Horse Art

'Part of Middleham Castle, NW Riding, Yorkshire' Engraving by T Woodyer after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England...

Abraham Cooper RA British, (1787-1868) The charge of the 1st Cavalry Brigade Oil on panel Image size: 11.25 inches x 15.5 inches Size including frame: 16.5 inches x 20.75 inches Pro...

Georges HYON (Paris 1840 – Saint Germain en Laye 1913) Cavalry review of the 2nd Lancers regiment Oil on canvas H. 115 cm; W. 146.5 cm Signed lower left A student of Portalis, Georg...

Artist/ School: French School, 20th century Title: The Sword Fight Medium: oil painting on canvas, unframed canvas: 28.5 x 39.25 inches Provenance: pri...

Charming 19th C. barnyard interior scene with your typical barn animals including horses, a goat, and a few hens. Signed lower right with monogram and dat...

"Surefooted Team" (2019) by Lindsey Bittner Graham is an original handmade oil painting that depicts a horse drawn carriage walking through a snowy forest. This Painting measures at ...

20" x 16" Unframed Open Edition Print Hand Signed by Adam Stoltman

‘Hunter’ (Bay Horse) by Georgie Dowling [2021] original and hand signed by the artist Oil paint on canvas Complete Size of Unframed Work: H:40 cm x W:40 cm ...

The Rural Lane Henry Cooper (British, late 19th century/ early 20th century) signed oil painting on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches condition: very good ...

This is a beautiful original bronze casting by the foremost Russian sculptor of his day Evgeny Lanceray. Artist signed on the base in Cyrillic (image 5) and is also inscribed on the ...

Antique American impressionist seascape signed oil painting. Oil on canvas. Signed. Framed. Image size, 16L x 12H. Artist Bio: Arthur James Beaumont was born in Yorkshire, England in 1877. He studied with Julius Olsson in London before moving to Paris at the turn of the century. In Paris, Beaumont studied at the Academie Julian* with William Adolphe Bougereau. The Academie awarded him a gold medal in 1905. After completing his studies, Beaumont settled in Cornwall where he became known for his marine and landscape scenes as a member of the St. Ives School*, an artist colony. While living in Cornwall, Beaumont traveled to the United States to exhibit his paintings. In 1906 he settled in New York, buying a house on Staten Island with his brother and sister in law, Ernest and Henrietta Beaumont, also artists, who arrived from England in 1907. Although Arthur Beaumont...

On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. 'Dot's Diner', photograph from Richard Heeps' 'Dream in ...

Stefanie Schneider's Mini Renée's Dream XI (Days of Heaven) - 2006 signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open Editions 1999-20...

Equestrian Joan of Arc by Emmanuel FREMIET (1824-1910) A very fine bronze equestrian group with a delicate and nuanced brown patina signed "E. Fremiet" on the base cast by "F. Barb...

This is a contemporary photograph of a wild mustangs. 36x48 Edition of 12. Signed by Shane Russeck Printed on kodak luster paper using archival inks Framing available. Inquire for...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Rare 19th Century Watercolor and Platinotype -- Coming Home Wonderful and rare 19th Century watercolor and platinotype (Watercolor over Platinum photograph) attributed to Edward Lamson Henry...

The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...

Godfrey Douglas Giles (1857-1941) British, Oil on canvas. A fine equine portrait of St Windeline & Woolwinder. Signed 'G. D. Giles' and dated (1904) lower right. Inscribed in pencil ...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). A Three Horse Race, 1963. Gouache & Watercolor. Signed & Dated Lower Left. Image size 15.6 inches x 21.5 inches ( 39.5cm x 54...

Original vintage French opera poster: Antar. Artist: Georges Rochegrosse. Stone lithograph linen backed in very fine condtion, ready to fra...

Oil Painting by Gudrun Sibbons "Unloading The Catch" Born 1925 in Germany and studied medicine but came to England after the war. Sold to many Hollywoo...

Giacomo Balla (Turin 1871 - Rome 1958), Knight at Campagnano (1935) Oil painting on pressed cardboard 46 x 64 cm signed Balla lower right, on the back are the following inscriptions...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2007 Title: Antique Motive Size: 17" x ...

David Hardy was an English genre painter who exhibited from 1855 -1870 in various English galleries such as the British Institute, the Suffolk Street Gallery, and one example at the ...

Leonardo da Vinci, After by Amand Durand, Italian (1452 - 1519) - Quatre Etudes pour une Figure Equestre, Year: circa 1878, Medium: Heliogravure, Size: 11.75 x 8.5 in. (29.85 x 21...

The Close of Day by Paul Flaubert (1928-1994) signed oil on canvas, unframed canvas: 18.5 x 22 inches provenance: private collection, France condition: very good and sound condition ...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Signed lower left, 'Frank N Ashley' (American, 1920-2007) and painted circa 1985. Additionally signed, verso, and titled, 'Steeplechase, Los Altos Hunt'. Bea...

Oil on canvas Image size: 25 1/2 x 19 1/2 inches (40 x 50 cm) 19th century gilt pierced frame This is a wonderful scene featuring a dark bay racehorses mounted by its jockey. The pa...

Untitled 2 and Untitled, Diptych, 2023 by Ricky Cohete From The Horse and Dancer series Archival Pigment print Overall size: 36 in. H x 60 in. W Image size: 36 in. x 24 in. Edition o...

Image dimensions: 20.2 x 15.3 cm. The Old Horse is a superb original etching (on copper matrix) on paper, signed on plate by the Italian Macchiaioli master...

Samuel Alken Coursing Scene Lithograph with hand colouring 25 x 42 cm Samuel Alken Jr. (1784–1825) was a British artist and engraver, part of the prominent Alken family of painter...

'White Andalusian Horse' by Baldur Tryggvason A beautiful close up image of a white Andalusian horse dramatically silhouetted against a black backgro...

Charles Towne (1763-1840) Riders and dogs on a country path Oil on canvas 28 5/8 x 36 1/8 in 72.6 x 91.8 cm Provenance With Thomas McLean, London; With Arthur Ackermann & Sons, Lond...

Bomber And Buckeroos ca. 1939 Till Goodan Offset Lithograph PRINTS ARE IN GOOD CONDITION. PRINTS MAY HAVE SMALL FLAW ALONG EDGE OF PAPER, DOES NOT EFFECT THE PRINT IMAGE All the prints are 26 x 31 inches, Mustang Peeler, Bombers and Buckaroos, The stranger, Guardians of the Range and Range Baby. Note that “The Mustang Runner” is 3 inches shorter in height, 23 x 31 inches The print by Till Goodan was originally a painting and reproduced by the Westward Ho company as a set. Westward Ho produced the most sought after Western dinnerware ever made. The most popular pattern was the Rodeo pattern by Till Goodan. He Illustrated and branded many accessories sold by the Westward Ho Company. Tillman Parker Goodan 1896-1958 To the casual observer his paintings are exciting and colorful. To the scholars of the Western Era they are benchmarks of authenticity. Such is the style of Till Goodan. He was born Tillman Parker Goodan in Eaton, Colorado on March 27, 1896. His father was a true western pioneer, mayor of Eaton, publisher of its first newspaper, and County Commissioner for several years. After moving to California in 1905 and settling on a little farm that bordered the Michel Cattle Ranch, Till spent much of his boyhood with the Michel sons working on their ranch. There he developed his expertise as a calf roper and the skills of a working cowboy. As a young man Till pursued endeavors that would initially callous his emerging artistic hands. He worked for the famous Miller and Lux Ranch in California. He packed mules and ran pack trains into the Sierra Mountains. He broke horses and competed in local rodeos riding saddle broncs and roping calves. And during the quiet hours he would draw pictures of ranch life and the action of the rodeo. People began commenting on his talents as an artist. In 1917 he left the rodeo circuit and turned his full attention to a career in art. He studied with Roger Sterrett, William Paxton, and Dana Bartlett, all highly respected California artists. Till soon became a free-lance commercial artist doing work for Grauman’s Chinese and Lowe’s Theaters, Helms Bakery and Security Bank. He later assumed a position as Art Director for the Richfield Oil Company. However, his first love was still the art of the old west, horses, cowboys, and ranching. So, he left Richfield and gave his full attention to the field of fine arts. He did oil painting, water colors and lithographs. He drew the Gene Autry Comic Books. He illustrated and hand lettered a large collection of stories about famous bucking horses, ranches, horsemen of the world, and western gear. In association with W.C. Wentz, he started producing a complete line of western gift wares, ceramics, bronzes, leather, paper, and fabric. By the 1930′s he was beginning to receive recognition for his western art and by the early 1940s, he and his daughter, Betty, were illustrating comic books for his longtime friend, Gene Autry. Betty was also a world champion cowgirl. Till Goodan designs appeared in virtually every medium. But, the most famous was the four lines of dinnerware produced by Wallace China...

Signed lower right, 'Ludvig Jacobsen' (Danish, 1890-1957) and painted circa 1925. Ludvig Jacobsen first studied at Copenhagen's Technical School, working initially as a book-illustr...

A stallion stooped to graze… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings capture the character and spirit of his subjects....

Sir Alfred J Munnings (England, 1878-1959) "Humorist" and Donoghue Going out for the Derby, 1921 First State Impression Frost & Reed London 1924 Pencil sig...

This equine racing painting "Irad Ortiz" by artist Anne Wolff is a 24x18 original oil painting on canvas. Featured is the back view of famous jockey Irad Ortiz on horseback. He is ...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

"Through the Falls" The famous horses of Iceland pay no attention to the extreme elements of their homeland most would find daunting - including some of the mightiest waterfalls on ...

Etching from the Six Landscapes

Grey White Horse In a Loose Box, circa 1900 by Louis NADLER (19th Century British) 19th Century British portrait of a white / grey horse in a loose box, oil on panel. Excellent qua...

Horse in front of the barn. 19th Century English by Edward John Hoy signed, dated 1899. Beautiful custom (Richard Tobey) gilt wood frame, canvas 18x24 ...

Richard Barrett Davis (1782-1854) Mr Ward on Quicksilver Oil on canvas Canvas Size - 25 x 30 in Provenance with Ackermann & Son, London; where purchased by the present owner. Born...

Signed lower left "Vigny" for Sylvain Vigny (French, 1903-1970) and painted, circa 1935, on artists board prepared by Maison Franco, 19 Rue Pastorelli, Nice. Born in Vienna, Sylvain...

Untitled (Roper at Bell Ranch) depicts a cowboy riding on a horse. The cowboy is turned away from the viewer, looking back over his shoulder at the rope leading to a small calf in th...

Artist: Michel Delacroix (1933) Title: La Sortie du Chenil Year: 1988 Edition: LXXVII/CL; 150 Arabic Numerals on Rives paper, 150 Roman Numerals on Japon pap...

Scottish artist, David McEwen's oil painting of a Border Terrier dog and horse, "The Runaways" is a masterfully painted narration of Phillip, a dog, and...

Anne Anka 1976 by Slim Aarons Slim Aarons Limited Estate Edition Anne Anka, wife of singer Paul Anka and daughter of Count Charles de Zogheb, with her daughters (left to right) Al...

George Henry Durrie's painting "Gathering Wood for Winter, New Haven, CT" captures the essence of 19th-century rural America with its picturesque depiction of a serene winter landsca...

Dana Hawk's (US based) "Lowland Savior" is an original, handmade oil painting that depicts a horse that seems to be stuck in a vat of copper, surrounded with...

The implied act of opening the boxes, releases the energy of the occupants, allowing them to take flight. The people and objects confined within, through the simple act of unfolding,...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

Original painting signed by the Artist on lower right.

A charming watercolour study attributed to the well-listed artist John Murray Thomson RSA RSW (1885-1974). Well presented in a simple wood frame. On watercolour paper.

Artist: Johnson Title: Secretariat Year: 1975 Medium: Oil on Canvas, signed Size: 66.5 x 50 in. (168.91 x 127 cm) Frame Size: 71.5 x 55.5 inches