Bronze Sculptures

"Sculpture Mythique" is a sculpture by Jean Arp. The sculpture is edition II/III. Jean Arp was born Hans Arp on September 16, 1886, in Strassburg. In 1904, after leaving the Ecole des Arts et Métiers, Strasbourg, he visited Paris and published his poetry for the first time. From 1905 to 1907, Arp studied at the Kunstschule, Weimar, and in 1908 went to Paris, where he attended the Académie Julian. In 1909, he moved to Switzerland and in 1911 was a founder of the Moderner Bund group there. The following year, he met Robert and Sonia Delaunay in Paris and Vasily Kandinsky in Munich. Arp participated in the Erste deutsche Herbstsalon in 1913 at the gallery Der Sturm, Berlin. After returning to Paris in 1914, he became acquainted with Guillaume Apollinaire, Max Jacob, Amadeo Modigliani, and Pablo Picasso. In 1915, he moved to Zurich, where he executed collages and tapestries, often in collaboration with his future wife Sophie Taeuber (who became known as Sophie Taeuber-Arp after they married in 1922). In 1916, Hugo Ball...

bronze, dark brown green patina signed 'A. Pina' and stamped 'A. Valsuani Cire Perdue' PROVENANCE Private collection, UK

(Possibly after) THE WORKSHOP OF SEVERO DA RAVENNA (ITALIAN, 1465-1543) Satyr from a Padovan model 18th/early 19th Century bronze 21 x 14 x 16 cm (8¼...

Wow! This large bronze sculpture by Floyd Elzinga is simply a ‘knock-out’ with its bright turquoise patina. The Canadian sculptor is known for using iconic i...

Lapin bijou, sonnette, circa 1920-1930 Fondry Susse, Ed. 1748 pcs Bronze with a brown patina H. 6.5 cm Signed on the side of the base : Ed.m.Sandoz Sandoz : Sculpteur Figuriste et An...

Lapin, modèle 6, circa 1944-1949 Edition Leblanc-Barbedienne Bronze with a brown patina 7.5 x 4 x 2.5 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l...

Lapin couché, circa 1919-1925 Fondry Susse, Ed. 10 pcs Bronze with a brown patina H. 6 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l'Oeuvre Sculpté...

Lapin, modèle 5, circa 1919-1921 Fondeur Susse Bronze with brown patina 6.5 x 4.9 x 6.5 cm Inscribed and foundry stamp : Ed.m.Sandoz, Susse Frères Editeurs Certificate of authentici...

Lapin assis, tête tournée, circa 1919-1921 Fondry Susse, Ed. 3/5 pcs circa 1919-1921 Rare bronze proof with a brown patina 8.5 x 5.5 x 6.5 cm Certificate of authenticity issued by th...

Poule cayenne - Poule faisanne, 1st proof, 1906 Bronze with a black patina 28 x 22 13 cm Signed on the base : POMPON. Seal of the founder Cire Perdue A.A. Hebrard. Numbered (M) Certi...

Alfred Jacquemart 1824-1896 Le General Bonaparte en Egypte Bronze, Barbedienne Foundry 10 1/4" high x 8" wide x 4" depth Henry Alfred Jacquemart (1824-1896): born the February 22,...

This fun and somewhat whimsical sculpture recalls a cherished childhood memory for Roch Smith. The Toronto-based sculptor has hand-forged the bronze figure of a young boy on a bike balancing upright on its back wheel-popping a wheelie. He stands poised to ride off the top of a high, narrow steel track that ends in a loop reminiscent of the popular ‘Hot Wheels’ toy race car...

The noble African giant—the elephant has long been a favourite subject for the delightful art of Gillie and Marc. Gillie grew up in Zambia where she acquired a deep appreciation for ...

Ferdinand Barbedienne (Saint-Martin-de-Fresnay 1810 – 1892 Paris) after Lorenzo Ghiberti (Florence, 1378 – 1455) Signed at the lower right of the principal relief: F. BARBEDIENNE Provenance: Private Collection, USA. Barbedienne’s “Gates of Paradise” reliefs are one of the triumphs of nineteenth-century bronze casting and patination. The nine panels that comprise our example are half-size reductions of the famous originals by Lorenzo Ghiberti, made for the Baptistery of Florence and now housed in the Museo del Opera del Duomo. Mounted in an impressive, mullioned frame surround, our work is an exceptional exemplar of the Renaissance Revival, the broadly influential style and movement that infused architecture, design, and artistic culture in the latter half of the nineteenth century. The central scene, The Story of Joseph, is perhaps the most celebrated of the entire series depicting as it does seven episodes from the Biblical narrative integrated into a single composition: Joseph cast by his brethren into the well, Joseph sold to the merchants, the merchants delivering Joseph to the pharaoh, Joseph interpreting the pharaoh’s dream, the pharaoh paying him honor, Jacob sending his sons to Egypt, and Joseph recognizes his brothers and returns home. The surrounding reliefs—two vertical figures in niches, two recumbent figures, and four portrait heads in roundels—are as well faithful reductions of Ghiberti’s original bronzes on other parts of the doors. The maker of these casts was the renowned 19th-century French fondeur Ferdinand Barbedienne. Gary Radke has recently written of this great enterprise: “The Parisian bronze caster Ferdinand Barbedienne began making half-sized copies of ancient and Renaissance sculpture in the 1830s. His firm benefitted enormously from the collaboration of Achille Collas, whom Meredith Shedd has shown was one of numerous pioneers in the mechanical reproduction of sculpture. Their competitors largely devoted themselves to reproducing relief sculpture, but Collas devised a process for creating fully three-dimensional copies. A tracing needle, powered by a treadle, moved over the surface of a full-sized plaster cast or bronze of the original and triggered a complementary action in a cutting stylus set over a soft plaster blank…He signed an exclusive contract with Barbedienne on November 29, 1838, and won medals for his inventions in 1839 and 1844. Barbedienne’s half-sized copies of the Gates of Paradise were famous not only for their fidelity to the original, but also for the way their gilding…suggested the glimmering surface that was hidden under centuries of dirt. Some critics even saw Collas’s and Barbedienne’s work as ‘philanthropic, an exemplary adaptation of industry to the requirements of art, the artist, the workers, and the public alike.’ At 25,000 francs, Collas’s and Barbedienne’s reduction of the Gates of Paradise was singularly more expensive than any other item for sale in their shop. All the reliefs, individual statuettes, and busts were cast separately and could be purchased either by the piece or as an ensemble. Fittingly, Barbedienne’s accomplishment earned him the Grand Prix at the 1878 Paris Exposition Universelle, along with numerous other medals.” Three complete examples of the Barbedienne-Ghiberti doors are known. One, first installed in a chapel in the Villa Demidoff of San Donato near Pratolino, was later acquired by William Vanderbilt...

Cobra, Unknown, 20th century, Bronze, Animal, Snake, Design, art deco, Cast

Chien à la sauterelle, Sandoz, Dog, Sculpture, Bronze, Animal, 1910's Chien à la sauterelle Susse Fondeur circa 1918-1930 Bronze with brown patina and shade of green 13 x 13 x 9 cm Signed and seal of the foundry on the base : Sandoz, Susse Fondeur Catalogue raisonné de l'oeuvre sculpté de Edouard Marcel Sandoz, sculpteur figuriste et animalier 1881-1971, by Félix Marcilhac, Les Editions de l'amateur, 1993...

Ambivalence is cast in bronze, and in an edition of 4. The figure stands in his underwear, one rubber boot on, one off, a beaver dangling from his hand. Nicholas Crombach (b.1989, K...

signed 'A. Rivalta' (on the base)

Silvered bronze with marble base

Henry Moore (1898-1986) Mother and Child: Petal Skirt conceived in 1955; cast in 1955 bronze; edition 4 of 6 plus 1 artist’s proof by the Fiorini foundry, London 19 x 9 x 15.5 cm (in...

With cast signature 'A.L.BARYE.' (on the base)

The evocative image of tree branches lying on the ground caught the imagination of sculptor Roch Smith. The Toronto artist re-envisioned the natural for...

A sculpture by Herb Alpert. "Arrowhead" is a bronze, abstract, totem sculpture by contemporary artist Herb Alpert.

Poisson, Georges Braque, Fish, Sculpture, Bronze, 1940's, Postwar, Valsuani Ed. 6/6 pcs Signed and numbered underneath : 6/6, cire perdue, C.Valsuani fondeur. Certificate of authent...

Bronze sculpture by the Italian-American sculptor Jessica Carroll Diameter cm 80 + iron base, kg 110 (pure bronze) Jessica Rosalind Carroll was born ...

María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...

"L'Oiseau" is a sculpture by Surrealist Joan Miró. The bronze sculpture is signed verso, "Miro" and inscribed 'N.3', and with foundry stamp 'Clementi cire perdue (Paris). André Bret...

LESLEY DILL WHITE HINGED POEM DRESS, 1994 patinated bronze 55 x 37 x 30 in. 139.7 x 94 x 76.2 cm. Edition of 4

LESLEY DILL ONLY, 2004 bronze, paint, ink, wire, thread 58 x 19 x 14 in. 147.3 x 48.3 x 35.6 cm.

Il Trovatore, Chirico, Multiples, 1970's, Bronze, Sculpture, Surrealiste Il trovatore Ed. 250 pcs 1971 Bronze with silver patina H. 31 cm Signed and dated on the base : Editions Art...

A bronze hand, modelled after the artist’s own, balances on its index finger atop a sphere in this imaginative pop art sculpture by Dave Sheridan. Called...

signed 'A. CARRIER-BELLEUSE' (on base)

Bronze sculpture with brown patina. Head of a young girl.

The narrative of love takes many forms in this bronze Gillie and Marc sculpture. Sculpture weighs approx. 12.5 lbs. The artists' names and edition number, 12/30, are stamped into the...

The undulating gentle curves of this sculpture by artist Jana Osterman emulate organic egg shaped forms found in nature. Created out of gypsum, polymer and bronze, the finish is patinated with acid which gives the piece a beautiful deep blue weathered finish. Layers of wax protect this sculpture so it can be handled easily. The weight of the sculpture is 9.0lbs. This is one in a series of nine...

As part of her ‘Listen to Hear’ series, Canadian artist Marlene Hilton-Moore has sculpted Silent, the lower half of a woman’s face, chin and closed lips set at an angle on the ground...

Amaranth and raspberry coloured glass sculpture, referencing the idea of the sensual nature of a pomegranate, the seeds nestled in a bronze ba...

A sculpture by Felipe Castaneda. "Mujer en Reposo" is a figurative sculpture, bronze by Mexican contemporary artist Felipe Castaneda. The artwork is signed in the lower right, "F. Ca...

A sculpture by Felipe Castaneda. "Mujer Peinandose" is a figurative sculpture, bronze by Mexican contemporary artist Felipe Castaneda. The artwork is signed on the lower back, ""F. C...

A bronze Thai Bell from the Dongson Culture (1000 BC-200 AD). The work is unsigned.

At once both elegant and classic, this superb sculpture is the work of Jeremy Guy. The graceful form of a female figure emerges from the black granite. Guy has long been influenced ...

The contemporary artistic duo of Gillie and Marc are passionate environmental activists who have used their sculptures, paintings and photographs to celebrate and save endangered ani...

A sculpture by Henry Moore. "Emperor's Heads" is a figurative sculpture, bronze with a brown patina by modern British artist Henry Moore. It is signed on the base, "Moore 2/7" and is...

Masque de Napoléon sur un Rhinocéros, Sculpture, Dali, Gold, Animals, Bronze Masque mortuaire de Napoléon sur un rhinoceros Ed. 7/8 pcs Bronze with golden patina 32.5 x 30 x 18.5 cm Signed, numbered and foundry's stamp : 7/8 , Valsuani Dalì, Sculpture & Objets, Le dur et le mou, by Robert and Nicolas Descharnes, Eccart, 2004, similar cast illustrated under no.359-361, p.140. Fascinated since his childhood by Vermeer’s painting...

A Chinese Procession Ornament dating from the Liao Dynasty, from 907 to 1125 AD. The Liao Dynasty, also known as the Khitan Empire, was an empire in northern China that ruled over the regions of Manchuria, Mongolia, and parts of northern China proper. It was founded by the Yelu family of the Khitan people in the final years of the Tang Dynasty, even though its first ruler, Yelu Abaoji, did not declare an era name until 916. The Liao Empire was destroyed by the Jurchen of the Jin Dynasty in 1125. However, remnants of its people led by Yelu Dashi established the Xi (or Western) Liao Dynasty 1125 - 1220, also known as Kara - Khitan Khanate, which survived until the arrival of Genghis Khan...

Fragment of a right foot, Roman period, 3rd century AD, sculpture, antiquities 3rd century AD Hollow cast bronze Provenance : Collection of Nicolas K...

This sculpture is an A.P., cast posthumously by the Boaz Vaadia Estate.

Iris little study, Auguste Rodin, Bronze, Sculpture, Modern Art, 1970's, Nudes Petite etude pour Iris, douzième épreuve Ed. 12/12 pcs 1973 Bronze with brown and black patina Marked...

A sculpture by Seth Kaufman. "Lignum Spire" is a contemporary sculpture, bronze with green patina by American Conceptual artist Seth Kaufman. Seth Kaufman lives and works in Southern...

Using simplified shapes, artist Frances Semple reveals the emotive essence of movement in this bronze sculpture of a walking woman. At 60 inches high, the figure is life-size. The sculpture is inscribed by the artist with initials and edition number, 3/9. The concrete base measures 12h x 24w x 42d inches. Together, the sculpture and base...

This sculpture is edition 2/7, cast posthumously by the Boaz Vaadia Estate.

Ancient glacial ice that shapes and carries stones hundreds of kilometers was the inspiration behind these enigmatic sculptures by Shayne Dark. Cast in steel and coated in a veined b...

Vincenzo VELA (1820-1891) Last Days of Napoleon in St-Helena Created in 1866 Bronze with brown patina Signed ‘V. Vela F. 1867’ on the terrace. Signed ‘F. Barbedienne Fondeur’. Stamp ...

A sculpture by Manuel Neri. "Untitled" is a Bay Area Figurative sculpture, painted bronze in a palette of browns, whites, and pinks by Post-War artist Manuel Neri. The artwork is sig...

Luscious pomegranate red glass nesting in a bronze casing. Vamvakas Lay uses bronze and glass to create the illusion of scattered pomegranate seeds. Vamvakas Lay often incorporates ...

Spiral fibula, Hallstatt, 1st Iron Age, Bronze, Sculpture, Antiquities, Design Spiral Fibula 9e-6e before j.c Bronze with brown and green patina Provenance : Collection of Aigenbauer

Spiral fibula, Hallstatt, 1st Iron Age, Bronze, Sculpture, Design, Antiquity Spiral fibula 9-6 centuries before J.C Bronze with green and brown patina Provenance : Collection of D...

It’s a striking image—a man, standing—his legs impossibly long, his arms spread wide affording him, perhaps a new and bigger perspective. Is this the intention behind Toronto artist ...