People Art

Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice" Table no. 12 of the Series. Very good condition. Ref. Delteil 1348

Ashtray Heart - 2019, 50x50 cm, Edition of 7 plus 2 Artist Proofs. Digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Bernard Klein, éditeur, Paris, February 26, 1954. Notes: ...

Hunt Slonem "Barbara" Black Outline Bunny on White Background A single rabbit gestured in black on a white background in a vintage frame Unframed: 9 x 5.5 inches Framed: 11 x 8 inch...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Portrait of a noblewoman. Attributed to Carlo Ceresa. (1609 - 1679, Bergamo) Oil on canvas. Size cm 110x86,5cm with frame Around 1640. This portrait depicts a middle-aged woman with great realism, typical of Lombard and Bergamo painters in particular. Carlo Ceresa, probable author of this unsigned painting, had studied with Daniele Crespi...

Initialed lower left, 'J.P' for Julius Paulsen (Danish, 1860-1940) and painted circa 1910. A dramatic, early twentieth-century work by this notable Post-Impressionist painter and th...

America Martin "Homage to Cezzanne's Card Players Men with Words Hats and Cards" Oil & Acrylic on Canvas 60 x 70 Inches 61.5 x 71.5 In Framed Signed painting by America Martin. Ex...

The European Macabre Dance N.2 is an hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed...

OLD MASTER OIL PAINTING High Quality 19th CENTURY The Catch GGF Description OLD MASTER LARGE OIL PAINTING 19th Century NEW COLLECTION Of RARE PIECES OF ENGLISH HISTORY “Very Goo...

Bruce Sargeant (1898-1938)] Two Sailors n.d. Signed in red, u.r. Double-sided painting on panel 30 x 24 inches

Rainy Day by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thick paper, unframed signed J.V paper: 10 x 6.25 inches double sided very good condition provenance...

This work is framed. Unframed size: 70x80 cm, framed 75x85 cm Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas...

Abimelech  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsigned lithographs. Prin...

The Knight Errant English School, circa 1900 after the painting by John Everett Millais (1829-1896) oil painting on board, framed board: 13 x 10 i...

This painting tells a story about contrast-between the vast, unpredictable ocean and the small, fleeting presence of people on the shore. The deep blues and greens of the water feel ...

"THEFT" DOT DOT DOT 6 layer screen print 350gsm Arches 88 Edition of 150 65 x 95 cm Signed and numbered by the artist DOT DOT DOT is a visual artist fr...

Amazing early American surrealist nude male portrait landscape. Painted by Charles W St Clair. Oil on board. Framed. Image size, 24L x 30H. Super detailed and rare!

Classic oil painting perfect for the holidays! Horses and hounds with riders in traditional red jackets with green fields, trees and a turquoise blue sky. The painting appears to be...

Les Ames mortes (by N. Gogol) is a very rare suite of etchings realized by Marc Chagall (1887-1985). Complete set of 96 etchings hors-texte and 11 etched vignettes en-texte for the ...

Everything that exists is a result of what we believe to be real. This reality serves as evidence of immortality. The soul and spirit are immortal, temporarily separating from the bo...

Work on wood Golden wooden frame 65 x 75.5 x 4 cm

Fugue is an original hand drawn limited edition lithograph by the African American artist Hughie Lee-Smith printed using hand lithography techniques on archival Arches paper, 100% ac...

‘Comfort’ £2,200.00 Oil on canvas, 12â€

'J' From 'Hockney's Alphabet' By David Hockney David Hockney is a renowned British artist known for his vibrant paintings and innovative use of technology in art. His work often e...

Louis Bouché was based in New York and taught at the Art Students League. The figure was an important subject in his oeuvre. An ink drawing on tan paper, ...

Portrait of Thomas Collard (rector of Withycombe, Somerset 1670-1691) the city depicted in the distance is thought to be Antwerp. the portrait historically has been thought to be fr...

Swept Away, 2017 - Edition of 7 plus 2 Artist Proofs. Digital C-print, Based on an original Impossible film, not mounted. Signed on the back and with certificate. Artist invento...

Signed lower right, 'A. Leonardi' for Achille Leonardi (Italian, 1800-1870), inscribed, '... Roma' and painted circa 1860. An exceptionally fine and detailed, nineteenth century oil...

Gabriel BELOT Illusion : Boy, Cat and Soap Bubbles, 1922 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the ed...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Sacha and Pearl ‘ who was captured on f...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap digital and giclée reproductions. Ed. 1,500 In December of 1894, Mucha visited a print shop contracted to create a new advertising poster for a play featuring Sarah Bernhardt, the most famous actress in Paris at the time. Mucha volunteered to produce a lithographic poster within two weeks, and on January 1, 1895, the advertisement for the play Gismonda by Victorien Sardou was posted in the city, where it attracted much attention. Bernhardt was so satisfied with the success of this first poster that she signed a six-year contract with the artist. Written by Alexandre Dumas (son) when he was 23 years old, and first published in 1848, "La Dame aux Camélias...

Oil measures 33x41 cm. Frame 50x58 cm. Catalan painter trained in Olot and the Llotja in Barcelona, ​​where he was a disciple of Lluis Muntané. Through his travels he completes his training. He was in Paris for a year studying Van Gogh, Cezanne and Gaugin. The following year in Holland he studied Franz...

Original American Airlines - California, Arizona, Texas, New Mexico by McKnight Kauffer, 1948 vintage poster. Archival linen backed in Grade A, Excellent condition. No paper loss and no restoration. Kauffer’s signature artistry is on full display with a bold and minimalist design. The striking depiction of a Western figure adorned with a cowboy hat and scarf emphasizes California, Arizona, Texas, and New Mexico—the sun-drenched landscapes and destinations of the era's most adventurous travelers. The clean typography and bold color contrasts evoke modernism and nostalgia, making the piece a perfect centerpiece for collectors of aviation history, vintage travel memorabilia, or timeless graphic art. Designed by E. McKnight Kauffer, a renowned artist known for his bold use of color and striking designs, this poster is a masterpiece that resonates with the charm of a bygone era. This original piece from 1948 tells a story about American Airlines and reflects the excitement of post-war travel and the booming airline industry. This rare, authentic poster...

Underwater photograph of a naked woman Her young body on the red background and classic heavy breasts leave spectators speechless. It is particularly true for the big prints 44 by 58...

Figurative drawing made with graphite, conte crayon and charcoal on Arches paper 21.5 x 28 inches, unframed This unique life study drawing of two seated male nude models was made ...

David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me Decade that gave birth to the celebrity culture of today. Koppel’s classic photographs of Frank Sinatra, Marlon Brando, Jack Nicholson, the Rolling Stones, David Bowie, Paul McCartney, Eric Clapton & the Royal Family appeared in every major newspaper and magazine and marked him out as that rarity amongst press photographers: the artist with a camera. Building on the reputation gained through the photographs for the book Still Waters, his black-and-white portraits of ordinary people now rank among the many famous names in his portfolio. Koppel also went one better and in 2002 bought the St Giles St Gallery , bringing the best of local and international contemporary art and photography to Norwich, including the works of Sir Peter Blake, Terry O’Neill, David Bailey, Maggie Hambling, Storm Thorgersson, Tim Woolcock...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Drypoint etching rawing of a coastal scene with figures drawing a net or boat form the sea by Sir Francis (Frank) Job Short (British, 1857 - 1945) Sir Frank Short, Royal Academy*, was a printmaker and teacher of printmaking. He revived the practices of mezzotint* and aquatint* engraving, and also wrote about printmaking to educate a wider public. Signed "Frank Short" lower right with monogram in the print "S within a shield" Titled lower left "Rough Weather at Blatchington" Lower left "Trial Proof" Image, 8.5"H x 10.88"W Mat, 16"H x 20"W x 0.13 Professionally cleaned and ph nuetral washed by our paper conservator. (new images posting) Francis Job Short was born on 19 June 1857 in Britain, at Stourbridge, Worcestershire. He was educated to be a civil engineer. He was engaged on various works in the Midlands until 1881, when he came to London as assistant to Mr Baldwin Latham in connection with the Parliamentary Inquiry into the pollution of the river Thames. In 1883 he was elected an associate member of the Institution of Civil Engineers. Having worked at the Stourbridge School of Art in his early years he joined the South Kensington School of Art*, in 1883. He also worked at the life class under Professor Fred...

Zarina - Limited edition archival pigment print, 1987 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which is then printed ...

Jesus Villar (1930-2015) - Women - Oil on canvas Oil measurements 68x98 cm. Frame measurements 85x117 cm. The painter Jesús Villar was born in 1930, he has lived and painted in both...

Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...

This pastoral scene captures the rhythms of rural life, depicting a horse-drawn hay wagon traversing a golden field under dramatic cloudy skies. Signed and dated to the lower right....

Wonderfully provocative sketch drawing of a gathering of men and women in pencil by outsider artist Mylo Quam (American, 1941-1996). Signed lower right. Presented in giltwood frame with black mat under glass. Image size: 8.25"H x 10.50"W. A long-time Woodstock area resident, Mylo Quam was a self-taught painter and draughtsman whose provocative figural work has been compared to Renaissance painters Sandro Botticelli and Hieronymous Bosch, as well as to twentieth-century artists Egon Schiele and Gustav Klimt. Quam was an avid reader who derived inspiration from such varied arenas as Shakespeare, the occult, the Bible, Eastern and Western mythology, politics, and popular culture. "I look at everything," the artist was quoted as saying in 1990. "I read the comic pages. Anything visual. There's very little I don't think is a subject for art." Born in North Dakota, Quam studied Greek language and other classical subjects at Brandeis, Boston, and New York Universities, and worked as a translator of Greek plays while just 17 years old. After a successful career as an actor that included numerous Off-Broadway performances and a leading role in the 1968 Broadway production of Royal Hunt of the Sun, Quam turned his focus to painting. His first one-man exhibition was at the Boatman Gallery, NYC in 1969 and was followed by twenty solo shows over the course of his career at venues including Gallery A, Flynn Gallery, CFM Gallery, Brewster Gallery, Imperial Gallery, Runyon Winchell Gallery and the Gallery of Erotic Art, all in New York City. Quam's work was also exhibited at the John Pense Gallery in San Francisco, the Clark-Whitney Gallery in Massachusetts, the Barrett House and Desmond Weiss Galleries in Poughkeepsie, and for many years at the Ann Leonard Gallery in Woodstock. Quam's paintings were exhibited internationally, as well, notably in a solo exhibition in Haiti-- the first by an American artist in that country. In addition, he was one of four artists to represent the United States in La Bienalle di Venezia, Italia of 1986. As a young man, Quam designed sets and/or costumes for the Actor's Playhouse in New York City, the Lucas Hovig Ballet Company, and the Opera Municipal de Marseilles, France. He also created illustrations for The Story of O...

Vintage Photo. Rome, 13.3.86, The German-American Actress Barbara Bouchet. Good condition.

Havana, Cuba – There is never much very interesting on TV on the four state run channels and most families don’t have a lot games or toys. When not in school, many children spend mos...

'Portrait of a Young Woman', oil on board, by Anna Costa (circa 1960s). This is a beautiful, expressive portrait of a young woman painted by the artist using her trademark vibrant c...

Miami beach, I was inspired to paint this picture, hot summer days. I give myself up to beach hedonism 4 months a year, so that I have something to remember during the gray season. T...

Guy C. Wiggins Silvery Days, Madison Square Park, 1962 Signed lower left; signed, titled "Silvery Days" and dated on the reverse Oil on canvas 20 x 24 inches Guy Carleton Wiggins is...

Paper Size: 28 x 20 inches ( 71.12 x 50.8 cm ) Image Size: 25.75 x 15.75 inches ( 65.405 x 40.005 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and...

“Putti” is a 19th c. terracotta antique of two nude children, babies, as mythical figures. This piece is beautifully rendered with a rich brown patina. ...

Signed lower right, 'J. J. Enwright' for Casper Hjalmar Amundsen (American, 1911 - 2001), painted circa 1965 and titled, verso, on stretcher bar "A Cape Cod Harbor". J.J. Enwright was one among a number of brush-names used regularly by the artist. Displayed in a period, hand-carved and giltwood frame. Frame dimensions: 34 x 44 inches. Accompanied by a first edition, hard copy of 'Cappy: the Life and Art of C. Hjalmar Amundsen' by Terry Wallace (published 2011) and signed by the author. 'Cappy' was born Caspar Hjalmar Emerson III in New York City in 1911 and, in 1946, legally changed his name to Hjalmar Amundsen in honor of his great-uncle, the explorer Roald Amundsen...

Oil on canvas, approximately 12â€

Jean-Gabriel DOMERGUE (1889-1962) Maria, Nude on blue Background, c. 1950 Original oil painting on panel Signed bottom left Titled on the back On panel 55 x 46 cm (c. 22 x 18 inch) ...

"On the Ice" Dutch School, 20th century signed oil on board, framed framed: 14 x 18 inches board: 13 x 17 inches provenance: private collection, UK condition: very good and sound con...

5179 Antique figural garden scene

Excellent example of Cortès Paris scene. Provenance: Galerie Haussmann, Paris.Herbert Arnot, Inc., New York, New York (May 29, 1964).Country Store Gallery, Austin, Texas (February 2...

Late 17th-century Bolognese painter Circle of Carlo Cignani (Bologna 1628 - Forlì 1719) Noli me tangere ‘’Apparition of Christ to Mary Magdalene‘’ oil on canvas 120 x 92 cm framed ...