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A rare and very interesting antique Georgian bronze medallion cased set of printed discs titled CHRONOLOGY OF THE SOVEREIGNS OF ENGLAND and believed to have been produced around 1815...

This is a superb antique George III inlaid flame mahogany serpentine sideboard, circa 1790 in date. With wood banding and marquetry spandrels, the central frieze drawer flanked by deep drawers, the right side drawer with divisions for bottles. The drawers fitted with the original and beautiful ormolu lion's head ring handles. It is raised on elegant square tapering legs on spade feet and is complete with working locks and key. Add an elegant touch to a special place in your home with this superb antique serpentine shaped sideboard. The botanical name for the mahogany this item is made of is Swietenia macrophylla and this type of mahogany is not subject to CITES regulation. Provenance: Major Edward Croft-Murray, Perivale, Ryde, Isle of Wight. From the collection of Edward Croft-Murray CBE (1907-1980). THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 93 x Width 183 x Depth 74 Dimensions in inches: Height 3 feet, 1 inch x Width 6 foot x Depth 2 foot, 5 inches Flame Mahogany Thomas Sheraton - 18th century Furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works...

A magnificent meteorite sphere, cut from the famous Aletai meteorite and polished to reveal the shimmering iron-nickel matrix and the beautiful crystalline Widmanstätten pattern — a ...

Peter Monamy (London 1681-1749) Colliers lying in the Thames at Deptford and unloading their cargoes for the London market signed 'P: Monamy: Pinx' lower left Oil on canvas Canvas Si...

This is a fine and very rare antique Victorian burr walnut twin pedestal partners desk, Circa 1860 in date. It is made from fabulous burr walnut, the rectangular top with a fabulous inset gold tooled green leather writing surface. One side has an arrangement of three drawers in the frieze over a pair of pedestals each with three graduated drawers, the other side has a central frieze drawer with a cupboard in each pedestal, each opens to a central shelf. The desk is fitted with the original turned walnut handles and it stands on a plinth base raised on brass castors. The desk has its original locks and keys and the locks are stamped H&C, By Royal Letters Patent. Instil the elegance of a bygone era to a special place in your home with this fabulous decorative antique desk...

An exceptional and rare Bohemian art nouveau Phenomen Genre 2/484 (also known as Medici) pattern Loetz vase dating from around 1902. This beautiful vase stands on a rounded spread fo...

Mid century galvanised tin bath circa 1940. Good quality scandinavian tin bath which would also function well as a garden planter or installation.  Made from galvanised tin to preve...

This is a fine and rare antique English mid Victorian, burr walnut, ebonised and fruitwood marquetry, centre table, in the manner of Edward Holmes Baldock and circa 1860 in date. The shaped segmentally veneered circular top is beautifully marquetry inlaid with assorted flowers within shaped cartouches and features a beautiful scrolled foliate carved edge. It sits on a cabochon and acanthus-wrapped baluster column with three cabochon-embedded, foliate-scrolled, rocaille-carved outswept legs, with clasped feet and recessed castors. It is extremely versatile and can be placed in your hallway, living room, dining room, or reception. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 74 x Width 145 x Depth 145 Dimensions in inches: Height 2 foot, 5 inches x Width 4 foot, 9 inches x Depth 4 foot, 9 inches In 1805 Baldock's name first appears as the freehold owner of 7 Hanway Street, London. Over the years he expanded his premises. By 1840 his property in this street comprised nos 1 and 2, both with back premises, and in addition he owned a yard and no. 3, which he let. It was in 1 and 2 Hanway Street that he carried on business up to 1843 when he retired, selling his stock and moving to a fashionable residential address, Hyde Park Place. According to one 19th-century source, the business was taken over by Frederick Litchfield's father. He was buried in St Pancras Church, Euston, where he is commemorated by a marble memorial tablet on the north wall, dedicated jointly to him and Mary Frances Westoby. In 1805 he described himself as dealer in china and glass. By 1821 he was styled in the Post Office Directories as antique furniture and ornamental china dealer, and in 1826 he described his activities in a bill heading as ‘buying, selling, exchanging and valuing China, Cabinets, Screens, Bronzes etc.’. Though Baldock's business consisted primarily in dealing in antique porcelain and furniture — largely foreign — he repaired, remodelled and altered existing furniture. He also produced designs for new pieces and had them made. In 1836 Baldock sold French eighteenth-century furniture to Lady Stafford (Countess of Sutherland) for Dunrobin Castle, and in 1842 Scotland’s leading country house architect, William Burns, recommended to his patron O. Tyndall Bruce of Falkland House that ‘for Cabinets and China, do not omit going to Baldock’s Hanway Street, Oxford Street… which is the first place in London’. In 1841 the Duke of Buccleuch was sent drawings of bedroom furniture as well as working drawings of an octagonal table, a bookcase and three stalls. A design of a table in the Buccleuch papers which is annotated ‘No. 3 Amboyna wood ground with coloured flowers’ is almost certainly the preliminary sketch for a table which was later made. Robert Byng (1764-1847) and George Newport, 2nd Earl of Bradford were also customers of Baldock’s. In 1840 he supplied a two encoignures with slab tops to the latter (one illus. FHS Newsletter (February 2017, p. 5). A pair of china cabinets...

Small 19th century original painted sarcophagus box circa 1870. Beautiful decorative box with original paint.   Sarcophagus shaped lidded box in original paint with traces of origin...

A charming quality antique bronze figure of a seated Dachshund, possibly Austrian and dating from the second half of the 19th century. The sculpture is beautifully modelled and detai...

An antique set of three Chinese Blanc de Chine porcelain teabowls molded with dueling dragons chasing a flaming pearl and believed to date to the 18th century or possibly earlier. Th...

Scipione Pulzone, called Il Gaetano (Gaeta 1544 - Rome 1598) Holy Family with the Young St John The Baptist and St Elizabeth Oil on canvas A Royal Coat of Arms lower left Canvas size...

This is a beautiful antique sterling silver bird's head handle ladie's walking cane bearing silver hallmarks for London 1914. The silver handle features a crook handle modelled as a...

An elegant Georgian dining table to seat eight comfortably, having a wonderful solid mahogany top in four sections, with the end sections with rounded corners and thumb molded edges ...

Early 20th century continental decorative carousel horse circa 1900. Unique continental painted merry-go-round horse circa 1900. Excellent opportunity to own this highly decorative ...

This is a truly superb large French antique Renaissance Revival ormolu table lamp, circa 1870 in date. It is relief cast with grapevines, cherubs and acanthus leaves, the serpentine handle rising to a seated winged amorini and descending to a mask at the figural relief cast body with waisted stem and terminating in a circular base. This gilt bronze 19th century ewer...

This is a magnificent antique brass bound coromandel Victorian Gothic Revival casket by Parkins and Gotto, 24 & 25 Oxford Street, London, circa 1860...

A superb antique bronze and marble sculputure group titled "The Betrothal" by Carl Kauba (1865-1922), circa 1890 in date. The bronze features a classical youth placing a ring on the...

Large Antique Staunton Style Chess Figures. A large Staunton style chess set with Ebonised and Boxwood weighted chess pieces. The pieces with wide bases for added stability, underside of each chess piece being covered with felt allowing the pieces to slide more easily across the chess board. The chess set comprises of thirty-two pieces, four Knights featuring the head and neck of a horse. Two kings, being the tallest pieces at 11½ cm high, both with a crown topped with a cross whilst the two Queens feature a coronet topped with a tiny ball (10 cm high). The four Rooks are towers (castles) with a crenelation top and the four Bishops with mitres. The sixteen Pawns are the smallest pieces at 5½ cm high and are topped by a plain ball. All the pieces with a collar except the rooks and knights, with a single white Rook with a red crown painted onto the top. The antique mahogany box...

This is an exquisite Victorian Revival crossbanded flame mahogany desk dating from the late 20th Century. This desk has been beautifully made from ...

This is a magnificent antique Italian oil on canvas painting of a group of Cardinals in the style of Francesco Brunnery, (Italian 1845-1929), circa 1890 in date. This beautiful pain...

This is a good quality hand made hardwood lidded box with fine quality hand carved floral themes, which we date to the late 19th C / early 20th C Art Nouveau period, Circa 1900. The...

This is a beautiful hand painted blue and white Chinese porcelain large diameter deep plate or charger, dating to the first half of the 18th century, circa 1720, Qing dynasty, either...

Rare 19th century mahogany and porcelain 4 poster bed circa 1889. Debenham antiques are pleased to offer this stunning and unique 4 poster bed of grand proportions.  Quite likely to...

19th century Swedish pine painted table circa 1890. Rectangular top which interestingly has a the impression of newspaper on the top surface.  This could be removed if desired.  Sin...

Small Mithé Espelt circular ceramic pocket mirror decorated in shades of blue green, white, rose pink and gold. Surmounted by a pair of birds in relief, with a short brass chain with...

This wonderful antique dining set comprises a Pembroke dining table which is unmistakable in sophistication and style dating from the Regency period, circa 1820 in date and attribute...

An exceptional quality Art Nouveau miniature iridescent glass vase, possibly Loetz and dating from the early 20th century. This heavily made amethyst glass vase is exquisitely decora...

Original vintage United Air Lines travel advertising poster for Hawaii featuring a classic modernist design by the artist and illustrator Stan Galli (Stanley Walter Galli; 1912-2009)...

A fine German porcelain Höchst three part coffee set in the Classic pattern, the stylish set decorated in puce with gilding highlights and comprising of a tall cylindrical shaped lid...

A Scottish Arts and Crafts period arts school bench of thick solid pale oak slabs for the ends, seat and back with substantial integrated bespoke brass hinges to allow conversion int...

A stunning Czech art glass vase with a spiral twist design by Stanislav Libensky (1921-2002) for Beranek Skrdlovice Glassworks and dating from ar...

This is a highly attractive interwar revival industrial design tripod searchlight floor lamp, late 20th Century in date. This splendid nautical...

A superb quality late 19th century Mahogany Display cabinet, of imposing large proportions, having profusely carved top section, incorporating foliate, ribbons, shell, cartouche and ...

This is a very rare, highly individual and very decorative, very large Lidded Vase in the Chinoiserie style with applied dragons, made by Mason's Ironst...

A very fine and elegant Hungarian porcelain twin handled vase with floral reticulated designs and contrasting blue glazed panelling by renowned maker Zsolnay and dating from around 1...

A highly collectable and delightful silver gilt novelty egg containing a hummingbird by renowned silversmith and artist Stuart Devlin (Australian, 1931-2018) and dated 1977. Stuart D...

Very fine George III mahogany breakfront bookcase in the manner of Thomas Chippendale, the architectural pediment having egg and dart with dentil molding over similarly treated friez...

This is a beautiful antique Victorian flame mahogany and satinwood crossbanded pedestal partners desk, circa 1860 in date. The rectanglular top is satinwood crosbanded and inset with a stunning gold tooled green leather writing surface. One side of the desk is fitted with nine drawers, three drawers in the frieze and three drawers in each pedestal. The other side of the desk has three drawers in the frieze with a cupboard to each pedestal, each cupbpard is fitted with a central shelf. The drawers are all fitted withbeautiful brass drop handles, the desk is complete with the original brass locks and key, and is raised on plinth bases. Instill the elegance of a bygone era to a special place in your home with this fabulous antique partners pedestal desk. THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully cleaned, polished waxed and releathered in our workshops, please see photos for confirmation. Dimensions in cm: Height 79.5 x Width 166 x Depth 105 Dimensions in inches: Height 2 foot, 7 inches x Width 5 foot, 5 inches x Depth 3 foot, 5 inches Flame Mahogany Thomas Sheraton - 18th century furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works...

Good quality Art Nouveau inspired cabinet on chest circa 1890. Comprising of 2 parts.  Top section of a double and single door cupboard containing a shelf.  Doors glazed with latice...

Original vintage motorsport poster for the German Grand Prix World Championship Race for Motorcycles with and without sidecar / Grosser Preis von Deutschland Weltmeisterschaftslauf f...

This is an exquisite antique French Empire Revival pedestal desk, Circa 1920 in date. This desk has been beautifully crafted from flame mahogany. The top has a decorative ormolu bod...

A fine and very rare early 18th century English oak dugout armchair, the generously sized body rough-hewn from a single oak tree trunk, showing adzed and drawn toolmarks and possessi...

These are a very good PAIR of antique Chinese foo or lion dog sculptures, sometimes called temple lions, made of a brass-bronze metal alloy, with excellent detail, dating to the early 19th century, Qing period or possibly earlier back to the 18th century. They are a male and female pair, the male with the slightly larger head. These pieces are very well cast with good detail and wear, showing a very good depth of colour. Both dogs have a small hole on the top of the head for incense to be placed. Each piece weighs about 700gm unpacked Overall a lovely pair of antique Chinese Foo Dogs...

This is an eye-catching Vintage Art Deco Revival bronze dancing girl dating from the mid 20th century. This beautiful piece is a 20th Century recast of a sculpture created by the famous Romanian sculptor Demetre Chiparus. Made by the classical lost wax, or 'cire perdue', method, the stautue stands on a black marble base. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 50 x Width 22 x Depth 16 & Weight 6 kg Dimensions in inches: Height 1 foot, 8 inches x Width 9 inches x Depth 6 inches & Weight 13.2 lbs Lost Wax Method sometimes called by the French name of cire perdue or the Latin, cera perduta is the process by which a bronze or brass is cast from an artists sculpture. In industrial uses, the modern process is called investment casting. An ancient practice, the process today varies from foundry to foundry, but the steps which are usually used in casting small bronze sculptures in a modern bronze foundry are generally quite standardised. Demetre H. Chiparus was born in Romania in 1886, attended school in Italy, then, shortly before World War I moved to Paris. He attended school at the Ecole des Beaux Arts under two talented sculptors Anonin Mercier and Jean Boucher, who provided him the opportunity to learn the trade. He later began to experiment with small bronze sculptures and produce small bronze works, exhibiting his small sculptures and, in 1914, was awarded an honorable mention at the Salon of the Societe des Artistes Francais. Many of Paris’ most affluent began to take notice of his work after World War One and the demand for his sculptures quickly increased. Chiparus was captivated by dancers, in particular influenced by Diaghiley’s Ballets Russes and Leon Bakst’s stage designs. A few of his famous sculptures were Starfish Dancer...

A stunning Czech Chribska art glass bowl in yellow and mauve cased glass bowl by Josef Hospodka dating from around 1960. The heavily blown glass bowl ...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

A fine quality Art Nouveau enamel decorated rectangular box dating from around 1900. Possibly Austrian, the box is made in brass with a hinged overlapping cover the top applied with ...

This is a wonderful antique late 18th century Dutch burr walnut and marquetry bombe' bureau. It has been accomplished in burr walnut, with exquisite hand cut floral marquetry typica...

Danish mid 20th century burr walnut desk circa 1950. We are please to offer this desk which is of the highest quality. Stunning top with a single veneer covering the whole writing ...

This is a beautiful Chinese snuff bottle, heavy for its size and hand carved from a hardstone with a celadon color, which we attribute to Serpentine stone and dating to the early 20t...

A scarce and exceptional Doulton Burslem Art Deco silver mounted coffee cup set complete with saucer and original spoon and dated 1929. The porcelain tr...

A charming and uncommon Danish mid-century art pottery eskimo figure made by Hyllested Keramik and dating from around 1960. This highly collectable figure is referenced by some as re...

Early 19th c Gaudy Welch Personalised Commemorative Birthday Mug. "George Taylor Born August 23 1839." The term "Gaudy Welsh" refers to the style of brightly colored, heavily decorat...

Malloch Of Perth Black Japanned Fly Tin. A good, black japanned fly tin by Malloch of Perth. The two boards with four rows of plated fly clips, five hooks on each, a total of 40 flie...

A beautiful hardback book which is in very good condition, with its dust jacket. Linke is considered by many to have been the greatest Parisian cabinet maker of his day when the worl...

A fine quality large antique/vintage Russian hand-blown engraved cobalt blue glass egg attributed to Faberge and probably dating from the early 20th century. The egg is hollow hand b...

This is an exquisite and rare antique English silver plated entree dish by the world renowned retailser Asprey, of London circa 1870 in date. The entree dish features a square shaped body with elegant fluted decoration to the dish, lid and handle.   In excellent condition, this wonderful entree dish is  ready to grace your dining table.  Condition: In excellent condition. As an antique items, the piece shows signs of use commensurate with age, these minor condition issues are mentioned for accuracy and, as seen in the accompanying photographs, it displays beautifully. Dimensions in cm: Height 16 cm x Width 26 cm x Depth 26 cm Dimensions in inches: Height 6 inches x Width 10 inches x Depth 10 inches Asprey was established in England in  1781 and founded as a silk printing business by William Asprey, it soon became a luxury emporium. In 1841, William Asprey's elder son Charles went into partnership with a stationer located on London's Bond Street. In 1847 the family broke with this partner and moved into 167 New Bond Street, the premises Asprey occupies today. From its central London location Asprey advertised 'articles of exclusive design and high quality, whether for personal adornment or personal accompaniment and to endow with richness and beauty the table and homes of people of refinement and discernment.' An early speciality was dressing cases. Asprey crafted traditional cases and designs, mostly in leather, suitable for the new style of travel ushered in by railways. The main competitors at the time were H.J. Cave & Sons. Asprey was recognised for its expertise when it won a gold medal for its dressing cases at the International Exhibition of 1862 but lost out to its rivals, H.J. Cave & Sons in 1867. The company consolidated its position through acquisitions. In 1859 Asprey absorbed Edwards, an award winning maker of dressing cases and holder of a Royal Warrant. The company also purchased the Alfred Club at 22 Albemarle Street, which backed on to the New Bond Street store and meant that Asprey now had entrances on two of London's most fashionable streets. In 1862, Asprey was granted a Royal Warrant by Queen Victoria. The Prince of Wales, later to be crowned Edward VII, granted another Royal Warrant. In 1953, for the coronation of Elizabeth II, Asprey paid homage with the Asprey Coronation Year Gold Collection, which featured a dessert, coffee and liqueur service in 18-carat gold and weighed almost 27 pounds. In April 1953, it went on show in the New Bond Street store and subsequently toured the United States. As the business grew, the company acquired manufacturing facilities and hired silversmiths, goldsmiths, jewellers and watchmakers including Ernest Betjeman, the father of the distinguished poet John Betjeman, one of the most highly regarded craftsman and designers of his day. In the twenties, commissions poured in from around the world, from American millionaire J. Pierpont Morgan to potentates such as the Maharaja of Patiala, who commissioned a huge teak travelling trunk for each of his wives in which each trunk was fitted with solid silver washing and bathing utensils with waterspouts of ornate tiger head and lined with blue velvet. Asprey cigarette cases...

A very rare and stunning Arts & Crafts studio pottery vase of twisted floral shape made in London by Horace Elliott (British, 1851-1938) dating from the...

These are a fine early set of six ironstone pottery dinner plates made by the Mason's factory at Lane Delph, Staffordshire, England and beautifully decorated in the small vase, flowers and rocks pattern, fully stamped and dating to the earliest period of Mason's Ironstone production, circa 1818. This design is one of Mason's very decorative Chinoiserie patterns called "Small Vase, Flowers and Rocks" pattern, which is one of Mason's rarer patterns with very rich hand gilding and all hand painted, the detail of each plate being different. This Imari inspired pattern is illustrated on page 110 of a Guide to Mason's Patent Ironstone patterns, circa 1813-1848, produced by The Mason's Collectors Club. All plates...