Early 2000s Sculptures

Markus Linnenbrink is a German painter best known for his room-sized painted installations and works on canvas. Working within the genre of American Color Field painters, such as Gen...

The dynamic nature of this ecstatic pirouette must be experienced from all sides. Whirlwind examines the forces of attraction and separation in a relationship. The couple’s solid bon...

Ex Nihilo Figure 3 is a full scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the The Creation Sculptures at Washington National Cathedral...

Black Shell, Federica Luzzi, cotton, wool, 60” x 49” x 9”, 2009 Federica Luzzi (b. 1970, Italy) is known for her woven sculptures, which she creates using her own personal knotting ...

Linda Stein, Iron Knight 625 - Contemporary Art Ceramic Wall Sculpture Iron Knight 625 is from Linda Stein’s Knights of Protection series, which she started after being forced to ev...

"Folded Form I", steel mesh, painted, electroplaited, gold and silver leaf, 12 1/4" x 12 1/4" x 12 1/4", 2004. This abstract geometric wall sculpture was done by fiber artist, Jin-S...

The stunning contemporary monumental sculptures of Mike Hansel have been exhibited and admired in public venues throughout the United States. The American artist has spent more than ...

Broken White Band with Pink, Linen, wool, and cotton, 32" x 32" (2008). This two-tone contemporary abstract woven tapestry and textile wall sculpture is by UK-based textile artist, Sara Brennan...

Warrior is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 132 × 31 × 18 cm (52 × 12.2 × 7.1 in). The sculpture is signed and numbered, it is part of ...

Mathilde is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 27 × 21 × 9 cm (10.6 × 8.3 × 3.5 in). The sculpture is signed and numbered, it is part of a limite...

'Famine' is an original springstone sculpture signed by the Zimbabwean artist Rangarirai Makunde. The sculpture presents a solitary figure who stands facing directly forward. He hold...

Horse IX is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 46 × 48 × 14 cm (18.1 × 18.9 × 5.5 in). The sculpture is signed and numbered, it is part o...

'Baquba' is a contemporary abstract glass by artist David Ruth. Created in 2008, it was a piece in a series about the David's views on the American invasion of Iraq. "In 2005, a fe...

'Footballer (Soccer Player)' is an original opal serpentine sculpture signed by the Zimbabwean artist Canaan Musiyiwa Ngandu. The sculpture presents an abstract figure in Ngandu's qu...

"Lion's Den" Abstract Metal Sculpture by Kevin Barrett Unique bronze tabletop sculpture Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wal...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...

Edition of 31 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris, and in returning to Colorado, spent five years as master craftsman to the notable bronze sculptor George Lundeen. DeDecker is a Fellow of the National Sculpture Society and has gone on to receive copious awards, such as the Critics Choice Award from the Kimball Art Museum, Fort Worth, TX. Major installations of DeDecker’s sculptures are located at the Presidential Library in Washington, DC; the Mayo Clinic...

Edition of 17 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and ne...

The male figure lies atop a cresting wavelike column, seemingly elevated by the experience. One hand is nearly touching his heart while the other hand is held open in a gesture of re...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. Stein's works are in mor...

Frederick Hart is America's greatest figurative sculptor. Not only did he create works of great beauty and gravitas, he was singularly responsible for restoring to American public mo...

ROBERT BRADY - UNTITLED DUCK stoneware 14.5 x 15.25 x 4.25” date unknown

"Calling Head" is an original opal stone sculpture by Gift Muchenje. The artist signed the piece and it weighs 155 lbs. This artwork features a woman with ...

"Ex Nihilo Working Model" by Frederick Hart is an acrylic figurative sculpture part of the "Ex Nihilo" serires numbered 53/350. “I saw Ex Nihilo (Out of Not...

FREE SHIPPING TO WORLDWIDE! Artisan: Fidel Martinez Martinez 1st. Place Category Clay Sculpture   XXX Edition Ceramics National Award Made with Black Clay, hand-modeled technique...

This is an intense bronze sculpture created by the well known Italian artist Ugo Riva, in 2006. The title of this artwork is "Dove vai?" , translated...

'Stretching' is an original opal serpentine sculpture signed by the Zimbabwean artist Canaan Musiyiwa Ngandu. The sculpture presents an abstract figure in Ngandu's quintessential sty...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The sculpture is constructed from metallic resin, wood...

Spillway is a low relief, bent laminated, wall-hung sculpture made from ash veneer and formed using a vacuums technique. The shapes mimic two bodies of water connecting through a "s...

'Excited Girl' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe's ...

Linda Stein, Knight of Glyphs 626 - Contemporary Art Ceramic Wall Sculpture Knight of Glyphs 626 is from Linda Stein’s Knights of Protection series, which she started after being fo...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box with Britto studio certificate of authenticity. Artw...

'Landing Dove' is an original opal serpentine stone sculpture signed by the contemporary Zimbabwean artist Joel Nhete. The artist presents in this sculpture a highly abstracted figur...

Linda Stein, Heroes 591 - Contemporary Mixed Media Wonder Woman Colorful Sculpture Linda Stein started her Knights of Protection series after she was forced to evacuate her New York downtown studio for a year post-9/11. Stein’s Knights function both as defenders in battle and symbols of pacifism. The series references popular and religious icons such as Wonder Woman, Princess Mononoke...

Them is a bronze sculpture by sculptor Martine Demal, dimensions are 49 x 15 x 11.5 cm (19.3 × 5.9 × 4.5 in). The sculpture is sold with a plexiglas base which dimensions are 15 x 11...

Kent Ullberg's Sailfish is a captivating bronze sculpture that embodies the elegance and dynamism of the sailfish, one of the ocean's most iconic creatures. Measuring 15 inches in he...

Standard Times By Gao Xiao Wu Gao Xiaowu is a contemporary Chinese sculptor known for his whimsical bronze figures that blend humor with social critique. His work explores themes ...

This contemporary, still-life, blown glass, sculpture of a leaf was hand-crafted by artist Eileen Gordon. Australian glass artist Eileen Gordon’s deep red and purple leaf captures t...

Seated Figure XII is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 51 × 13 × 9 cm (20.1 × 5.1 × 3.5 in). The sculpture is signed and numbered, it is...

Immerse yourself in a world where emotions run high and desires are laid bare with our stunning Dreams of Ecstasy sculpture. Crafted with exquisite detail, this towering masterpiece ...

"Morning Excercise (C-3)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece along the base of the skirt. This artwork features a woman...

Remembering Who I Am by Denny Haskew Figurative Bronze Nude Wall Mounted Sculpture 36x40x28" ed/7 Stone is not included. Nude emerges from the wall. Patina transitions from stone app...

'Special Catch' is an original sculpture signed by the Zimbabwean artist Chemedu Jemali. The sculpture presents the head and torso of a figure clutching to a fish, each highly abstra...

W 629 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such as Wond...

'Gaji' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It features painterly brushstroke formations in glass called trails. These trails...

This contemporary, still-life, blown glass, sculpture of a leaf was hand-crafted by artist Eileen Gordon. Australian glass artist Eileen Gordon’s leaf in jewel tones of red and fore...

'Dancing in the Wind' is an original opal serpentine sculpture by the Zimbabwean artist Wellington Karuru. The artist presents an elegant and curvilinear figure of a woman, her hair seeming to billow upward and behind her. The sculpture is on one hand a celebration of the stone material, and on the other it calls back to art historical precedent: her body is brought to a high polish, reflecting the softness of skin, while her hair is left rough-hewn to create the effect of the untamed wind. At the same time, the woman's body is highly stylized and emphasizes her hips and belly, recalling Paleolithic "Venus" sculptures like the lauded Venus of Willendorf and thusly ideas of maternity and womanhood. opal stone (serpentine) not signed 23" high x 8" widest point x 4" smallest point, sculpture 4"x4"x4", sculpture bottom 1 x 6 x 6 inches, base Overall excellent condition with no signs of wear Sculpture comes with base. Born on August 17, 1976, Wellington Karuru is the first born to a family of five children and has two brothers and two sisters. As the first born child in a Zimbabwean family, many responsibilities were shouldered upon Wellington. Both his brothers, Gilbert and Esau, are also talented sculptors. He completed his primary and secondary education in Mashonaland West Province and was involved in almost every sporting activity at the school. After he graduated, he was employed at National Foods LTD where he worked as a machine operator for a period of four years and was later promoted to work as a sales clerk. In his free time he assisted some well known artists in sculpting, was able to learn much from them and soon thereafter started to develop his own talent and unique style. Inspired by such well known sculptors such as Gardener Sango and Garison Muchinjili, Wellington started sculpting small pieces for himself and soon found a buyer for his favorite piece titled ‘A Cry For Help’. From that day forward, he has never looked back. He eventually went to work with Garison Machinjili whose influence is clearly shown in his work. Some of his pieces have been chosen already for international exhibitions and galleries. Well established and internationally renowned artists like Joe Mutasa...

J. Casamayor. Torso of a man with a marble base.. original bronze 7/7 sculpture José Casamayor began, at the age of eight, in the disciplines of drawing and painting, when he attende...

Memento Clear Cell is a unique contemporary modern glass object made by Australian glass artist Emily McIntosh. This sculpture is made up of three blown clear glass components, small, medium and large, that are all lathe worked with a brushed translucent finish. The artist has been pursuing themes of touch as human memory through marking the glass skin. Her sculpture is focused upon surface finishes that amplify translucency, shadow & the reflection of light within the glass creating impressions of fragility & the suggestion of vulnerability. They are reminiscent of time capsules or cells capable of holding onto transient thoughts and memories, these structures are intended to preserve and protect one’s precious ephemeral recollections that through time may otherwise become forgotten. Emily McIntosh (1978, Australia) graduated with a MA in Fine Art and earlier with a BA First Class Honours in Fine Arts in Ceramic Design - Glass from the Monash Unversity in Caulfield. After her study she spent several months in Japan at the Ezra Glass Studio working with renowned glass artist Hiroshi Yamano...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. Knight in Formation 532 was exhibited in 2006 at Lo...

'Anturan' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space & Standing Stones series. It features painterly brushstroke formations in glass called...

Knight of Calm 621 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

"Woman with Outstretched Arm" by Frederick Hart is a figurative female figure bronze sculpture with the edition number 69/175. The story of “Woman with Outstretched Arm” began ove...

embossed oxidized copper sheet applied to handmade paper Limited edition of 100 copies signed in pencil by artist lower right and numbered as AP ( artist proof ) lower left Cooper si...

"The Beach" by Chapel 20x36x6" one-of-a-kind sculpture Mixed Media: Cast Bronze, Marble, Stainless Steel, Steel This particular piece is available from the estate of the artist. It is in excellent, like-new, condition. Shipping price includes the custom packing necessary for safe transport of fine art. Chapel, 1948-2021, Artist's Statement: “I was raised on the Western Slope of Colorado, with almost unfettered access to the American wilderness. I currently reside on a sailboat in Oakland, CA with my studio in nearby San Leandro. I work with permanent materials including bronze, steel, stainless steel, aluminum, glass and stone. It is my contention that a work of art must include a complete environment, not just a single object. In my opinion, it is very difficult to convey meaning with either pure abstraction, or pure representation. Describing an abstract concept with another abstraction does not define the subject. There is nothing in a completely non-objective artwork from the viewers experience upon which to base some meaning. One the other hand, a completely realistic presentation doesn't define an abstraction any better than a dictionary. This is why my sculpture is a blend - the symbolic joining of modern man with primitive experience. They are in-depth studies of the archetypes and symbols used to communicate their relevance to our everyday lives. Mythology, poetry and art are humanity's attempt to describe the mysteries of life which are beyond our ability to consciously comprehend. This is the appeal of the visual arts, poetry, literature and music; they excite an emotional response, or memory that transcends mere words.” - Ron Chapel...

A colorful modernist abstract pottery polychrome wall sculpture, each piece with varying textures, colors, and shapes by American artist and professor Bruce Lenore (b. 1955). Lenore is not only an artist, but was an art teacher at Smithfield High School in Rhode Island, as well as a teen art instructor at RISD. Lenore is a member of the “Memphis” pottery...

3 standing figures IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 61 × 22 × 17 cm (24 × 8.7 × 6.7 in).   The sculpture is signed and numbered, i...

Knight Emerged 583 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Jaime Avila Ferrer Bomba Blanca 4. Capitolio de Washington DC - Capitolio De la Habana Measure: 20.5" x 5" x 5" Wall ceramic sculpture with gold and copper intervention 2006 Jaime Avila Ferrer is a world-renowned artist whose work combines painting, sculpture, drawing, and photography. He uses mixed media in some pieces such as Dust, in which dots of white paint are applied to a darkened Plexiglas surface to form pictures of urban landscapes from the granulations. Outline for Dust is an artwork in which he connects the cityscape of Bogota with the JFK airport in New York. He uses traditional approaches to examine social, political, and environmental topics. Avila studied civil engineering at the Universidad de Los Andes in Bogota (1983–1987) and received his degree in Fine arts from the same university (1988–1991). He has presented solo shows such as Talento Pirata, Jaime Ávila (Pirate talent, Jaime Ávila), at the Nueveochenta Gallery in Bogota (2013). His first shows in the United States were Life is a Catwalk at the David Rockefeller Center for Latin American Studies at Harvard University and 4th World – Five Cubic Meters at the Boston Arts Academy (2005). Ávila represented Colombia at the XXVI Sao Paolo Biennial in Brazil (2004), the III Liverpool Biennial in the United Kingdom (2004), the II Mercosul Biennial in Brazil, (2000), and the FIAC in Paris, France (1999). He has participated in exhibitions such as ¡No más chicha!, at Alcuadrado Variable in Bogota (2009), the Centro de la Imagen in Mexico City, and the Casa de las Américas in Madrid, Spain (2004), Changing the Focus: Latin American Photography (1990–2005), at the Museum of Latin American Art in Long Beach, United States (2010), Resurfaced: Contemporary Colombian Art...