of the glass plate, creating the backdrop for a whimsical scene placed in the foreground. A man in a crown kneels in the center of the work, preoccupied with the string instrument delicately constructed in his hands. Gilded flecks of gold are highlighted around the crown and instrument, showing us the depth of the lyrical poet. The transparent glass allows us to follow suite of the man, becoming entranced and lost in thought. Created in 1954 in the Fucina degli Angeli in Venice, Italy, this Murano glass sculpture was realized by master glass artist Egidio Costantini (Brindisi, 1912- Venice, 1998) in collaboration Marc Chagall, (Vitebsk, 1887 – Saint-Paul, 1985). This work is inscribed ‘M. Chagall E. Costantini 1954 © Fucina degli Angeli’ on verso and is an artist proof. Catalogue Raisonné: Marc Chagall Untitled (Roi David), 1954 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work). Egidio Costantini: Il Maestro dei Maestri. Brussels: Espace Kiron and Espace Medicis, 1990. A different Chagall glass...

Pablo Picasso Visage d’homme (Man’s Head), 1968-1969 A.R. 570 showcases the artist’s unrivaled ability to illustrate human nuance. Each aspect of the man’s face, from his furrowed brow to his side gaze is carefully illustrated. The crowding of horizontal lines on his brow and vertical lines on his nose bring a sense of tension to his face, which compounds the furrowed brow.There are only two colors on the plaque, black and red, but the semi circle of hair atop the mans head...

Melanie Sherman Bowl with Vintage Chair Earthenware, 24K German Gold Luster, Glaze, Underglaze, China Paints, Vintage Transfers, Multiple Cone 6 Firings, Hand-built 2024 Size: 1.75 ...

Levesque Isabelle was born in 1954 in Antananarivo. She attended the school of fine arts of Brest (France) and practiced sculpture since 1997. She made her first official exhibition ...

I first realized my love for visual storytelling when I began producing and directing television shows. Starting with the writer’s script, my palette was everything seen through the ...

DAVID SHRIGLEY - STINK Date of creation: 2023 Medium: Ceramic Edition: 75 Size: 16.5 x 12 x 12 cm Condition: New, in mint conditions and never displayed Description: Ceramic sculptu...

Melanie Sherman Cup with Interior II (Hand-Painted, Gold Luster, Stereo, Chair, Flowers) Porcelaneous Stoneware, Underglaze, Glaze, Porcelain Paint, Hand-made Vintage Decals, Gold Lu...

A striking metal sculpture of a fish. Iron with gold gilt decoration. Probably Asian.

Additional Information: Provenance: Estate of a noteworthy Italian glass collector from Florida and New York. Reference (similar example): Venini Glass Catalogue 1921-2007, Franco De...

PABLO PICASSO Tête de femme couronnée de fleurs (A.R. 236), March 20th, 1954 Ed. 37/50 pcs White earthenware clay 23 x 15 x 18 cm I 9 1/8 x 5 7/8 x 7 1/8 in Signed by the artist on ...

Allan Houser Native American Bronze Modernist Sculpture created 1978. Beautiful, large Allan Houser bronze - female figure titled "Waiting." The...

Original metal sculpture

René Coutelle Double Torso 2000 Balkan Onyx 18 x 11 x 7 in, 47 x 28 x 17 cm Unique Piece Private Collection of Didier Marien René Coutelle re...

Lapin couché, circa 1919-1925 Fondry Susse, Ed. 10 pcs Bronze with a brown patina H. 6 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l'Oeuvre Sculpté...

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the...

For sale: A captivating terracotta sculpture from the esteemed Swedish artist Evert Lindfors (1927-2016), crafted in the 1970s. A connoisseur of fine arts, Lindfors honed his craft at the prestigious École des Beaux-Arts in Paris during the 1940s. Best known for his vibrant paintings, he established his studio in the picturesque Provence region of Lacoste, France, in the mid-1950s. In a daring pivot late in the 1960s, Lindfors embraced the medium of terracotta sculpture. His path crossed with Torsten...

Created in 1956, this oval dish of white earthenware clay is numbered from the edition of 100. This work is stamped with the 'MADOURA PLEIN FEU' and 'EMPREINTE ORIGINALE DE PICASSO' ...

An exquisite rare vintage sculpture of a Buddha by Loredano Rosin executed in Calcadonia Glass. The sculpture is comprised of multi colored green glass and sits on a black glass cush...

Ed. 3/6 Artist Brad Rude was born in Montana and has lived in Walla Walla, Washington most of his life. His journeys through his grandfather's folk art st...

Artist/Designer; Manufacturer: Victor Salmones (Mexican, 1937-1984) Marking(s); notes: signed, marking(s); ed. 4/10 Materials: bronze Dimensions (H, W, D): 78"h, 13"w, 14"d; 77.5"h,...

Chien à la sauterelle, Sandoz, Dog, Sculpture, Bronze, Animal, 1910's Chien à la sauterelle Susse Fondeur circa 1918-1930 Bronze with brown patina and shade of green 13 x 13 x 9 cm Signed and seal of the foundry on the base : Sandoz, Susse Fondeur Catalogue raisonné de l'oeuvre sculpté de Edouard Marcel Sandoz, sculpteur figuriste et animalier 1881-1971, by Félix Marcilhac, Les Editions de l'amateur, 1993...

Melanie Sherman Vase with Koi and Blue Wave Hand Built & Painted Vase Year: 2024 Porcelain, Glaze, China Paint, Gold & Platinum Luster Fired: Electric Kiln, Cone 6 Approx. Size: 27 x...