Abstract Art

Artist: Charles Christopher Hill, American (1948 - ) Title: Socony Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 15/19 Size: 30.5 x 23 inches Frame Size...

Represented by George Billis Gallery, NYC & LA -- Steven Kinder talks a lot about energy, form and movement and getting at the essence of something. Getting to the middle of it. ...

Oil on Canvas,(colors: red orange green grey) Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artis...

Original abstract painting titled "Celebration" dated 1984 by abstract expressionist Chicago artist Margo Hoff (1910-2008). Signed by the artist in the lower right corner. Painted in...

Represented by George Billis Gallery, NYC & LA --Steven Kinder talks a lot about energy, form and movement and getting at the essence of something. Getting to the middle of it. H...

Signed and dated on lower right, numbered on verso 2/15 , unframed. Other sizes available, other sizes available , printed later, Printed on Hahnemühle Fine Art paper

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

Represented by George Billis Gallery, NYC & LA --Steven Kinder talks a lot about energy, form and movement and getting at the essence of something. Getting to the middle of it. He wa...

Graphic and original depiction of familiar scene. Signed and dated on lower right, numbered on verso, Edition 2 of 15, Printed later. Unframed

Acrylic on canvas Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political o ppression, abstract expressionist artist Mirtha Moreno, immigrated ...

This pastel and spray paint on paper, depicts two white abstract figures. One person lays on her back, and the other figure is on top. Their arms are stretched out towards each oth...

The color of the piece changes with the LED light that is plugged into an outlet. With this design, there are 2 sizes: 28" x 10" x 28" or this one, which is 20" x 8" x 20",

Created in 1974, this lithograph and screenprint on Arches paper is hand signed and dated by Frank Stella (Massachusetts, 1936 - ) in pencil in the lower right margin and is numbered...

Paddy Cohn is an abstract artist whose sensuous, mysterious explorations into textures, layers and distressed materials reflect a childhood spent in the landscapes of the Caribbean. ...

Earth, air, water, and fire are the center subjects of my art. I live in New York City-it is close to the ocean, and I’ve developed a deep affinity for the sea, which has also evoked...

"It's not a likeness of the garden but a picture trying to capture how I felt and enjoyed its profusion, light and 'hot' colour as I was sitting in it." P Alder Oil on linen. Framed

Lithograph, 1966 Handsigned by the artist in pencil and annotated EA Artist proof Edition : 75 Publisher : Galerie im Erker (St. Gallen) Printer : Erker-Presse (St. Gallen) Catalog :...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...

Green and Blue Variations is an original contemporary artwork realized in 2009 by the Italian artist Giorgio Griffa (Turin, 1936). Original acrylic painting on fabric. This contem...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and...

Pink Lush (Abstract Painting) Painting / acrylics, epoxy resin, phosphorescence on wood - Unframed This artwork is exclusive to IdeelArt. Danny Giesbers is a Dutch, autodidact a...

Pink Lush (Abstract Painting) Painting / acrylics, epoxy resin, phosphorescence on wood - Unframed This artwork is exclusive to IdeelArt. Danny Giesbers is a Dutch, autodidact a...

Edition of 100. *This print is supplied within a clamshell box, with book of the same name, as issued.

Work on paper, oil and collage. Unique, 1 of 1 piece. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of work created during the last 30 years. His purpose is to pursue a direct, and, in each case, a different communication with the spectator. It can be said that Lalonde works as a team with himself, not only to develop his artwork, but also to sharpen his personal ideas about contemporary culture, trends... Lalonde is putting a lot of time, energy and thought into his new media and technology productive structure, where he can directly address his issues... His paintings, installations, photographs and web pages, are intended to function each in its own way, as an overt revision and critique of the contemporary art system, as they establish parallel dialogues between the artist, the public, and the curatorial values. "Lalonde, the painter" Cerj Lalonde works his painting with a conceptual approach, as an attempt to restate the validity of painting as a practice per-se. His abstract language ranges from lyric abstractionist pieces to many personal interpretations on art history masterpieces, as specific reflections upon geometric abstract paintings like Malevich´s black square series, or Albers study of color, among others. Lalonde holds many layers as an artist. His years of experience as a painter and thirst for art history and critique have helped him develop into a consciously literate artist. Formally, his domain of techniques ranges from drawing, printing, and primarily acrylic painting by means of a wild contrasting palette. But more than any type of formalism, Lalonde´s work is a strong statement about painting itself and how he approaches abstraction from a conceptual viewpoint. His paintings celebrate the power and meaning of color and texture, the imperative voice of contrast and stridence, and the million of possible solutions for a white canvas. I also see in his artwork a psychoanalytical interpretation of art, and a curiously unintentional approach to oriental philosophy appears throughout his multi sized body of work. In many of his canvas, the presence of the square has been integrated as an element of equilibrium and unity to the soul of the artwork itself. Lalonde is specifically interested in the qualities of painting as a media: “What Painting and only Painting can do”. Of all arts, painting is perhaps the most intimate and personal of art languages. It reaches the viewer at a last phase, in the gallery, or museum, or exhibition space. In the meanwhile, there is a time frame between the moment when the artist finishes his work and it gets shown. This space of time is silence. It can be said that the gap between the act of painting and its way out of the studio has had Lalonde wondering about other strategies of approaching the viewer, the critic, and to challenge the art world as a system. New media's and technology In his body of work related to the Internet, the use of language can be established as the first notable addition where the silent scream that comes from his paintings invades the screen and transforms it into words. We can feel the imperative urge to communicate. Lalonde addresses everyone and no one, and a certain/uncertain dialogue is established between him and the anonymous viewer/Web surfer/browser who reads it. Lalonde has produced multiple web sites. With this media, he has taken over a physical/nonphysical space to express his ideas about the act of seeing, of looking, and getting intoxicated by the gaze, by the sight, by the cognitive look, and the subjective one. Another interesting aspect is the inclusion of his images as an artist in several ways. For example, in SELF PORTRAIT AS A FAMOUS ARTIST he presents himself in all the archetypical attire of the romanticized representation of the artist. Lalonde has reverted all his irony and sarcasm as images that appear as brushstrokes on his Web sites. Another image that frequently appears is the sweet face of a very young woman, who looks at the browser with sweetness and nostalgia. As websites are build through layers, Lalonde has as well, constructed layers of impact, thought, and reflection, by means of the multiplicity of images that appear, ranging from his own paintings, installations, portraits, and text. He is interested in what defines art, who validates artwork, how artist’s success has a strong pull to media and critic dependency. Lalonde points out these issues as loud as a silent scream. Phrases such as the Dominance of Curatorial Ideology, Global Mono Cultural Art Discourse or Hegemony of the Global Curatorial Class are samples of titles that frame parts of his Web visual discourses. In his installations and performances such as THE NO SHOW, and WORKING TO BECOME RICH AND FAMOUS SO YOU CAN LOVE ME FOREVER, Lalonde discusses the notion of the self and identity, the artist as a social figure, and the severe critique of the contemporary art system, and society at large. He questions the validity and the ideology of the curatorial establishment, the marketing methods, and the issues of the self - as he queries the conventional paradigm of the artist. On his Web pages, Lalonde metamorphoses from an anonymous painter in his studio to a more public personae. His gaze looks at the viewer, his open mouth screams and questions the browser constantly, sometimes as an outsider and sometimes from the hypothetical voice of the viewer’s conscience. In SEEING, a photographic installation that can be considered as a milestone in his work, he presents a dark room that has many different sized eyes that are looking at the viewer. An interesting aspect of Lalonde’s digital work is the presence of a perpetual reflection that not only shows the act of seeing itself, but in a more profound way it presents the subconscious mind of the viewer. He inverts his role of an artist and establishes a dialogue with the unconscious of the spectator, both through his installations and digital art work...

Acrylic on canvas.

John Peters 1927-2019 "The Pear, The Rose, The Wrench" 2005 Collage on board 8"x10" Came from a portfolio of the artist's work

Gel ink on canvas 15.75 x 21.65 in unstretched

The color field and action painting movements have always influenced Francine Tint’s work. She is a colorist first and foremost. She works instinctively, creating expressive pieces, ...

Richard Anuszkiewicz Red Edged Magenta, 1977 - 2017 36 x 36 inches Acrylic on canvas

SANDI NEIMAN (b. 1959) Title: Heart Connection Medium: Mixed Media; Cold Wax and Oil Pigment on cradled board Measurements: 12 x 12 in

"Portrait of a Lady" by Philippe Gabriel (French, b.1963) signed oil painting on canvas, unframed painting: 36 x 28.5 inches Stunning original oil painting by the contemporary Fren...

Large Abstract Expressionist color field painting. Similar in the manner of the colorful abstract works of Paul Jenkins. This one is a very vibrant day glo neon color. This is bein...

I make expressionistic paintings and drawings that embrace the irrational. The imagery in these works derives from the subconscious and is often characterized by grotesque attributes...

Screenprint in colors, on Rives BFK paper Sheet: 31 x 31 in. (78.7 x 78.7 cm) Edition of 55 + 15AP Signed and numbered in pencil on the lower margin Published by Upsilon Gallery, New...

"Essence" is an abstract oil painting by Maestro Lili Sotirova. The painting is unframed. About the artwork: TECHNIQUE: Oil painting STYLE: Abstract, Contemporary Edition : Uniqu...

color-filed painting, various shades of pink with gold on the edges

Strips of canvas saturated in pink are shaped and curated into a large vertical swath in this bold painting. The hue, tone and personality of this dramatic rose colour framed by pass...