Neo-Expressionist Art

Patterson. boats. vertical . Licenciado en Bellas Artes por ISPEJV, en la Habana en 2002, especialización en Restauración y Conservación de pintura Mural y caballete. Ha ejercido como profesor de pintura en el ISPEJV y posteriormente como especialista, para la restauración y conservación del patrimonio cultural, Oficina del Historiador de la Ciudad de La Habana (Cuba), entre los años 2003 y 2007. Actualmente reside en Barcelona y desarrolla la mayoría de sus proyectos en Estudio Patterson ubicado en Tarragona. La práctica artística de Patterson se sustenta sobre todo, en la pintura, el grabado y el dibujo, pero también explora a través de ejercicios que tienden más hacia la escultura y la instalación La obra de Patterson ha sido expuesta en galerías, bienales y ferias de arte nacionales e internacionales. Entre éstas podemos destacar: “Memoria Impresa” (Promo-Arte Latin American Gallery, Tokio, 2010), “El Patriota” (Barcelona, 2012 y Berlin, 2013), “Memoria de los Objetos & Objetos de la Memoria” ( Museo de Arte Orus, Zaragoza, 2014),” Como un todo” (Espacio Pangea, Zaragoza 2016), ”De Islas…” Palau Fabré, Menorca 2017) o el reciente proyecto “Sell´ta pioù” 2021, (Maison des Chanoines - Landunvez, Brest, Francia. Selección Exposiciones personales 2021- Sell´ta piou, Maison des Chanoines de Landunvez, Brest, Francia. 2019- Gráfica Patterson, Maria Renatti Galerie, Brest, Francia 2017- De Islas , Palau Fabré , Mahón Menorca , España. 2016- Como un todo, Espacio Pangea, Zaragoza, España. 2014- Objetos de la memoria & Memoria de los objetos, Museo Mariano Mesonada. Zaragoza, España 2013- Denominación de Origen, MAMAC Gallery, Barcelona ,España 2012- El Patriota, Subsuelo Gallery, Berlin , Alemania 2010- Memoria in- presa. Galería Promo-Arte. Latín American. Tokio. Japón. 2010- Al otro lado del charco. Fundación Cuixart Cataluya España. 2009-Between.Galeria Agustí. Massana. Poble Español. Barcelona España. 2009- 37-LO QUE SE SABE NO SE PEGUNTA. Galería Sótano 2. Facultad de Bellas Artes. Sevilla. España. 2007-Mercado Paralelo. Galería Delallúm. Barcelona. España. 2007-Espejo de Paciencia. Galería Wifredo Lam. Ciudad de la Habana. Cuba 2007- Apunte litoral. Galería Fedelatina. Barcelona. España. 2006- A fuego Lento. Galería La Madriguera. Asociación Hermanos Saiz. Ciudad de la Habana .Cuba 2005- Cuajando sin Cristal. Galería UNAICC. Isla de la Juventud. Cuba 2004-Y sin Embargo. Galería. Ciudades del Mundo. Ciudad de la Habana. Cuba. 2004- 1002 TRABAS. Galería .Triana. Ciudad de la Habana. Cuba. 2003- 1000 TRABAS. Galería. Marta Machado. Isla de la Juventud. Cuba. 2002-Migración infinita. Galería el Castillito .Ciudad Libertad. Ciudad de la Habana. Cuba EXPOSICIONES COLECTIVAS. 2020- Caribean Art, Promo Art Gallery, Tokio, Japan. 2019- Colectiva, Françoise Patris Gallery, Brest, Francia. 2016- Arte Cubano , Habana Art Galeria, Barcelona, España. 2016- Outstanding Cuban Artists exposition, Promo Arts Gallery Tokyo, Japon 2015- Exhibition of latin American Young Artists, Promo Arts Gallery Tokyo, Japan 2014- Borderless of Cuba Art, Promo Arts Gallery Tokyo, Japan. 2013- On Construction, Subsuelo Gallery, Berlin Alemania. 2011 Tardor art. Museo Santa Mónica Barcelona España. 2011 “Multiple Visualization” Latin American contemporary art . Promo Arte .Tokio. Japón 2011 ARTMADRID, stand Galeria Riera 2011. 2010 Festival de arte Cubano. Marsella. Francia. 2009 Gráfica taller 46, Galería Ignacio Zuloaga...

Oil Pastel, wax crayon, and acrylic paint on paper.

Soft pastel on toned heavyweight paper signed and dated bottom. Part of an ongoing series by the artist depicting humans and birds and various other creatures.

original neo-expressionist acrylic painting . framed contemporary work by the mallorquin artist Toni CALDENTEY Painting on paper CALDENTEY, Toni - (Portocolom, Mallorca - Spain) The ...

Peinture à l'huile sur toile par l'artiste française Marina Taleb. Ses visages, envoutants, souvenirs vagues de moments endormis entremêlent le désir d’atteindre une vérité et l’env...

Untitled_Body on the Field #1, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of th...

Sculpture en bronze de l'artiste Pascale Hamelin. Pascale Hamelin est une sculptrice française. Ses visages et ses formes racontent le souvenir du pas...

Peinture à l'huile sur toile par l'artiste française Marina Taleb. Ses visages, envoutants, souvenirs vagues de moments endormis entremêlent le désir d’atteindre une vérité et l’envi...

Oeuvres papier de l'artiste française Camille Cottier. Ses “bonhommes”, aux visages honnêtes, sont le reflet de sentiments universels: la solitude, l’amour, l’attente, le rêve

Oil pastel, wax crayon, and acrylic paint on paper.

The nature explode * 1986. Aquatint, etching on paper 9/13. 41x58 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on Oct...

Huile sur bois par la peintre française Marina Taleb. Ses visages, envoutants, souvenirs vagues de moments endormis entremêlent le désir d’atteindre une vérité et l’envie de rêver.

Still life 1986. 1/21. Paper, etching, aquatint, 31x40 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on October 24, 19...

A stunning verticle painting by renowned Artist Hunt Slonem. The artist's renowned, stylized depictions of rabbits take center stage, dancing across...

Sculpture murale par l'artiste Pascale Hamelin. Pascale Hamelin est une sculptrice française. Ses visages et ses formes racontent le souvenir du passé,...

Diego Barboza - 1945-2003 Hand signed and dated 1988 Oil on Canvas Diego Barboza was born the Carabobo street of Maracaibo, Venezuela on February 4, 1945. He was a Venezuelan Neo Figurative Painter who is among the most famous and influential figures in Venezuelan art history. Diego Barboza opened a new chapter in Latin America, beyond the surreal or the magical realism of the Modern Latin American Masters. He created a new language of dislocation and transgression. Personages became distorted to the point that was very exaggerated forms His figures twisted and contorted without losing their presence or their pull. Extremities muscles, and bones burst into an explosive compound of divergent and convergent lines. Through eruptive brushstrokes and fractured outlines. Barboza created a world of illusions. Barboza was born into a upper-middle-class family. He stopped going to school at 12 years old, and he registered himself at the School of Visual Art in the City of Maracaibo Venezuela. Barboza studied at the School of Visual Arts in Caracas, Venezuela. Barboza began his training as an artist at age 12 in his native Maracaibo when he left formal education to enroll in the then School of Plastic Arts of Zulia, then Julio Arraga School of Plastic Arts, where he was a student in the modeling, collage and Drawing of Angelina Curiel. His first collages, in the sixties, show the influence of American Pop Art. In 1967 he exhibited at the Ateneo de Caracas his series 'Los Ratones', a proposal then 'criticized by critics as unprecedented in Venezuela'. In his tribute to the film "Nosferatu" Friedrich Murnau included 32 drawings as well as two-dimensional objects. In 1968 he moved to London where he studied at the London College of Printing. From that time is his '30 Girls with Nets', an action in which 30 students of the London College of Printing, dressed in black and covered by white nets, toured London public places, behaving naturally. His 'street expressions', which he later called 'poetic actions', symbolized a breakdown of social restraints through unusual behaviors that sought to provoke public reactions. Upon his return to Venezuela in 1973, Barboza continues with this line of work, being recognized as one of the initiators of Venezuelan conceptual art. In the 1980's Diego Barboza turned to painting, the New Venezuelan Figuration. Here belongings and the feminine figure fill the work of that time, in which he embodied his intimacy and daily life through scenes of furnishings and flowers that included objects from his workshop and home. His nudes were made from live model, then to follow the path of distortion resulting in their unmistakable females: a figure that represented their personal way of appreciating beauty. Barboza presented his first individual exhibition at the Centro de Bellas Artes of Maracaibo Venezuela. In 1963, he traveled to London when the Conceptual Art movement started, he had the support of the London New Art Lab Gallery. On March 7, 1970 Barboza displayed his first work on Conceptual Art, which he called Art of Action. In London with the performance of 30 Girls with nets (30 Muchachas con redes). His second work was Nets and Hats in markets and restaurants (Con sombreros y redes en mercados y restaurantes). In London UK. His third The Centerpiece (El Ciempies) and the fourth Expression on a laundry-mat (Expresiones en una lavandería) In 1974. Baboza returned to Venezuela. Where he presented two very important Conceptual Art works: The Armadillo Box (La Caja del Cachicamo) and from the School of Athens to the New School of Caracas (De la Escuela de Atenas a la Nueva Escuela de Caracas). Closing his cycle of Conceptual Art creation. IN Venezuela a sort of impromptu academy started up at Claudio Perna’s house. Eugenio Espinoza, Roberto Obregón, Antonieta Sosa, Alfred Wenemoser, Yeni and Nan, Sigfredo Chacón, Diego Barboza, Luis Villamizar, Margherita D’Amico, Pedro Terán, Alfredo del Mónaco, as well as international figures who happened to be visiting Venezuela such as Antoni Muntadas, Charlotte Moorman, and Roman Polanski would gather there. Venezuela, especially Caracas, was a rich field of action for modernism in South America. Venezuelan Geometric Abstraction, Op art and Kinetic Art dominated through crucial figures like Jesús Rafael Soto, Gego, Alejandro Otero, and Carlos Cruz Diez, the country’s kinetic art made a fundamental contribution internationally. The Greater London Arts Association and the Arts Council of Great Britain did several exhibitions of (North, Central, South, London, Wales, Scotland and Ulster) to show the actual Visual Arts in all of the United Kingdom and Diego Barboza was invited for this event with a solo exhibition, expressions around a cylinder (Expresiones alrededor de un cilindro). Diego has made numerous solo and group exhibitions, obtaining rewards since 1963. He is represented in the most important museums of Venezuela, as well as in England, Brazil, Colombia and Cuba. In 1986 he was awarded the Municipal Visual Arts Award of the Municipal Council of the Federal District and in 1997 he received the National Prize for Plastic Arts granted by the National Council of Culture, CONAC. Select Group Exhibitions 1964 Ateneo de Caracas, Caracas, Venezuela 1965 Salón Arturo Michelena, Valencia, Venezuela 1968 Salón Oficial Museo de Bellas Artes, Caracas, Venezuela 1971 Art Spectrum London, London, Great Britain 1972 Serpentine Gallery, London, Great Britain 1973 Midland Group Gallery, London, Great Britain 1974 Galería BANAP, Caracas, Venezuela 1975 Casa de Las Américas, La Habana, Cuba Museo de Bellas Artes, Caracas Galería de Arte Nuevo, Buenos Aires, Argentina 1976 Museo de Arte Moderno, Bogotá, Colombia Museo de Arte Contemporáneo, Sao Paulo, Brazil Museo de la Tertulia, Cali, Colombia Bienal de Venecia, Venecia, Italy 1979 Centro de Artes y Comunicación, Buenos Aires, Argentina 1980 Galería NBC, Memphis, Tennessee, USA 1981 Galería de Arte Nacional, Caracas, Venezuela Museo de Arte Contemporáneo, Medellín, Colombia Museo de Bellas Artes, Caracas, Venezuela 1986 Museo de Arte La Rinconada, Caracas, Venezuela 1989 Galería Venzor, Chicago, Illinois, USA 1990 Museo Bellas Artes, Santiago de Chile, Chile 1992 Ambrosino Gallery, Coral Gables, Florida, USA 1993 Museo de Arte de Petare, Caracas, Venezuela Centro de Arte Lia Bermúdez, Maracaibo, Venezuela 1994 Galería Namia Mondolfi, Caracas, Venezuela 1995 Galería Art Nouveau, Maracaibo, Venezuela Galería Cesar Sassòn, Caracas, Venezuela Maremares Resort, Puerto La Cruz, Venezuela Galería Durban, Caracas, Venezuela Galería Odalys, Caracas, Venezuela 1996 Centro de Arte Grupo Li, Caracas, Venezuela Galería Uno, Caracas, Venezuela Centro Cultural Consolidado, Caracas, Venezuela Espacios Unión, Caracas, Venezuela Hebraica, Caracas, Venezuela 1997 Sociedad Dramática, Maracaibo, Venezuela, Venezuela CELARG, Caracas, Venezuela Galería Ocre Arte, Caracas, Venezuela Museo de Arte Contemporáneo , Maracay, Venezuela Galería Medicci, Caracas, Venezuela Awards 1963 Premio Estímulo - IX Salón d’Empaire, Maracaibo, Venezuela 1964 Premio José Ortìn Rodríguez - X Salón d’Empaire, Maracaibo, Venezuela 1965 Primer Premio de Dibujo - III Salón Pez Dorado, Caracas, Venezuela 1968 Premio Henrique Otero Vizcarrondo - XXIV Salón Oficial Anual de Arte Venezolano Museo de Bellas Artes, 1973 Premio Emilio Boggio...

Acrylic on canvas Shipped rolled in a tube I can do commissioned works

Renowned artist Hunt Slonem's "Swoop" is a 14x11 colorful and scored oil painting on wood board of contemporary abstract black and white butterflies against a baby blue background. A thick application of paint combined with Slonem's scoring technique lends a hand...

WERNER LIEBMANN (German b. 1951) "Elf Köpfe Bei Nacht," Oil on canvas, signed L/R, "Liebmann;" 29 1/4'' x 35 1/2'', framed 31'' x 37''. Werner Liebmann (born 1951) is a German painter and graphic artist . Werner Liebmann was born in Königsthal in Thuringia. Born in Königsthal from 1969 to 1973 he studied chemistry at the Martin Luther University in Halle (Saale) . From 1973 to 1976 he worked as a project engineer. He was active as a chemist until he opted for an artistic career and studied painting at the University of Art and Design in Halle. A master student of Bernhard Heisig, he graduated at the College of Fine Arts Leipzig. Since then, he has been a freelance artist, as well as a professor at the College of Fine Arts in Dresden and currently at the Art school Berlin – Weissensee. His works were represented at numerous group exhibitions and solo exhibitions in Halle, Hamburg, Berlin, Düsseldorf and further cities, mostly in Germany. Influenced by the Neo Figuraist artists of the Junge Wilde painters. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke (b:1938). They were sometimes called the Neue Wilde. Berlin: Luciano Castelli, Rainer Fetting...

Translated title: "Face". Mixed media on canvas.

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a light blue background with thick use of paint. It...

Sculpture murale par l'artiste Pascale Hamelin. Pascale Hamelin est une sculptrice française. Ses visages et ses formes racontent le souvenir du passé,...

"Fieldwork," an original woodcut on paper by Roger Herman, is a piece for the true collector. This spectacular woodcut cannot be properly communicated digitally – it is a far more impactful and meaningful experience in person. This work of art would definitely enhance most homes or professional settings, perfect for those who have an affinity for abstracts, Neo-Expressionism, modernist paintings, or postmodern art. This woodcut was printed by Hans-Fuss and published by the Graphic Arts Council at LACMA. Work is outfitted with custom, conservation frame. Art historian Howard Singerman's words from the December 1982 ArtForum Magazine: "...Herman's expressionistic style... with its roots in German Expressionism and the New York School, is previously painted. His mean colors, thick pigment, and quick strokes are not a direct record of emotion and activity, they are not painting outside language, but signs for that painting, for an emotion and an activity that are no longer available. The expressionist act is recast as romantic aspiration; in his inscription, Herman evokes painting's past and admits his need for its aura... ...Herman's distance even undermines the emblematic immediacy of his expressionism, which he uses to attain more distance still. Unlike the flattened, aggressive figures that push to, and threaten to push through, the surfaces of most new painting, Herman's figures are situated in middle ground and buried beneath the paint..." Artist: ROGER HERMAN (1947-) Title: FIELDWORK Medium & Surface: ORIGINAL WOODCUT ON PAPER (framed) Signed/Numbered: HAND-SIGNED, NUMBERED, AND TITLED BY ARTIST Number: 36 of 75 Year Created: 1984 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 48 INCHES Paper Dimensions: 38 x 62 INCHES Frame Dimensions:* 41.25 x 65.25 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY ROGER HERMAN – PRINTED BY HANS-FUSS WITH BLIND STAMP LOWER RIGHT. PUBLISHED BY THE GRAPHIC ARTS COUNCIL AT LACMA. FEATURES CUSTOM CONSERVATION FRAME. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Roger Herman, a German painter and ceramic artist, has become well known for the broad range of styles encompassed within his work across multiple mediums. Roger Herman was born in Germany in 1947, where he began his studies at the Kunstakademie in Karlsruhe. In 1976, he was offered a fellowship from the German Academic Exchange Service (DAAD), which took him across the world to San Francisco. It was here, in California, that his career began to flourish. He started by creating paintings of phenomenal proportion, soon christened as the West Coast parallel of the 80s Neo-expressionist movement. It was highly referential work, drawing on his knowledge of art history, as well as his famed sense of humor. With loose, facile brushwork, his art is reminiscent of the figurative German painters who emerged in the 1970s—like Markus Lüpertz (who taught at the Kunstakademie), Rainer Fetting...

Acrylic on canvas Shipped rolled in a tube I can do commissioned works

Emilio Cruz (1938-2004) Bonnie and Clyde Pastel on paper Hand signed lower right Dimensions Framed H 15-7/8" W 18-1/2", Sight H 13-1/2" W 16-1/8" Emilio Antonio Cruz (1938 – 2004) was a Cuban American artist who lived most of his life in New York City. His work is held in several major museums in the United States. Emilio Antonio Cruz was an American Artist of Cuban descent. He was born in the Bronx on March 15, 1938. He studied at the Art Students League of New York with Edwin Dickinson, George Grosz and Frank J. Reilly and at The New School in New York City, and finally at the Seong Moy School of Painting and Graphic Arts in Provincetown, Massachusetts. As a young artist in the 1960s, Cruz was connected with other artists who were applying abstract expressionism concepts to figurative art such as Lester Johnson, Red Grooms, Mimi Gross, Bob Thompson and Jan Muller. He combined human and animal figures with imagery from archaeology and natural history to create disturbing, dreamlike paintings. Cruz received a John Hay Whitney Fellowship and awards from the Joan Mitchell Foundation and from the National Endowment for the Arts. In the late 1968, Emilio and wife Patricia Cruz moved to St. Louis to work with Julius Hemphill and the Black Artists Group. He served as director for the visual arts program, which also included painters Oliver Jackson and Manuel Hughes. In addition to artistic contributions, the couple participated in city-wide civil rights protests and rent strikes. Cruz moved to Chicago and taught at the School of the Art Institute of Chicago during the 1970s, where he exhibited widely and was represented by the Walter Kelly Gallery. He wrote two plays, Homeostasis: Once More the Scorpion and The Absence Held Fast to Its Presence. These were first performed at the Open Eye Theater in New York in 1981, and later were included in the World Theater Festival in Nancy and Paris, France, and in Italy. In 1982 he returned to New York where he began to exhibit again. In the late 1980s he resumed teaching at the Pratt Institute and at New York University. Harry Rand, Curator of 20th Century Painting and Sculpture at the Smithsonian American Art Museum, described Emilio Cruz as one of the important pioneers of American Modernism of the 1960s for his fusion of Abstract Expressionist art with figuration. Geno Rodriguez, Curator and Executive Director of The Alternative Museum, wrote in 1985, "Emilio Cruz, is a brilliant and impassioned artist whose current paintings are monumental, imbued with intelligence, fury and an apt sense of irony. They reflect the turbulent world within which we live." Geoffrey Jacques wrote in 1990, "Emilio Cruz paints humanity’s essence. Mythology and archeology are the foremost concerns of the painter Emilio Cruz. Dinosaurs, skeletal humans and fossil-like images are used in his work as metaphoric signposts in a consideration of the basic questions of existence." Art historian and curator Paul Staiti wrote in 1997, "Emilio Cruz's Homo sapiens series is a strange and haunting genealogy of the modern soul... What is at stake here more than biopolitical culture, is the remystification of the body and mapping of consciousness ... For all the trauma, explicit and implicit, Cruz's style is masterful, classical, even beautiful." Exhibitions Cruz held his first solo exhibition at the Zabriskie Gallery in New York in 1963. Afterwards his work was included in many group and solo exhibitions, including the Anita Shapolsky Gallery in 1986 and 1991, museum exhibitions at the Studio Museum in Harlem in 1987, the Pennsylvania Academy of the Fine Arts in 1997. In 1994, Cruz's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en Cuenca, Ecuador. Other American artists exhibiting at this show were Donald Locke...

Untitled_Dead Body on the Field #1, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in ...

Untitled_Remains Body on the Field #1, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissoluti...

Untitled_Body on the Field #5, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of th...

Original art by DARIA KUSTO The magic flow reality.. Acrylic on canvas Shipped From Spain.

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Purple Lavender background with thick use of pain...

Original art by DARIA KUSTO The magic flow reality.. Acrylic on canvas Shipped From Spain.

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

"Spirit Not in Flight," 1994, is a pastel work by Della Wells. The work depicts a nude black woman looking out from the picture, meeting the viewer's ...

Acrylic on canvas, with a wooden base I can make commissioned works_ -Specialist in large painting___ _intuitive painting, trying to share the happiness of the creating experienc...

Carlo Pittore Oil on canvas, 1984, Self Portrait, initialed and dated lower left, slat framed, 21"sqr (frame) 20 X 20 canvas. Provenance: The Private Collection of Wolf Kahn & Emily Mason Carlo Pittore (1943 – 2005) born Charles J. Stanley was an American painter, educator, art activist, and publisher, whose primary study, teaching and body of work was figurative art and portrait painting. He was a pioneer in the Mail Art movement, he corresponded with such mail art luminaries as Buster Cleveland and Ray Johnson. Pittore is noted for opening the first independent art gallery in the East Village, Manhattan. In 1987, Pittore founded "The Academy of Carlo Pittore" in Bowdoinham, Maine. Pittore (née Charles Stanley) was born to Stanford and Estelle Stanley in Queens, New York. He grew up on Long Island, in Port Washington, New York with his sister Marion and brother Elliott. Pittore graduated from Port Washington High School (1961), where he was active in the political and debating scenes. He then went on to graduate from the School of the Museum of Fine Arts at Tufts (1966), and post graduate from the Brooklyn Museum Art School (1978). Pittore changed his name in the 1970s while studying abroad in Rome, Italy. The children nicknamed him "Carlo Pittore", (”Charles the Painter"). From there he went on to study at the Chelsea College of Arts in London. In 1978, Pittore received the Max Beckmann Scholarship in Advanced Painting. It allowed him to begin studying with American feminist painter Joan Semmel at the Brooklyn Museum Art School. He also studied with visual portrait artist Alice Neel. After which, he taught art at the New York Cultural Foundation. In the 1970s, Pittore and his close friend Bern Porter...

Compelling and large scale neo-expressionist figurative painting by San Jose, California area artist Daniel David Fuentes (American, 20th century), Circa 1995. Unsigned. From a colle...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a multicolored silver and Gold background with thic...

Urban abstract expressionism artist Tommy Lennartsson draws on the visual culture of street and pop art when creating his original vibrant mixed-medi...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

"Freedom" Painting 49" x 79" inch by Ahmed Gaafary To begin this description, let me start with this question: Is it the internal side of things that is more important or is it what...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts delicate butterflies in ascension placed in a wonderful silver landscape. Slonem trac...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a light pale green background with thick use of pai...

Original art by DARIA KUSTO The magic flow reality.. Acrylic on canvas Shipped From Spain.

Urban abstract expressionism artist Tommy Lennartsson draws on the visual culture of street and pop art when creating his original vibrant mixed-medi...

With cultural icons and world events acting as inspiration, artist Soren Grau strives to communicate meaning through figures and colors. He paints in a stre...

"Passage of Time" Painting 59" x 69" inch by Ahmed Gaafary To begin this description, let me start with this question: Is it the internal side of things that is more important or i...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

With cultural icons and world events acting as inspiration, artist Soren Grau strives to communicate meaning through figures and colors. He paints in a stre...

"Prelude" Painting 75" x 75" inch by Ahmed Gaafary To begin this description, let me start with this question: Is it the internal side of things that is more important or is it wha...

A stunning composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts gestural figures of Bunnies against a multicolored background with gold and silver. Slonem traces these bunnies with thick black paint. Inspired by nature and a genuine love for animals, Slonem's paintings encompass unique inspirations drawn from the world. While viewing this piece in person, it is as if we are surrounded by elegance effortlessly, dazzled by the sparkle and enchanted with the charm of the Rabbit which symbolizes good fortune. This painting invites us to celebrate nature and the simplicity of form from the inspiring world of the Rabbit. The painting is signed and dated on verso on thick gallery wrap canvas. Art measures 70 x 50 inches Hunt Slonem was born in 1951 in Kittery, York County Maine. He is a renowned American painter, sculptor, and printmaker. Slonem is best known for his abstract depictions of animals, specifically Birds, Butterflies, and Bunnies. His whimsicality has captured the hearts of many across the globe, enchanting us all with a phenomenal power to elevate and inspire effortlessly. His works can best be described as monumental and uplifting as these forces certainly are the cornerstones of his inspiration. His pieces draw upon a spiritual connection celebrating nature, animals, and history. This bond stems from a love of exotic birds, as he has over 90 of them in his studio, painting them from life almost every day. His travels around the world since a young age has brought much passion for landscapes, as his father was in the Navy, living in Hawaii, Nicaragua to Mexico. And lastly, his unique joy in preserving historic homes has brought him to collect over 8 historic properties in the US, realizing too many of the country’s architectural gems have fallen into disrepair, bringing them back to their original beauty while decorating them with genuine antiques and his own creations. Hunt possesses a unique gift, a gift that stretches far beyond his creations in art. Stepping inside his studio is an experience to behold. It is like stepping into a magical world, where you feel anything is possible; similar to the feelings you get when gazing at one of his enchanting paintings. The music of birds echoes and creates the soundtrack while enjoying other treasures placed perfectly in the design of his studio. You can find a family of harps positioned in a centered arrangement, a forest of tropical plants in another, objects and vases situated and resituated, as Slonem is inspired by the decorations arranged almost daily with-in this seemingly endless stretch of space. And that’s not all, there is a collection of antique top hats...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...