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A pair of Italian carved, silvered and gilt 'Grotto' armchairs, attributed to Pauly et Cie Venetian, second half 19th century. Each in the form of an open scallop shell, the arms in ...

Very good early 19th century Bavarian painted cabinet or armoire in original painted finish, including rocaille, faux marble and grain painting, the a...

This is beautifully crafted antique George III flame mahogany serpentine fronted chest of drawers, circa 1780 in date. The curvaceous serpentine chest is made from the finest quality flame mahogany. The top features a moulded edge, it has four long graduated drawers above a shaped apron and it is raised on splayed bracket feet. Fitted with decorative brass handles and with working locks and key. This piece is truly unique and is guaranteed to bring beauty and charm to your home for many years to come. THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 98 x width 117 x depth 62 Dimensions in inches: Height 38.6 x width 46.1 x depth 24.4 Flame Mahogany Thomas Sheraton - 18th century Furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works...

This is a very good and complete handmade, hardwood chess set game of 32 pieces in a handmade pine box with a sliding lid, which we date to the turn of the 19th Century, Circa 1900. ...

5 Volume set Philip Johnson by John M. Jacobus. JR. Hardback. 128 pages. Kenzo Tange by Robin Boyd. Hardback. 125 pages. R. Buckminster Fuller by John McHale. Hardback 128 pages. Lou...

Thomas Stringer (1722-1790) A groom with a saddled bay hunter and dogs, in an extensive landscape Dated 1754 lower left Oil on canvas Unframed size 25 x 36 in Framed size 31 x 42 in ...

Early 20th century marble vase circa 1920. Elegant shaped vase in deep reds and greys. Roll top rim.  Ideal for use in multiple rooms around the home, heavy item for size. Small ch...

This is a finely hand painted large and rare early Stone China (Ironstone) plate / stand or platter which dates to the George 111 period, circa 1815. Made by the DAVENPORT factory of Longport, Staffordshire Potteries, England. The plate is very well potted with a slightly raised central circular section. This plate is beautifully hand painted in a pattern called "Stork", which is pattern number 24 and one of Davenport's very few Chinoiserie patterns. This bold pattern features polychrome enamels with a stork, chrysanthemum and peony in an oriental garden. There are under-glaze blue transfers in under-glaze cobalt blue, with orange, pink, and brown over-glaze enamels. The pattern is embellished with excellent hand gilding. This pattern is a match to the Ralph & James Clews pattern called " Crane in Chinese Garden". A photo of the Clews plate in this pattern is on page 142 of Griselda Lewis' "A Collector's History of English Pottery". The mark on the base of the Plate or Platter is Godden's 1183, a blue printed DAVENPORT STONE CHINA...

Swedish mid 19th century carved pine rocking cradle circa 1840. We are pleased to offer this piece of traditional swedish furniture.  Made from solid heavy pine, likely to have been...

A refined and elegant early 19th century Swedish chandelier having crystal swagged garlands on a gilt metal frame featuring gilt metal fern leaves. A topmost crown of fern leaves wit...

This is a historically interesting bronze sculpture of a pair of lions after the original Medici Lions placed at the Villa Medici, Rome. This pair dating from the second half of the 20th Century. The lions are sitting on their haunches with one front paw on a sphere, and they are facing right and left with their tails on opposite sides. They feature beautifully toned muscles and sleek detailed manes, which signifies their masculinity and reflects their health. This high-quality hot cast solid bronze pair was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method. It is a majestic pair which will look lovely equally at home indoors or outdoors. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 96 x Width 43 x Depth 95 Dimensions in inches: Height 3 foot, 2 inches x Width 1 foot, 5 inches x Depth 3 feet, 1 inch Lost Wax Method sometimes called by the French name of cire perdue or the Latin, cera perduta is the process by which a bronze or brass is cast from an artists sculpture. In industrial uses, the modern process is called investment casting. An ancient practice, the process today varies from foundry to foundry, but the steps which are usually used in casting small bronze sculptures in a modern bronze foundry are generally quite standardised. The Medici lions are a pair of marble sculptures of lions, one of which is Roman, dating to the 2nd century AD, and the other a 16th-century pendant; both were by 1598 placed at the Villa Medici, Rome. Since 1789 they have been displayed at the Loggia dei Lanzi in Florence. The sculptures depict standing male lions with a sphere or ball under one paw, looking to the side. Copies of the Medici lions have been copied and publicly installed in over 30 other locations, and smaller versions made in a variety of media; Medici lion has become the term for the type. The Albani lion, a similar ancient sculpture, now at the Louvre A similar Roman lion...

A stunning Czech Chribska art glass bowl in yellow and mauve cased glass bowl by Josef Hospodka dating from around 1960. The heavily blown glass bowl ...

An exceptional, fine and impressive antique Chinese Export silver box; an addition to our collection of Chinese silverware. This exceptional antique Chinese Export Silver (CES) box has a plain rectangular form. The surface of the body is encompassed with exceptional chased oriental Chinese dragon designs amidst clouds, all on a matte background; each panel bears a plain and unembellished border. This antique silver box is fitted with a hinged silver cover, bearing a continuation of cloud ornamentation to the side panels. The upper plateau of the cover is ornamented with two further dragon designs accented with impressive emanating whiskers, incorporating a circular vacant cartouche to the centre. By virtue of its size this versatile box could be used for a multitude of functions. The box features a solid silver base which is plain and unembellished, apart from the feature hallmarks; a solid silver base is a sign of quality. The hallmarks struck to the underside of this antique Chinese box...

19th century French gilt mantle clock with sevres plaques circa 1890. Fine quality ornate french clock surmounted with a lady in traditional french dress leaning on an architectural window and ship building tools.  Enamel clock face...

This is a magnificent antique French Louis Revival giltwood overmantle mirror, circa 1860 in date. The bevelled rectangular mirror plate is framed with marginal side plates. It has ...

Mahogany partners desk the rectangular top with inset leather having tooled border, enclosed by a moulded edge over an arrangement of three freeze drawers. Above two pedestals, one s...

This is a beautiful oil on canvas painting of the view of the The Punta della Dogana by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right and verso, 'A...

19th century inlaid birch lyre form occasional table circa 1890. Elegant piece of late 19th century swedish furniture.  Overall rectangular shaped top with canted corners.  Made in ...

An absolutely fantastic set of 10 vintage Louis XVI Revival blue-grey painted dining chairs. These chairs have been masterfully crafted in...

With a pair of doors with elaborate brass hinges and overall Asian inspired decoration opening to an interior of drawers with brass bail handles. The slightly later base with Asian i...

An English Charles II period cabinet or covered chest, circa 1660, profusely decorated in rectangle and diamond geometric panels inlaid with mother of pearl, bone and ebonized wood. ...

This is a magnificent antique brass bound coromandel Victorian Gothic Revival casket by Parkins and Gotto, 24 & 25 Oxford Street, London, circa 1860...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

This is a highly decorative antique Victorian silver plated folding biscuit box, the base bearing the makers' mark of the renowned silversmiths Fenton Brothers of Sheffield, England, circa 1890 in date and bearing the Staniforth's Patent mark as well as the registration number 3549. It has a beautifully shaped body sitting in a cast frame with remarkably chased branch supports and the original interior features elegant hand-pierced dividers. It opens out into two halves and is held shut by gorgeous laurel wreath loose ring handles at the top. This wonderful container could house anything from sweets to biscuits or trinkets. Whatever you choose to store in this lovely item you are sure to do it in style. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 25 x width 19 x depth 15 Dimensions in inches: Height 10 inches x width 7 inches x depth 6 inches Fenton Brothers Ltd Sheffield Firm established in 1875 at South Moor Works, East Street, Sheffield by John Frederick Fenton...

These are Four Delft ceramic wall tiles mounted on a modern wood frame, all with a blue and white hand painted flower pattern, made in the Netherlands during the 17th century, circa ...

This is a highly decorative antique Victorian silver plated folding biscuit box, the base bearing the makers' mark of the renowned silversmiths Fenton Brothers of Sheffield, England, circa 1890 in date and bearing the Staniforth's Patent mark as well as the registration number 4467. It has a beautifully shaped body sitting in a cast frame with remarkably chased branch supports and the original interior features elegant hand-pierced dividers. It opens out into two halves and is held shut by gorgeous laurel wreath loose ring handles at the top. This wonderful container could house anything from sweets to biscuits or trinkets. Whatever you choose to store in this lovely item you are sure to do it in style. Condition: In excellent condition. As an antique item, the piece shows signs of use commensurate with age, these minor condition issues are mentioned for accuracy and, as seen in the accompanying photographs, the biscuit box displays beautifully, please see photos for confirmation. Dimensions in cm: Height 25 x width 23 x depth 14 Dimensions in inches: Height 9.8 x width 9.1 x depth 5.5 Fenton Brothers LTD, Sheffield Firm established in 1875 at South Moor Works, East Street, Sheffield by John Frederick Fenton...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Good quality gilt coloured coat of arms. Central shield with acanthus decoration, flanked either side by outward facing standing greyhounds. Gilt has been worn through to allow the ...

This is a superb large Vintage handmade twin pedestal dining table in elegant George III style, crafted in mahogany and dating from the late 20th Century. Capable of seating twelve...

A beautiful section of the lunar meteorite Gadamis 003, discovered in the oasis Berber town of Ghadames, Libya, and revealing a magnificent greyish-white spotted interior, evoking th...

A Charming And Very Attractive Matched Set Of Six Yew Wood, Low Back, Kitchen Windsor Dining Armchairs, Having Extremely Well Figured Pierced Splats And Turned Supports To Curved Bac...

This is a very attractive complete game of Marble Solitaire with a hardwood circular board and 35 mixed stone marbles, probably French. The circular turned board is made of polished hardwood, with a good grain figure. The board has 32 equi-spaced holes with an additional one in the centre and a gallery to the outer perimeter. Three small circular pads have been attached to the base of the board to protect the surface it sits on. It comes complete with a full set of 35 (32 Plus 3 spare) handmade playing marbles of mixed stone, clay and agate and of different colours. Some of the clay marbles...

This wonderful antique dining set comprises a Pembroke dining table which is unmistakable in sophistication and style dating from the Regency period, circa 1820 in date and attribute...

A large English carved and polychrome painted medieval ecclesiastical throne. In the English gothic manner, with finely carved tracery, it is also decorated in the Italianate taste w...

Fine pair of George III mahogany demilune commodes with satinwood banded and fan inlaid tops over half round case having three drawers and four doors, each with quarter fan inlaid co...

A wonderfully vibrant and elaborate Portuguese writing or library table made of solid rosewood, with single plank top with gadrooned edge over two drawers with raised cushion fronts ...

Large, vintage, custom gilt steel corner shelf etagere, circa 1960's/1970's, with five heavy 1/2" chamfered and rounded glass shelves. 79" high, 22" wide, 22" deep, 31" across corn...

An exceptional, fine and impressive antique Chinese silver dressing table hand mirror; an addition to our collection of Asian antiques. This exceptional antique Chinese export silve...

Vintage Set of Six Piero Fornasetti Porcelain Rosoni pattern plates depicting Rosettes 1980s, The dramatic plates depict six different large black and white flower-shaped rosettes on a gilt ground. Dimensions: 10 inches diameter x 1 1/4 inches high. The plates are numbered 1-6, each a different design. Mark: a printed black and white flower with the name ROSONI above the Fornasetti hand...

American Painted Cast Iron "Old Salt" Maine Fisherman Doorstop or Bookend, Hubley Manufacturing Company, The 1920s. The two larger figures depict an old salt fisherman standing ...

Early 20th century Danish curved sofa upholstered in velvet. Most likely made by Fritz Hansen. Ca 1930s Denmark.

Piero Fornasetti Magazine rack with wooden frame and silk-screened “Bassorilievo” decoration. Prod. Fornasetti, Italy, circa 1950 (minor losses, crazing to the paint and oxidisati...

A fantastic antique Victorian mahogany and gilded twin pedestal dining table bearing the impressed mark of the renowned cabinet makers and retailers Wylie & Lochhead, and circa 1850 in date. The oval shaped table is made from solid mahogany and has four leaves which can be added or removed as required to suit the occasion by a special winding mechanism. It is raised on a pair of beautifully carved and gilded pedestal bases with downswept legs terminating in scroll feet and the original brass and porcelain recessed castors. Bearing the inventory number 22308 and stamp of the maker: Wylie & Lochead 45 Buchanan Street Glasgow Whatever the function of this gorgeous table, it will make a profound impression on your dinner guests or clients and will receive the maximum amount of attention wherever it is placed. The chairs shown in the photographs are not included but can be purchased if required. THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully restored in our workshops, please see photos for confirmation. Dimensions in cm: Height 77 x Width 366 x Depth 142 - Fully extended Height 76 x Width 184 x Depth 142 - With all four leaves removed Dimensions in inches: Height 2 foot, 6 inches x Width 12 foot x Depth 4 foot, 8 inches - Fully extended Height 2 foot, 6 inches x Width 6 foot x Depth 4 foot, 8 inches - With all four leaves removed Wylie & Lochhead Glasgow, Scotland; furniture makers & retailers (fl.1829-1957) Antique Furniture by the Scottish cabinet makers Wylie & Lochhead, means the piece is going to be of superb quality and a very high level of craftsmanship. They were famous for their stunning selection of wardrobes, dining chairs and dining tables. In 1829 Wylie & Lochhead was started by cabinetmakers Robert Wylie and William Lochhead and they quickly became very successful with with a string of workshops, showrooms and warehouses in Glasgow employing over 1700 workers. By the 1900s they were a household name across Scotland, renowned for their artistic designs and high levels of craftsmanship. Their most well known designers were E.A Taylor, John Ednie...

This is a finely hand painted Chinese porcelain bowl from the 18th century, Qing dynasty, Qianlong period, 1736-1795. The bowl is beautifully decorated with two panels of figure sce...

A rare, erotic cup exemplifying the revelry and humour of ancient Greek culture, particularly within the context of symposia - the social drinking parties of the elite. This wine cup...

This is a beautiful large antique William IV mahogany extending dining table, circa 1830 in date. This amazing table can seat sixteen people in comfort and has been hand-crafted fr...

This is a good stone China (Ironstone) coffee can made by the SPODE factory in the early 19th Century, circa 1820. The coffee can is well potted with cylindrical shape and a loop handle with the distinctive Spode kink to it. The piece is beautifully decorated with hand painted enamels in the chinoiserie Kakiemon style, pattern number 2117. It has the Spode Stone China blue printed...

This is an absolutely stunning pair of enormous life-size bronze stags, dating from the last quarter of the 20th century. They stand listening carefully with perked up ears and impo...

This is a very decorative small cloisonné vase, made in China and dating to the second half of the 19th Century, Qing period. The vase has a g...

A delightful Vintage flame mahogany Georgian Revival library breakfront bookcase / display cabinet, dating from the mid 20th Century and the rear bearing the makers label for the ren...

An unusual and attractive set of English mahogany Regency style library stairs, each tread lined in brown gilt-tooled leather ending in an identically lined platform. The steps have ...

Original vintage travel poster for Hawaii featuring great artwork of four surfers with three of them riding a big wave and a man wearing red trunks paddling out and holding his surfb...

An extremely rare, early 18th century George II period 'Roman Eagle' console table with 'Verde Antico' marble top, in the manner of Francis Brodie. England or Scotland, circa 1740. Why We Like It This remarkable eagle console table...

This is a large French bronze sculpture of Vercingetorix with his son by Emile Laporte (1858 - 1901), circa 1890 in date. The standing figure of Vercingetorix wearing a winged hel...

This is a very decorative Desert Plate by Mason's Ironstone, Lane Delph, England in the Oriental Pheasant pattern, dating to the early period of Maso...

This is a good Marble Solitaire game, having a very good hardwood board and a complete set of 34 glass swirl marbles, all dating to the first half of the 20th century. The circular ...

Stony-iron, pallasite - PMG Circa 4.5 Billion y/o Weight: 34.68 kg Height (including base): 53 cm Width: 29 cm A magnificent and extremely sculptural specimen of the Seymchan meteor...

A beautiful hardback book which is in very good condition, with its dust jacket. Linke is considered by many to have been the greatest Parisian cabinet maker of his day when the worl...

Revolt in the Desert by T.E. Lawrence, Published Jonathan Cape, Thirty Bedford Square, London, 1927 First English edition rebound in 3/4 brown leather with marbled boards, gilt-tool...

Early 20th century tan leather wing back armchair circa 1900. We are pleased to offer this beautiful wingback armchair that has all the ideal proportions. Scrolling back rest and w...