Impressionist Art

Antique American modernist cityscape oil painting. Oil on board. Signed. Framed. Image size, 16L x 11.5H.

Vivid mid century landscape of autumn trees blurring into colorful abstraction by Helen Gleiforst (American, 1903-1997). Presented in a giltwood frame. Image size: 10" H X 8" W. G...

Eve Nethercott, American (1925 - 2015) - Red Flowers in Vase (P1.21), Year: 1956, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Reflecting the sunlight, the apple green vase...

Eve Nethercott, American (1925 - 2015) - Flowering Plant (P1.33), Year: 1957, Medium: Watercolor on Paper, Size: 22 x 16.75 in. (55.88 x 42.55 cm), Description: Set against a...

Eve Nethercott, American (1925 - 2015) - Seaside (76), Year: 1958, Medium: Watercolor, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Description: Populated with rocks and tide po...

Eve Nethercott, American (1925 - 2015) - Nissequogue, Long Island (64), Year: 1959, Medium: Watercolor, Size: 10.5 in. x 22 in. (26.67 cm x 55.88 cm), Description: Eve Netherco...

Eve Nethercott, American (1925 - 2015) - Woodstock (77), Year: 1958, Medium: Watercolor, Size: 14 in. x 20 in. (35.56 cm x 50.8 cm), Description: Eve Nethercott's serene depict...

Eve Nethercott, American (1925 - 2015) - Roses and Irises in Vase (P1.22), Year: 1957, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38...

Eve Nethercott, American (1925 - 2015) - House (46), Year: circa 1959, Medium: Watercolor, Size: 9 in. x 12 in. (22.86 cm x 30.48 cm), Description: Looking toward the white hou...

Eve Nethercott, American (1925 - 2015) - Central Park and Ballerina (71), Year: 1958, Medium: Two Side Watercolor on Paper, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Descripti...

Eve Nethercott, American (1925 - 2015) - Beach Dunes (P2.58), Year: 1959, Medium: Watercolor on Paper, Image Size: 10.5 x 14.5 inches, Size: 11 x 15 in. (27.94 x 38.1 cm), De...

Eve Nethercott, American (1925 - 2015) - Forest (P2.65), Year: 1958, Medium: Watercolor on Paper, Image Size: 10 x 12 inches, Size: 11 x 13.5 in. (27.94 x 34.29 cm), Descript...

Eve Nethercott, American (1925 - 2015) - Rocky Seascape (P1.14), Year: 1957, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Looking out onto t...

Eve Nethercott, American (1925 - 2015) - Winter Trees (P2.41), Year: 1958, Medium: Watercolor on Paper, Size: 14 x 20 in. (35.56 x 50.8 cm), Description: Illuminated by the s...

Eve Nethercott, American (1925 - 2015) - Two Trees (P2.38), Year: 1958, Medium: Watercolor on Paper, Image Size: 14 x 21 inches, Size: 15 x 22 in. (38.1 x 55.88 cm), Descript...

Eve Nethercott, American (1925 - 2015) - Forest (P2.59), Year: 1959, Medium: Watercolor on Paper, Size: 15 x 11 in. (38.1 x 27.94 cm), Description: Leaning to the left, the a...

Eve Nethercott, American (1925 - 2015) - Beach Landscape (P2.66), Year: 1958, Medium: Watercolor on Paper, Image Size: 10.5 x 14 inches, Size: 11 x 15 in. (27.94 x 38.1 cm), ...

Eve Nethercott, American (1925 - 2015) - Wooded Landscape (P3.1), Year: 1958, Medium: Watercolor on Paper, Size: 18 x 23.5 in. (45.72 x 59.69 cm), Description: Peering out in...

Eve Nethercott, American (1925 - 2015) - Nissequogue (Hecate's Garden), Year: 1959, Medium: Watercolor, Size: 13 in. x 20 in. (33.02 cm x 50.8 cm), Description: Eve Nethercott'...

Eve Nethercott, American (1925 - 2015) - Mandolin Still Life (50), Year: 1958, Medium: Watercolor, Size: 14 in. x 20 in. (35.56 cm x 50.8 cm), Description: Set on a table befor...

Eve Nethercott, American (1925 - 2015) - Bronx (P5.32), Year: 1959, Medium: Watercolor on Paper, Size: 11 x 22 in. (27.94 x 55.88 cm), Description: Looking out over the park,...

Eve Nethercott, American (1925 - 2015) - Pines (P5.33), Year: 1958, Medium: Watercolor on Paper, Size: 15 x 21.5 in. (38.1 x 54.61 cm), Description: Scattered over the rollin...

Eve Nethercott, American (1925 - 2015) - Alley Pond park (P6.9), Year: 1952, Medium: Watercolor on Paper, Size: 18 x 24 in. (45.72 x 60.96 cm), Description: Reflecting onto t...

Eve Nethercott, American (1925 - 2015) - Flowers (P5.60), Year: 1956, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Turning their heads to th...

Eve Nethercott, American (1925 - 2015) - Brooklyn Bridge (P5.68), Year: 1956, Medium: Watercolor on Paper, Size: 17 x 20 in. (43.18 x 50.8 cm), Description: Looking out over ...

Eve Nethercott, American (1925 - 2015) - Late Summer (P5.11), Year: 1950, Medium: Watercolor on Paper, Size: 12 x 17 in. (30.48 x 43.18 cm), Description: Eve Nethercott's dep...

Eve Nethercott, American (1925 - 2015) - Rocks and Lighthouse (P4.34), Year: 1959, Medium: Watercolor on Paper, Size: 14.5 x 21 in. (36.83 x 53.34 cm), Description: Crashing ...

Eve Nethercott, American (1925 - 2015) - Aimhi Lodge (P5.4), Year: 1951, Medium: Watercolor on Paper, Size: 15.5 x 22 in. (39.37 x 55.88 cm), Description: Peering through the...

Eve Nethercott, American (1925 - 2015) - Surf Bald Head Cliff (P4.26), Year: 1958, Medium: Watercolor on Paper, Size: 14 x 21 in. (35.56 x 53.34 cm), Description: Viewed from...

Eve Nethercott, American (1925 - 2015) - Hamptons (P4.19), Year: 1958, Medium: Watercolor on Paper, Size: 12 x 19.5 in. (30.48 x 49.53 cm), Description: Focusing on two blue ...

Eve Nethercott, American (1925 - 2015) - Bronx Park (P4.28), Year: 1959, Medium: Watercolor on Paper, Size: 13.5 x 21 in. (34.29 x 53.34 cm), Description: A unique watercolor...

Eve Nethercott, American (1925 - 2015) - Vermont (P4.29), Year: circa 1959, Medium: Watercolor on Paper, Size: 14 x 21 in. (35.56 x 53.34 cm), Description: Leading up to the ...

Eve Nethercott, American (1925 - 2015) - Salt Marsh (P6.29), Year: 1959, Medium: Ink and Watercolor on Paper, Size: 13 x 18 in. (33.02 x 45.72 cm), Description: Rendered with...

Eve Nethercott, American (1925 - 2015) - Flowers (P6.23), Year: 1958, Medium: Watercolor on Paper, Size: 22 x 29 in. (55.88 x 73.66 cm), Description: This cropped still life ...

Eve Nethercott, American (1925 - 2015) - Hampton Bays (P6.63), Year: 1958, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Covering almost thre...

Eve Nethercott, American (1925 - 2015) - Windy Day (P6.14), Year: 1950, Medium: Watercolor on Paper, Size: 17.5 x 21.5 in. (44.45 x 54.61 cm), Description: Eve Nethercott's w...

Eve Nethercott, American (1925 - 2015) - Hamptons (P6.22), Year: 1958, Medium: Watercolor on Paper, Size: 22 x 29 in. (55.88 x 73.66 cm), Description: As white clouds roll th...

Eve Nethercott, American (1925 - 2015) - Allen Pond Park (P6.12), Year: 1953, Medium: Watercolor on Paper, Size: 18 x 24 in. (45.72 x 60.96 cm), Description: Eve Nethercott's...

Eve Nethercott, American (1925 - 2015) - Balcony View (P6.60), Year: 1953, Medium: Watercolor on Paper, Size: 13 x 17 in. (33.02 x 43.18 cm), Description: Looking out over th...

Signed lower right, 'G. Bundgaard' for Gunnar Bundgaard (Danish, 1920-2005) and dated '57'. A light-filled, panoramic landscape showing Holstein cattle grazing in a grassy field beneath sun-lit clouds. This listed Danish painter first studied at Copenhagen's Gronvang School where he was particularly influenced by the romantic academic style of Niels Pederson...

Detailed watercolor of Monument Valley by Albert DeRome (American, 1885-1959). The viewer is looking out over the valley from a high vantage point, with towering mesas in the distance. In the foreground, there are some shrubs and a small tree to the right side of the composition. DeRome has created a sense of vast distance by rendering the far background with a hazy quality while keeping the foreground in clear focus. Signed "Albert DeRome" in the lower right corner. Inscription on verso as a gift to the artist's mother. Purchased from the estate of the artist Patterson's Antiques, Los Gatos. Presented in a wood frame with a new white mat. Image size: 5.75"H x 8"W Frame size: 11"H x 14"W Born in Cayucos, California, Albert De Rome (American, 1885-1959) became a California landscape painter, especially of natural landscapes formations, seascapes and marine scenes near Carmel and Monterey. Usually his palette was bright in both oil and watercolor, but he did the occasional nocturne. Scholars have compared his painting style and subjects to those of Thomas Hill and Albert Bierstadt. However, Albert De Rome never affiliated with any formal group of painters, although he had many close friends including Percy Gray, Gunnar Widforss and Will Sparks. As a young man, Thomas De Rome worked at the Congress Spring Hotel in Saratoga, and in San Francisco at the Globe Foundry, owned by an uncle. He studied art under Arthur Mathews, John Stanton and Lorenzo Latimer...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 30 x 40 Frame Size: 37 x 47 Medium: Oil on Canvas Dated 1954 "Atardecer" Acapulco, Mexico Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

Artist: Maurice Utrillo (after), French (1883 - 1955) Title: Sur la Route de Village from Douze Contemporains Year: 1959 Medium: Lithograph with Pochoir on Wove paper, signed in the ...

Wonderful mid century watercolor of cherries and cherry tree branch in basket by V. R. Leighton (American, 20th Century), circa 1950. Signed lower right. Presented in new mat under g...

Idyllic landscape of a scenic lake view with an evergreen forest and picturesque purple mountains in the background by an unknown artist. Unsigned. Displayed in a period rustic wood ...

Olģerts Saldavs (1907.29.VII – 1960.1.IV) - Painter, art scholar. Studied in the studio of U. Skulme, later of K. Miesnieks and L. Liberts (1926). In 1936, he graduated from the V. ...

House In The Green - Original Acrylic On Paper Original acrylic painting depicting a white house in the woods surrounded by greenery by Honora Berg (American, 1897-1985). Two white ...

Marc Chagall, Russian (1887 - 1985) - Samson Overturns the Columns, Portfolio: Bible Series, Year: 1956, Medium: Etching on Montval, Edition: 295, Image Size: 11.5. X 9.75 inches, ...

Mid Century Garden Landscape, "In the Old Spanish Garden" by Florence Nuez A charming Spanish home is the focus of this lovely mid century landscape painting by Santa Cruz, Californ...

Aleksandra Belcova (1892-1981) Studied at the Art School in Penza (1912-1917), State Free Art Workshops in Petrograd with N. Altman (1918-1919). Together with her husband Romans Su...

Painted by the noted British Impressionist artist Bernard Fleetwood Walker, this fine oil on panel portrait depicts Pauline and was painted circa 1950. It was exhibited at The Royal Academy the same year. Housed in its original Bourlet exhibition frame, it is a fine example of his work. Signed lower left. Provenance. Exhibited Royal Academy 1950, Memorial Exhibition. Bourlet frame and transportation label verso. Condition. Oil painting on panel, 20 inches by 16 inches and in excellent condition. Housed in its original exhibition Bourlet frame, 27 inches by 23 inches. In very good condition. Bernard Fleetwood-Walker , PPRBSA, (1893-965) was an English artist and teacher of painting. Invariably known as B. Fleetwood-Walker, he was born in Birmingham, United Kingdom, a twin and one of five children. His father William Walker was an electrical engineer and co-inventor of the Walker-Wilkins battery, while his mother Electra Amelia (née Varley) was granddaughter of the 19th century watercolourist Cornelius Varley...

Georges Braque (after) Title: "Profil" from the Espace Portfolio Year: 1957 Year of Original: 1952 Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate Edition: 26...

"Old Store, Copperopolis California", a 1950s landscape by Cecil F. Chamberlin (American, 1899 -1963). Signed "C. F. Chamberlin" lower left. Unframed. Image, 24"H x 30"W. Cecil F. Chamberlin was born in Santa Rosa, CA on May 5, 1899. Chamberlin was educated at Stanford University and then studied art at the CSFA. He then taught art in San Francisco for many years. During the later part of his life he lived down the coast in Santa Cruz where he operated an art gallery, lectured, and had many students. He was a nephew of artist Winnie Chamberlin...

"Garden Roses" in a Vase Still Life by Masayoshi Himeno Beautiful still life oil painting on canvas of a vase of multicolored Garden Roses sitting upon a table with a background in hues of green and red by Masayoshi (Masara) Himeno (Japanese/American, 19th-20th century). A green vase is the focal point as it sits upon a table with red, pink and yellow roses in full bloom. The artist uses a oil wet brush technique similar to a watercolor artist. Masayoshi a possible San Francisco Bay area artist who emigrated to America form Japan. Signed "M. Himeno" lower right. Presented in a giltwood frame. Image: 19" W x 23"H. Frame: 26"W x 30"H. Signed on verso, artists label, Japanese Kanji...

Olģerts Saldavs (1907.29.VII – 1960.1.IV) - Painter, art scholar. Studied in the studio of U. Skulme, later of K. Miesnieks and L. Liberts (1926). In 1936, he graduated from the V. ...

Olģerts Saldavs (1907.29.VII – 1960.1.IV) - Painter, art scholar. Studied in the studio of U. Skulme, later of K. Miesnieks and L. Liberts (1926). In 1936, he graduated from the V. ...

Olģerts Saldavs (1907.29.VII – 1960.1.IV) - Painter, art scholar. Studied in the studio of U. Skulme, later of K. Miesnieks and L. Liberts (1926). In 1936, he graduated from the V. ...

Wonderful mid century California landscape of Gold Rush's Amador City with iconic stone building and farm by John Britton Matthew (American, 1896 - 1980),...