Abstract Art

Wild Yam Dreaming - Aboriginal Australian Abstract by Judy Greenie Kngwarreye (Ngwarai) Bright, flowing composition by Judy Greenie Purvis Kngwa...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* >>The PRINT will look like as the FIRST/PRIMARY pictu...

Orange-toned abstract figurative work by contemporary Missouri artist Michael Stack. The work features a light cream and silver silhouette of a headless ...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 231...

Carborundum etching on paper Published by the Metropolitan Museum of Art Exhibition History: 'Graphics Drawings and Small Works', Bernard Jacobson Gallery...

This is a one of a kind original abstract oil painting by San Diego artist Viktoria Romanova. It is not framed but mounted on board. Its dimensions are 32"x24". A certificate of auth...

Steven Rehfeld's 18" x 18" mixed media composition pulsates with energetic strokes and a fervent dance of colors. Rich hues of golden yellow and fiery orange intersect with cool blue...

"Detour" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 48 x 36 inches. A warm, calming composition ...

Signal is an original lithograph print realized by Leo Guida in 1984. Hand-signed on the lower right and dated in pencil. Numbered on the lower left, from the rare edition of 15 pr...

This striking abstract painting by Vancouver artist Pat Service was inspired by a watercolour of a lake in summer. Bright orange waters, a band of trees in soft yellow, a cabin in or...

The glorious vivid colours of autumn leaves dance across the canvas in this abstract painting by Noreen Taylor. Short brush strokes in bright orange add ...

Seit seinem frühen Tod 1999 erlebt das Werk von Franz Ecker eine längst fällige Neubewertung, die sich auch in zahlreichen Einzelausstellungen, Katalogen und einem sehenswerten Kinof...

Coral Drifters is part of the Light in the Deep Series by artist Ellen Hart. Coral Drifters investigates the ubiquitous patterns of light, shadow and reflection that we all experience daily, but that we rarely stop to notice. The works reflect a perceptual duality: a tangible, distinct moment and place when the source pattern is found, intertwined with the fleeting and ephemeral nature of time. As light and atmospheric conditions shift, my source patterns morph, move and change. LOOK FOR FREE SHIPPING AT CHECKOUT This can be seen as an underwater landscape...

Lightpoint, by Jose Ricardo Contreras González From the series "La luz" Acrylic and oil on canvas Image size: 13 H cm. x 160 D cm. Mou...

Life at the Orange Bar, Original Yellow & Orange Abstract Painting, 2017 30" x 24" x 1.5" (HxWxD) Unframed, but comes "cloth-edged" (black) and ready to display with hanging wire Ar...

"Shimmer 8" by Denise Driscoll is a small 12 x 12 inch acrylic painting on canvas with layers of coral, peach and rose forms that interlock and oat over a at black background. Each ...

Abstract work of art. Acrylic on canvas.

Archival pigments on archival canvas, ed. of 7 each - shipped in a tube or framed in a crate

Maurice Potier (French, 1926 – 2002) Oranges, figs, lemons and a vase of flowers Oil on canvas Signed ‘M Potier’ (lower right), Further signed and dated Maurice Potier / 1994. 27.3/8...

Pink And Peach 211103 is a minimalist white abstract painting created with palette knives and non traditional tools. These bright paintings are part of my golden fields series which ...

George McClancy (1930-2014) abstract pattern painting. Acrylic on canvas 72" x 72" George McClancy received a MA in painting from Catholic Universit...

Through his artistic practice, Martin Benson is exploring ways to express questions about deeper levels of reality. Inspired by sacred geometry and esoteric symbolism, his paintings embody his own contemplative practices and the experiences within them. Reconciling the tension between spirituality and the hyper-materialist modern world, his pieces act as visual koans for both the artist and the viewer. Benson received his MFA from the University of New Orleans and his BA at the University of Southern California. He has exhibited at the Ogden Museum of Southern Art, the Contemporary Arts Center (LA), the New Orleans Museum of Art, and the Jazz and Heritage...

This Dirt, I Came From - Original Abstract Ink Painting, 2019 9" x 12" (HxW) Alcohol Ink and Posca Pen on Yupo Paper A cosmic explosion, or maybe the abstracted petals of a flower, ...

Untitled is an original Contemporary Artwork realized by Graham Sutherland (1903-1980) in 1970's. Original mixed colored screen print. Hand-signed in pencil on the lower right corn...

For many years Susan Squires goal has been to create encaustic paintings as meaningful, evocative experiences for herself and for the viewer. She wa...

Artist: Gene Davis (American, 1920-1985) Title: "Yankee Doodle" *Signed and numbered by Davis in pencil lower right Year: 1972 Medium: Original Screenprint on wove paper, laid down t...

Medium Size artwork with Oil paint on Canvas (stretched and wired for hanging). Contact Gallery for Framing Options. BIO David Headley was born in Washington, PA, in 1946. He has a...

Artist: Larry Zox Title: Rotation I Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 160 Paper Size: 34 x 38 inches [86.36 x 96.52 cm]

Colorful abstract painting

The painter Gonzalez Bravo lives and works in Lisbon since 1970. His paintings speak as equations to be solved, sharing an intimate and symbolic languag...

Yeffe Kimball (c. 1905 - 1978) Cepheus B, 1963 Signed, titled, and dated on the reverse Acrylic on canvas 34 x 40 inches Provenance: Private Collection, New York Estate of the above, 2022 Born in Mountain Park, Oklahoma, in 1914, Effie Y. Goodman subsequently spent her early years on her grandfather’s farm in Missouri. She attended college in Ada and the University of Oklahoma in Norman from 1931-1935. After college, she went to New York where she worked under distinguished artists such as George Bridgman and John Corbin at The Art Students League in New York in the early 1940s. She adopted the name Yeffe Kimball, adapting her first husband's surname of Campbell to form Kimball, and never returned to her small-town roots. She became a world traveler and student, studying intermittently with Fernand Léger in Paris from 1940-1941. In 1948, she married Harvey L. Stalin, an atomic scientist. Her art was influenced by Stalin’s work and she entered a new era, focusing on burning planets, atmospheric gases, and flashing comets. Her work was also inspired by American Indian spiritual...

"18" is a painting by the French artist - designer Hélène Cohen Carricaburu. Through her art, she has a very sharp, abstract and unique style of bright and colorful expression. Abo...

The Block 01, by Angelica Tcherassi From The Journey Series Photo Rag Hannemuhle 308grs Sheet size 27.5 H x 19.6 W inches. Image size: 23.6 H x 16.5 W inches. Edition of 33 Unframe...

The Silence of Sound by Maria Pierides [2020] original Oil, oil stick, pastel, wool and wax on deep edge canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 ...

AbEx Grid No. 29, from the Bank Street Series. acrylic on paper, signed lower center. This work is published the Bertschmann Immersed in Perpetual States of Discovery book, page 42.

"Fireflies One" is an abstract painting featuring hues of orange, blue and yellow. Laura Dargan is inspired by the work of Adolph Gottlieb, Sonia Delaunay and Richard Diebenkorn. La...

Maze Me 02, by Angelica Tcherassi From the series "Return to Source" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Un...

Looking for Flowers (2018), oil on canvas stretched over wooden frame, 50 x 65 x 2 cm, by Italian contemporary artist Annemarie Ambrosoli (ICA - International Certified Artist) Hand...

Abstract work of art. Acrylic on canvas.

The latest watercolors from Ray Kass strike a balance between audacity and contemplation. Drawing from the Tibetan Buddhist tradition of the Tsakli - sets of miniature paintings feat...

The painting is being offered with a work and authenticity certificate

Canadian artist Noreen Taylor’s expressive abstract work is often inspired by the natural world found in her own garden. This piece is a tapestry of rich...

Colorful abstract painting

This artwork was made entirely under digital conditions and inspired by the sensitivity that images can evoke in you. Lambda c-print on acryl glass or dibond it's your choice; inc...

Untitled, 2014 Ian Davenport Acrylic and water-based paints on Fabriano Aristico paper Signed, dated and numbered from the edition of 30 Sheet: 31 × 27 cm (12.2 × 10.6 in) His work...

What it feels like when you’re overloaded by everything. :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of authenticity signed by the artist...

Since 1974, Louise P. Sloane has been actively engaged in the studio as an abstract painter. Her work focuses upon geometric forms, grids and patterns. These detail oriented pieces ...

Mystic by M.Y. I am constantly looking for different techniques, colors and materials to experiment with, and always strive to achieve sensual harmony in every composition. I am pr...

Watercolor on paper painting by Eve (Van Ek) Drewelowe titled "The Champagne Cascades, Crescendos, Crashes" from 1945. An abstract landscape scene of a waterfall with white, yellow, and black. Presented in a custom gold frame, outer dimensions measure 43 ¾ x 33 ¾ x ½ inches. Image size is 29 ¾ x 19 ¾ inches. Painting is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Private collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: A painter and sculptor, Eve Drewelowe was the eighth of twelve children and grew up on a farm with a tomboyish spirit. Her farm duties did not permit her to take art classes in her youth that she later felt would have hindered the development of her artistic style. Although her father died when she was eleven, he imparted to her reverence for nature and a true love of the earth, values later reflected in her western oil and watercolor landscapes. She attended the University of Iowa at Iowa City on scholarship, receiving her B.A. degree in graphic and plastic arts in 1923. After graduation and against the advice of her art professor, Charles Atherton Cumming who believed that matrimony ended a woman’s painting career, she married fellow student Jacob Van Ek. While he pursued his doctorate in political science, she enrolled in graduate school at the University of Iowa for her M.A. degree in painting and the history of art. At that time her alma mater was one of the few universities in the United States offering an advanced fine arts degree, and she was its first graduate, receiving her degree in 1924. That year the Van Eks moved to Boulder, Colorado, where Jacob had obtained a position as an assistant professor at the University of Colorado. Five years later he became the Dean of the College of Arts & Sciences, a position he held until 1959. Eve briefly studied at the University. In 1927 and 1928 she taught part-time at the University’s School of Engineering and a decade later summer courses (1936 and 1937) in the University’s Department of Fine Arts. In 1926 she became a charter member of the Boulder Artists Guild and participated in its inaugural exhibition. Like many American artists of her generation, she helped foster an art tradition outside the established cultural centers in the East and Midwest. Her professional career spanning six decades largely was spent in and around Boulder. There she produced more than 1,000 works of art in oil, watercolor, pen and ink, and other media in styles of impressionism, regionalism, and abstraction. She devoted a considerable part of her work to Colorado, Wyoming, and Arizona subject matter depicting colorful and fantastic landscapes pulsating with energy and untouched by humans. Excited by what she saw, the wide open spaces made her feel like a modern-day pioneer. In discussing her work, she once said, “What really motivated me in my youth, in my growth, in maturity was my desire to captivate everything. I put on canvas an eagerness to possess the wonder of nature and beauty of color and line – to encompass everything, not to let anything escape.” Before World War II she and her husband took two international trips that had far-reaching consequences for her career, exposing her to the arts and cultures of countries in Asia and Europe. The first in 1928-29 was an extensive excursion in the Far East for which her husband had received a scholarship to study and report on the socioeconomics of Japan, Korea, China, the Philippines, the Dutch East Indies and India. The year after their return she had her first solo show at the University of Colorado’s library gallery. Discussing the twenty-six oils and sixteen ink drawings on view representing sixteen different countries, the Christian Science Monitor reviewer noted: “The pictures have a wide range and are far from being stereotyped in subject matter, being personal in choice. The ink-brush drawings are spontaneous, well balanced, and striking in their masses, giving the sense of having been done on the spot.” Her second trip with her husband and a party from the Bureau of University Travel had a four-month itinerary that included England, Denmark, Finland, Russia, Turkey, Greece, Italy, and France. It yielded seventeen oils and twenty-six ink-wash drawings which she exhibited in a February 1936 solo show at the Boulder Art Association Gallery. Her creative output in the 1930s attracted the attention of the critic for the Parisian Revue des Arts whose observations were translated and printed in the Boulder Daily Camera on June 10, 1937: To present our readers Eve Van Ek [at that time she signed her work with her married name] …is to give them an opportunity to admire a talent of multiple aspects. The eclecticism of her art passes from a rich skill in forceful oil painting of fine strokes of precision best seen perhaps in her treatment of mountain subjects, of craggy cliffs hewn as in nature, through pen and ink or lithographic crayon design, water color, and occasionally embroidery and sculpture, to the delicate perfection of detail of the miniature. The lofty mountains of Colorado have supplied her with extremely interesting subjects for study; she knows how to represent in an entirely personal way the varying scenes and the curious restlessness of the terrain. While pursuing her art, she also was a dean’s wife. The responsibilities attached to that position proved too restrictive, contributing to a grave illness. She underwent an operation in 1940 at the Mayo Clinic for a gastric polyp, a dangerous procedure at that time. Although she had expected to come back to Boulder “in a box,” the surgery proved successful. Depicting her painful hospital stay in a watercolor, Reincarnation, she reflected on the transformative experience of piecing her life back together. That October she received encouragement from the review of her solo exhibition at the Argent Gallery in New York written by Howard Devree, art critic for the New York Times who said: “The whole exhibition is stimulating…Boats, fences and even flowers in the canvases of Eve Van Ek…seem struggling endlessly to escape from the confines of the frame.” Her watercolor, Crosses, Central City (1940), illustrates her work described in the New York review. The composition pulsates with energy conveyed by the modernist technique of juxtaposing the scene’s various angles, distorting the shapes and positions of the structures, additionally highlighting them with bright colors. The telephone poles at various angles represent crosses figuratively marking a Way of the Cross symbolized by the wooden stairs...

Original Acrylic on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:1.5cm Sold Unframed Please note that insitu images are purely an indica...

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Colorful, fun and sporty abstract painting of figures drawn from life by artist Kathleen Ney. Painted in acrylic on 18" x 24" gessoed watercolor paper. Th...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 15 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 31 x 36 inches Size: 32 x 37.5 ...

The painting is being offered with a work and authenticity certificate

Bustling Meadow is a painting by Martyna Alexander from her debut gallery exhibition, "Fields." 48 x 48 inches 2022