Expressionist Art

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Nordjyllands Kunstmuseum, Aalborg, Denmark Sheet size: 35" x 21.5" Image size: 24.75" x 19" Condition: Some minor handling creases. Light toning at edges. In otherwise excellent condition Rare Notes: Printed in four colors: black, black, tan, and red-orange. Produced for a special posthumous exhibition of Munch's work at the Nordjyllands Kunstmuseum, Aalborg, Denmark from August 16 - October 21, 1973. The image featured on this poster is Munch's 1903 lithograph edition "The Brooch. Eva Mudocci", (Woll No. 244, page 208-209). Edvard Munch would build a strong relationship with Eva Mudocci which lasted many years. They were connected through both romance and also friendship, with the two alternating in importance over time. There was a great mutual respect for each other, with Mudocci being a highly talented violinist from the UK who would regularly tour throughout Europe. They first got together in Paris...

Original Versailles, France vintage lithograph French travel poster. Printed by the French National Railroad, SNCF in the 1938's. Printer: Goossens. A poster fit for a king since he once resided here at Versailles. Transform your living space with the elegance and grandeur of the Versailles Original Poster. This exquisite piece captures the breathtaking beauty of the iconic Palace of Versailles, showcasing its majestic fountains and lush gardens. The vibrant colors and intricate details bring to life the opulence and historical significance of one of the world's most renowned landmarks. The grand fountains had a chariot and horses...

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 110/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

This artwork "Course de chevaux a Lonchamp (Horses Race in Lonchamp) c.1960, is an oil painting on canvas by noted French artist Gabriel Dauchot, 1917-1990. It is signed at the lower right corner by the artist. The canvas size is 18.65 x 7.5 inches, framed size is 21.85 x 11.85 inches. Custom framed in a wooden green frame. It is in excellent condition, the frame have a minor scratch a the lower side, barely visible. About the artist: Gabriel Dauchot was born on May 10, 1927 in Livry-Gargan 4 . Supported by the encouragement of his father, an architect, and painting from the age of fourteen 5 , Gabriel Dauchot, whose admiration goes to Maurice Utrillo and Chaïm Soutine 5 , received advice in 1940 from Émile Othon Friesz and Yves Brayer at the Académie de la Grande Chaumière , then entered the École nationale supérieure des beaux-arts in 1942 . He participated in Parisian Salons from his youth and was not yet twenty when the Katia Granoff 6 gallery , then the Cardo 7 gallery , organized his first personal exhibitions. “The winner is under thirty years old” observes Claude Roger-Marx , who does not fail to note “the atmosphere of disguise which is dear to him” as well as “the muted truculence which he gives to the opaque backgrounds where sing with distinction cold grays, greens, carmines and saffron” 8 when in 1951 the prize from the Society of Collectors and Art Lovers was awarded to Gabriel Dauchot. Waldemar George observed in the 1950s that if "his early works were treated in a realistic style which sometimes borders on populism, the painter tries to free himself from it and reacts against a literary art...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Chagall, 1957. Published by Maeght, Éditeur, Paris; printed by Mourlot Frères, Paris in an edition of V̅I̅ . Excerpted from the volume (translated from French), This volume was printed by Drager Frères in Montrouge on behalf of Maeght publisher, 13, rue de Téhéran, Paris VIII. The original lithographs in color were drawn by Mourlot Frères. The photographs of the works reproduced are of Y. Hervochon, Mr. Routhier, Draeger. Copyright 1957 by Maeght Éditeur, Paris. Printed in France. MARC CHAGALL (1897-1985) Russian-Jewish painter...

After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

Artist: Kuno Lange, German (1950 - ) Title: Seated Nude Woman Year: 1996 Medium: Bronze Sculpture with Black Patina, signature and number inscribed Edition: 3/9 Size: 17 in. x 18 in....

Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...

'In the Flow' by Via Li is a stunning example of modern figurative painting that combines vibrant, emotional depth with abstract form. Measuring 48" x 36", this acrylic on canvas cap...

Poplars is a hand-pulled, limited edition serigraph, no. 117 / 185 and is signed in pencil by the artist. Published by Aspen Mountain Graphic It is...

Boy in Red Shirt is an original lithograph by Margaret Keane c. 1980. A young boy in a red shirt is seen in front of a three story building in a city on a blue sky day. An ori...

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 159/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

Walking By The Sea. Artist signed lower right corner, canvas size (31 1/2 x 39 1/4in). Nicola Simbari was born in Italy and grow up in Rome. He studied at the Accademia di Belle Arti di Roma, and in the 1940s he began devoting himself to painting in a studio at Via del Babuino in central Rome. Simbari's early exposure to the architectural world had a lasting impression on his art, as he incorporated geometric forms and architectural structures into almost all of his paintings. He began to develop a distinct style stemming from impressions of life, nature, and the Mediterranean...

Karl Michel, 'Austellung Karl Michel', woodcut, 1924, edition 20. Signed, dated, numbered 'op. 173' (the artist's inventory number) and '7/20' (the impression number/edition size) and annotated 'Vorgesdruck' (artist's proof) in pencil. A fine, richly-inked impression on hand-made cream, wove paper, with full margins (1 1/16 to 1 1/2 inches); toning to the right sheet edge deckle, otherwise in good condition. With the artist's blind stamp in the bottom center margin. Designed and printed by the artist. Very scarce. Matted to museum standards (unframed). An elegantly designed, dynamic exhibition announcement with the German copy in the block: 'Austellung Karl Michel – Deutsches Buchmuseum Leipzig/Zeitzer str 12, Berlin S.W. 61 Teltower str 33 / Buchschmuck/ Plakate/ Anzeige/ Schultzmarke/ Illustrations/ Ex Libris'. English translation: 'Karl Michel Exhibition – German Book Museum, Leipzig Zeitzer Street 12, Berlin, S.W. 61 Teltower St. 33. / Book Decoration / Posters / Announcements / Illustrations / Ex Libris.' Image size 6 x 4 inches (152 x 102 mm); sheet size 8 1/16 x 5 1/2 inches (205 x 140 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine 'Das Plakat' (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a folio of unsigned prints. Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracu...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 235. Published by Aimé Maeght, Éditeur...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 144/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

After GUSTAV KLIMT (1862-1918) THESEUS UND MINOTAURUS, 1898, final design submission for poster advertising the first exhibition of the Vienna Secession, (In Mascha, no. 8) As a cele...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Plafond de l'Opéra de Paris, par Marc Chagall, 1965. Published ...

Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...

Title page numbered: 263/450. Collotype is presented in a handmade, gold-leaf frame.

Medium: original etching. This impression on laid paper was published in Paris in 1898 by Gazette des Beaux Arts. Image size: 5 1/2 x 7 5/8 inches (142 x 195 mm). Not signed. Condit...

Signed lower right Provenance: Acquired from the artist Exhibited: Homage to Béla Czóbel: Paintings, Watercolors, Drawings,R. S. Johnson Fine Art, Chicago, 1990: no. 56 and reprodu...

"Nude in Interior - Woman on Top" - original large art by Paula Craioveanu Original, large, unique painting, oil on canvas, 39x27in / 100x70cm . Shipped as it is stretched ready for ...

Chama Canyon is a limited edition hand-pulled serigraph no. 225 /260 in excellent condition. It is signed in pencil and published by Aspen Mountain Graphics. sheet size 14 x 18 image 12 x 16 For American artist William Hook ( b. 1948- ) art was a central focus in his family home and he began his career in art at an early age.. He studied at several prestigious art schools in the US and abroad. His work has been featured in magazines such as Southwest Art, Art of the West, U. S. Art, American Artist and Focus Santa Fe. The book… Leading the West… by Donald Hagerty features William Hook as one of the most notable influences on the western art scene. Publishers Harper-Collins and North Light have included his work in numerous books written about the contemporary art process in Europe and America. Hook’s paintings can be found in the permanent collections of the Denver Art Museum, the Tucson Art Museum, the University of New Mexico, the FORBES Museum, NYC, and the Genesee Museum, NY as well as in many corporate and private collections. His work has also been featured in prints for the New Mexico Symphony, Music from Angel Fire...

This original, unframed oil on board requires a frame to hang. Created by Sandra Pratt in 2024, it measures 6 x 8 inches (15.24 x 20.32 cm) and captures a serene winter landscape in ...

Sangre de Christos is a hand-pulled, limited edition serigraph, no. 39 / 260 and is signed in pencil by the artist. Published by Aspen Mountain Graphic...

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition ...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

René Romero Schuler’s expressionistic paintings depict delicate female figures that she paints using a dry-brushed, minimalist hand, leaving her subjects mostly featureless but nonet...

A strong modernist oil painting depicted in Circa 1960 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Medium: original etching. This Hermann Struck etching was printed in 1919 and published in Berlin by Paul Cassirer. Plate size: 8 x 5 3/4 inches (205 x 145mm). A good impression on w...

This charming oil painting on marouflé canvas was designed by Robert Roujas (1908-2000). This romantic composition presents a study of a reclining nude seen from behind in a weary po...

There is on only one Brooklyn, NYC and it is the chic and trendy corner of New York City. Access to the endless excitement is to enter the gritty subcultures and, yes, read the gra...

"Weather Eye" - 1989 Lithograph on Paper 1989 Lithograph on paper titled "Weather Eye" by Deborah Rumer (American, 20th Century). A windowsill is the focal point, as the viewer look...

Medium: original woodcut. Catalogue reference: Colnaghi 142. Published in London in 1921 by Herbert Furst at the Little Art Rooms for inclusion in the "Modern Woodcutters 4" volume, ...

Lucien-Hector Jonas French, 1880-1947 Canal View Oil on Canvas 21 ¼ by 29 in, w/ frame 32 ½ by 40 in Signed lower left Jonas was born in the town of Anzin in northern France. He fi...

Title page numbered: 263/450

Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Extracted from the folio, Regar...

after EGON SCHIELE (1890-1918) SHAW ODER DIE IRONIE POSTER, C. 1912, (In Mascha, no. 18) Schiele’s poster is an advertisement for a lecture to be given ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 225. Published by Aimé Maeght, Éditeur...

Medium: original woodcut. Catalogue reference Roethel 105. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 8 1/2 x 8 3/4 inches (217 x 220 mm). Sh...

Louis Bosa (American, 1905–1981) Bucks County, 1934 Oil on canvas Signed and dated lower right 17.5 x 21.5 inches 25.5 x 29 inches, framed Born in Codroipo, a small village only a f...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 36-37-38. Published by Aimé Maeght, Éditeur, Paris; printed by Édi...

Heavily textured, 1962 abstracted landscape by Humbolt area artist Alma B. Leamey (American, 1901-1996). The viewer looks out over a valley, with a ranch at the focal point. In the d...

Signed lower left, 'Lavallen', dated 1987 and titled verso 'Mujer Dormida' (Woman Sleeping). A large figural oil painting of a young woman shown reclining on a sofa. Julio Lavallen...

Framed 27 X 24 inches Sight 18 X 15 inches Walter Spitzer (Polish/French, 1927 - ) born in Cieszyn, Poland. A Polish Jewish Holocaust survivor, he made his first drawings in a conc...

"Still Life of Flowers in a Blue Vase"  Pierre Ambrogiani (France, 1905-1985) Oil on panel Circa 1960 15 3/4 x 20 (20 1/4 x 24 1/2 frame) inches If the artists Diego Velázquez (Spai...

Plate #12 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Plate #15 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kl...