Abstract Art

Necklaces, 2018 is part of the artist's "The Wholesalers" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 26.66" x 20" on 30.66" x 22" p...

DAVID SKILLICORN Meloday III 48.00w x 36.00h x 2.00d in $5,500.00 “The real purpose of painting is to give pleasure. My work is an expression of joy. Joy in color. Joy in gesture. Jo...

This abstract painting from series “Geoforms” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. Signed certificate of...

Dance 2 - Limited edition pigment print of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). The inks used are known for their longe...

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Motivated" vibrates in an infinite celebration of...

#1642 (Abstract painting) Oil on Canvas/Wood — Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that wi...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Rumble" shakes with gestural color in an infinite...

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Running for the Border" races ahead in an infinite...

This is a gallery quality, PMS abstract acrylic painting for your home or office. It was painted with the highest quality materials and will make a statement in your space. This piec...

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Over the Top" vibrates in an infinite celebration...

Robert’s work incorporates small poetic texts, often in a childlike manner. She did not utilize conventual tools, such as a paintbrush, but moved the paint with her hands. Though rig...

Contemporary Art, Abstract Painting Acrylic on canvas 204x340cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 19...

layered acrylic panel sculpture Eric Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion a...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

There are similarities in looking at layers of paint on a canvas vs. looking up in a night sky at billions of stars. I imagine astronomers and sailor’s alike using their creativity to find the endless constellations that stars have to offer. “The Bear...

This Collage it was creates with acrylics & handmade Japanese paper. A floral blossoming compositions inspired in the beauty of impermanence and the passage of time.

Art print on heavy paper After the original from 1969 In good condition

Robert’s work incorporates small poetic texts, often in a childlike manner. She did not utilize conventual tools, such as a paintbrush, but moved the paint with her hands. Though right-handed, she preferred to use her left hand to tap into a fragile creative energy akin to the mark-making of an untrained child’s first gestures. Her work, therefore, has a sense of discovery that is both assertive and tentative. Her poetic texts are evocative and sometimes nonsensical, functioning more compositionally than literally. Her works on paper are often composed of variegated scribbles, and her paintings are rich painterly statements that move between abstraction and fantastical landscapes. Louise Robert’s first professional exhibition was held in Montreal...

This unique piece by Margulis is one of his latest body of works. Margulis’ utmost concern is the creation of geometric shapes conceived mostly by changing the perspective of the vie...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Gertrude scene, 180x160cm, oil on canvas

Title: The Guardians Free Spirit Large Abstract Colorful Horse Contemporary Figurative Flowers Horse in blue. This strikingly beautiful artwork by Karnish, depicts abundance, the sp...

I was inspired by a room called “The Owl Room” at Al Biernat’s North , in Dallas, TX. I needed to display a work that was representative of an owl but fit the upscale environment at ...

Signed and dated "© D. Christensen 1989" with an orientation arrow verso. Medium "Acrylic on Canvas", title "Java", size "22 x 20" are all inscribed verso. Dimensions of this artwo...

Is a captivating masterpiece that embodies the essence of the action painting movement. With its vibrant display of colors against a pristine white backdrop, this artwork emanates an...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Robert’s work incorporates small poetic texts, often in a childlike manner. She did not utilize conventual tools, such as a paintbrush, but moved the paint with her hands. Though right-handed, she preferred to use her left hand to tap into a fragile creative energy akin to the mark-making of an untrained child’s first gestures. Her work, therefore, has a sense of discovery that is both assertive and tentative. Her poetic texts are evocative and sometimes nonsensical, functioning more compositionally than literally. Her works on paper are often composed of variegated scribbles, and her paintings are rich painterly statements that move between abstraction and fantastical landscapes. Louise Robert’s first professional exhibition was held in Montreal...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Artist Statement on “Empty Landscapes” series: In the life of the artist, sport fields and arenas have been a refuge and a home. Empty Landscapes is a project that started during the pandemic which explores the football field as a place de-peopled. Among other things we never imagined happening in our lifetime, this space built into our landscapes to be occupied became for nearly a year and a half a space inaccessible- even prohibited. By placing the field vertically, deconstructing it, or rearranging the boundaries and shapes that lay down the foundations of the game the artist creates a familiar, but obsolete representation of a space treasured by so many. About the artist: About the artist: Magdalena Paz...

Anne Larsen worked as a successful photographer for one of the largest commercial studios in Copenhagen, Denmark. In 1994 she moved to the United States to pursue a career in fine-ar...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 50"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

GREEN ZONE: This abstract art is expressing the need for green area and forest reserve around us in the city in work places schools or homes and in the community to promote clean ai...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1972 E...

layered acrylic panel sculpture Eric Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion a...

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Thinking Out Loud" Diptych comes together in an i...

Jonathan Moss NV10 Bright Contemporary Art Unique Relief Print printed on Somerset, 300gsm, paper. Sheet Size: H 76cm x W 111cm x D 0.1cm Sold unframed Please note that in-situ image...

Opening Houses on Black 3, 2022. Coloured pencil on black paper, 20 x 20cm Nicky Marais (b. 1962) is a Namibian artist, educator and activist. Marais is well-known for her abstract artworks created using a personal vocabulary of abstract forms and colour relationships derived from everyday life as well as the socio-political history of Namibia and icons from around the continent. These forms are often layered using a mixture of stencils and traditional painting techniques. Marais describes her practice as a “constant hunt for significant shapes”, which are subjected to a process of near-obsessive repetition, appearing multiple times in different combinations. Much of her work explores the relationship between physical and spiritual worlds, which extends into an investigation of the relationship between the tangible and the intangible, the signifier and the signified. Speaking about Marais’ work, Rosa Namises said “Sometimes we are trapped between the gates and the snakes. We have to choose to go through the path of knowledge, to learn what the snakes have to teach us, and not allow ourselves to be trapped by the gates” (2017). Marais is recently retired from an eleven year posting as the Head of Department of Visual Arts at the College of the Arts in Windhoek. As an artist, she has exhibited extensively in Namibia and abroad. In 2017, The National Art Gallery of Namibia hosted a solo exhibition by Marais, titled ‘Presence in Absence’. Her next solo ‘Connections‘ was held at Guns & Rain Gallery in Johannesburg in 2020. Most recently in 2022, the artist participated in the Baker’s Bay...

Two black cut out figures seen from the back, appear to face away from each other and yet are very close in proximity. The balance of these figures suggests a deep relationship.

Hyper Cube Series. 1978. Gouache on Acrylic on Canvas.

Stefano est un artiste peintre Genevois contemporain qui s'amuse entre l'abstrait et un figuratif suggéré. Cette pièce représente pour l'artiste "Brigitte Bardot de dos". Elle a été ...

"Nothing But Trouble" is a perfect example of Hunter's highly fluid, expressionistic style -- which so often results in arresting images with a sense of depth and sculptural form. Bl...

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. "Meeting in the Middle" Diptych comes together in ...

"Portrait 2" Drawing 23" x 17" inch by Oleksandr Miroshnychenko Unique work ball pen, spray paint, paper 180g ARTIST BIO: Oleksandr Miroshnychenko lives and works at his studio in...

Contemporary Art, Abstract Painting Acrylic on canvas 150x200cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Naciona...

I was working at the Palm Restaurant in Dallas. I got to know a lot of radio personalities and people in the music industry. One day someone from the 94.5 The Edge said they were loo...

I was working at the Palm Restaurant in Dallas. I got to know a lot of radio personalities and people in the music industry. One day someone from the 94.5 The Edge said they were loo...

I was working at the Palm Restaurant in Dallas. I got to know a lot of radio personalities and people in the music industry. One day someone from the 94.5 The Edge said they were loo...

Contemporary Art, Abstract Painting Acrylic on canvas 200x340cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura y Grabado (ENPEG) “La Esmeralda”. As a Mexican Contemporary Expressionism artist...

"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation." It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...

Brightness (2019) cm 21x21, by Italian artist Annemarie Ambrosoli, is a colored drawing with color pencil on a black cardboard, that measures 29x27 cm. This work is a one-of-a-kind p...

Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...

The beauty of the black star filled sky sits astride a protective silver blanket on the terrain.

Think about Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her specialty, bes...

Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...

Contemporary Art, Abstract Painting Acrylic on canvas 205x334cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura y Grabado (ENPEG) “La Esmeralda”. As a Mexican Contemporary Expressionism artist...

Aubrey Penny Original Collage Signed and Dated Mind-Line Series, Stamp Series 2-4203, 1977 Aubrey Penny (American 1917-2000) was an innovative California abstract artist who worked...