Early 2000s Sculptures

Angelo Canevari’s Assyrian King is a 25 x 14 inch mix media surrealist sculpture. It is made of metal, resin, automotive paint, and cardboard. It is a surrealist interpretation of a bust of an Assyrian King. The use of metal and wires to develop a tridimensional sculptural quality, as well as the expressionistic outcome of the imagery, has echoes in some contemporary African sculpture...

Hardcover in clamshell box with four prints and sculpture, 792 pages 50 x 50 cm (20 x 20 in) The sculpture Radial Champs by Jeff Koons Comprised of two inflatables and a stool 17...

This contemporary, still-life, blown glass, sculpture of a leaf was hand-crafted by artist Eileen Gordon. Australian glass artist Eileen Gordon’s deep red and purple leaf captures t...

"Hyperbolic Paraboloid - Harp"" by Jerry Dane Sanders is a large brushed finish stainless steel outdoor sculpture measuring 120x48x48. This is a stunning stainless steel sculpture in the shape of a twisted U with skinny pieces of steel intertwined in the middle, creating a hyperbolic paraboloid effect, reminiscent of a harp. This unique and modern piece will add an eye-catching focal point to any outdoor space, from gardens and patios to public parks and corporate courtyards. The durable stainless steel construction ensures that this sculpture will withstand the elements and retain its beauty for years to come. Don't miss the opportunity to enhance your outdoor environment with this one-of-a-kind sculpture. This piece does have some damage with scratches. on the steel base. Jerry Dane Sanders Sadly passed away at age 58 from brain cancer...

Life-size sculpture of three boys walking atop a log.

Awhi Whakapapa, Embracing Geneaology, ceramic figurative sculpture, Contemporary

This Bronze by Isabelle Jeandot is one edition of a limited series of twelve original sculptures, and it will be delivered with the certificate of aut...

Sky Cradle, sculpture by John Reeves, mixed media, wood, granite, limestone

Round Mountain Landscape, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a majo...

Cathedral is a bronze sculpture by French contemporary artist Delphine Brabant, dimensions are 43 × 17 × 9 cm (16.9 × 6.7 × 3.5 in). The sculpture is signed and numbered, it is part...

'Pura Gede' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space & Standing Stones series. It features painterly brush...

Old metal type, welded together to form the head of this oversized bust, is cast in bronze and perched on a bronze pyramidal base by sculptor Dale Dunni...

"Morning Excercise (C-3)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece along the base of the skirt. This artwork features a woman...

'Ahe' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It features painterly brushstroke formations in glass called trails. Trails are cr...

Horse XII is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 48 × 53 × 25 cm (18.9 × 20.9 × 9.8 in). The sculpture is signed and numbered, it is part ...

'Sanawa' is a contemporary abstract glass by artist David Ruth. Created in 2008, it was a piece in a series about the David's views on the American invasion of Iraq. "In 2005, a fe...

'Malaita 1' is a contemporary cast glass sculpture by David Ruth from the Chill Project Series. The series is one of David's first explorations in casting natural forms in natural gl...

Technological Pinocchio is an original decorative object realized between 2007 and 2008 by Ferdinando Codognotto. Original wood sculpture realiz...

This is a unique bronze container. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from li...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

ROBERT BRADY terracotta 20.75 x 5 x 7.5” signed by artist date unknown

Tolla Inbar, Circle of Life, bronze sculpture, International artist, Israeli artist, Figurative sculpture, art

'Sampalan' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. David fused various colored glass to create a layered, suspended, and vibran...

Hand built with slabs using Laguna Clay EM347 white ware with grog and bisque fired to cone 06. Then fired to cone 06 with low fire underglazes and glazes.

Melanie Yazzie (1966-) Pollen Keeper II (maquette) Powder-coated metal, 2008 Hand signed, titled, dated and numbered 2/30, attributed, titled, dated and numbered again to paper label Mounted to a white composition plinth Provenance: The Freund Family Collection Melanie Yazzie is a Navajo sculptor, painter, printmaker, and professor. She teaches at the University of Colorado at Boulder. Yazzie was born in 1966 in Ganado, Arizona, United States. She is Navajo of the Áshįįhí, born for Tó Dichʼíinii. She grew up on the Navajo Nation. Although she grew up on the Navajo Nation, Melanie Yazzie is of the Salt Water Clan born for the Bitter Water Clan. She first studied art at the Westtown School in Pennsylvania. Yazzie earned a BA in Studio Art with a minor in Spanish from Arizona State University in 1990 and an MFA in printmaking from the University of Colorado at Boulder in 1993. Melanie Yazzie works a wide range of media that include printmaking, painting, sculpting, and ceramics, as well as installation art. Her art is accessible to the public on many levels and the main focus is on connecting with people and educating people about the contemporary status of one indigenous woman and hoping that people can learn from her experience. Her subject matter is significant because the serious undertones reference native postcolonial dilemmas. Melanie's work focuses primarily on themes of indigenous people. Her work often brings images of women from many indigenous cultures to the forefront. Thus her work references matrilineal systems and points to the possibility of female leadership. Yazzie is known for her multilayered monotype prints that focus on storytelling and reflect her dreamtime friends and companions. The works are filled with colors and textures that reflect different world. The works are made with stencils and often she is printing with soy based inks called Akua inks that are safe for the artist and the environment. The works most often are printed on Arches 88 due to the absorbing quality of that 100% rag paper. It is a fine art paper made in France and very soft to the touch. It is a paper designed originally for screen printing but is the perfect surface for many of the works Yazzie creates. The works often are monotypes as opposed to monoprints. So the works are a one of a kind work of art and not made in multiples. She is a Professor and Head of Printmaking at the University of Colorado at Boulder. She teaches printmaking courses and travels extensively to indigenous communities within the United States and abroad. She can always be found through the University of Colorado Art and Art History Department. In addition to teaching at the Institute of American Indian Arts, the College of Santa Fe (now Santa Fe University of Art and Design), Boise State University, and the University of Arizona, Yazzie has taught at the Pont Aven School of Contemporary Art in France. Yazzie has led over 100 international print exchanges over a 20-year time period. Many of these exchanges include artists from Siberia, Japan, New Zealand, Australia, Canada, Mexico, and Germany. In 2012, the Denver Art Museum welcomed Yazzie as artist-in-residence, making her the first in the Native Arts department. A selection of major exhibitions from the 1990s to present include "Between Two Worlds" (2008) at Arizona State University, "Traveling" at the Heard West Museum (2006), "About Face: Self-Portraits by Native American, First Nations, and Inuit Artists" at the Wheelwright Museum (2005), "Making Connections" (2002) in Bulova, Russia, "Navajo in Gisborne" (1999) in Gisborne, New Zealand and "Watchful Eyes" (1994) at the Heard Museum. In September 2013 she co-curated the exhibition "Heart Lines: Expressions of Native North American Art" in Colorado University Art Museum, partially based on her private collection and including her work "Pollen Girl". Artists featured: Norman Akers, Maile Andrade, Kenojuak Ashevak, Pitseolak Ashoona, Corwin Clairmont, Jimmie Durham, Joe...

Column XIV (Pointer), John Van Alstine. This sculpture will be shipped directly from the artist's studio.

Elevation is a unique ceramic sculpture by contemporary artist Tien Wen, dimensions are 110 × 25 × 22 cm (43.3 × 9.8 × 8.7 in). The sculpture is signed and comes with a certificate ...

Invitation is a bronze sculpture with an iron stand by contemporary artist Delphine Brabant, dimensions are 50 × 30 × 10 cm (19.7 × 11.8 × 3.9 in). The sculpture is signed and numbe...

Start of the Dance by Denny Haskew Figurative Bronze of a young Native American Boy at Pow Wow 21x22x30" limited edition of 21 "Life's a dance. You...

Sculpture from the Ballet series. The series is dedicated to classical ballet and includes over 30 sculptures. This sculpture depicts a dancer tying p...

Sara Fine-Wilson's “Swarming Bulge" is a gestural 22 x 7 x 6 inch ceramic sculpture in cream and warm gray. It is hand built and wheel constructed in white stoneware. Individual hand formed details are layered over the entire surface creating a graceful and fluid form. The surface is coated in a warm cream matte glaze that becomes darker gray and glossy along the edges that have been caught during the soda firing process. The glaze emphasizes the contrast between surfaces and edges. Fine Wilson’s ceramic work contains elements of both raw and refined surfaces including cracks, ruptures and pooling of glaze. Sara Fine-Wilson is a contemporary sculptor based in the Boston area...

signed and numbered in verso silkscreened printed in enamel inks on shaped aluminum with bronze base 48 1/8 x 72 5/8 x 10 1/2 in from edition of 25

J. Casamayor. Torso of a man with a marble base.. original bronze 7/7 sculpture José Casamayor began, at the age of eight, in the disciplines of drawing and painting, when he attende...

Unknown Artist In-Style of Juris Bergins Cup with Handle Porcelain, Glaze, Image Transfer, Chinapaint Year: 2000s Size: 7.5x6.5x3in Signed COA provided Ref.: 24802-1743 *minute chip...

P.041200 is a glass sculpture by Japanese contemporary artist Toshio Iezumi, dimensions are 60 × 20 × 7 cm (23.6 × 7.9 × 2.8 in). The sculpture is signed and numbered, it is part of...

'Mandul' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space & Standing Stones series. It features painterly brushstroke formations in glass called ...

Glazed ceramic

Karl-Heinz Deutsch (*1940 Karlsruhe), Helmet Head, around 2003. Polished and patinated bronze, 23.5 cm (height) x 25.5 cm (length) x 16 cm (depth), weight 4.9 kg. Monogrammed on the ...

This artwork "Woman with Bird" c.2000 is an original cast paper bas relief by noted Swedish/American artist Carlo Wahlbeck, b. 1933. It is hand signed a...

Mixed media artwork - bronze sculpture installed on velvet

woven willow, twigs, waxed string

Original, mixed media wall sculpture. Damilola Odusote is known for his eclectic, prolific, intricate works. His artworks are a running narrative of his conscious and subconscious m...

Sculpture, Serpentine

This is an intense bronze sculpture created by the Italian artist Ugo Riva, in 2006. Lost wax bronze. The title of this artwork is "Con gli occhi nell...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Alex Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

Unknown Artist Wall Sculpture with Golden Top (and opening) Porcelain, Glaze, Gold Luster Year: Unknown Size: 9.5x2.5x2in Ref.: 24802-1740 *could also be used a single stem wall-moun...

"Duke" by John Clement Abstract Metal Sculpture in red painted steel In his sculptures, John Clement bends stainless steel into fanciful curvilinear forms focused on essential quest...

Flight V is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 37 cm × 33 cm × 26 cm (14.6 × 13 × 10.2 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity. "The theme of flight came about during my search...

Evocator, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

'Dar Zubi' is a contemporary abstract cast glass sculpture by David Ruth from his Darfur series. It features painterly brushstroke formations in glass called trails. These trails are...

'Baquba' is a contemporary abstract glass by artist David Ruth. Created in 2008, it was a piece in a series about the David's views on the American invasion of Iraq. "In 2005, a fe...

'Yaroi' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It features painterly brushstroke formations in glass called trails. These trail...

Naos is a unique ceramic sculpture by contemporary artist Tien Wen, dimensions are 68 × 25 × 23 cm (26.8 × 9.8 × 9.1 in). The sculpture is signed and comes with a certificate of aut...

"Amazon", Nude Walking Woman Looking on the Side Figurative Bronze Sculpture. Passionate about the spirit, with her timeless and universal expression in the heart of the human condition, the artist Isabelle Jeandot...

Pagan Christian, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in. 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

'Kulaykili' is a contemporary abstract cast glass sculpture by David Ruth from his Darfur series. It features painterly brushstroke formations in glass called trails. These trails ar...

Provenance Acquired by the gallery directly from the artist EXHIBITIONS California Art Clubs 95th Annual Gold Medal Juried Exhibition April 2 - 23...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Artist: Mirkò Guida (Italian, b. 1980) Title: Jazz Musicians Year: circa 2007 Medium: Painted terracotta jug, signed Size: 27.5 x 9 x 9 in. (69.85 x 22.86 x 22.86 cm)

Together by Kirk Tatom, bronze bird sculpture, deco, bronze, patina, edition