Abstract Art

Beautiful 1969 psychedelic poster created by Lee Conklin for It's a Beautiful Day and the blues-rock ephemeral Aum at the Fillmore West. Lee Conklin is an artist best known for his psychedelic posters from the late 1960s and particularly for his iconic cover for Santana's first album. At the time, photography was the basis of advertising, while psychedelic graphics were done by hand and were mostly based on an illustration concept. The posters of this movement claim a new aesthetic: the flashy and warm colors, the shapes and moving typography and the density of the motif that invades the space translate the psychedelic vision, often associated with the taking of substances such as LSD. Music - Psychedelic - United States Fillmore West - Bill Graham Tea Lautrec Litho...

Abstract composition by California artist Devon Brockopp-Hammer (American, b. 1986). This piece is a part of his "meditative" series, focusing on repetitive brushstrokes. The backgro...

Abstract photography, limited 5, signed by the author.

Acrylic collage on paper. It comes framed in a white passe-partout

TITLE: Periodo Messicano 1 ARTIST: Ornella Uboldi YEAR: 2018 CLASSIFICATION: Unique MEDIUM TYPE: Painting MEDIUM/MATERIALS: Acrylic on canvas DIMENSIONS: 100 x 70 cm

Signed lower right, in pencil, 'Ross Wetzel' (American, 1917 - 2013), titled lower left, 'E Pluribus Unum' and with number and limitation, '118/300'. Paper dimensions: 14 x 21 inches. Born in Chicago, Ross Wetzel was an avid art student through high school, and then enrolled- with his future wife and fellow artist, Janice- at the American Academy of Art in Chicago. He was soon working for Walt Disney Productions, taking lead production roles in the creation of such Disney classics as Pinocchio, Fantasia and Bambi. During the Second World War, he served with the Motion Picture Unit of the First Army Air Corp under Ronald Reagan, creating training films for fighter pilots and bombers and working beside actors including Alan Ladd and Clark Gable. After the War, Ross and Janice started a serigraphy business, which came to be known as Ross Wetzel Studios creating animated commercials and print advertisements for companies such as Kellogg's, Kleenex and Continental Airlines that featured such characters as Tony the Tiger and Toucan Sam. Ross was also hired to illustrate one of the first renderings of Smokey the Bear...

TITLE: Climate Change - Osaka ARTIST: Antonio Franchi YEAR: 2022 CLASSIFICATION: Unique MEDIUM TYPE: Painting MEDIUM/MATERIALS: Acrylic and resin on ca...

In Summer by The Water, Higgins captures the essence of a summer landscape with a delightful blend of shapes and colors. The composition reveals a harmonious balance between flat pla...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of th...

Bold, bright colours and clean lines capture the essence of a setting sun as it slips behind a mountain range. This is one of a series of minimalist paintings that celebrates the ‘ro...

Artist: Jack Graves III (American, 1988-) Title: "Venice" Series: Abstract *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acrylic Painting on Canvas Canvas size: 33" x 22" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves...

Abstract Conceptual painting. it has a lacquer resin like finish to it. it is reminescent of the pored resin works of Gaetano Pesce. it is not framed. Siren Bliss was born Michael W...

Aubrey Penny Original "Mind-Line" Collage Sussex Series 10-5558, 1980 Aubrey Penny (American 1917-2000) was an innovative California abstract artist who worked in a variety of medi...

Abstract artist Milly Ristvedt uses colour as a language to express her thoughts and emotions. When the master colourist created this painting, she was reminded of tumultuous world events including concerns around climate change. The title refers to those thoughts. Clean, vertical ‘bands’ in bright orange, yellow, lime green, and black appear to express hope. A single, narrow horizontal...

The word "Baram" has two meanings in Korean: "wish (feel or express a strong desire or hope for something that is not easily attainable)" and "wind (the perceptible natural movement of the air)." The "Baram Series" portrays the moment of the air that's stopped in a simple two-dimensional form. Thus, the wind in the Baram Series represents the "present", which means the wind that has already blown represents the "past", and the wind that is about to blow represents the "future". Our wind in the past may be calm or turbulent. Regardless, the present is filled with hope, strongly wishing for the future wind to guide us to happiness. Maybe, these winds in our lives are dictated by our choices, and Baram Series embodies wish to deliver hope to all viewers facing the winds of their choices. Geonwoo Lee...

The beauty of the chaos of tiny particles. This colorful abstract acrylic painting is ready to hang and has a certificate of authenticity. The borders of the canvas are painted and i...

Sam Francis Untitled (#2 Pri-Rain) (SF64-592) 1964 Gouache on paper 57.2 x 75.6 cms (22 1/2 x 29 3/4 ins) Frame size: 82.9 x 103.2 cms (32 5/8 x 40 5/8 ins) SF14652 $300,000 Exhibit...

Master Colourist Milly Ristvedt is playing with the classic grid pattern in this fun abstract painting. Geometric shapes—squares, rectangles, and fine lines in fresh, modern colours—orange, yellow, turquoise, green, purple, and royal blue appear to float against the celery green backdrop. Art Critic Barry Lord (Art in America) declared that Ristvedt’s paintings ‘were more insistent than Bush, more consciously structured than Molinari. “Colour is the philosopher’s stone that for me represents hope in a time of great challenge for us all.” Milly Ristvedt Born in British Columbia, Ristvedt studied at the Vancouver School of Art (now the Emily Carr University) and had her first solo exhibit at the Carmen Lamanna Gallery in Toronto. In the late 1960s, Ristvedt shared a studio with famed Canadian painter Jack Bush, met art critic Clement Greenberg and was inspired by American painters Jules Olitiski...

Dys_Equilibria E1 (Abstract Painting) Oil on canvas - Unframed The philosophically conceptual abstract artist Steve Baris explores the spatial and temporal inconsistencies of our r...

Six Shaps in Space "A-fu" is an original contemporary artwork realized in 1974 by the Japanese artist Shu Takahashi. Beautiful four color silkscreen on polished metal plate. Hand s...

Contemporary abstract geometric painting on 12 x 12 inch wood panel in colorful shades of orange, burnt sienna, with pops of yellow, grey, and white 'Mistress of All Realities', 2020, by Jeanette Fintz 12 x 12 x 2 inches, acrylic on wood panel Signed verso D-rings on reverse, simple hanging on two nails *There are three other paintings in the series, see REF LU2278336542 to purchase a set of 4 works The basic form, comprised of rotating circles stems from a geometric configuration created in a large abstraction from 2019 that strongly evoked a maternal quality because of it’s self generating fractal - like growth pattern. Off - shoots of hexagons and rhomboid shapes extend from the circles like building blocks, cellular connections, the underpinnings of unity at the base level of life. Working in a space between planning and chance, Jeanette Fintz presents a series of paintings that fuse gestural and geometric abstraction. This body of work continues Fintz’s use of the circle, ellipse and hexagon; motifs that embody references to nature, architecture and the decorative arts. The small paintings from this series offer a bright burst of form and color that would compliment any modern interior. Jeanette Fintz is an established artist working in the Hudson Valley, NY. She has taught at the School of Design Strategies at Parsons the New School for Design, SUNY Purchase, and Pratt Institute, among other American universities. Her work is collected in both private and corporate collections worldwide. To read more about her career, please scroll down for see her detailed CV and biography. Artist Statement: My paintings evolve in a space between planning & chance, systems & spontaneity, conveying contradictions that I view as metaphors for maneuvering through “real “life. In this work I play a fairly high stakes game of improvisation around a motif. Using a working method akin to jazz, I counterpoint systematically repeated elliptical shapes against gestural pours & drips and something unexpected emerges. I am drawn to create complexity, and challenged to unify multiple layers through the physicality of the paint, which fuses & knits together, as well as, ultimately, through the power of color to stabilize & resolve. The ellipse, which is hypnotic & spatial in repetition, & monumental, but not static as a shape unto itself, embodies references to nature and to the decorative arts which are both alluded to in the paintings. (The egg, the mirror, the vulva, or the shield.) Dynamic visual rhythms, in these pieces, the momentum of the repetitive ellipse, are typical of my work and help to maintain order within complexity. Their sources for me are both musical, notably the poly-rhythms of Latin jazz, Brazilian & East Indian music, and are also derived from the decorative arts, particularly textiles. The latter have been a source of excitement, often contributing a playful aspect to the paintings. I intentionally disturb the regularity of pattern, encouraging discordance & uniqueness, and then bring it back home after finding another by - way to work things through. Color is my most intuitive source of inspiration, connecting me to nature; It is also, ironically, my most passionately calculated element. In the primal struggle among sometimes apparently random components, subtlely modulated color clarifies purpose, builds context, and holds the structure together. The intuitive rhythmic order of Jeanette’s paintings prior to 2009 which featured repetitive lines, circles and ellipses clashing with fluid gestural streams of color have given way fully in the new work to a given crystalline geometric substructure that unifies all visual events. This work embraces and employs the Oneness found in sacred geometry as the underpinning for improvised pathways that give each work its uniqueness. Shapes that are found have a “role” to play, to riff off some of Jeanette’s series titles. The earlier pieces acknowledge through the unexpected visual event, the imperfection of the human condition while the newer geometries strive for the expression of spiritual wholeness and connection. About the artist: Jeanette Fintz is an abstract painter, who resides and paints in Hudson, NY. She is also an arts writer and independent curator. The intermix of being a native New Yorker and now, happily, a resident of the lush Hudson River Valley is evident in her work, which combines an urban edginess with the lyrical influences of her natural surroundings. Ms. Fintz was born in Brooklyn NY, educated at Queens College, The New York Studio School and Boston University. Her personal amalgam of NY School formalist principles, and love of natural light and color was initially forged during her summer at the Skowhegan School of Painting & Sculpture where she painted from the Maine landscape. Ms. Fintz lived and worked in the artist communities of Tribeca and Williamsburg, exhibiting regularly in NYC. Jeanette in part, credits the importance of natural light for her decision to transplant home and studio to Surprise. Ms Fintz has filtered nature through her urban sensibility, stretching color motifs towards the heightened and intensified palette often found in the realms of design and fashion. Her pieces have a rhythmic impact stemming both from her enjoyment of jazz and poly-rhythms of Brazilian and Indian origin, which she also sees displayed in the visual rhythms found in textiles and Islamic tile patterns. Jeanette’s involvement with these resources was enhanced by sabbatical travel to Spain’s Andalusia Region (2005 & 2009) to investigate patterning systems found in Moorish tiles and architecture, and to Turkey (2013), where she focused on the Iznik, Byzantine and Greco-Roman tiles and frescoes. Jeanette also had immersed herself in textile patterns and Ikat designs during her yearlong sojourn in Malaysia, where she was founding faculty in a new Parsons School of Design affiliate in Kuala Lumpur (1996-97). Selected Grants and Awards include 2015 EYP Architecture & Engineering Award, Artists of the Mohawk Hudson Region 2015 Trustees Award, Albany Institute of History & Art 2013 Sabbatical, Parsons the New School For Design 2008 The Emil & Dines Carlsen Award / Painting, National Academy of Design 2005 Sabbatical, Parsons the New School for School Design 2005 Sudden Opportunity Stipend 2003 Faculty Development Award, Parsons, the New School for School for Design 1995-92 Sudden Opportunity Stipend, NYFA Rensselaer County Council for the Arts 1993 N Y F A, Artists Fellowship / Drawing 1990 E. D. Foundation Grant / Painting 1984 Ludwig Vogelstein Grant / Painting 1980 The Ingram Merrill Award / Painting 1975 Purchase Prize, Painting, Skowhegan School for Painting & Sculpture Ms Fintz has taught as an Assistant Professor of Art & Design, in the School of Design Strategies at Parsons the New School for Design for 17 years. At Purchase College, SUNY, Jeanette taught all levels of painting and drawing for 12 years as Assistant Professor in the BFA conservatory program. She also has taught at Pratt Institute, Brooklyn, NY, Hobart & William Smith Colleges, Geneva, NY, The University of Southern Maine, Portland, The University of the Arts, Philadelphia, PA, and SUNY, Albany. Jeanette shows her work at the Garvey Simon Gallery, New York, NY, Fox Gallery, New York, NY, Geoffrey Young Gallery, Great Barrington MA, the Thompson Giroux Gallery, Chatham NY, Cross Contemporary Gallery, Saugerties, NY. Recent projects include a solo show at Garvey Simon Gallery, NY NY (Sept. 7 - Oct, 2017), and a curatorial project, "The Ritual of Construction," at the Kleinert James Center, Woodstock Byrdcliff Guild (May 19 - July , 2017). Ms Fintz’s Residencies and Fellowships include: The MacDowell Colony, The Millay Colony for the Arts, The Ucross Foundation, and Altos De Chavon & Ossabaw Island Project. Jeanette’s selected Visiting Artist spots include Art New England, Bennington College, Bennington, VT, Ohio State University, Columbus, OH, Illinois State University, Normal, IL, Hobart & William Smith Colleges, Geneva NY. Ms. Fintz received her MFA from Boston Universtiy SFA (1975 ), and her BA from Queens College CUNY (1972). She attended the New York Studio School (1972-73), and received a scholarship to the Skowhegan School in 1975. Ms Fintz’s work can be found in many national & international collections. Collections Par Capital Management Boston MA VYV Apartments, Luxury High Rise, Jersey City, NJ Boca Raton Yacht Club, Waldorf Astoria Resort, Boca Raton, FL Liberty Mutual Insurance Company, Boston, MA, and Plano, TX Robert A.M. Stern Architectural Project, Washington DC Capital G Bank Hamilton, Bermuda Brigham & Women's Hospital, Foxboro, MA Wilmer Cutler Pickering Hale & Dorr, Boston, MA Posternak Blankstein & Lund, Boston, MA Hale & Dorr, Boston, MA Analysis Group, Boston, MA National Televison, 7 Kuala Lumpur, Malaysia Christmas Island Phosphate, Singapore Jewish Free Loan Association, Los Angeles CA Rabobank NYC Commerzbank, New York, NY Commerzbank 2, World Financial Center, New York, NY National Television 7, Kuala Lumpur, Malaysia Hobart & William Smith Colleges, Geneva, NY Skowhegan School, Skowhegan, Maine Collection of Minister of Agriculture Datuk Effendi & Datin Norwawi Collection of the Former Prime Minister Datuk Seri Dr Mahathir Mohamed of Malaysia Jim & Debbie Ellickson -Brown, Cultural Attache, American Embassy, Kuala Lumpur Malaysia (1996) Rohana Tan Sri Mahamad, Kuala Lumpur, MY Suherwan Abu, Kuala Lumpur, MY & Singapore Valentine Willie, Kuala Lumpur, MY Aloysious Goh, Singapore Betsey Swan & Chris Calder, Albuquerque NM Carrie Chen & Stanley Cohen Center Hill, Copake, NY Albert & Linda Eskenazi, Montreal, CA Barbel & Peter Starz, Toulouse, FR Clarissa & Jean Kueller, Rio de Janeiro, Brazil Mr. & Mrs. Andre Keller, K L, MY & Geneva, Switzerland Shirley Greitzer, Esq. Washington DC Mark Meltzer, Los Angeles & Palm Springs, CA Joel & Fran Soroka, Aspen, Colorado Estate of Hella and Carl Ossenberg, NYC & Palm Beach, FL Estate of Gabriel Laderman, New York, NY Stephen Westfall, New York, NY Dr & Mrs Joseph Delisi, Lake Hopatcong, NJ Dr & Mrs Chris Calder & Besty Swan, Menands, NY Carol & Joachim Frank, NY, NY Mark Pettygrove, Los Angeles, CA George A Schulman, Los Angeles, CA Gerald De Silva, Los Angeles, CA Caryl Horn, Port Richmond, CA Joe & Cathy Plumber, Cold Spring, NY Molly Doland, Esq. Washington DC Bethany Beardslee Winham, Rhinebeck, NY David Fox & Associates, Inc. Briarcliff Manor, NY Eric & Carolyn Egas, Greenviille, NY & Vieques, PR Jin Zeng, New York, NY Selected Solo Exhibitions 2017 “Worldline Schreiber Paintings, plus...," Garvey/Simon Gallery 547 W 27th St, New York, NY 2016 "The Presence of the Invisible Proposition," Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, MA 2012 "Andalusian Shards," The Wall Street Journal Bldg Lobby, New York, NY 2012 "The Plaid Paintings...

Adolph Gottlieb Signs, 1967 screenprint, ed. of 75 18 x 24 in. (45.7 x 61 cm)

Yellow Composition is a contemporary artwork realized by Leo Guida in 1970s. Mixed colored oil on canvas Leo Guida (1992 - 2017). S ensitive to current issues, artistic movements ...

Martin Rosenthal "House with Yellow Windows" c. 1960s Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosent...

Joan Miro Joan Miro (Plate 7) Artist: Joan Miro Medium: Original lithograph Title: Joan Miro (Plate 7) Portfolio: Joan Miro Year: 1956 Framed Size: 21 1/2" x 15 1/4" Image Size: 9" ...

Comosis Collage 4A52.1.4 – Composition no 7E2 Yellow (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaro...

Russell Frampton, was born in 1961 in Hampshire. He was educated at Portsmouth and at Exeter Art College (B.A. in Fine Art), later taking his M.A. in Fine Art at the University of Pl...

Color monotype. The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divided...

Artist: Zhixiang Wang 2017 M.F.A- University of Academia Albertina Belle Arti di Torino in Italy. 'Allergies' is a series of artworks that the artist...

George Dannatt (1915-2009) Yellow Enclosed 1970 Mixed media on paper 25.4 x 17.7 cm Vertical orientation George Dannatt’s long career as a painter and sculptor ended with the ar...

Color Kinesthesia 5B39 Yellow (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 3 + 2Ap Turnaround time 2-3 weeks, pri...

Pat Service loves trees. The dramatic BC landscape she grew up in has always influenced her work. In this abstract painting, the clean lines of three bold shapes—trees in various sta...

Description: Wan Rui acrylic on canvas 50 x 50 cm dated 2021 About Wan Rui Wan rui is a chinese contemporary artist, born in 1970 in Hunan, China. The artist received her MA from...

Abstract expressionist recollection of a acrobat at a circus

Dawn is a wonderful mixed media on canvas realized by Mario Sinisca (Naples, 1929), an Italian post-war master that cannot be labeled in any artistic movement. Signed on the lower r...

An abstract tridimensional work done with clay and acrylic paint on canvas, this mesmerizing work has an incredible depth and weight from the texture of the medium. Derick Smith has ...

Robert W. Petrick Cold Fusion #20, 2022 Acrylic on canvas 27" x 27" x 1” 2022 NYC, 2nd street studio This acrylic painting on canvas is gestural in nature, with a surreal cityscap...

"Image" by Don Totten is an abstract oil painting on canvas circa 1950 and measures 20 in x 21. It is in excellent condition. Donald C. Totten (1903-1964) was a member of a group of artists who quietly began to introduce modernist thought, emanating from Europe and the East Coast, to the Los Angeles art community during the 1920s. Other members of this group were influential artists as Nick Brigante, Lorser Feitelson, Helen Lundeberg...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Work on canvas

Nina is an artist, ceramist and colorist with 20 years of professional experience and a lifetime of art appreciation. Originally from Virginia and having traveled and lived extensive...

Inspired by the nature of the island, this canvas is the second opus in a series of ten paintings dedicated to Reunion island and called "The spirit of ...

Oil on canvas

Acrylic on canvas, artwork can be shipped in a tube or framed in a crate Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Mas...

Radek Smach - Original abstract acrylic painting on canvas. Mixed media. My works are part of many private collections all over the world. Ready to hang. No framing required (i...

Small and Medium Size print edition on canvas. Framing options included in Black, White and Natural wood framing. Please contact seller for the same. Print Edition on Canvas Available Sizes: 18" x 17" - $760 24" x 22.5" - $1540 BIO Basmat Levin is an Israeli artist works between her studios in Shanghai M-50 and NYC. Her works were exhibited at ArtCN Gallery, Leo Gallery, I-Green Shanghai Pujiang Park.,Zhoupu Art Museum Why Why Art, Tangram Gallery , Dunhill Twin Villa, Shanghai . Ischam Gallery, 798, Beijing. Leo Gallery, the Baptist University Hong Kong. Art stage Singapore. ML Gallery, Antwerp, Belgium. Israel Opera House and Frishman 46 Art Space Tel Aviv to name a few. Her latest Installations include, ‘Message in a bottle’. A sustainable art installation, printed on recycled ocean plastic bottles fabrics, at Glam, Shanghai. 1410 Broadway, (ZAZ10TS), a building installation Times Square NYC., the MOCA Museum Pavilion, Shanghai, I-Green Pujiang Park, Souzho Village, a 23 x 8 meter “ Magic Wall “ of 60 of her painting. An outdoor building...

Accident is an original Contemporary artwork realized in 1992 by the italian Contemporary artist Leo Guida (1992 - 2017). Acrylic on canvas. Frame is included. Total Dimensio...

A bold abstract watercolor with yellow and blue, contrasted with red accents by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Anderson" on verso. From the estate o...

Garam is an amazing colored lithograph realized by Victor Vasarely in 1972. The plate is from the portfolio Octal, edited by Bruckmann Publisher, München, in 1972, and with text by ...

Acrylics on canvas, painting can be shipped rolled or on wooden stretcher Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Ma...

Watercolor on paper titled "Horse and Boy" painted by Douglas Denniston (1921-2001) from 1945. Semi abstract picture of a young boy and his horse, painte...

An abstract work done with gesso and acrylic paint on canvas, this mesmerizing work has an incredible depth and weight from the texture of the medium. Derick Smith has created an inc...

Artist: Arthur Boden, American Title: T Series (Yellow) Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Size: 29 in. x 23 i...

Precise rectangular and square lines and shapes in tints of yellow, green, turquoise and mauve, are an interpretation of the brilliant summer sun in this silkscreen print on paper by...

Set of 12 original prints, each 20 x 16 in "Ants" is a set of 12 single-edition ink screen prints by AI artist Tom White. The individual prints are planned ...

Abstract acrylic painting on canvas with a pastel purple, yellow, and green palette “Beneath the Shining Sun”, painted by Ragellah Rourke in 2022 30 x 30 inches, oil on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2022. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and purple tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad Gallery...

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, yellow, bee, p...

Work on paper with frame in wood and glass sizes: 48x57x2 cm