Antiques Associations Members Paintings
Antiques Association Members
Our distinguished antique sellers belong to leading worldwide associations with the highest vetting standards in the industry. Explore pieces from a range of historical periods offered by these design experts.
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The Proposal
Located in Belgravia, London, London
Oil on mahogany panel
Panel size: 47 x 36 inches
Signed lower right
Category
19th Century Antiques Associations Members Paintings
Materials
Oil, Wood Panel
Stay
By Tina Spratt
Located in Belgravia, London, London
Oil on canvas
Canvas size: 16 x 24 inches
Framed size: 22.5 x 30.25 inches
Signed lower left
Category
20th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
Whilst the Sleeping Dog Lies
By Horatio Henry Couldery
Located in Belgravia, London, London
Oil on canvas
Canvas size: 20.25 x 27.25 inches
Signed lower left
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
19th Century still life oil painting of fruit
By Alfred Arthur Brunel De Neuville
Located in Moreton-In-Marsh, Gloucestershire
Alfred Arthur Brunel de Neuville
French, (1852-1941)
Still Life of Fruit in a Basket
Oil on canvas, signed
Image size: 14.5 inches x 17.5 inches
Size including frame: 23.25 inches x ...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
Place Du Tertre, Paris
Located in Belgravia, London, London
Oil on canvas
Canvas size: 8.5 x 10.5 inches
Framed size: 14.5 x 16.75 inches
Signed lower left
Category
20th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
Beauties (Pair)
Located in Belgravia, London, London
Oil on panel
Panel size: 15.25 x 11.25 inches
A signed lower right, B signed lower left
Category
19th Century Antiques Associations Members Paintings
Materials
Oil, Panel
Blowing Bubbles
By Théophile Emmanuel Duverger
Located in Belgravia, London, London
Oil on panel
Panel size: 21.5 x 17.25 inches
Signed??
Category
19th Century Antiques Associations Members Paintings
Materials
Oil, Panel
19th Century North African river landscape oil painting of a man using a Shadoof
By David Bates b.1840
Located in Moreton-In-Marsh, Gloucestershire
David Bates
British, (1840-1921)
The Shadoof
Oil on canvas, signed, further inscribed verso
Image size: 19.75 inches x 29.75 inches
Size including fram...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
19th Century seascape oil painting of ships & boats at the port of Hull
By Francis Moltino
Located in Moreton-In-Marsh, Gloucestershire
Francis Moltino
Italian, (1818-1888)
The Port of Hull
Oil on canvas
Image size: 22 inches x 35 inches
Size including frame: 27.25 inches x 40.25 inches
Provenance: Stacy-Marks
A wo...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of figures near cottages & a pond
By Walter Wallor Caffyn
Located in Moreton-In-Marsh, Gloucestershire
Walter Waller Caffyn
British, (1850–1898)
Walking by the Pond, South Mimms
Oil on canvas, signed & dated 1897
Image size: 11.75 inches x 17.75 inches
Size including frame: 17.75 inches x 23.75 inches
Walter Waller (or Wallor) Caffyn was born in Dorking, Surrey in 1850 the son of a hairdresser also named Walter Waller Caffyn. The family lived at High Street, Dorking where his father probably also conducted his business. Whilst there is no record of which art school he attended, he undoubtedly received an artistic education due to the highly skilled work he produced. He is known to have spent time working with his father as a hairdresser before becoming a professional artist around the age of 22. His skills were not just confined to art; he also had a talent for music and was an excellent violinist.
He married Eliza Beagley at Southwark on 1 June 1873 and they went on to have four children together. The family lived in Dorking at Howard Road before settling at 14 Vincents Road by 1881. He made his debut at the Royal Academy in 1876 and continued to exhibit there throughout his life. He also exhibited at the Society of British Artists in Suffolk Street and the Royal Institute of Oil Painters.
Caffyn was a skilled artist and specialised in river and harvest landscapes of Surrey and the surrounding counties including Kent. He also visited Yorkshire to paint a number of there. He was friends with Henry Leonidas...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Canvas, Oil
18th century English portrait of a lady beside an urn, with a basket of flowers
By Tilly Kettle
Located in Bath, Somerset
Portrait of a lady wearing a white gown with a red cloak, pearls in her hair and draped over one shoullder, standing beside a classical urn with a basket of flowers, c.1765.
The portrait is believed to be a companion portrait of a John (1741-1816) or James (1751-1807) Durno which is housed in an identical frame. The sitter is possibly either the wife of John who was Janes Byres of Stonywood or John and James's sister Elizabeth. (James never married). The Durno family were based around the Aberdeen area of Scotland and John was an advocate in the area and then later a customs official in Jamaica. James was a successful timber merchant, spending time in the Baltic before being made His Majesty's Consul in Memel, Prussia.
The portrait is likely to have been painted before Tilly travelled to India in 1768, when John, Jane and Elizabeth would have been in their twenties.
We are gtrateful to Mark Beattie for sharing his family knowlege and research on the portrait.
Provenance:
With W. C. Beattie in the mid 19th century, and by descent through the family
Private collection, Kent
With thanks to Hugh Belsey who has confirmed this to be the work of Tilly Kettle from photographs.
Tilly Kettle (1735-1786) was born in London, the third of six children by Henry Kettle (c.1704-c.1773), a coach painter, and his wife Ann. He attended William Shipley...
Category
18th Century Old Masters Antiques Associations Members Paintings
Materials
Canvas, Oil
19th Century landscape animal oil painting of cattle & sheep by a river
By Thomas Sidney Cooper
Located in Moreton-In-Marsh, Gloucestershire
Thomas Sidney Cooper
British, (1803-1902)
Canterbury Meadows
Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894
Image size: 14.75 inches x 24.75 i...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
19th Century sporting oil painting of a horse and dogs hunting
Located in Moreton-In-Marsh, Gloucestershire
John Duvall
British, (1815-1892)
Directing the Shoot
Oil on canvas, signed
Image size: 17.75 inches x 13.75 inches
Size including frame: 25.5 inches x 21....
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
Contemporary Realist Still-Life Painting of Yellow 'Quinces', Dutch Masters
By Barbara Vanhove
Located in Shrewsbury, Shropshire
Barbara was born in Watermael-Boisfort in Belgium in 1974. She showed an incredible natural talent early on in her life and after school she studied art at the Institute Bishoffsheim...
Category
20th Century Realist Antiques Associations Members Paintings
Materials
Panel, Oil
19th Century seascape oil painting of fishing boats off the Dutch coast
By Abraham Hulk the Elder
Located in Moreton-In-Marsh, Gloucestershire
Abraham Hulk Snr
British, (1813-1897)
Fishing Boats off the Dutch Coast
Oil on canvas, signed
Image size: 11.75 inches x 17.75 inches
Size including frame: 21.25 inches x 27.25 inch...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of figures by a Derbyshire brook
By George Turner
Located in Moreton-In-Marsh, Gloucestershire
George Turner
British, (1843-1910)
A Derbyshire Brook
Oil on canvas, signed, further signed, titled & dated 1899 verso
Image size: 19.5 inches x 29.5 inches
Size including frame: ...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Canvas, Oil
19th Century river landscape oil painting of an Inn by a river
By Walter Stuart Lloyd
Located in Moreton-In-Marsh, Gloucestershire
Stuart Lloyd
British, (1858-1926)
The Ship Inn
Oil on canvas, signed
Image size: 19.5 inches x 29.5 inches
Size including frame: 27.5 inches x 37.5 inches
Stuart Lloyd or Walter Stuart Lloyd...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
19th Century coaching scene oil painting
By Heywood Hardy
Located in Moreton-In-Marsh, Gloucestershire
Heywood Hardy
British, (1842-1933)
The Arrival of the Coach
Oil on canvas, signed
Image size: 19 inches x 29 inches
Size including frame: 25.75 inches x 35.75 inches
A superb paint...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
19th Century seascape oil painting of Penzance harbour, Cornwall
By William Edward Webb
Located in Moreton-In-Marsh, Gloucestershire
William Edward Webb
British, (1862-1903)
Penzance Harbour
Oil on canvas, signed
Image size: 29 inches x 45.5 inches
Size including frame: 38 inches x 54.5 inches
A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb. In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats.
William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871.
By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester.
Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work.
His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
Attributed to John Riley, 17th century English portrait of a girl on a terrace
By John Riley
Located in Bath, Somerset
Portrait of a young girl, full-length, wearing a blue silk gown, standing on a terrace beside a classical urn holding a branch with blossom. Attributed to John Riley...
Category
17th Century Old Masters Antiques Associations Members Paintings
Materials
Oil, Canvas
'Jardin sud a Neuilly' Colourful floral garden landscape painting, flowers
By Jacques Martin-Ferrières
Located in Shrewsbury, Shropshire
A beautiful colourful garden scene of flowers, a building and stunning architecture. The canvas is covered all across with amazing pops of colour. Sure to be a fabulous addition to a...
Category
20th Century Impressionist Antiques Associations Members Paintings
Materials
Canvas, Oil
19th Century portrait oil painting of a young woman with pearls & a rose
By Alfred Seifert
Located in Moreton-In-Marsh, Gloucestershire
Alfred Seifert
Czech, (1850-1901)
Portrait of a Young Woman with a Pearl Necklace & Rose
Oil on panel, signed
Image size: 15.5 inches x 12 inches
Size including frame: 23 inches x...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Panel, Oil
19th Century landscape oil painting of sheep
Located in Moreton-In-Marsh, Gloucestershire
Henry/Harry Maidment
British, (1868-1942)
Sheep Resting
Oil on canvas signed
Image size: 15.5 inches x 23.5 inches
Size including frame: 22.5 inches x 30.5 inches
Henry or Harry Ma...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Canvas, Oil
19th century landscape oil painting of a village tavern with a windmill
By John Holland Senior
Located in Moreton-In-Marsh, Gloucestershire
John Holland Snr
British, (1830-1886)
The Windmill Tavern
Oil on canvas, signed
Image size: 13 inches x 20.5 inches
Size including frame: 18.25 inches x 25.75 inches
Provenance: Frost & Reed
A pleasing landscape painting of the Windmill Tavern by John Holland Snr. The scene depicts a large group of people conversing outside the inn whilst others make their way along a country track running beside it. The building and windmill pictured here appear very similar to those situated at Reigate Heath in Surrey. The mill at Reigate was built in 1753 and was still used for grinding wheat up until around 1870. The main building is now the Reigate Heath Golf Club. The windmill still stands today and is owned and maintained by Reigate and Banstead Borough Council.
John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists.
By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint.
He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886.
A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
Contemporary Bright & Colourful Landscape Painting 'Mountain Villa', Red & Green
By Rosa Canto
Located in Shrewsbury, Shropshire
A bright and beautiful landscape by a highly sought after Spanish contemporary painter, Rosa Canto. Canto is a master of paint and has a loose and free-flowing style, capturing the d...
Category
20th Century Impressionist Antiques Associations Members Paintings
Materials
Oil, Canvas
17th century portrait of lady in an ivory silk gown and lace collar
By Cornelius Johnson
Located in Bath, Somerset
Circle of Cornelius Johnson (1593-1661), a 17th century portrait of a lady, bust-length oval, wearing an ivory silk gown with blue silk bows and lace c...
Category
Early 17th Century Old Masters Antiques Associations Members Paintings
Materials
Oil, Canvas
Early 19th Century genre oil painting of a boy playing a flute
Located in Moreton-In-Marsh, Gloucestershire
Attributed to Thomas Barker of Bath
British, (1769-1847)
Boy with Flute
Oil on canvas
Image size: 17.5 inches x 13.5 inches
Size including frame: 26.75...
Category
Early 19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
19th Century genre oil painting of a boy in an attic
By Pierre Edouard Frere
Located in Moreton-In-Marsh, Gloucestershire
Pierre Édouard Frère
French, (1819-1886)
Searching the Attic
Oil on canvas, signed
Image size: 12 inches x 9.5 inches
Size including frame: 17.25 inches x 14.75 inches
Pierre Édou...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of cattle
By Thomas Baker of Leamington
Located in Moreton-In-Marsh, Gloucestershire
Thomas Baker
British, (1809-1864)
Cows with a Willow Tree
Oil on canvas, signed & dated 1860
Image size: 14 inches x 11.75 inches
Size including frame: 20.5 inches x 18.25 inches
P...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of swans on a river
By Alfred Augustus Glendening Senior
Located in Moreton-In-Marsh, Gloucestershire
Alfred Augustus Glendening Snr
British, (1840-1921)
Swans on the River
Oil on canvas, signed & dated (18)96
Image size: 17.75 inches x 30.75 inches
Size including frame: 25 inches x 38 inches
Provenance: Ravensbourne Galleries, Beckenham, Kent
A beautiful river landscape painting of swans...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
Late 19th Century genre portrait oil painting of a boy holding a lantern
By Charles Spencelayh
Located in Moreton-In-Marsh, Gloucestershire
Charles Spencelayh
British, (1865-1958)
The Lantern
Oil on canvas, signed
Image size: 13.5 inches x 9.75 inches
Size including frame: 20.25 inches ...
Category
Late 19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
Gathering Heather Stalks
By David Bates b.1840
Located in Belgravia, London, London
Watercolour on paper
Paper size: 10 x 14 inches
Signed lower right
Category
19th Century Antiques Associations Members Paintings
Materials
Paper, Watercolor
19th Century genre oil painting of children playing
Located in Moreton-In-Marsh, Gloucestershire
Reuben Hunt
British, (1857-1938)
Taking Aim
Oil on canvas, signed & dated (18)84
Image size: 19.5 inches x 29.5 inches
Size including frame: 25.25 inches ...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
17th century Dutch portrait of a Lady in Red adorned with Pearls
By Pieter Nason
Located in Bath, Somerset
Portrait of a lady, half-length in a feigned oval wearing a ruby coloured silk gown holding entwined strings of pearls across her bodice. Signed 'PNason' and dated 1667 (lower right)...
Category
17th Century Old Masters Antiques Associations Members Paintings
Materials
Oil, Canvas
Still Life of a Copper Pan and Pewter Jug
By François Bonvin
Located in Stoke, Hampshire
Francois Bonvin (1817-1887) French
Still Life of a Copper Pan and Pewter Jug
Oil on Canvas
Indistinctly Signed
9.5” x 16” (24 x 40.7cm)
Bonvin was bor...
Category
19th Century Antiques Associations Members Paintings
Materials
Oil
19th century landscape oil painting of a village tavern
By John Holland Senior
Located in Moreton-In-Marsh, Gloucestershire
John Holland Snr
British, (1830-1886)
The Malt Shovel Tavern
Oil on canvas, signed
Image size: 13 inches x 20.5 inches
Size including frame: 18.25 inches x 25.75 inches
Provenance: Frost & Reed
A wonderful painting of figures sat outside a village inn by John Holland Senior. A wagon is shown delivering supplies as another cart drives off towards a windmill in the distance. In the foreground two people cut a log in half whilst their family looks on. The Malt Shovel Inn was most likely the one at Upper Lambourn in Berkshire. Over 500 years old, it was located on Malt Shovel Lane, and was originally a bakery, becoming an inn sometime during the mid 1700’s. It remained as a pub until its closure in 2016. The windmill in the distance was situated outside Lambourn on the road to Baydon. It was built in 1771 but was demolished around 1887 and is now the site of a farm.
John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists.
By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint.
He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886.
A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
The Letter
Located in Belgravia, London, London
Oil on canvas
Canvas size: 8.75 x 6.5 inches
Framed size: 13.5 x 11.5 inches
Signed and dated '1869' lower right
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
The Kingfisher's Pool and Fishing in Peaceful Waters (Pair)
By William Mellor
Located in Belgravia, London, London
Oil on board
Board size: 14 x 12 inches each
Both signed lower mid
Category
19th Century Antiques Associations Members Paintings
Materials
Board, Oil
Still Life of Plums, Peaches and Strawberries
By Oliver Clare
Located in Belgravia, London, London
Oil on canvas
Canvas size: 8 x 12 inches
Framed size: 12 x 14 inches
Signed lower right
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
A Woeful Companion
By Arthur Batt
Located in Belgravia, London, London
Oil on canvas
Canvas size: 27 x 24 inches
Framed size: 33 x 30.5 inches
Signed and date '87 lower left
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
Still Life with Plums, Apples and Peaches on a Mossy Bank
By Oliver Clare
Located in Belgravia, London, London
Oil on canvas
Canvas size: 14 x 18 inches
Framed size: 18 x 22 inches
Signed lower right
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
Grazing Pastures
By William Sidney Cooper
Located in Belgravia, London, London
Oil on canvas
Canvas size: 18 x 30 inches
Framed size: 25.25 x 37.5 inches
Signed lower left
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
19th Century Welsh landscape oil painting of the river Mawddach
By William Henry Mander
Located in Moreton-In-Marsh, Gloucestershire
William Mander
British, (1846-1914)
On the River Mawddach, Dolgellau, North Wales
Oil on canvas, signed & further inscribed & signed verso
Image size: 19.5 inches x 29.5 inches
Size...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Canvas, Oil
Playing Cards
By Fritz Wagner
Located in Belgravia, London, London
Oil on canvas
Canvas size: 27.75 x 33.75 inches
Framed size: 35.5 x 41.5 inches
Signed lower right
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
Eavesdropping
By Charles Hunt
Located in Belgravia, London, London
Oil on canvas
Canvas size: 28 x 36.25 inches
Framed size: 33 x 41.25 inches
Signed lower right
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
Still Life of Fruits (Pair)
By Oliver Clare
Located in Belgravia, London, London
Oil on canvas
Canvas size: 11.25 x 13 inches each
Framed size: 18 x 20 inches each
Signed lower right
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
17th Century portrait oil painting of a lady
Located in Moreton-In-Marsh, Gloucestershire
Circle of Sir Peter Lely
Dutch, (1618-1680)
Portrait of a Lady, traditionally identified as Princess Henrietta Anne Stuart
Oil on canvas
Image...
Category
17th Century Old Masters Antiques Associations Members Paintings
Materials
Oil, Canvas
Bouquet of Flowers in a Glass Vase
By Cecil Kennedy
Located in Belgravia, London, London
Oil on canvas
Canvas size: 25 x 30 inches
Signed lower right
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
Harvest Time
By Walter Heath Williams
Located in Belgravia, London, London
Oil on canvas
Canvas size: 18 x 26 inches
Framed size: 22.5 x 30.5 inches
Signed lower right
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
19th Century landscape oil painting of a busy village
By Georgina Lara
Located in Moreton-In-Marsh, Gloucestershire
Georgina Lara
British, (fl. 1862-1871)
Bustling Village Life
Oil on canvas, signed
Image size: 19.5 inches x 29.5 inches
Size including frame: 25.5 inches x 35.5 inches
Georgina Lara also known as Edwina Lara was a London painter of rustic farmyard and village scenes. Her work also closely resembles that of Edward Masters...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
19th Century genre oil painting of figures in a cottage with two donkeys & a dog
By Charles Hunt Jr.
Located in Moreton-In-Marsh, Gloucestershire
Charles Hunt Jnr
British, (1829-1900)
A Deal to be Done
Oil on canvas, signed
Image size: 24.75 inches x 34.75 inches
Size including frame: 32.25 inches x 42.25 inches
Charles Hunt was born in Kensington, London and was part of a dynasty of painters. He was the son of the genre painter Charles Hunt (1803-1877) and father to Edgar Hunt (1876-1955) and Walter Hunt (1861-1941) both of whom were taught by their father and became successful artists in their own right. Two more of his children Reuben Hunt...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Oil, Canvas
Still life of Bird's Nest and Flowers on a Mossy Bank
By Oliver Clare
Located in Belgravia, London, London
Oil on canvas
Canvas size: 10 x 12 inches
Framed size: 18 x 20 inches
Signed lower right
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
A Tributary of the Lledr
By William Henry Mander
Located in Belgravia, London, London
Oil on canvas
Canvas size: 15.25 x 11 inches
Framed size: 19.25 x 15.25 inches
Signed lower left
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
Village Life
Located in Belgravia, London, London
Oil on canvas
Canvas size: 10 x 18 inches
Framed size: 15.5 x 23.5 inches
Signed
Category
19th Century Antiques Associations Members Paintings
Materials
Canvas, Oil
19th Century townscape oil painting of Bruges
By Jacques François Carabain
Located in Moreton-In-Marsh, Gloucestershire
Jacques François Carabain
Belgian, (1834-1933)
Market Day, Bruges
Oil on canvas, signed & dated (18)58
Image size: 28.5 inches x 35.5 inches...
Category
19th Century Victorian Antiques Associations Members Paintings
Materials
Canvas, Oil
Sheep Resting
By Thomas Sidney Cooper
Located in Belgravia, London, London
Oil on panel
Panel size: 17 x 14 inches
Framed size: 22.75 x 20 inches
Signed lower left
Category
19th Century Antiques Associations Members Paintings
Materials
Oil, Panel
Green Seascape with Figures 'Apres midi sur la plage' by Gabriel Spat
By Gabriele Spat
Located in Shrewsbury, Shropshire
The harmonious colour palette of the blues and seafoam greens creates a beautiful seascape that is a joy to look at. The dark figures paddling in the shallows create a contrast again...
Category
20th Century Impressionist Antiques Associations Members Paintings
Materials
Board, Oil
Study of the Head of a Moorhen
By Joseph Mallord William Turner
Located in Belgravia, London, London
Watercolour on paper
Paper size: 4 x 5 inches
Framed size: 19 x 19.75 inches
PROVENANCE
A gift from Joseph Mallord William Turner to Miss Amelia Hawksworth (later Mrs Hotham), niece of Walter Fawkes. The watercolour descended through the ownership of Amelia Hawksworth, daughter of Francis Fawkes ( Walter Fawkes's brother) who was the main compiler of the Ornithological Collection (Miss Hawksworth owned five other bird studies by Turner).
Private collection, London
LITERATURE:
For similar works by J M W Turner see Anne Lyles, The Tate catalogue for the exhibition 'Turner and Natural History, The Farnley Project', 1988.
The present watercolour was drawn circa 1815-1820 for Walter Fawkes of Farnley Hall, for his Ornithological Collection Volume IV.
Between 1808 and 1824, Turner visited Farnley Hall in Yorkshire to stay with the Fawkes family. Turner felt at home at Farnley - the Fawkes daughters reminded him of his own. He helped illustrate a five volume ornithological scrap book for the Fawkes children, making watercolour studies of the birds for the children to stick in opposite the pages on which feathers from similar birds were attached. His bird portraits were most effective, most "life-like", when in fact the bird was dead ! His watercolours of a live robin and goldfinch have a more hesitant touch.
At this time Turner enjoyed the patronage first of Edward Lascelles, the heir to Harewood, and after 1808, of the radical landlord Walter Fawkes of Farnley Hall, near Otley. He became a close friend of the Fawkes family with whom he stayed for most summers until 1824.
The last owner of Old Farnley Hall was Francis Fawkes, a rich widower with no direct heirs. When Francis Fawkes died in 1786 he left the house to Walter Beaumont Hawksworth of Hawksworth Hall, on condition that Hawksworth adopt the Fawkes name by Royal Licence. Walter Fawkes brought in architect John Carr of York to make extensions to the house, but he died before the work was completed, and Farnley Hall was passed on to his son, also called Walter who also took the Fawkes name and was known as Walter Ramsden Fawkes. It was this Walter who was a great friend of J M W Turner.
Anne Lyles has confirmed the attribution and writes:
"Everything fits in relation to the style of the watercolour and most especially the provenance - in the Turner and Natural History exhibition catalogue of 1988 we know that Amelia Hawksworth (Mrs Hotham) owned three studies of birds' heads by J M W Turner (previously with the Maas Gallery, and numbers 36, 37 and 61 in that catalogue) as well as two studies of dead game by the artist (catalogue numbers 59 and 63, the latter untraced in 1988). Interestingly, catalogue numbers 36 and 37 (the Merganser and the Smew) seem also originally to have been intended for Volume IV of the Ornithological Collection - it is likely that the "Study of the Head of a Moorhen...
Category
19th Century Antiques Associations Members Paintings
Materials
Watercolor, Paper
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