Engine Sculptures

From ancient times, the materiality of clay has presented itself as a metaphor for human self-transformation. In recent decades, visual artists have leveraged this metaphor to explore the boundaries of visual art through creative experimentation. This has led to the development of innovative techniques and styles that push the limits of materiality and artistic expression. ‘Compressing Materiality’ brings to the fore notable artists exploring the mutable materiality of clay within the contemporary South African context. Existing in multiple temporalities and forms, both malleable and fragile, clay draws on various transformational agents to reflect culture and history—serving as a repository of collective memory and heritage. Its enduring materiality transcends temporal and spatial boundaries, fostering dialogue and understanding across diverse cultural landscapes. In the hands of an artist, clay transcends its inert state, undergoing metamorphosis through the alchemy of skill, imagination, and fire. By demanding physical engagement—a communion between hand and material—the artwork is imbued with an innate vitality. Clay moulds, sculpts, and shapes, yielding to the artist's will, yet simultaneously asserting its own agency. It captures the essence of transformation, mirroring the perpetual flux of existence. Featured as part of this group exhibition, ‘Compressed History’ by Hennie Meyer underscores his ongoing exploration of the relationship between material, history, and identity in his art. His practice often emphasizes repetition and installation, resonating with the exhibition's aim to investigate the transformative potential of clay as a medium. Meyer's work enriches the dialogue on materiality and cultural expression, showcasing the innovative and reflective qualities of contemporary South African ceramics.

" Heures Creuses " 2023 Unique 61 x 26 x 12 cm Mixed Media Working in wire allows Chedburn to draw in three dimensions; creating lines, curves and volumes to reveal the characte...